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So compelling is the identity of picture and reality that all along my path numberless dawdling afternoons in museums were being summoned back to life and set in motion. Every pace confirmed them. Each scene conjured up its echo. The masts and quays and gables of a river port, the backyard with a besom leaning against a brick wall, the chequer-board floors of churches—there they all were, the entire range of Dutch themes, ending in taverns where I expected to find boors carousing, and found them; and in every case, like magic, the painter’s name would simultaneously impinge.

