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Il nipote di Wittgenstein

4.08  ·  Rating details ·  3,038 Ratings  ·  232 Reviews
Paul Wittgenstein, nipote del filosofo «il cui Tractatus logico-philosophicus è ben noto in tutto il mondo scientifico e più ancora in tutto il mondo pseudoscientifico», fu per lunghi anni amico di Thomas Bernhard. Uomo sensibilissimo, inadatto al mondo, nutrito da una passione «esclusiva e spietata» per la musica, ma anche per l’automobilismo, dissipò con furia la sua for ...more
Paperback, Fabula, 132 pages
Published November 1st 1989 by Adelphi (first published 1982)
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Sep 26, 2017 rated it it was amazing  ·  review of another edition
Whom Bernhard has met so far only as a radical exaggeration artist or misanthrope, he shows himself here a little differently :)) Quote from Marcel Reich-Ranicki "Thomas Bernhard has never philanthropic "never written more tenderly", for me personally is Thomas Bernhard's sentence constructions, narrative style and his language unique.
A Philosophy of and for the Curmudgeon

A catalogue of pet-hates and prejudices masquerading as a memoir, Wittgenstein’s Nephew is a perennial rant of the old against not just the young but against the world in general. This is a world of unmet expectations, incivility, and bad taste. The only possible response to this world is a resigned snobbishness accompanied by the occasional whine of despair. Paul, the nephew of the philosopher, is simply a foil for presenting this as a philosophy rather tha
A highly readable work of dazzling intensity. The novella is based in part on a true story: author Bernhard's friendship with philosopher Ludwig Wittgenstein's grand nephew, Paul. Prepare yourself for a blast of intellectually dense but very compelling--and funny--writing. The book is at bottom a great howl of rage against death. Bernhard in his day (1931-1989) was perhaps Austria's most controversial novelist/playwright. The narrator, based on Bernhard, and his familiar, Paul Wittgenstein, shar ...more
Oct 16, 2013 rated it really liked it  ·  review of another edition

Wittgenstein’s Nephew is a thing about Paul, nephew of a great though rather dismissed in native country philosopher, Ludwig Wittgenstein; is a thing about illness and falling into madness ; at last is a thing about dying and death. But most of all Wittgenstein’s Nephew is a thing about friendship and its nature.

In 1967, at the same time though in two separated wings of hospital, resides our narrator ( due to lungs disease ) whilst his friend Paul Wittgenstein is under psychiatric care. Fro
Paquita Maria Sanchez
Apr 27, 2012 rated it really liked it  ·  review of another edition
Shelves: literature
Fick! What started out as the cause of me once again whining under my breath about Bernhard's head-clubbing repetition slowly evolved into a rewarding, mist upon the eyes causing, scrupulous bloodletting of Bernhard's personal guilt, nostalgia, and self-reflection resulting from the passing of his closest friend, literally Wittgenstein's nephew, Paul Wittgenstein. Paul was, as Bernhard and various Mental Health Professionals proclaimed, a certifiable Madman. However, Paul argued he was at least ...more
Apr 27, 2018 rated it it was amazing
Shelves: mitteleuropa
“Già non sopporto me stesso, figuriamoci un’orda di persone come me che passano il loro tempo a spremersi il cervello e a scrivere”

Quello che mi piace in Bernhard, quello che mi fa bene quando lo leggo è che le sue parole, ogni sua singola parola, e ogni sua ripetizione di quella parola (che non è mai e poi mai di troppo!), dicevo, tutte le sue parole e suoi pensieri sono un sacrosanto e disperato attacco frontale contro l’ipocrisia, tutti i tipi di ipocrisia, un attacco portato, come è naturale
A quickie review, so put on your non-porous splash suit and buckle yourself in. Eschewing his emblematic deranged, run-on style, Bernhard serves up Wittgenstein's Nephew as both a eulogy of his friend Paul Wittgenstein, the famed philosopher's mentally unbalanced nephew, and a bleak rumination on death -- or more pointedly, the slow, surreptitious death that constitutes life. If you know someone who is despairing about about his or her physical deterioration and impending death, do not be so tho ...more
Dec 15, 2016 rated it really liked it  ·  review of another edition
At first I expected an autobiographical tale of friendship between author and Paul Wittgenstein, nephew of Ludwig Wittgenstein. But then it is so much more, there were discussions about Austrian society. My favourite is the literary prize episode, I found it hilarious.

But at the end, the author was discussing his friend, Paul, at the last stages of his life. It was so sad (At that late part I was torn between 4 or 5 star rating, I was so moved by Paul's situation).

The author combined the absurd
Pročitam Bernharda jednom godišnje da se slučajno ne zeznem i ne pomislim da je svet lep
Jul 30, 2018 rated it it was amazing
Come cerchi cosa cerchi

“Noi evitiamo gli uomini segnati dalla morte e anche io ho ceduto a questa infamia”.

Il romanzo narra la crescita di una malinconica e passionale amicizia tra due eccentrici e ossessivi personaggi che amano la musica, perseverano in una onestà brutale e sono tormentati da un nauseante disgusto per la borghesia viennese. Sono ricoverati nello stesso ospedale, in due padiglioni diversi, pneumologia e malattia mentale, sanatorio e manicomio. Il testo appare come un diario di r
Jun 20, 2018 rated it really liked it
Duri e puri

Un libro sull'amicizia, questo.

Assolutamente inconsueto ed anticonvenzionale. Perché Bernhard, raccontando la storia della sua amicizia con Paul Wittgenstein, di fatto infama se stesso per aver abbandonato l'amico quando era solo, malato, in pessime condizioni economiche ed in procinto di morire.

È come se accusasse se stesso di non aver tenuto presente che pochissime sono le persone che, nel corso di una vita per noi sono importanti, e giusto per questo non possiamo, nel momento in c
M. Sarki
Jun 03, 2011 rated it really liked it  ·  review of another edition

This is one of those Bernhard books that most devotees say they loved but speak little about why or how it happened. Those who do are predictable in their comments regarding Bernhard's plot, his friendships, judgments, and in general, death. Nothing wrong with either approach, but it just doesn't get the uninitiated where she needs to be. This particular Bernhard tale is quite unlike anything else he has written. Almost easier to stomach the vitriol and ra
Nora Barnacle
Svašta bih sad mogla da napišem: od himne, do anateme. Neka ovo bude prvi utisak, bez ocene.
Paul Vitgenštajn, kao i epizode iz Bernhardovog života su osnove na kojima stoji ovaj maestralni prikaz sasvim perverznog straha od opšteg bezumlja koje pametnog čoveka mora da razboli: od tuberkuloze ili šizofrenije, svejedno.
Ovaj roman je, pre svega, esencija prestravljenosti i gneva koji vode u ludilo, vapaj davljenika koji se okreće u vrtlogu nesavladive zavisti – hroničnog bolesnika – prema svemu što
May 13, 2015 rated it it was amazing  ·  review of another edition
Shelves: favorites
Bernhard likes very few things, especially people. To paraphrase his narrator, who at a certain instance in the novel ruthlessly points out, one doesn't even have to use all the five fingers of one hand to count the things, ideas or ideals of the society he is in good terms with. A sample of his raw judgement:

For let us not deceive ourselves: most of the minds we associate with are housed in heads that have little more to offer than overgrown potatoes, stuck on top of whining and tastelessly c
Dov Zeller
Dec 06, 2015 rated it really liked it  ·  review of another edition
"I am the happiest traveler—when I am on the move, moving on or moving off—but the unhappiest arriver." (88-89)

In "Wittgenstein's Nephew", Bernhard explores his ideal place -- the place between places. It may be we never quite set out and never quite arrive in the pages of this book, but travel breathlessly, with few rests, as if life depends upon endless moving in much the way the roadrunner ought to keep moving and never look down. It's when we stop and take account that we realize how far the
Hakan T
Nov 06, 2017 rated it really liked it  ·  review of another edition
Thomas Bernhard bu eserinde, ünlü filozof Ludwig Wittgenstein'ın yeğeni Paul ile 12 yıla varan ve adıgeçenin ölümüne kadar süren dostluğunu anlatıyor. Hastanede başlayan dostlukları (Paul ruh hastaları, Bernhard ise veremliler koğuşunda), müzik ve felsefeye ortak ilgileri, dünya görüşleri, genel kabul gören değerlere cesaretle karşı çıkabilmeleriyle pekişiyor. Bernhard yine Avusturya toplumuna, özellikle de entellektüel çevrelere öfkesini kusuyor. Bu tabii Bernhard'ın alameti farikası, bir nevi ...more
Joselito Honestly and Brilliantly
Had this not been part fiction I would have unhesitatingly called its author, Thomas Bernhard, insane. Or, at the very least, a difficult, incomprehensible eccentric. He writes here about his friend Paul Wittgenstein, a nephew of the philosopher Ludwig Wittgenstein whose philosophy of language I studied in college but never understood. To Thomas Bernhard both Ludwig and Paul were mad philosophers, the only difference between them being that Ludwig was published and became famous while Paul never ...more
Justin Evans
Mar 25, 2016 rated it it was amazing  ·  review of another edition
Okay, I'm giving this five stars because I'm already nostalgic for the times when I had new Bernhard to read--I've only got a couple more novels to go before I move on to the stories. This is an odd part of his work, since it's actually kind of in praise of something. It's in praise of a mentally disturbed wastrel, yes, but still, it's in praise of something. Bernhard records his friendship with Paul Wittgenstein, their mutual sicknesses, then moves on to more usual Bernhard territory (I HATE VI ...more
Nov 29, 2017 rated it really liked it  ·  review of another edition
"The only difference between us is that Paul allowed himself to be utterly dominated by his madness, whereas I have never let myself be dominated by my equally serious madness; one might say that he was taken over by his madness, whereas I have always exploited mine." (21)
Wittgenstein's Nephew begins in a Viennese hospital, where Thomas Bernhard and Paul Wittgenstein, nephew of the great philosopher Ludwig, are forced—for different but related reasons—to lie in separate wings. Bernhard is suffer
Vit Babenco
Mar 26, 2015 rated it it was amazing  ·  review of another edition
Wittgenstein's Nephew is about friendship but in some strange way it reminded me of The Castle by Franz Kafka
Between a man and freedom there is always a wall of bureaucracy…
“Paul’s mind quite simply exploded because he could not discard his intellectual fortune fast enough. In the same way Nietzsche’s mind exploded, just as all the other mad philosophical minds exploded, because they could no longer sustain the pace. Their intellectual fortune builds up at a faster and fiercer rate than the can
Jan 02, 2017 rated it it was amazing  ·  review of another edition
De um fôlego. De tirar o fôlego: até à última palavra. Um amigo não é o que aplaude, não é o que diz que tudo está bem quando sabes que não está. Um amigo é outra coisa. Sem tempo, sem lugar ou medida, e nunca morre.
I picked this up because I'd read Berhard's "The Loser" already and the same friend who had leant it to me suggested I check out another Berhard joint.

Part of the reason he interests me is because he is so consistently praised and oohed and ahhed over by (at least what I see of) the current literary establishment. So many people suggest that he is (or, more specifically, was) one of the very best of contemporary world writers that I suppose it would be poor form to neglect his work.

Plus, it s
Jun 06, 2018 rated it really liked it
Amaro, ironico, spietato.
Feb 24, 2018 rated it really liked it
Bernhard racconta la sua amicizia con Paul Wittgenstein, nipote del filosofo Ludwig, quello del Tractatus logico-philosophicus. Paul, già pilota d’automobili, ballerino, esperto di musica, ma soprattutto intellettuale e filosofo lui pure - a suo modo, in una dimensione privata -, “pecora nera della famiglia” (ma anche il grande Ludwig non era stato acclamato più di tanto dai ricchi affaristi Wittgenstein, “produttori di armi e macchinari”), viene osannato da chi scrive come un “salvatore”: era e ...more
Dec 02, 2012 rated it it was amazing  ·  review of another edition
this is the first Bernhard book I've read. I was made aware of him by listening to an interview of W.G. Sebald. in it he mentioned that Bernhard was his mentor. if he helped Sebald find his voice, he must be special or maybe not. I was not disappointed . this is a raw-honest telling of his relationship with Paul Wittgenstein, nephew of Ludwig. it is about facing death, the cruel reality of aging, and the frailty of our minds and bodies. sounds like a real bummer of a book, eh. yet it is not, tot ...more
Ubik 2.0
May 26, 2017 rated it really liked it
Sulla strada tra il Padiglione Ernst e il Padiglione Hermann

Conclusa lo scorso anno la lettura dei cinque (eccellenti) libri dell’autobiografia di Thomas Bernhard, credevo di trovarmi ora al cospetto di un’opera di fiction e invece… “Il nipote di Wittgenstein” è quasi un ulteriore capitolo autobiografico, con molte analogie col terzo libro (Il Respiro), quello che si svolge quasi interamente in ambienti nosocomiali e sanatori.

In teoria il soggetto di questo romanzo sarebbe il personaggio cui il
Jul 05, 2010 rated it really liked it  ·  review of another edition
Shelves: read-in-2010
Bernhard with a smile... of sorts. This is almost Bernhard-lite. There's still the one-paragraph-book, still the despair, anguish, hatred for humanity (which includes, of course, Bernhard), focus on the base elements of our nature, and the bile, the endlessly spewing bile. But it is all leavened by the nature of the story, which is about Bernhard's brilliant and doomed friend who is Wittgenstein's nephew and equally as brilliant as Ludwig Wittgenstein, even if he never put his brilliant thoughts ...more
So when you have a long and unwieldy and somewhat overly specific phrase, it's funny the once, though not as funny as if you repeat the same long and unwieldy and somewhat overly specific phrase several times as you navigate through a long sentence made up of multiple dependent clauses each of which contains the aforementioned long and unwieldy and somewhat overly specific phrase, which repetition, then, builds to a grammatically-based hilarity built around the long and unwieldy and somewhat ove ...more
a 100 page book consisting of 1 paragraph should not be this enjoyable to read (I read it in a day), especially without any kind of intriguing plot, flashy language or the like. But Bernhard's subtle writing style draws you in, always interesting and often hilarious, without appearing like he is trying all that hard to be. Most of all, it's the line of thought in this book that is the most impressive to me, the way it moves from thought to thought like a very good poem. I will definitely read mo ...more
Jan 24, 2017 rated it really liked it
La decisione presa in "Il Respiro" cede il passo, fra le altre opere autobiografiche e - qui- semiautobiografiche di Bernhard, a una confessione (stavolta adulta): quella di non essere un buono, e di essere fuggito di fronte alla morte - in realtà "in atto da dodici anni" - dell'amico Paul Wittgenstein, il "matto di famiglia".
Passioni e avversioni, in comune o in antitesi, malattia fisica, mentale e sociale, inadeguatezza, ribellione, sdegno.. Questa la storia della loro amicizia, due biografie
Jan 03, 2011 rated it it was amazing  ·  review of another edition
Another lucky combination for me: I love both morose Ludwig and bitter Thomas. I was in heaven with this book.
Ellie NYC
May 20, 2007 rated it it was amazing  ·  review of another edition
the key to all of Bernhard is on the last page.
Parth Jawale
Apr 26, 2018 rated it really liked it  ·  review of another edition
“I always want to be somewhere else, in the place I have just fled from. In recent years this condition has, if anything, become worse: I go to and from Vienna at diminishing intervals, and from Nathal I will often go to some other big city, to Venice or Rome and back, or to Prague and back. The truth is that I am happy only when I am sitting in the car, between the place I have just left and the place I am driving to. I am happy only when I am traveling; when I arrive, no matter where, I am sud ...more
Oct 10, 2008 rated it it was amazing  ·  review of another edition
Recommends it for: readers who like a laugh, a shock, a challenge
Recommended to John by: maybe Donald Barthelme
Call it the contra-convalescent novel, in which laughter is the worst medicine & yet we can't help sticking out our arms for a fresh shot, because anyway it hurts more to be up on your feet than laid out in a hospital. Or is this a novella? WITTGENSTEIN'S NEPHEW has no chapter breaks, anyway, nor paragraph breaks either. As its shaggy-dog cynicism & worldliness spools out, the work may even rise to the technical challenge of carving out a new late-20th-Century form. This thing of darknes ...more
Oct 05, 2010 rated it it was amazing  ·  review of another edition
Recommended to Daisy by: Merisi
I know someone who has read this five or six times. It's her favorite book.
It could be a celebration of unprejudiced, accepting friendship or a eulogy or a purging of guilt. It deals with sickness, euphoria, aging, city vs, country, society, money, poverty, music, theater, motor racing... The respect Thomas and Paul have for each other, the progress of their friendship, their own parallels, their respective places in society and in their families, that's the main stuff of this book.
For me, I am
Jan 23, 2009 rated it really liked it  ·  review of another edition
Esta es la historia de una amistad, la de Thomas Bernhard y Paul Wittgenstein. Thomas conoció a Paul a través de Irina, una amiga mutua, y pronto se vio que compartían opinión sobre muchos temas, como por ejemplo su amor por la música, de la que Paul es gran experto, sobre todo en óperas. Un momento importante en esta relación fue cuando ambos supieron que estaban ingresados en el mismo hospital, pero en distintos pabellones. Thomas estaba en el pabellón Hermann, dedicado a los enfermos de pulmó ...more
Stephen Durrant
Mar 20, 2010 rated it it was amazing  ·  review of another edition
The power of Thomas Bernhard's repetitive, obsessed, hard-driving prose enthralls me. Entering his novels, almost always written as a single paragraph, is to enter a disturbed but incredibly rich mind. Usually the narrator of his works seems not far removed from the author himself, and in this case, where the narrator is actually named "Thomas Bernhard," one seems squarely in the realm of autobiography. This is a story of friendship between two sick people: Thomas Bernhard, who has a serious pul ...more
Aug 23, 2007 rated it really liked it  ·  review of another edition
Recommends it for: people who think it's funny to hate life
Shelves: fiction
this book consists of a single paragraph. it's only 100 pages long, but that's still a pretty long paragraph.

it's kind of a prose poem, so it's sort of interesting that i actually enjoyed it in translation, since i often don't like translations at all. He uses a lot of repetition, and some people might find the style annoying, but i liked it.

basically, it's about his friendship with Paul Wittgenstein, who was the nephew of Ludwig Wittgenstein. He talks a lot about paul's madness and his own lung
Apr 18, 2018 rated it really liked it  ·  review of another edition
Shelves: european, literature
A whole book written in one paragraph. Incredible!
Feb 21, 2016 rated it it was amazing  ·  review of another edition
Příběh dvou mužů sdílejících podobný osud a historickou epochu začíná ve známé vídeňské léčebně Steinhof. První, vypravěč, pobývá na pavilonu pro pacienty s plicní chorobou, druhý leží upoután v klecovém lůžku na oddělení psychiatrie. Tím je Paul Wittgenstein (synovec známého filozofa Ludwiga Wittgensteina), který byl pro nechvalně proslulé záchvaty "šílenství" zatracen svými příbuznými a celou vídeňskou smetánkou. Tímto začíná Thomas Berhnhard vzpomínat na jejich přátelství, okolnosti seznámení ...more
Brad Lyerla
Nov 12, 2014 rated it really liked it  ·  review of another edition
WITTGENSTEIN’S NEPHEW is an eccentric little novel that is difficult to categorize. The poet, playwright and novelist Thomas Bernhard wrote a fictionalized memoir of his friendship with the Austrian bon vivant Paul Wittgenstein. But the book is more than that. It is a commentary on the vapidness of Austrian Society in the later part of the 20th Century, including a personal rant from Bernhard concerning the failure of his play Hunting Party. And it is a lament of our natural timidity in facing t ...more
Sep 30, 2013 rated it liked it  ·  review of another edition
Shelves: استعارة
مقتطف/ صداقة
قلت لنفسى وأنا أجلس فوق دكة فى منتزه المدينة، إن هذه ربما تكون آخر مرة أرى فيها صديقى. لم أكن اعتقد أن جسدا بهذا الوهن، خبت فيه جذوة الحياة وانطفأت شعلة الإرادة، سيتحمل أكثر من بضعة أيام. زُلزل كيانى لرؤيته هكذا يعانى الوحدة فجأة، هذا الإنسان الذى هو بسليقته إنسان اجتماعى، كما يقولون، منذ مولده وحتى بلوغه، وظل اجتماعيا إلى أن أمسى كهلا ثم شيخا. ثم خطر على بالى كيف تعرّفت إلى هذا الإنسان الذى أضحى بالفعل صديقى، الذى طالما أسعدَ وجودى غاية السعادة، هذا الوجود الذى لم يكن با
Ayse Bilgen
Mar 24, 2015 rated it really liked it  ·  review of another edition
Son demlerini yaşadıkları hayata öfke dolu iki dosttur, Paul (Wittgenstein'in Yeğeni ) ve Bernhard.
Roman, Bernhard'ın zihninden aktarılan öfke dolu bir monolog. Kitabın duygusu: her öfke ve her monolg gibi acıtıcı, tekrarlanan ve aynı kalan bir şeyler...

Daha önce hiç Thomas Bernhard okumamıştım. Gerçekten şaşkınım şu anda, çok etkilendim bu kısa romandan, çok yetkin bir anlatı. Kitabın sonunda Orhan Pamuk'un yorumları da çok aydınlatıcı oldu benim için. Orhan Pamuk “güvenli dünyalarından çıkma
Maurizio Manco
Oct 06, 2017 rated it really liked it
"Come il novanta per cento dell’umanità, vorrei sempre essere altrove, dove non sono, nel luogo dal quale sono or ora fuggito […] E questa è la verità, che soltanto seduto in automobile, solo lungo il tragitto tra il luogo che ho appena lasciato e quello dove sto andando io sono felice, solo in automobile e solo in viaggio sono felice, non appena arrivo in un posto, invece, sono l’uomo più infelice che si possa immaginare, dovunque io arrivi, come sono arrivato divento infelice. Sono uno di queg ...more
Jun 08, 2009 rated it did not like it  ·  review of another edition
I really disliked this book. It was like being at a cocktail party and getting stuck talking to someone who is really really really smug and self-satisfied, mainly because they know someone who was related to someone, and then just keeps emphatically insisting that the person they knew was just so terribly interesting and crazy and really emphatically interesting, and how terribly much they had in common with each other, but doesn't even give one single interesting story or description. And then ...more
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Thomas Bernhard was an Austrian author, who ranges among the most distinguished German speaking writers of the second half of the 20th century.

Although internationally he's most acclaimed because of his novels, he was also a prolific playwright. His characters were oftenly working in a lifetime and never-ending major work while they deal with themes such as suicide, madness and obsession and, as B
More about Thomas Bernhard

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“I avoid literature whenever possible, because whenever possible I avoid myself...” 28 likes
“For before I met my friend there had been a period when I was prey to a morbid melancholy, if not depression, when I really believed I was lost, when for years I did no proper work but spent most of my days in a state of total apathy and often came close to putting an end to my life by my own hand. For years I had taken refuge in a terrible suicidal brooding, which deadened my mind and made everything unendurable, above all myself—brooding on the utter futility all around me, into which I had been plunged by my general weakness, but above all my weakness of character. For a long time I could not imagine being able to go on living, or even existing. I was no longer capable of seizing upon any purpose in life that would have given me control over myself. Every morning on waking I was inevitably caught up in this mechanism of suicidal brooding, and I remained in its grip throughout the day. And I was deserted by everyone because I had deserted everyone—that is the truth—because I no longer wanted anyone. I no longer wanted anything, but I was too much of a coward to make an end of it all. It was probably at the height of my despair—a word that I am not ashamed to use, as I no longer intend to deceive myself or gloss over anything, since nothing can be glossed over in a society and a world that perpetually seeks to gloss over everything in the most sickening manner—that Paul appeared on the scene at Irina’s apartment in the Blumenstockgasse.” 16 likes
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