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A Tale of Two Cities

Charles Dickens,

Richard Maxwell (Introduction)

3.84 · Rating details · 769,904 ratings · 16,111 reviews

Part of Penguin's beautiful hardback Clothbound Classics series, designed by the award-winning Coralie Bickford-Smith, these delectable and collectible editions are bound in high-quality colourful and tactile cloth.

After eighteen years as a political prisoner in the Bastille the aging Dr Manette is finally released and reunited with his daughter in England. There two very ...more

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Hardcover, Clothbound Classics, 489 pages

Published June 2nd 2011 by Penguin Classics (first published 1859)

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Jan 23, 2008 Melissa Rudder rated it it was amazing · review of another edition

Shelves: teach-it

My primary goal when I'm teaching A Tale of Two Cities to my sophomores is to make them realize that Charles Dickens didn't write creaky, dusty long novels that teachers embraced as a twisted rite of passage for teenagers. Instead, I want them them to understand why Dickens was ~~one of~~ the most popular writers in England and America during his time. I want them to see the book as the suspenseful, comedic, and sentimental piece of entertainment that it is. Because, while A Tale of Two Cities is My primary goal when I'm teaching A Tale of Two Cities to my sophomores is to make them realize that Charles Dickens didn't write creaky, dusty long novels that teachers embraced as a twisted rite of passage for teenagers. Instead, I want them them to understand why Dickens was ~~one of~~ the most popular writers in England and America during his time. I want them to see the book as the suspenseful, comedic, and sentimental piece of entertainment that it is. Because, while A Tale of Two Cities is masterfully written with sly humor, densely meaningful descriptions, a cast of quirky characters only Dickens could create, an endless series of telling binaries and foils, and relevant social commentary about the French Revolution as well as Dickens' time, it is also simply a damn good story. By a damn good storyteller.

I have a difficult time writing reviews about books that I adore because, when I'm not reading them, I hug them too closely to be very critical. (BTW - I frequently hug A Tale of Two Cities in front of my students... and write Charles Dickens' name with hearts around it... They think I'm crazy, but it intrigues some of them just enough to make them doubt the derisive comments of upperclassmen.) I reluctantly admit that Dickens does oversimplify the causes of the French Revolution and the Reign of Terror; however, in doing so, he successfully captures the spirit of a tumultuous period and helps readers sympathize with characters on every side of the developing conflict. I also think that the characters of Roger Cly and John Barsad get a bit messy and may have worked better as a single character. Perhaps the confusion is a result of serialization restructuring. But, really, I read A Tale of Two Cities like a costumed Lord of the Rings fan at a movie premier. I cheer when my favorite characters enter scenes and I knowingly laugh when Dickens cleverly foreshadows future events.

Though I don't think that A Tale of Two Cities is Dickens' best novel--that title I would reserve for either Bleak House or David Copperfield--I do agree with Dickens, who claims that it was his best story. It is artfully written. Dickens introduces a cast of characters, sprawled across two nations and spanning varied social classes and political affiliations, and then effortlessly weaves their stories and secrets together in a masterful way. The Modernist movement painstakingly forced literature to reflect the ambiguities and uncertainties of the real world and that's great, but sometimes it is a real joy to read a story that ends with such magnificent closure. All mysteries are solved and everything makes sense. It is beautiful.

(I have to admit that I was overjoyed when a group of my fifth period girls persistently voiced their disdain for Dickens' angel in the house Lucie and backed Madame Defarge. I think they may have created a Madame Defarge myspace, actually. Oh how the times have changed.)

"Ms. R--, you got me." "What?" "At the beginning of this book, you said you would get some of us. And that we would love it. You got me." I didn't get you G--. Charles Dickens did. I just introduced you.

Quote:

"A wonderful fact to reflect upon, that every human creature is constituted to be that profound secret and mystery to every other." ...more

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Dec 01, 2011 Lyn rated it it was amazing · review of another edition

Hundreds, thousands of stories long to have a quotable verse, just one.

Tale of Two Cities, Dickens masterpiece as far as I'm concerned, is bookended by two of the most recognizable quotes in all of English language.

This is also the darkest story I have read of his, and no doubt, it's about the bloody French Revolution and Dickens spares none of his acerbic wit to demonize what was rightly demonic. Yet, to his credit and genius, neither does he sugar coat the great social injustices that led ...more

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Jul 01, 2019 Virginia Ronan ♥ Herondale ♥ rated it really liked it · review of another edition

Shelves: classics

”It is a far, far better thing that I do, than I have ever done; it is a far, far better rest that I go to than I have ever known.”

It rarely happens that a quote from a book haunts me but this one, well, this one does. I finished “A Tale of Two Cities” about two weeks ago, yet I’m still not over the ending. But how could I? After all, this is one of those rare books that keep you thinking even after you finished the last page and already closed the cover of the book.

The most intriguing thing ...more

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Jan 17, 2014 Sean Barrs the Bookdragon rated it liked it · review of another edition

Shelves: classics, 3-star-reads

Charles Dickens is a demanding writer. The narratives of Great Expectations and Oliver Twist are relaxed and simple when compared to this. Reading Dickens requires concentration, and a will to carry on when sometimes the writing gives you a headache.

This is a historical novel. Dickens tells the story of the storming of the Bastille, some fifty years after it happened. Unlike most of his work, all traces of humour are removed. There are no caricatures and quirkiness within his writing. This Charles Dickens is a demanding writer. The narratives of Great Expectations and Oliver Twist are relaxed and simple when compared to this. Reading Dickens requires concentration, and a will to carry on when sometimes the writing gives you a headache.

This is a historical novel. Dickens tells the story of the storming of the Bastille, some fifty years after it happened. Unlike most of his work, all traces of humour are removed. There are no caricatures and quirkiness within his writing. This is all very serious material, which, of course, it needs to be. But, for me, this is what Dickens does best. His ability to juxtapose themes of human suffering, poverty and deprivation with ideas of the grotesque, ridiculous and, at times, the plain mad, are where his real master strokes of penmanship come through.

That’s what I like the most about Dickens, so I knew my enjoyment of this very serious novel would be hindered immediately. What we do have though is a strong revenge plot running through the book, and the revolt which occurred two thirds of the way in. And, like the name of the book suggests, this is a tale about two cities: London and Paris. Dickens loved to criticise society, and all its stupid aristocratic nuances. Here he takes great pains to show that London is no symbol of societal perfection. The aftermath of the French revolution placed the British on a pedestal, at least, to their own minds. They could not believe that their own current systems of ruling could cause such a travesty within their own capital. Dickens shows that the men in power were just as corrupt and corruptible wherever they sit, revolution can happen again.

“I see a beautiful city and a brilliant people rising from this abyss. I see the lives for which I lay down my life, peaceful, useful, prosperous and happy. I see that I hold a sanctuary in their hearts, and in the hearts of their descendants, generations hence. It is a far, far better thing that I do, than I have ever done; it is a far, far better rest that I go to than I have ever known.”

description

The streets of Paris are seen before and after the bloodshed, and all the strands of seemingly unrelated plots are artfully (perhaps slightly forcefully?) woven together. Dickens brings the lives of a huge cast of characters, spanning over two cities, and two nations, all of which have a varied station in life and political beliefs, into one final conclusion. And it’s a strong conclusion, though heavily reliant of coincident. This is nothing unusual for fiction of the Victorian era, though it did feel very much like a construct. The modernists would address such issues in the next century, mainly to criticise them heavily due to their incapability at capturing the essence of life within fiction. Perhaps they have a point here?

So this is a very strong story, one that is highly perceptive and intuitive at times. As a reader, I need a certain degree of entertainment when reading. I find that the wonderfully comic elements that are in some of Dickens’ other books help to break up the more intense moments of the plot. Even Jane Austen would interpose her narrative with moments of scathing sarcasm and wit. For me, this is far from the finest work of Dickens despite the fact that it seems to be his most popular. ...more

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Oct 13, 2018 Nick marked it as to-read · review of another edition

This is Tessa's favorite. The book that Will grew to love. It must have something special.

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Feb 09, 2008 Leslie rated it it was amazing · review of another edition

This review has been hidden because it contains spoilers. To view it, click here. Most satisfying ending in the English language.

Yes, the last line is a classic ("It is a far, far better thing ..."), concluding, in astonishingly concise language (for Dickens), the peace and redemption of the story's most poignant romantic hero. But this novel delivers such a gratifying experience because there are, in fact, many characters who cover significant emotional ground in their journey to love one woman as best they can.

Lucie's father battles his way back from madness under the ...more

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Feb 21, 2019 Matthew rated it really liked it · review of another edition

Shelves: classic, own, historical-fiction, book-a-book-club, 2019

“It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of Light, it was the season of Darkness, it was the spring of hope, it was the winter of despair, we had everything before us, we had nothing before us, we were all going direct to Heaven, we were all going direct the other way.”

Another classic down! The copy of this book that I read I have owned since middle ...more

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Jul 28, 2009 Ahmad Sharabiani rated it really liked it · review of another edition

Shelves: 19th-century, literature, 1001-book, classic, fiction, historical

883. A Tale of Two Cities, Charles Dickens
A Tale of Two Cities (1859) is a historical novel by Charles Dickens, set in London and Paris before and during the French Revolution. The novel tells the story of the French Doctor Manette, his 18-year-long imprisonment in the Bastille in Paris and his release to life in London with his daughter Lucie, whom he had never met; Lucie's marriage and the collision between her beloved husband and the people who caused her father's imprisonment; and Monsieur 883. A Tale of Two Cities, Charles Dickens
A Tale of Two Cities (1859) is a historical novel by Charles Dickens, set in London and Paris before and during the French Revolution. The novel tells the story of the French Doctor Manette, his 18-year-long imprisonment in the Bastille in Paris and his release to life in London with his daughter Lucie, whom he had never met; Lucie's marriage and the collision between her beloved husband and the people who caused her father's imprisonment; and Monsieur and Madame Defarge, sellers of wine in a poor suburb of Paris. The story is set against the conditions that led up to the French Revolution and the Reign of Terror.
عنوان: داستان دو شهر؛ نویسنده: چارلز دیکنز؛ انتشاراتیها: (پیروز، جاویدان، گلشائی، مجرد، درنا، توسن، علمی فرهنگی، سپیده، مریم، فرزان روز، دبیر، افق، سولدوزبایجان) ادبیات؛ تاریخ نخستین خوانش: ماه نوامبر سال 2003 میلادی
مترجم: گیورگیس آقاسی؛ تهران، پیروز، 1347، در 300 ص
مترجم: ابراهیم یونسی؛ تهران، جاویدان، چاپ اول 1346، در 436 ص، چاپ دوم 1355 ، در 570 ص
مترجم: ابوالفتوح امام؛ تهران، گلشایی، 1362 ، در 520 ص
مترجم: ناظر نعمتی؛ تهران، مجرد، 1363 ، در 197 ص
مترجم: کامران ایراندوست؛ تهران، درنا، 1368 ، در 180 ص
مترجم: امیر اسماعیلی؛ تهران، توسن، 1368 ، در 130 ص
مترجم: مینو مشیری؛ تهران، علمی فرهنگی، 1370 ، در 225 ص
مترجم: مجید سیف؛ تهران، سپیده، 1370 ، در 171 ص
مترجم: مهدی سحابی - متن کوتاه شده؛ تهران، مریم، 1374 ، در 141 ص
مترجم: ابراهیم یونسی؛ تهران، نگاه، 1377 ، در 480 ص
مترجم: مهرداد نبیلی؛ تهران، فرزان روز، 1381 ، در 482 ص
مترجم: مهدی علوی؛ تهران، دبیر، 1389 ، در 96 ص
مترجم: نوشین ابراهیمی؛ تهران، افق، 1389، در 698 ص
مترجم: وحید سهرابی حسنلویی؛ خدیجه سهرابی حسنلویی؛ نقده، سولدوزبایجان، 1393، در 165؛
رمانی نوشته «چارلز دیکنز» است، که داستانش در لندن و پاریس، پیش، و همزمان با انقلاب فرانسه رخ می‌دهد، داستان جوانی کشاورززاده را با اشرافیگرائیهای فرانسوی، در سالهای منتهی به انقلاب، و خشونتهای انقلابیون را، نسبت به اشراف پیشین، در سالهای نخستتین انقلاب فرانسه، به تصویر می‌کشد. در این جریانات، ماجرای چند تن دنبال می‌شود، از همه مهمتر: «چارلز دارنه»، از اشراف پیشین فرانسوی، که علی‌رغم ذات نیکویش، قربانی هیجانات ضد تبعیض انقلاب می‌شود؛ و «سیدنی کارتن»، وکیلی بریتانیایی که فراری ست و تلاش می‌کند، زندگی ناخوشایندش را با عشق به «لوسی مانه» همسر «چارلز دارنه»، نجات دهد. ا. شربیانی ...more

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Sep 25, 2016 Bionic Jean rated it it was amazing · review of another edition

Shelves: 19th-century-ish, charles-dickens, classics, read-authors-c-d

“It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness ... it was the spring of hope, it was the winter of despair”

So begins A Tale of Two Cities, a perennial favourite. It was an instant success when it was first published, and its popularity has remained steady ever since, as one of the best selling novels of all time. For many, it is their most loved novel by Charles Dickens.

A Tale of Two Cities is Dickens’s second shortest completed ...more

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Apr 13, 2018 Candi rated it really liked it · review of another edition

Shelves: classics-shelf, book-i-own, charles-dickens

"A wonderful fact to reflect upon, that every human creature is constituted to be that profound secret and mystery to every other. A solemn consideration, when I enter a great city by night, that every one of those darkly clustered houses encloses its own secret; that every room in every one of them encloses its own secret; that every beating heart in the hundreds of thousands of breasts there, is, in some of its imaginings, a secret to the heart nearest it!"

It has been quite some time since I’ "A wonderful fact to reflect upon, that every human creature is constituted to be that profound secret and mystery to every other. A solemn consideration, when I enter a great city by night, that every one of those darkly clustered houses encloses its own secret; that every room in every one of them encloses its own secret; that every beating heart in the hundreds of thousands of breasts there, is, in some of its imaginings, a secret to the heart nearest it!"

It has been quite some time since I’ve read Charles Dickens, excepting of course A Christmas Carol, which is an absolute favorite of mine, and a handful of his other Christmas short stories. Upon joining Goodreads eight years ago, A Tale of Two Cities was the very first book I entered as ‘want to read’. Well, time flies and here I am finally having picked up my copy and actually reading this beloved-by-many classic. While this one doesn’t take the prize for most cherished of novels on my personal list, I absolutely admired this masterpiece. In fact, it is a work that for me was more appreciated as a whole rather than for its individual parts. I needed to complete this to fully grasp the plot and the overall merit of the novel. The final portion was entirely compelling and quite brilliant, in fact.

This is a novel, as the title suggests, of two cities… that of London and that of Paris. It is a historical fiction work beginning in 1775 which then takes us further into the depths and horrors of the French Revolution. There is an abundance of mystery that I was not expecting, but thoroughly enjoyed. In addition to the juxtaposition of the two cities, we also see the contrasts between good and evil, hope and despair, death and rebirth. As suggested in my opening quote, secrets abound and are slowly revealed. Characters are drawn well, as one would naturally expect from Dickens, although I never quite felt the emotional tug towards any of them, until near the end. But when I did reach this point, gosh it was worth it! Sydney Carton… an unforgettable man… sigh. "I have had the weakness, and have still the weakness, to wish you to know with what a sudden mastery you kindled me, heap of ashes that I am, into fire - a fire, however, inseparable in its nature from myself, quickening nothing, lighting nothing, doing no service, idly burning away." This is a love story, a tale of injustice, of human suffering, and of sacrifice.

When the reader steps through the gates of Paris, one can feel the tension and sense the shadow of what is to come… the atmosphere is so charged with insecurity, suspicion, and dread. "The time was to come, when that wine too would be spilled on the street-stones, and when the stain of it would be red upon many there." The madness of the masses is frightening - there are no apologies and no exceptions. If you are born with the wrong blood, happen to land in the wrong place at the wrong time, or sympathize with the accused and the condemned, your life is in danger. The threat of the Guillotine looms like a monster over the people of the city. "Every day, through the stony streets, the tumbrils now jolted heavily, filled with Condemned. Lovely girls; bright women, brown-haired, black-haired, and grey; youths; stalwart men and old; gentle born and peasant born; all red wine for La Guillotine, all daily brought into light from the dark cellars of the loathsome prisons, and carried to her through the street to slake her devouring thirst. Liberty, equality, fraternity, or death; - the last, much the easiest to bestow, O Guillotine!" It is heartless and pities no one, much like Madame Defarge.

I feel as if I should be providing a more ‘scholarly’ review of this tremendous work, but I’m not quite up to the task; and you can find a plethora of excellent and more erudite reviews all over Goodreads! I’m really just here to express my personal reaction and feelings towards this one. Quite simply, the writing is excellent, but the story itself failed to grab me initially. At this same time last year, I read Les Misérables – an extraordinary piece of literature without a doubt. I could not help comparing this Dicken’s novel with that of Hugo’s. What was lacking in Two Cities for me was the existence of a character like Jean Valjean, a character so vivid and so sharply drawn that it seems I literally spent weeks in the mind of this tortured soul. Probably, it is not fair to make this comparison, but there you have it. I felt distanced from Dickens’ characters quite a bit more… at least for a good portion of the book. I’m very pleased that I persevered, however, as I was able to reap the benefits of my commitment upon finishing the last words. The development of Sydney Carton was rewarding and the ending of this tale was breathtaking. I don’t often re-read novels, but this one is certainly going to fall in the category of ‘even better the second time around’ – I feel certain of this. My rating is at a firm 4 stars, with the hope that someday the re-read will edge it up to the full 5.

"Crush humanity out of shape once more, under similar hammers, and it will twist itself into the same tortured forms. Sow the same seed of rapacious licence and oppression over again, and it will surely yield the same fruit according to its kind." ...more

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Jun 12, 2008 Laura rated it it was amazing · review of another edition

Shelves: classic, perennial-favorite, english-lit

Years of teaching this novel to teenagers never dimmed my thrill in reading it — if anything, I grew to love it more every time I watched kids gasp aloud at the revelations! Critics are divided on its place in the Dickens canon, but the ones who think it an inferior work are simply deranged. It has everything: dark deeds, revolution, madness, love, thwarted love, forgiveness, revenge, and a stunning act of self-sacrifice. And melodrama! Oh, how Dickens loved melodrama, but in A Tale of Two ...more

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Jun 29, 2015 Kalliope rated it really liked it · review of another edition

Shelves: britain, classics, fiction-english, 2015

A KNIT OF TWO TALES

Reading Dickens’s approach to historical fiction, at first I could not help but remember Romola, which I read recently. And even if Romola seemed to have more of a Victorian than a Florentine Renaissance tone, the story and the context were very nicely woven together.

While with A Tale I felt I as reading two separate stories. One was a the result of conscientious research, and Dickens in his Preface acknowledges Carlyle’s wonderful book, and the other was a more melodramatic tale with Gothic overtones. The two meanings of the word historia separated: history and story.

May be it was because Dickens was dealing with a convulsive period that was still too close to him and his contemporaries. Its threats must have resonated with a greater echo after the 1848 revolutions that again swept through France as well as other European countries. When he wrote his novel only a decade had passed since that latest wave of violence and political turmoil. These more recent revolutions must have had the effect of a magnifying glass when Dickens read and reread Carlyle’s study, study which had, however, been written before, in 1837. One can certainly feel Dickens alarm at the dangers that loom over humanity. His horror came first, and then he tried to horrify his readers.

And yet, as my reading proceeded, I began to feel how these two axis or needles were pulling out something together. And I think it is Dickens excellent writing, with his uses of repetitions, or anaphora; his complex set of symbols—and I am beginning to become familiar with the Dickens iconography; his idiosyncratic mixture of humour and drama; his use of alliteration and onomatopoeia; his extraordinary development of images—and I think this novel has some of the best I have read by him; and his ability to sustain a positive core within a great deal of drab, that succeeds in making those two needles knit something coherent and consistent.

And indeed my favourite image was the Knitting, which Dickens develops throughout the novel, with all its mythological weight--that binds the threads of fate and volition, of patience and disquiet, of love and hatred--, which became for me also the knitting of the writer. The periodic and steady rhythm of Knit and Purl produced with threads of words, meshing in the melodrama and the emotions, the varying colours with their lights and shadows, increasing or decreasing the episodes with literary tricks such as adding a new thread or character or knitting two stiches in one go by solving a mystery. And this he achieved by handling with shrewd dexterity his two needles of ‘story’ and ‘history’, his two tales.

So, as I came to the end I had to admit that , yes, the Tale of Two Tales has woven for me a magnificent novel. There has been somewhat of a 'Resurrection' in my reading too. ...more

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Mar 07, 2017 Always Pouting rated it liked it · review of another edition

Some how my review of this got deleted which is good because I think after sitting a while I can appreciate the book more. When I read it it was confusing and slow and then towards the end really picked up and I was kind of disoriented but it gives a really good view into things in the period before the French Revolution. Learning about it was one thing but reading this made me very sympathetic of the peasants and angry on thier behalf, honestly surprised they didn't start rioting sooner.

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Mar 08, 2013 Tadiana ✩Night Owl☽ rated it it was amazing · review of another edition

Shelves: historical-fiction, classics

A Tale of Two Cities was the first Charles Dickens novel I read on my own, not because an English class required it (looking at you, Great Expectations). I was going on a cross-country trip and decided this would be a good book to while away the hours.

From the first immortal words:

It was the best of times,
It was the worst of times,
It was the age of wisdom,
It was the age of foolishness,
it was the epoch of belief,
it was the epoch of incredulity ...

to the very last ones, it was an absorbing story ...more

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Nov 22, 2008 Jason Koivu rated it it was amazing · review of another edition

Shelves: fiction, historical-fiction, favorites

Hands down my favorite Dickens' I've read yet! It's got love, sacrifice, revenge, revolt and other exciting verbs! I'm a big fan of a solid marriage between character development and action. A Tale of Two Cities is well-wed. Some criticize Dickens for his trite stories and overblown caricature-esque characters. Yes, the man wrote some less-than-perfect books. He wrote them for a wide-ranging public and he wrote for money. High-minded prose eloquently crafted may garner praise, but it doesn't ...more

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Mar 20, 2018 Adina marked it as abandoned · review of another edition

Shelves: british, classics, 1001

DNF at page 150

Well, I can't believe I am abandoning a Charles Dickens novel but I do not want to go on. It is so different from the other two works that I've read by him and loved. I don't know, I don't like the tone of the story(it might be the translation), cannot connect with the characters and I just don't like it. I thought that something is wrong with me but my mum saw the book on my shelf Today and she confessed that it was the only Dickens she could not read...and my mum finished ...more

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Feb 21, 2016 Michelle rated it really liked it · review of another edition

Shelves: classics

I first read this in high school as a substitute for "Oliver Twist" which was not in my high school library catalog. Come to think of it now, I have never read that book. Weird... If ever I get a chance to meet "high-school-me", I bet she will be over the moon and back to know that the world is her library! Any book, on demand! I guess it would distract her enough not to realize she has no social life. Anyway...

"A Tale of Two Cities" is, once again, one of those books I have read when I was too I first read this in high school as a substitute for "Oliver Twist" which was not in my high school library catalog. Come to think of it now, I have never read that book. Weird... If ever I get a chance to meet "high-school-me", I bet she will be over the moon and back to know that the world is her library! Any book, on demand! I guess it would distract her enough not to realize she has no social life. Anyway...

"A Tale of Two Cities" is, once again, one of those books I have read when I was too young to understand. I still struggle reading this book, but this time around, it generated more empathy from me. Charles Dickens wrote this novel long after the French revolution but it was still timely. Centuries later, in the here and now, it's major themes still hold true. Any generation, in my opinion, could start their story with, "It was the best of times, it was the worst of times...."

Dickens explores human emotions and reactions that aren’t specific to any one historical event. Human suffering isn’t simply an 18th-century French problem. The novel, with all of the poverty and injustice it displays, is an exploration of conditions that will persist just as long as violence and inequity continue to flourish.

Although this book is a major social critique, it’s also an exploration of the limits of human justice. What is justice really? When does justice start becoming injustice? It provokes big questions and they’re still pretty relevant today. Can you imagine a country in which innocent people are persecuted for their political view? The closer I look, the more the false imprisonment of Dr. Manette or Charles Darnay becomes something that we deal with in the real world, as well as the fictional one.

"A Tale of Two Cities" is also a meditation on some of the most pressing existential questions that trouble humankind. Do we really know anything at all about the people around us, even the people we love? Can a single life make a difference in a world filled with hatred, rage, and violence? Times of strife make these questions all the more pressing to answer, but, as Dickens reminds us, that doesn’t mean that the answers are easy to find.

This was difficult to read but it still managed to captivate me and forgo doing the dishes. I'm quite happy to give this book another chance. Books that disappointed me before might change my mind at some point in my life. As always, I don't confuse my own lack of sympathy with the assumption that, if I don't get it, the book is necessarily flawed. I think that's why classics endure. ...more

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Jun 08, 2013 Sidharth Vardhan rated it really liked it · review of another edition

Shelves: list-amazon-readers, sad-lonely-thinking-of-suicide, list-1001, europe, list-gr-100

“No man ever really loved a woman, lost her, and knew her with a blameless though an unchanged mind, when she was a wife and a mother, but her children had a strange sympathy with him—an instinctive delicacy of pity for him. What fine hidden sensibilities are touched in such a case, no echoes tell; but it is so, and it was so here. Carton was the first stranger to whom little Lucie held out her chubby arms, and he kept his place with her as she grew. The little boy had spoken of him, almost at

...more

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Aug 12, 2017 Pink rated it it was ok · review of another edition

I don't know Dickens. Is it you? Or is it me?

I keep reminding myself that this isn't typical fare of his. Much shorter, written weekly, full of plot, tight on character development, short on the waffle. Does this make it one of his best, or one of his worst?

I have to admit, that for the majority of my time listening to this on audiobook, I kept forgetting what novel it was. I've recently read The Count of Monte Cristo, so in my head Manette was morphing into the Count, but a lesser version. ...more

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Mar 05, 2010 Stephen rated it it was amazing · review of another edition

Shelves: audiobook, historical-fiction, love-those-words, classics-european, 6-star-books, all-time-favorites, classics, easton-press, 1800s

6.0 stars. This was the first Charles Dickens novel I have ever read and I ABSOLUTELY LOVED IT!!! After reading this, I immediately decided that I would plan on reading the rest of Dickens books (hopefully one every couple of months until I get through them all. I was completely amazed by his characters who came instantly to life for me and about whose hopes and fears I found myself truly caring. Equally impressive was Dickens' plotting and overall story-telling ability which I thought were ...more

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Jun 25, 2014 Lisa rated it it was amazing · review of another edition

Shelves: charles-dickens, 1001-books-to-read-before-you-die

"It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of light, it was the season of darkness, it was the spring of hope, it was the winter of despair."

It leaves me wondering: are there ever any other times? Isn't each era full of everything that is best and worst, full of hope and despair, of improvement and destruction?

What makes me feel hope?

Reading Dickens! ...more

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Apr 11, 2017 Paul E. Morph rated it it was amazing · review of another edition

Shelves: books-read-in-2017, books-read-in-2019

This was a re-read of an old favourite for me. It's been about 25 years, though, so long overdue. I'm not even going to try to review this masterpiece but let me just say one thing:

'It was the best of times, it was the worst of times...'

Arguably the best opening line of any book ever written... but wait!

'It is a far, far better thing that I do, than I have ever done; it is a far, far better rest that I go to than I have ever known...'

Definitely the best closing lines of any novel ever written ...more

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Jun 25, 2009 Apatt rated it it was amazing · review of another edition

Shelves: classics, fave-classics

It was the best of a far, far, FAR better thing that I do, than I have ever done.

I know that’s lame, but I’m out of ideas for an opening paragraph.

This is my second reading of A Tale of Two Cities and I doubt it will be my last. A lot of people who habitually read for pleasure probably would not consider reading this book because it is required reading in many schools and it would seem like anathema to a good time to read it when you don’t have to. This is unfortunate because I think this — like ...more

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Nov 13, 2013 Duane rated it it was amazing · review of another edition

Shelves: guardian-1000, 5-star-books, english-calssics, rated-books, reviewed-books

One of the greatest novels ever written. I've never seen a ranking that didn't include this novel. If you have ever wondered what it was like to live through the French Revolution, then read this novel. Through Dickens' words you feel the anger, the hopelessness, the insecurity, and most of all the fear that enveloped everyone. It was a pleasure and a privilege to read this masterpiece.

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Feb 16, 2010 Erik rated it did not like it · review of another edition

Shelves: bottom-shelf, classics

A Tale of Two Cities holds the dubious honor of being the first book I ever picked up and failed to finish. The very first.

From there, it's all gone downhill. Just look at my reviews where I casually admit to throwing away classics unread. A Light in August, Lolita, The Elegance of the Hedgehog, etc, etc...

If you enjoy the little things, like being sane and not hating life, then I recommend you never pick this up.

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Jan 15, 2008 Teresa rated it it was amazing · review of another edition

I first read A Tale of Two Cities as a high school sophomore. I have a vivid memory of my English book laid flat on my desk, though it seems odd to me now that the whole novel was in a textbook. Though it wasn’t my introduction to Dickens (that came from a book of stories I didn’t realize till later were not the ‘real’ stories, but that’s a different story), I remember being stunned by the language, the characters, and the atmosphere. Especially due to the characters of Sydney Carton (what ...more

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Feb 24, 2011 Debra rated it it was amazing · review of another edition

Shelves: favorite-books

"It is a far, far better thing that I do, than I have ever done; it is a far, far better rest that I go to, than I have ever known."

I still remember being assigned to read this book in the 11th grade by Mr. Stahler. I can still see him up there in front of the room, leaning on the lectern, talking about Dickens and this particular book. Thinking back on this time, I can say this is the first Classic book that I loved. I loved the romance, heroism, the courage, the sacrifice. As a teenage girl "It is a far, far better thing that I do, than I have ever done; it is a far, far better rest that I go to, than I have ever known."

I still remember being assigned to read this book in the 11th grade by Mr. Stahler. I can still see him up there in front of the room, leaning on the lectern, talking about Dickens and this particular book. Thinking back on this time, I can say this is the first Classic book that I loved. I loved the romance, heroism, the courage, the sacrifice. As a teenage girl this book seemed so sad yet so romantic. When I think of Dickens I think of Mr. Stahler and the discussions of this book in his classroom.

"It was the best of times, it was the worst of times.." Really, it was the time of the French Revolution. A time of intrigue, bloodshed, danger, love, romance, terror, betrayal, hunger, and vengeance. The social classes in France are at war. The poor seeking revenge against the aristocracy. Dickens explains this in a simple fashion. His gift is giving us people on both sides of the battle. We can be sympathetic to the individual characters. Who is innocent? Who is guilty? And at the end of the day, does it even really matter?

Mr. Mancette is released from prison. He has been wrongly/unjustly imprisoned for 18 years and is now free to unite with his daughter, Lucie. They go to England where they hope to live and be free of the past. But their plan is not to be as the pair is summoned back to Paris where they have to testify agains Charles Darnay. Darnay, like Mancette, has been wrongly accused of treason. Let it be said that Darney also looks almost exactly like another man in the proceedings, Sydney Carton.

Today we might say "really looking exactly like another person? how contrived? How cheesy!" But it works in this book. Boy does it work.

True, this was written years and years ago. Yes, some of the language and writing might seem hard to digest. But perhaps, if you give this a go, stick with it, you will see the beauty of this book. Brilliant tale with brilliant storytelling. A Pleasure. I have read this three times, each time enjoying it more and more. Each time finding something else to love about it. Each time I am in awe.

A favorite! ...more

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May 13, 2019 Tracey rated it it was amazing

Shelves: books-i-am-passionate-about, charles-dickens, 5-star-books, 2019-best-of

My review from December 2013 says;

I have just finished A Tale of Two Cities and I am in awe of the story and the man that wrote it.
This is doubly true today having finished my first re read after 6 years have passed.

This time I could see all the brilliant foreshadowing in every chapter.
I knew where we were going this time and as well as the gripping story, which is horrifying and descriptive of terrors you'd not want in your worst nightmares but were based on factual events such as, The storming ...more

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Mar 25, 2008 Brad rated it did not like it · review of another edition

Shelves: most-hated, classic

A painful beast of a book. It took me five attempts to get past page one hundred, and when I finally did break that barrier I pressed on until the very end so that I didn't have to suffer ever again.

Dickens is a problem for me. I admit it freely.

There was a time, many years ago, when I was a fan. I read Great Expectations for the first time in grade four, and I was in love with the book and Dickens. And I imagine that some part of my social consciousness, which wasn't a gift from my parents, was A painful beast of a book. It took me five attempts to get past page one hundred, and when I finally did break that barrier I pressed on until the very end so that I didn't have to suffer ever again.

Dickens is a problem for me. I admit it freely.

There was a time, many years ago, when I was a fan. I read Great Expectations for the first time in grade four, and I was in love with the book and Dickens. And I imagine that some part of my social consciousness, which wasn't a gift from my parents, was planted with the seeds of Dickens.

Over the years, though, Dickens and I have grown apart.

I don't mean that I have "outgrown" him in any sort of condescending manner. It's not the sort of thing I expect anyone else to do, nor is it something that I blame fully on Dickens. No, we've grown apart as many couples do when one person changes through life and experience and the other remains constant.

I have become a radical over the years, and Dickens...well, he's still as bourgeois left as ever, and we're not compatible any more. He venerates the comforts of the middle class; he expounds the virtues of law and order and charity; he attacks the indignities of the abuses of power but only offers imaginary methods for overcoming them, mythologizing the bourgeoisie's ability to overthrow the things that ail us; he vilifies those who seek more radical solutions; and, whether he admits it or not, he still believes in the superiority of nobility and noble blood.

So when he starts to attack the revolutionaries in Paris and uses it to illustrate the "superiority" of civilized English behavior, when Dickens' moral soapbox weighs heavier than his plot, I begin to tune out of his lecture, and A Tale of Two Cities makes me increasingly angry from page to page.

I recognize Dickens' talent. I still love his prose. And I get why people love this book, and maybe even why you do, kind reader, but I can't stand it (and I am finding it increasingly difficult to like any of his work anymore).

I may burn this someday. But I have fully annotated the version I own and while I can burn the words of others (it's the radical in me), my lovely inner narcissist simply can't burn words of my own (unless it is for catharsis). So A Tale of Two Cities will likely survive on my shelf until I die, mocking me from its high perch in my office, whispering that a catharsis that may never come just may be necessary. ...more

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Jun 12, 2011 Jan-Maat added it · review of another edition

Recommends it for: People who aren't French and dislike 1789 and all that

Shelves: novel, dickens, 19th-century, historical-fiction

This book is interesting for the wrong reasons. On the one hand there are elements that work very well and you feel confident in the author's skill but on the other hand the sequence of events that sucks one character after another back into France feels entirely unconvincing.

In Bleak House we see a bundle of characteristics taken to a negative extreme in the person of the French women Hortense. In A Tale of Two Cities this is extended here to the point that 'bad' and 'French' seem to be This book is interesting for the wrong reasons. On the one hand there are elements that work very well and you feel confident in the author's skill but on the other hand the sequence of events that sucks one character after another back into France feels entirely unconvincing.

In Bleak House we see a bundle of characteristics taken to a negative extreme in the person of the French women Hortense. In A Tale of Two Cities this is extended here to the point that 'bad' and 'French' seem to be synonymous terms as do 'good' and 'English'. This culminates in the patriotic prize fight between the good English woman and the bad French woman.

Dickens wants to have his cake and eat it with his central plot conceit. He shows the reader that the Ancien regime was bad and evil, that the people who suffered under it were innocent victims, but equally that the people who overthrew the Ancien Regime and seek revenge are also evil while at the same time getting round the notion that all French people are evil by finding all three of the good ones and lining them up in this story. This isn't satisfying.

In the context of early Victorian Britain it paid not to look too radical and there was a ready market for anti-French & horrors of the French revolution stories. This anti-French sentiment is executed so crudely that while I'm convinced and moved by Dickens' social commentary in Hard Times, Bleak House or Great Expectations I'm entirely mistrustful of what I'm being told in A Tale of Two Cities.

Politically the timing of this novel is interesting. Dickens is writing eight years before the Second Reform Act, which extended the franchise in Britain, and he is looking back at the circumstances of the late eighteenth century. In terms of the cruelty and hardships of the best of times and the worse of times there are similarities between the two countries. Dickens is looking back over a subsequent period of slow and pragmatic reform in Britain and violent change in France. The reason he gives implicitly in his text for the different political outcomes is purely in the character of the two nations. The French are too passionate, while the phlegmatic English, and here remember Mr Rouncewell's 'Saxon' face in Bleak House contrasted with the aristocratic Dedlock, are constituently (politically and personally) capable of pragmatic change.

At once we see both political radicalism and a certain conservatism in Dickens' views. On the one hand the stress on the Saxon compared with the Frenchman takes us back to the Norman Yoke ideology, a mainstay of English political radicalism from the Levellers to the Chartists, yet the implications are conservative. Political life in Britain can change, pragmatically and effectively because of the nature of the English people. The lack of the traits that allow the English to be fundamentally democratic in the national character of the French however condemns them to being an example to avoid.

This is enormously reassuring to the comfortable classes subscribing to Dickens' periodicals. Even the still distant threat on the horizon of extending the franchise to decent working men can be weathered due to inherent English pragmatism (view spoiler). The Saxon national character will prevent the violence of a French Revolution from occurring in Britain.

At the same time Dickens' personal life was anything but phlegmatic and pragmatic. Perhaps something of the tension between the personal and the public gives the book the power it has. The fight isn't between the good Englishwoman and the bad Frenchwoman, it is Dickens at war with himself. Publicly pragmatism wins, personally, however, it is all about passion. ...more

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About Charles Dickens

Charles Dickens

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Charles John Huffam Dickens was a writer and social critic who created some of the world's best-known fictional characters and is regarded as the greatest novelist of the Victorian era. His works enjoyed unprecedented popularity during his lifetime, and by the twentieth century critics and scholars had recognised him as a literary genius. His novels and short stories enjoy lasting popularity.

Charles John Huffam Dickens was a writer and social critic who created some of the world's best-known fictional characters and is regarded as the greatest novelist of the Victorian era. His works enjoyed unprecedented popularity during his lifetime, and by the twentieth century critics and scholars had recognised him as a literary genius. His novels and short stories enjoy lasting popularity.

Dickens left school to work in a factory when his father was incarcerated in a debtors' prison. Despite his lack of formal education, he edited a weekly journal for 20 years, wrote 15 novels, five novellas, hundreds of short stories and non-fiction articles, lectured and performed extensively, was an indefatigable letter writer, and campaigned vigorously for children's rights, education, and other social reforms.

Dickens was regarded as the literary colossus of his age. His 1843 novella, A Christmas Carol, remains popular and continues to inspire adaptations in every artistic genre. Oliver Twist and Great Expectations are also frequently adapted, and, like many of his novels, evoke images of early Victorian London. His 1859 novel, A Tale of Two Cities, set in London and Paris, is his best-known work of historical fiction. Dickens's creative genius has been praised by fellow writers—from Leo Tolstoy to George Orwell and G. K. Chesterton—for its realism, comedy, prose style, unique characterisations, and social criticism. On the other hand, Oscar Wilde, Henry James, and Virginia Woolf complained of a lack of psychological depth, loose writing, and a vein of saccharine sentimentalism. The term Dickensian is used to describe something that is reminiscent of Dickens and his writings, such as poor social conditions or comically repulsive characters.

On 8 June 1870, Dickens suffered another stroke at his home after a full day's work on Edwin Drood. He never regained consciousness, and the next day he died at Gad's Hill Place. Contrary to his wish to be buried at Rochester Cathedral "in an inexpensive, unostentatious, and strictly private manner," he was laid to rest in the Poets' Corner of Westminster Abbey. A printed epitaph circulated at the time of the funeral reads: "To the Memory of Charles Dickens (England's most popular author) who died at his residence, Higham, near Rochester, Kent, 9 June 1870, aged 58 years. He was a sympathiser with the poor, the suffering, and the oppressed; and by his death, one of England's greatest writers is lost to the world." His last words were: "On the ground", in response to his sister-in-law Georgina's request that he lie down.

(from Wikipedia) ...more