Perhaps history this century, thought Eigenvalue, is rippled with gathers in its fabric such that if we are situated, as Stencil seemed to be, at the bottom of a fold, it’s impossible to determine warp, woof or pattern anywhere else. By virtue, however, of existing in one gather it is assumed there are others, compartmented off into sinuous cycles each of which comes to assume greater importance than the weave itself and destroys any continuity. Thus it is that we are charmed by the funny-looking automobiles of the ’30s, the curious fashions of the ’20s, the peculiar moral habits of our
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