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Some nights he’d lie awake till morning, frightening sleep away with the desperation of his wanting it.
To Cyrus, then, the storm and all other meteorological phenomena happened directly to him. Against him.
He felt a flash of familiar shame—his whole life had been a steady procession of him passionately loving what other people merely liked, and struggling, mostly failing, to translate to anyone else how and why everything mattered so much.
Everyone in America seemed to be afraid and hurting and angry, starving for a fight they could win. And more than that even, they seemed certain their natural state was to be happy, contented, and rich. The genesis of everyone’s pain had to be external, such was their certainty.
“Cyrus, for months, every song I’ve listened to has been directly about me. About my life. And my stupid fucking life with you. Every flower has been blooming straight into my fucking face. Do you know what that is? It’s like being insane. Like the fucking pigeons are speaking to me. Have you ever felt that? Do you have any idea what I’m even talking about?”
When asked about the difficulties of sculpture, Michelangelo said, “It is easy. You just chip away all the stone that isn’t David.” It’s simple to cut things out of a life. You break up with a shitty partner, quit eating bread, delete the Twitter app. You cut it out, and the shape of what’s actually killing you clarifies a little. The whole Abrahamic world invests itself in this promise: Don’t lie, don’t cheat, don’t fuck or steal or kill, and you’ll be a good person. Eight of the ten commandments are about what thou shalt not. But you can live a whole life not doing any of that stuff and
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As Cyrus finished catching Zee up, he felt immeasurably lighter. Whatever was merciful in the universe lived in Zee, Cyrus suddenly realized.

