Indeed my writing has always found itself facing two divergent roads that correspond to two kinds of knowledge: one that moves through mental spaces of disembodied rationality, in which lines can be drawn that connect points, projections, abstract shapes, vectors of force; another that moves in a space crowded with objects and seeks to create a verbal equivalent of that space by filling pages with words, in a meticulous effort to match the written to the not-written, to the sum of the sayable and the not-sayable.
