In a series of unflinching vignettes laced with heartbreak and often with humor, Places in the Bone gives an unforgettable account of loss and survival, childhood secrets banished from memory, and the power of language to retrieve the missing parts of oneself and one’s past. Woven together with unmistakable lyricism, Carol Dine’s narrative moves back and forth in time and place—from the childhood bedroom that fills her with fear, to a hospital room after her surgery for breast cancer, to an adobe hut in a New Mexico artists’ colony where she escapes and finds her voice. This voice, it turns out, is a chorus—a harmony of cries, both anguished and triumphant. Among them we hear a young girl speak about the abuse by her father; we hear the tormented reflections of a mother who, for several years after a divorce, loses contact with her young son; and we hear the testimony of a cancer survivor. Through it all, we feel the determination, courage, and creativity of a woman who has spent more than two decades confronting her past, her body, and her identity. Despite her struggles, Dine finds positive influences in her life, including her mentor, Anne Sexton, who recognizes the fire in her words, and Stanley Kunitz, whose indomitable spirit provides enduring inspiration. More than a story of personal loss, the memoir moves us with its humanity, its unnerving wit, and its defiant faith. As the fragments come together, we experience Dine’s joy in living and her reconciliation with the past that allow her to renew bonds with her son, her sister, and her mother. In page after page, we witness the power of art to refigure a body, to transform suffering, and ultimately, to redeem.
Carol Dine’s poems and personal narratives reflect her passion for visual art. She is the author of four books of poetry, Naming the Sky, Trying to Understand the Lunar Eclipse, Van Gogh in Poems, and Orange Night. Her awards include the American Cancer Society’s “Sword of Hope” Award for her journal, “Treatments,” published in the Boston Globe. She expanded the journal into a memoir, Places in the Bone, now in a new edition.
Carol’s poems have appeared in several anthologies, including Liberation: New Works on Freedom, Poems Against War, Forgotten Women, and Wondering the Alphabet, and in such literary magazines as Bitter Oleander, Lilith, Salamander, Pangyrus, and Minerva Rising.
Though I have not had cancer or breast cancer for that matter, it probably would seem odd that a memoir about a cancer survivor would get to me that much, but it did. I may not have cried while reading the book, but Carol Dine's Places in the Bone reaches into the soul of the reader and pulls at the heart strings and a number of other senses through poetry, journal entries, and prose.
This book is not only a journey through her cancer ordeal, but also through her familial struggles with her father and mother. The distance between her sister and herself as a result of these struggles and how she copes. I have one of her poetry books slated on my to read list, but this memoir gives the reader a clear perspective on how these struggles infuse her poetry with palpable imagery and insight. For example, "When the heel of my father's hand/pounds my back,/I focus on the bedroom wall./I am walking beside the reservoir./ The oaks are giants/taller than him;/"
Her past relations with the likes of Anne Sexton and Stanley Kunitz also play a significant role in her ability to cope with the realities of her treatment and her growing frustration with the relationship she had with her father, mother, and sister. I admire Dine's ability to connect words to express her frustration, her anguish, her hopelessness, and her resilience.