Emily Lawrence

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It’s always the sign of a well-crafted movie when you can change a central narrative beam in post and it doesn’t make any difference at all. I’m reminded of a guy in one of my old writing groups who, fearing his story didn’t have enough female representation, did a find-and-replace and changed every instance of “Sam” to “Samantha,” then went through and changed the pronouns accordingly, leaving everything else the same.
One Day, Everyone Will Have Always Been Against This
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