“There is something irresistibly perverse,” as the Revd then noted, “about a young white woman sitting upon a Stoep in the evening, among a steady coming and going of black servants meant, as in the Theater of the Japanese, to be read as invisible, whilst she poses all a-shine, she and her friends. According to which steps they sit upon, and which are then claim’d by the Feet of young Sparks who might wish to linger, the possible viewing-angles, for both Parties, are more or less multiplied, each combination of Steps having its own elaborate Codes for what is allow’d, and what transgresses,
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