Denise Hauge

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There were no linear or chronological paths to the conversation at first. Later, I’d try and fail to impose them. Juan spoke in concentric circles, telling and retelling an anecdote until it broke through to another, and another. I came to regard the knowing, unrushed voice on the other end of the line as the sound of history itself—following its own course, patient with my questions but not always responsive to them.
Everyone Who Is Gone Is Here: The United States, Central America, and the Making of a Crisis
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