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I fiori blu
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Un personaggio, il Duca d'Auge, che attraversa l'intero evo moderno, ricomparendo nel romanzo ogni 175 anni; un altro, Cidrolin, che negli anni Sessanta del XX secolo vive nella più totale inattività su un barcone ancorato nei pressi di Parigi; e poi due cavalli parlanti, Sten e Stef, e campeggiatori che si esprimono invece in una lingua inesistente, e alchimisti, e abati
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Hardcover, Novecento - I Romanzi Di Repubblica #59, 222 pages
Published
February 19th 2003
by Gruppo Editoriale L'Espresso
(first published 1965)
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Once upon a time, I, Chuang Chou, dreamt I was a butterfly, fluttering hither and thither, to all intents and purposes a butterfly. I was conscious only of my happiness as a butterfly, unaware that I was Chou. Soon I awaked, and there I was, veritably myself again. Now I do not know whether I was then a man dreaming I was a butterfly, or whether I am now a butterfly, dreaming I am a man, Zhuangzi.
The novel The Blue Flowers consists of extensive exercises on the theme of this dream
The novel The Blue Flowers consists of extensive exercises on the theme of this dream
I often dream...more
Queneaus novels and poetry have found their way into English and have been kept in print by a Reich of mostly American, and several British presses, among them Dalkey Archive, Atlas Press, NYRB Classics, Oneworld Classics, New Directions, Carcanet, Sun and Moon Press, University of Illinois Press, University of Nebraska Press, and Penguin Classics. There are (at last count) twenty books of Queneaus work in Englisha couple out-of-print or expensivebut largely all readily available for your
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I've been meaning to read more Queneau, but this mess of silly accents and bad puns (and single line asides in which a character kills 200 people) proves nearly unreadable to me. One of the back blurbs calls this "wacky", which should have been a warning sign right off. Set aside, not necessarily to resume.
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Later: felt humorless and undermotivated, read a bunch more, found myself still unable to work up the proper level of caring required to continue. Queneau seems to have some interesting ...more
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Later: felt humorless and undermotivated, read a bunch more, found myself still unable to work up the proper level of caring required to continue. Queneau seems to have some interesting ...more
5 star for a true pataphysician novel
Feb 02, 2008
Kyle Callahan
rated it
liked it
·
review of another edition
Recommends it for:
postmodernists, lovers of experimental fiction, francophiles
An interesting book that alternates between two main characters who may or may not be the same person and who may or may not be dreaming each other.
There isn't much in the way of plot, but you don't really read Queneau for plot. It's more for just the joy of the language. Now, supposedly this book is absolutely brilliant in the way Queneau uses the various aspects of the French language, intermingling high French and low French, but in the English translation, it doesn't seem like Barbara Wright ...more
There isn't much in the way of plot, but you don't really read Queneau for plot. It's more for just the joy of the language. Now, supposedly this book is absolutely brilliant in the way Queneau uses the various aspects of the French language, intermingling high French and low French, but in the English translation, it doesn't seem like Barbara Wright ...more
Over the last several years, Raymond Queneau has been one of my favorite authors. After falling in love with the hilariously playful Zazie in the Metro, I began working my way through his catalog of books. His books are filled with laugh out loud wordplay, this one included, that are at the same time clever yet natural. However this book simply never grabbed me the way some of his others have. It's a very surrealist story about two characters in different times who are essentially the same
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I read this book when I was eighteen, and was delighted at Queneau's humor, wordplay, and farce as the Duke de Auge and Cidrolin interact and are a surrealistic Don Quixote and Sancho Panza. The story of tripping through 175 year intervals of French history is roaring good fun, and the Duke is a charming rascal. The book does run out of steam in the last few pages, but before that, it's really funny and a treasured part of my library.
Also, the Duke and Sthenes, his talking horse, have a strange ...more
Also, the Duke and Sthenes, his talking horse, have a strange ...more
This is just a load of fun. It has an incantatory quality as it moves forward, to the point that you can almost anticipate some of the repeated drolleries (the passers-by conversations, for instance, or Cidrolin's reaction to most meals, or the Duke's response to nearly any obstacle). I'm sure one can do all kinds of interesting philosophical work trying to parse this fairy tale but it seems churlish. Both Cidrolin and the Duke of Auge are terrific characters and their interpolated storylines
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I think if I had read this a few years ago before my sieve-like brain had lost some historical information I would have liked it more, but as it stands still a fun bit of surrealism. Wish you could give half stars, cause this deserves 3 1/2, says I. The first thing I've read by Queneau, a well-told and funny tale of a Rabelaisian Duke thrashing his way through history as a mid-sixties layabout drinks essence of fennel on his barge. It's one fucking fiasco after another as their worlds draw
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Apparently (from the little article at the end), this is one of Queneau's favorites of his own work. I found it a little bland compared to his other stuff. However, it was quite funny with lots of wordplay (as usual), though I think I might have missed a lot of the puns and jokes due to translation. Probably much more entertaining in French (the title, for example, is some idiom in France). Nevertheless, this is probably a good introduction to Queneau, and is quite entertaining.
I've been on a Queneau bender the last week or so. This one wasn't my favorite compared to Zazie or Exercises in Style, but I did like the construct of Cidrolin/the Duke...is one dreaming of the other (and which is which).
Totally hilarious romp into the past the present the future dreams and wordplay! (not to mention ourselves...)
I found it very Calvinoesque, but not sure whether that's because the original is Calvinoesque or because Calvino put a lot of himself into the translation, or both.
I found it very Calvinoesque, but not sure whether that's because the original is Calvinoesque or because Calvino put a lot of himself into the translation, or both.
Not as delightful as his other books. Still, very clever and it really comes together at the end. Maybe it would have been better if I knew more about French history. Can't wait to get another one of his works.
The Duke of Auge is a wonderful character, unstoppable really. I don't enjoy the verbal games as much as I'd like to, and the half of the novel given to Cidrolin takes a good while to get rolling. In fact, I don't care much for that bit until Lalix arrives.
Feb 11, 2012
Letizia
rated it
really liked it
·
review of another edition
Shelves:
letteratura-francese
amazing, and surprising
Finiti
A really Masterpiece!
Real life and dreamland come toghether in a game of words...
Genius, full of clever puns and memorable quotes. A lovely read. I definitely recommend it, especially Italo Calvino's excellent Italian translation.
lots of zany ribald antics, if you're into that sort of thing
a fun book worth reading...playing with history, metaphors...and sometimes with my mind...
Loved it! Immaginative, surreal, enchanting... pure genius.
first queneau / fun fuckin fiasco
between the passerby and the cave paintings, :)
between the passerby and the cave paintings, :)
From my perspective it seems quite telling that Queneau's THE BLUE FLOWERS (the second last novel of a man who had already had a long and immodestly illustrious career), appeared within a year of Donald Barthelme's debut collection of stories (the sublimely titled COME BACK, DR. CALIGARI). We may wish to see Mr. Queneau, as so many others have, as a product of the surrealist movement of the 1920s, or as a writer in the tradition of Alfred Jarry (he is unquestionably at times a practitioner of
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I'll declare here that I'm partial to Queneau. I am on the fence about this little ditty, however. I dig the conceit, the blurring of lines between dream-life and waking-life.
I dig the mucking about with history. I think some of the wordplay -as translated by Barbara Wright- is remarkable (and funny). I even liked our hero, one Cidrolin (who consumes far too much of something called 'essence of fennel'). He seemed like an Ignatius P. Reilly character, someone more committed to his version of ...more
I dig the mucking about with history. I think some of the wordplay -as translated by Barbara Wright- is remarkable (and funny). I even liked our hero, one Cidrolin (who consumes far too much of something called 'essence of fennel'). He seemed like an Ignatius P. Reilly character, someone more committed to his version of ...more
Playful, allusive prose and interwoven (dream) narratives that span centuries mean that youre never quite sure what is real in this surrealist novel. Which I suppose is probably the point. Never really grabbed me, however, and the near-constant puns really did start to grate after a while... Must have been a bear to translate.
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Divertissement intellettuale.
Highly recommend... and not just for the inspired word-play. If this sort of thing intrigues you, also check out "Exercises in Style."
unfinished
"The Blue Flowers": a journey between dreams and reality
Is Cidrolin dreaming he is Joachim of Auge or is Joachim of Auge dreaming he is Cidrolin? The novel presents us two 'timelines' banging into each other common denominator: the sleep. When one of the two protagonists is falling asleep, we move to the other's story. Cidrolin appears to be an ordinary man, living in a barge, drinking too much, often sleeping, and repainting his fence because some troublemaker regularly writes insults on
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Novelist, poet, and critic Raymond Queneau, was born in Le Havre in 1903, and went to Paris when he was 17. For some time he joined André Breton's Surrealist group, but after only a brief stint he dissociated himself. Now, seeing Queneau's work in retrospect, it seems inevitable. The Surrealists tried to achieve a sort of pure expression from the unconscious, without mediation of the author's
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“I’ll pun him so many puns that even his arrogance will finally be expunged.”
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“L'instruction! Voyez ce que c'est, monsieur, que l'instruction. On apprend quelque chose à l'école, on se donne même du mal, beaucoup de mal, pour apprendre quelque chose à l'école, et puis vingt ans après, ou même avant, ce n'est plus ça, les choses ont changé, on ne sait plus rien, alors vraiment ce n'était pas la peine. Aussi je préfère penser qu'apprendre.”
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