Returning home from college to her West Virginia, coal-mining roots, Portia Crowe escapes a bad marriage and follows in her family's footsteps to become one of the first female members of the United Mine Workers
Mining is a frequent theme in early frontier fiction, though few writers actually take us into the mines, where the work is done. One notable exception is Mary Hallock Foote’s The Led-Horse Claim (1883). Though miners were fiercely superstitious about women in mines and the bad luck their presence there foretold, Foote sends her female protagonist below ground, to experience a netherworld of darkness and isolation where men toil in the dangerous extraction of gold, silver, or copper.
More common are stories about mining communities and their social life centering on a favorite saloon or among the wives of the miners. However, for vicarious experience of blasting a way through a mountain, you have to turn to Frederick Ritchie Bechdolt’s The Hard Rock Man (1910), which gives a thrilling account of constructing a railway tunnel. It portrays not only the danger of collapsing rock and working with dynamite but the camaraderie and rivalries that grow among the men.
Blend all of these threads and mix in some of Michael Cimino’s The Deer Hunter, and you have something close to Barbara Angle’s autobiographical coal mining novel, set in modern-day West Virginia...