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I figli della mezzanotte

3.99  ·  Rating details ·  86,182 Ratings  ·  5,050 Reviews
Pubblicato nel 1980, I figli della mezzanotte è l'opera che ha rivelato al mondo il talento di Salman Rushdie. Il libro narra le vicende dei mille bambini nati il 15 agosto 1947, allo scoccare della mezzanotte: il momento, cioè, in cui l'India ha proclamato la propria indipendenza dall'Impero britannico. Tutti i bambini posseggono doti straordinarie: forza erculea, capacit ...more
Paperback, Oscar Contemporanea, 664 pages
Published July 11th 2008 by Mondadori (first published 1981)
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John Addiego This is literary fiction in what I'd call the magical realism style, and it seems like one of the best novels about multi-cultural India during and…moreThis is literary fiction in what I'd call the magical realism style, and it seems like one of the best novels about multi-cultural India during and since its moment of independence from the British Empire. Mostly, it's a work of rare genius and terrific humor by a master stylist.(less)
Anna This is a slow, intense, complex novel, and even though I always read at a pretty high level, I do not think I could have handled this book at 15.…moreThis is a slow, intense, complex novel, and even though I always read at a pretty high level, I do not think I could have handled this book at 15. It's not inappropriate because of sexual content or violence, but because I think you have to have read a little more and been challenged by reading a little more before you can really dive into and appreciate it. (less)
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Turhan Sarwar
Jun 04, 2007 rated it it was amazing  ·  review of another edition
Midnight's Children is not at all a fast read; it actually walks the line of being unpleasantly the opposite. The prose is dense and initially frustrating in a way that seems almost deliberate, with repeated instances of the narrator rambling ahead to a point that he feels is important--but then, before revealing anything of importance, deciding that things ought to come in their proper order. This use of digressions (or, better put, quarter-digressions) can either be attributed to a charmingly ...more
Michael Finocchiaro
This is my absolute favourite Rushdie novel. Its background of the Partition of India and Pakistan after the disastrous and cowardly retreat of the British occupiers and the ensuing Emergency under Indira Ghandi provides a breathtaking tableau for Rushdie's narrative. His narrator is completely unreliable and that is what makes the story so fascinating. I lend this book out so many times after talking about it so much (and never got my paperback copy returned) that I had to buy a hardcover that ...more
What's real and what's true aren't necessarily the same.

Discard skepticism as you approach this epic. Suspend disbelief. Because myth and truth blend into each other imperfectly to spin a gossamer-fine web of reality on which the nation state is balanced precariously. And we, the legatees of this yarn, are caught up in a surrealist farce which plays out interminably in this land of heat and dust and many smells, our rational selves perennially clashing with our shallow beliefs but eventually s
Helen Ροζουλί Εωσφόρος   Vernus Portitor Arcanus Ταμετούρο   Αμούν Arnum

Ένα φαντασμαγορικός οργασμός με ατελείωτη
αφηγηματική δύναμη και αξιοθαύμαστη πνευματική ενέργεια.
Ένα αληθινό παραμύθι της Ανατολής που ανοίγεται στα παράθυρα της ψυχής και του μυαλού και μιλάει με ένα άγριο,προκλητικό,αφοπλιστικό και μοναδικά φορτισμένο αφηγηματικό πλούτο που σε διεγείρει και σε ταυτίζει υπαρξιακά και φυσιογνωμικά.

Ο Σαλίμ γεννιέται στην Ινδία των εκατοντάδων θεών και παραδόσεων τη νύχτα που η χώρα ανεξαρτητοποιείται απο την αγγλική κυριαρχ
Jul 29, 2014 rated it it was amazing  ·  review of another edition
Recommends it for: Dreamers & Renegades
Recommended to Dolors by: Garima & Sckenda
“Who what am I? My answer: I am the sum total of everything that went before me, of all I have been seen done, of everything done-to-me. I am everyone everything whose being-in-the-world affected was affected by mine. I am anything that happens after I’ve gone which would not have happened if I had not come.”

Living different ways of grasping the meaning of man and the world should offer a deeper perspective than the usual reductionism that we oftentimes subject cultures that diverge from our own
The power of the storytelling left me speechless - all the words were in the novel, and there were none left for me!

If there ever was a novel that changed the way I read, this is it. I must have read each sentence several times, just to follow the thread of the confusing story, and I still got lost in the labyrinth of individual and collective history that unfolds on the stroke of Midnight, on the night of India's independence. So completely taken in by the children who are born on that particu
Kevin Ansbro
For me, one of the most important books of our modern age.
I ADORE this playful, historical epic: Salman Rushdie is a literary god in my eyes, and can do no wrong - so I am biased.
Rushdie is one of the authors who has influenced my own style of writing, even though his overly-descriptive approach is discouraged by publishing editors the world over.
The 'midnight's children' of the story are those born in the first hour of India's independence from British rule.
It is true that the novel's digressiv
Aug 21, 2017 rated it it was amazing  ·  review of another edition
Fantastic, intelligent, hilarious, profound, and historically illuminating. And the narrator is deliciously unreliable too! Need I say more? I will. His sentences are the kind of energetic super-charged masterpieces that I could quote endlessly. Here's one plucked utterly at random:

"Into this bog of muteness there came, one evening, a short man whose head was as flat as the cap upon it; whose legs were as bowed as reeds in the wind; whose nose nearly touched his up-curving chin; and whose voice,
ميقات الراجحي
من أجمل ما قرأت من الأعمال المترجمة، رواية سلمان رشدي. لاشك عمله (آيات شيطانية) أصابه بلعنة حالت دون أن يلتفت له القارئ المسلم حتى نكون أكثر دقة، ثم العربي. لكن هذا العمل لابد أن يقرأ لهذا الرجل. عمل تكاملت جوانبه الإبداعية من موضوع وحبكة درامية وتفسير للحدث – حتى لو كان شخصي – وحبكة تنم عن إجتهاد لإرضاد النص فلماذا لا يقرأ؟!. بل هو يستحق القراءة والنقد والترجمة لكل اللغات هذه هي رواية أطفال منتصف الليل.

في البدء وحتى تضع هذه الرواية ضمن أول قائمتك القرائية. هذه الرواية المسكونة حبكة وجنون وسرد خ
Nothing but trouble outside my head; nothing but miracles inside it.

Being a child is no child’s play. A long wait within the sheltered darkness of a womb subsides when rhythmic beats of the heart resume their role in blinding light and mind, an apparent clean slate hold the fading marks of previous lives. While the time patiently takes its course to reveal the silhouette of million existent enigmas, the colorblind vision gradually sheds its skin and an exhilarating display of a new world comes f
Apr 19, 2009 rated it it was amazing  ·  review of another edition
Have you ever been to a Hindu temple? It’s a riotous mass of orange, blue, purple, red, and green. Its walls seethe with deities. In one corner, Ganesha--the god with a human body and elephant head--sits on his vehicle, a rat. In another, a blue Krishna sits on a cow wooing cow girls by playing his flute. Durgha wearing a necklace of skulls kills a demon in another corner. Jasmine-decorated devotees stand around chanting. The press of people, the incense and the noise all combine and you lose yo ...more
The children of midnight were also the children of the time: fathered, you understand, by history. It can happen. Especially in a country which is itself a sort of dream.
Midnight's Children was an unexpected pleasure for me. Maybe that is the reason it took me so long to write down my thoughts on it. Yes, I read some reviews before starting it, but could never have imagined Salman Rushdie’s symphony that is no short of a magnificent blueprint of a labyrinthine palace of fantasy. Let me just sa
Jul 15, 2014 rated it it was amazing  ·  review of another edition
(وَقْع إسم سلمان رشدى على الأُذْن العربيه (وخاصة المسلمة) من أسوأ ما يكون , فهو ذلك الكاتب الذى اتخذ من قلمة أداة لإهانة مقدساتنا والتجريح فيها )هذه هى الصورى الذهنيه التى غالباً ستتكون عندك ولا ألومك فى هذا لأنك لم تقرأ له مثلما كانت هى عندى ولم أكن قد قرأت له بعد. فجرمه المزعوم المتمثل فى (آيات شيطانيه) كان من القوة بحيث أصبح ملازم لإسمه.وللحق فأنا لم أقرأ جريمته تلك لكى أحكم ولكن هى صورة ليست إلا .

ولكن بمجرد ما تنتهي من أول 10 صفحات من رائعته(أطفال منتصف الليل) لن تملك إلا أن تقع تحت تأثير سح
Jan 29, 2009 rated it really liked it  ·  review of another edition
I truly am sorry, Salman. It’s trite to say, I know, but it really wasn’t you, it was me. I take all the blame for not connecting, ignorant as I am about the Indian subcontinent’s history, culture, and customs. I’m sure your allegories were brilliant and your symbolism sublime, but it was in large part lost on me. At least I could appreciate your fine writing. You were very creative in the way you advanced the story, too — nonlinearly, and tied to actual events. Your device that allowed narrator ...more
Jun 18, 2007 rated it it was amazing  ·  review of another edition
Recommends it for: Rushdie newcomers, the ambitious, people who love their hometown
Back in 2000, lit critic James Wood wrote a huge manifesto on the problem of "the 'big' novel" for the New Atlantic (disguised as a review of Zadie Smith). He basically attacked quirky novels like Underworld, Infinite Jest & White Teeth. There were a lot of things about it that I agreed with - particularly his point that a lot of cutesy things some writers tend towards are in place of good structure. One major thing I didn't agree with was his inclusion of Rushdie in this lot of wacky writer ...more
“Nose and knees and knees and nose” – part of a prophecy about the unborn narrator. A few days after reading this, I was fortunate to be in the Acropolis Museum, and was struck by a collection of three bas-reliefs that were just of knees. Coupled with the relative lack of whole noses on some of the statues, I was transported back to this book.

This was my first adult Rushdie, following soon after his gorgeous children’s/YA novel, Haroun and the Sea of Stories.

My initial reaction to this was “The
Do not know what to say.......... I am speechless...unlike the main character of this book: Saleem.

What to compare this to? Not another book. Impossible! Perhaps it is best to compare this reading experience to a feeling, an image from my past:
A young boy listening in awe to his father (his greatest hero) telling one of his most wonderful stories at a campfire, hoping that the night and dad's story will never end.

Saleem's story and his narrative made me feel like that young boy again: an awest

I finished the book yesterday--but before I describe my overall response I have to start with this entry I wrote in my notebook while I was partway through.

I last opened this book ten years ago. This was the book that destroyed our little book club in college, my first year. A small group of avid readers, aspiring to read high and mighty works of literature. We made it through Snow Falling on Cedars successfully--I don't remember any discussion we had about it, but I liked the book.

The most courageous writer I have come across lately and my first venture into the genre of magic realism. I confess I had a different opinion of magical realism before I started reading this book. I had the opinion that magic realism would in general have a lot of similarities to fantasy fiction with an exception that the allusions made would be realistic and the exaggerations would just make the effects to the plot more pronounced. According to my findings, 'Midnight's Children' is considered ...more
Andrea Schweiger Bregman
It doesn’t happen often, but from time to time after I finish a work of literature, I wonder, “What just happened?” In an effort to answer that question, my brain attempts to turn itself inside out to make sense of it all. This time that torture came from Rushdie’s Midnight Children. This novel is my first experience reading Rushdie’s work, so I am not sure if the writing style of this book is typical of the author, but I am not in any hurry to find out.

Being an English Literature student and an
Dec 23, 2010 rated it it was ok  ·  review of another edition
Reading Rushdie's Midnight's Children is like listening to someone else's long-winded, rambling re-telling of a dream they had. And like all people who describe their dreams -- especially those who do so long past the point where their listeners can believably fake interest or patience -- Rushdie is inherently selfish in the way he chose to write this book. Midnight's Children is one of those novels that are reader-neutral or even reader-antagonistic -- they seem to have been written for the sol ...more
Paul Bryant
Sep 30, 2007 rated it it was amazing  ·  review of another edition
Shelves: novels, india

Just back from watching the movie and.... well... it kind of highlights the less great parts of the book, just because it's a movie. You notice the non-plot, you notice that the characters get dragged around from India to Pakistan to Bangladesh depending which big political event or war is happening as we make our way from 1947 to 1977; and we really notice how gushingly sentimental it all turns out in the end. All of these problems are there in the book but are melted, dissolved, and ble
Jun 18, 2012 rated it it was amazing  ·  review of another edition
Shelves: 2012, favorites

I tried tackling this "sacred monster" of a book twenty years ago, and I was defeated - neither my English skills, nor my cultural background were up to the task, and I had to return it to the library only a third of the way in. In a way I'm glad I've waited so long to come back, because Midnight's Children is still a difficult book, but worth all the effort on my part and all the critical praise it received from the Booker Prize crowd.

It was from the start a most ambitious project - the Indian
mai ahmd
Oct 15, 2012 rated it it was amazing  ·  review of another edition
Shelves: روايات

إن قراءة سلمان رشدي في هذه الرواية لم تكن سهلة يجب على القارىء أن يمسك خيوطها منذ البداية فإن أفلتت منه سيكون من الصعوبة الإمساك بها من جديد ..شخصيا وصلت إلى أعلى قمة للمتعة تلك الحالة التي أشعر بها بالرضا الشديد بالإعجاب والإنذهال والتساؤل كيف يتأتى لكاتب أن يكتب بهذا الإحتراف أن يطلق بندقيته في وجه التاريخ دون وجل أن يخترع أفكارا وشخصيات خرافية لها صلة بشخصيات حقيقية كانت صانعة ومؤثرة.. تبدو لي أن الكتابة عنها ليست أيضا بهذه السهولة سأبدأ في اقتباس لفت نظري جدا لأنه يبدو لي لا يلخص السبب بل ال
(view spoiler) ...more
Oct 12, 2007 rated it liked it  ·  review of another edition
Recommends it for: anyone who reads fiction written after 1965
This was an extremely good book; one which, for some reason, I couldn't quite fall in love with. I was, however, more and more impressed with Rushdie's mastery over his novel as I made my way through it.

Midnight's Children is as much a tale of history and nationhood as it is of a person. I think, in some sense, the book was a sort of authorial attempt to bring into the realm of substantial palpability everything that had happened to the Indian subcontinent since Independence in '47 (or thereabou
sweet jane
Nov 10, 2015 rated it it was amazing  ·  review of another edition
15 Αυγούστου 1947: Η Ινδία πετάει από το σάρι της τον Βρετανικό ζηγό και ετοιμάζεται για την αναγέννηση της. Εκείνη την στιγμή, πάνω στην αλλαγή της ημέρας, γεννιούνται δύο αγόρια με ιδιαίτερες δυνάμεις. Την τύχη τους θα αλλάξει η μοίρα, ή μάλλον καλύτερα η Μαίρη, και μπροστά μας θα εξαλλαχθεί ένα απίστευτο παραμύθι ανάλογο εκείνων από τις Χίλιες και μία νύχτες.
Τα παιδιά του Μεσονυκτίου είναι ένα βιβλίο ιστορίας, πολιτισμού και εικόνων από την Ινδία. Ο Ρούσντι πλάθει ένα παραμύθι τριών γενιών κα
فهد الفهد
أطفال منتصف الليل

أنهيت الكتاب قبل سفري بيوم، لهذا أجلت الكتابة عنه حتى أعود، وعندما عدت جعلت أؤجل الكتابة تحاشياً لكل تلك الكلمات التي يمكن لها أن تتدفق تحت تأثير سلمان رشدي وجنونه الذي جعله يحصد جائزة البوكر عن هذا الكتاب سنة 1981 م.

كان هذا كتاب رشدي الثاني، الأول مر بلا صيت، رواية خيال علمي غريبة، ولكن هذه الرواية أخذته إلى القمة، كان هذا طبعاً قبل فضيحة (الآيات الشيطانية) وفتوى الخميني اللتان جعلتا اسم رشدي تابو في الأدب المترجم للعربية.

كل من سيقرأ هذه الرواية سيميز وبسرعة تيار الواقعية ال
Mar 24, 2017 rated it it was amazing  ·  review of another edition
Shelves: favorites
Reality is a question of perspective; the further you get from the past, the more concrete and plausible it seems--but as you approach the present, it inevitably seems more and more incredible.

This exceptionally lauded, magical tour-de-force needs not my humble opinions, it already has the praise of countless clever wordsmiths and the critiques of many superior minds, but the laying down of my thoughts is none the less my task and I shall do so with haste to meet the end. Rushdie's writing is cy
Jul 27, 2014 rated it it was amazing  ·  review of another edition
Recommended to Amber by: Michael Anson
Last night On August 14th, I finished reading Midnight's Children by Salman Rushdie. This was my first ever book I have read by Rushdie which I borrowed at my local library and what an enjoyable reading experience this was. Thanks to Michael Anson at the Reading for Pleasure book club for recommending this to me. Let me write a small summary of it then I'll post my thoughts:

In the Midnight Hour of India's Independence, a young boy named Saleem Sinai is born with extraordinary powers from beyond
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Sir Ahmed Salman Rushdie is a novelist and essayist. Much of his early fiction is set at least partly on the Indian subcontinent. His style is often classified as magical realism, while a dominant theme of his work is the story of the many connections, disruptions and migrations between the Eastern and Western world.

His fourth novel, The Satanic Verses, led to protests from Muslims in several coun
More about Salman Rushdie...
“I am the sum total of everything that went before me, of all I have been seen done, of everything done-to-me. I am everyone everything whose being-in-the-world affected was affected by mine. I am anything that happens after I'm gone which would not have happened if I had not come.” 618 likes
“Memory's truth, because memory has its own special kind. It selects, eliminates, alters, exaggerates, minimizes, glorifies, and vilifies also; but in the end it creates its own reality, its heterogeneous but usually coherent version of events; and no sane human being ever trusts someone else's version more than his own.” 337 likes
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