Books That Quote or Reference Other Works In The Title
Many authors are inspired by other works of literature. Sometimes, they use phrases from the original work in their very title. This is a list of works which quote other (usually canonical) works in their title. If you can, write a note/comment telling where the quote is from.
Ruby
2405 books
51 friends
51 friends
Themis-Athena (Lioness at Large)
545 books
367 friends
367 friends
Harriet
1555 books
65 friends
65 friends
Thom
6023 books
305 friends
305 friends
Susanna - Censored by GoodReads
3245 books
861 friends
861 friends
Nova
1689 books
15 friends
15 friends
Phillip
4741 books
134 friends
134 friends
Sandy
2128 books
122 friends
122 friends
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Thom
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Nov 07, 2009 10:44AM

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The source of C.S. Lewis's That Hideous Strength:
"The title is taken from a poem written by David Lyndsay in 1555, Ane Dialog betuix Experience and ane Courteour, also known as The Monarche. The couplet in question, The shadow of that hyddeous strength, sax myle and more it is of length, refers to the Tower of Babel."

"Afer Many a Summer Dies the Swan" is from Tennyson's poem Tithonus.
"Eyeless in Gaza" is from Milton's Samson Agonistes.



Many thanks, Themis--It worked just as you said it would.



Echoes Gloucester's speech "As flies to wanton boys are we to the gods..."

I never was attached to that great sect,
Whose doctrine is, that each one should select
Out of the crowd a mistress or a friend,
And all the rest, though fair and wise, commend
To cold oblivion, though it is in the code
Of modern morals, and the beaten road
Which those poor slaves with weary footsteps tread,
Who travel to their home among the dead
By the broad highway of the world, and so
With one chained friend, perhaps a jealous foe,
The dreariest and the longest journey go.


brilliant

The title is drawn from Percy Bysshe Shelley's quote: "Poets are the hierophants of an unapprehended inspiration; the mirrors of the gigantic shadows which futurity casts upon the present; the words which express what they understand not; the trumpets which sing to battle, and feel not what they inspire; the influence which is moved not, but moves. Poets are the unacknowledged legislators of the world."

Till from the garden and the wild
A fresh association blow,
And year by year the landscape grow
Familiar to the stranger’s child;
http://www.theotherpages.org/poems/bo...

All this was lost on Alice, who was still looking intently along the road, shading her eyes with one hand. "I see somebody now!" she exclaimed at last. "But he's coming very slowly--and what curious attitudes he goes into!" (For the Messenger kept skipping up and down, and wriggling like an eel, as he came along, with his great hands spread out like fans on each side.)
"Not at all," said the King. "He's an Anglo-Saxon Messenger--and those are Anglo-Saxon attitudes."

All this was lost on Alice, who was still looking intently along the road, shading her eyes with o..."
Brilliant.


Well done you ! Reminds of Styron, "Set This House on Fire", another metaphysical conceit from John Donne, IMS.

Isn't It Pretty To Think So?"
It doesn't. Deleted. Someone has been spamming that book onto every possible list.


Well in that case, the author's factotum will have to come back with his 13 sockpuppets to vote it back on.


Good time capsule. And then, there's Hemingway's prose.

comes from Christopher Marlowe's "The Jew of Malta."
Thou has committed -
Fornication; but that was in another country,
And besides, the wench is dead.

Took his title from Rudyard Kipling's poem of the same title.

Not in vain the distance beacons. Forward, forward let us range,
Let the great world spin for ever down the ringing grooves of change.

There is a tide in the affairs of men,
Which, taken at the flood, leads on to fortune;
Omitted, all the voyage of their life
Is bound in shallows and in miseries.
On such a full sea are we now afloat,
And we must take the current when it serves
Or lose our ventures.

Brief excerpt:
"...by his Word, his mercies, hath applied his judgments, and shaked the house, this body, with agues and palsies, and set this house on fire, with fevers and calentures, and frighted the Master of the house, my soule, with horrors..."

The title's reference is from Measure for Measure:
Than the soft myrtle: but man, proud man,
Drest in a little brief authority,
Most ignorant of what he's most assured,
His glassy essence, like an angry ape,
Plays such fantastic tricks before high heaven
As make the angels weep; who, with our spleens,
Would all themselves laugh mortal.

Yes I ken John Peel and Ruby too
Ranter and Royal and Bellman as true,
From the drag to the chase, from the chase to the view
From a view to the death in the morning
by John Peel.

From the poem "The City in the Sea" by E. A. Poe:
Resignedly beneath the sky
The melancholy waters lie.
So blend the turrets and shadows there
That all seem pendulous in air,
While from a proud tower in the town
Death looks gigantically down.

From the poem "Tiare Tahiti" by Rupert Brooke:
Dive and double and follow after,
Snare in flowers, and kiss, and call,
With lips that fade, and human laughter
And faces individual,
Well this side of Paradise! ....
There’s little comfort in the wise.

From the poem "Elegy to the Memory of an Unfortunate Lady" by Alexander Pope:
On all the line a sudden vengeance waits,
And frequent hearses shall besiege your gates.
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