All her characters fell into this disturbingly predictable racial alignment. The sympathetic—those godlike, inexhaustible sex athletes she used for heroes and heroines (and heroin? he wondered) were all tall, strong, white though often robustly tanned (all over), Anglo-Saxon, Teutonic, and/or Scandinavian. Comic relief and villainy were invariably the lot of Negroes, Jews and South European immigrants.
Mafia is Ayn Rand
