Debut Author Snapshot: Sheramy Bundrick
Posted by Goodreads on December 1, 2009

Sheramy Bundrick: Virtually nothing. The only mention of Rachel in the historical sources is a newspaper article from December 30, 1888—the Sunday paper of Arles—mentioning her as the prostitute to whom Van Gogh gave the piece of his ear. Vincent himself mentions only "the girl I went to when I lost my wits" in a letter to [his brother] Theo. They must have known each other, because the newspaper article says [Van Gogh] asked for her. But how? That kind of historical mystery opens the door for a novelist to imagine all kinds of things! But at the same time, it is crucial to be faithful to the historical record as much as possible.
GR: The book focuses on Van Gogh's final years as he succumbed to mental illness. What familiar paintings were produced during this time? How did his illness influence his art?
SB: Most of the paintings people associate with Van Gogh were produced during the last two years of his life, the period covered in Sunflowers. Just to name a few: Starry Night, Vincent's Bedroom at Arles, Irises...and so many others. I tried to incorporate as many of the works as possible in the story without overdoing it!
As for how his illness influenced his art, I'm not sure it actually did. It's very tempting to look at that swirly sky in Starry Night and say, "Oh, he painted it that way because he was crazy," but that's too simplistic. Van Gogh's illness was intermittent; he'd have episodes of severe depression and hallucinations for days or even weeks, then it would pass and he would return to complete lucidity. Nearly all his paintings were done outside of these episodes. Although Van Gogh has the reputation of being an intuitive artist who worked quickly, his artistic choices were always carefully thought out. The mad genius slapping paint on canvas is nothing but a myth.
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Great interview! I've added the book to my to-read list.