War Without Mercy: Race and Power in the Pacific War by John W. Dower

Jan 06, 2013 Mosca rated it really liked it

Recommended to Mosca by: NPR

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Written in the 1980’s, this book bears the perspective of an American obsession with the then-evident emerging Japanese global economic leadership.

At this time, on a planet witnessing a bloated Chinese economic dominance, a jaundiced Western economic malaise of austerity, a deteriorating global “War on Terror”, and an emerging class-conscious understanding of climate change and plutocracy---a book like this can seem very narrow and dated.

Why should any of us be concerned ab **********************

Written in the 1980’s, this book bears the perspective of an American obsession with the then-evident emerging Japanese global economic leadership.

At this time, on a planet witnessing a bloated Chinese economic dominance, a jaundiced Western economic malaise of austerity, a deteriorating global “War on Terror”, and an emerging class-conscious understanding of climate change and plutocracy---a book like this can seem very narrow and dated.

Why should any of us be concerned about apparently-permanent mutually-racist misunderstandings between two nations—both now wallowing in each-their-own self induced, decadent delusions and cultural irrelevances at a time of gigantic, ongoing, unresolved, and terrifyingly-current global threats?

Good question.

But what this book does offer in a disturbingly thorough manner is an investigation into two nations revoltingly self-perpetuating racist myths about one another. And what is truly frightening is how important these national chauvinisms were in creating, justifying, and sustaining one of the more awful bloodbaths of the 20th century...and how essential they were to the propaganda machines of both countries.

For me, the racist images produced for those purposes (and reproduced in some quantity in this book) are truly staggering and revolting. And both nations sustained minor industries whose sole purposes were to create and maintain these racist “cartoons” and propaganda.

What is relevant, however is the essential nature of such propaganda in the maintenance of the public will necessary to sustain the nation’s commitment to the horrors of modern warfare.

It is this thorough investigation into the propaganda machines of two nations, each seriously and pathologically committed to industrial scale slaughter that is so compelling. And it is the intentional and deliberate restructuring of the two nations’ public's perceptions of reality that is most staggering to me--as well as the naked willingness to spin the lies in dramatically new directions as the national, military, and international situations shifted. And how these national machineries of lies and bigotries, of delusions and illusions determined the mass perceptions of “reality”

And these national machineries of deliberate spin maintained their mendacity regardless of their tragic effects. And today we still live with “perceptions” generated by these decades-old, intentional racisms—shifted with time to accommodate new national “enemies”

We should all be concerned about that.
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Oct 22, 2012 Hotavio rated it really liked it

Shelves: 20th-century-us-history, wwii, books-on-asia

It is easy to underestimate the role of emotion in foreign policy. Books such as Race and Manifest Destiny: The Origins of American Racial Anglo-Saxonism by Reginald Horsman and Comrades at Odds: The United States and India, 1947-1964 by Andrew J. Rotter, make a strong argument that emotionalism fueled by racial and cultural anxieties influence America’s role in the world. In War Without Mercy: Race and Power in the Pacific War, Dower argues that race not only colored America’s actions in the Pa It is easy to underestimate the role of emotion in foreign policy. Books such as Race and Manifest Destiny: The Origins of American Racial Anglo-Saxonism by Reginald Horsman and Comrades at Odds: The United States and India, 1947-1964 by Andrew J. Rotter, make a strong argument that emotionalism fueled by racial and cultural anxieties influence America’s role in the world. In War Without Mercy: Race and Power in the Pacific War, Dower argues that race not only colored America’s actions in the Pacific theater of World War II, but that the Japanese harbored a similar preoccupation with their own racial superiority that motivated them to engage in martial pursuits. This sense of superiority fueled emotions which would bring both sides to act inhumanely to one another.
Dower examines how hatreds influenced the actions of the Americans and Japanese in war by examining cultural influences. He makes use of cartoons, films, propaganda, books, and other cultural sources to identify themes perpetuated on both countries’ citizens and the public perceptions these sources created. Through media like Frank Capra’s Know your Enemy-Japan and An Investigation of Global Policy with the Yamato Race as the Nucleus, impressionable audiences not only validated war, but ignored ghastly behaviors on the battlefield. Beyond mutual feelings of supremacy contributing to war motivation, the resulting rapprochement after Japan’s surrender September 2, 1945 fascinates Dower. Thus, his book aims to outline the visceral distain these nations had for one another during the war and then how both nations twisted this for their benefits during peace.

Dower makes his argument by first examining the American perspective on Japan. Dower states that, already endowed with a sense of racial superiority, Americans fixated on the Japanese attack on Pearl Harbor as an act of treachery. Aside from the Caucasian belief that Asians were inferior, this treachery demonstrated that Japanese were particularly inhuman. War Without Mercy illustrates a variety of subhuman creatures that began to symbolize the “Jap” but no creature was utilized more than the monkey or ape. Dower provides many examples of how Americans utilized this connection as he includes several cartoons within the book. Dehumanizing the enemy justified the murder of prisoners on the battlefield and a public assertion that the Japanese should be “annihilated as a people.” Beyond this diminutive image, Americans also refashioned the simian according to the stage of war. Contributors to the cultural image also portrayed the Japanese as a hulking ape-man after Japanese victories and as harmless pets during the Japanese’s Allied occupation.
The second component of War Without Mercy explains the Japanese racialist role in the war. Japan insisted in its superiority as well. Japan focused less on skin color and more on their 2,600 year old history under the Emperor. While Japan detested Western colonialism for its arrogance and subjugation of Asians, Japan also had its own colonial scheme called the Co-Prosperity Sphere, which was very similar. The Co-Prosperity Sphere emphasized what Dower notes as Japan’s “proper place,” the center of the world. Japan also provided a host of cultural references contributing to Dower’s argument. Among these, Dower gets the most leverage out of the children’s tale of Momotarō. The tale of a youth battling an ogre surfaced as an analogy for the Japanese fighting off America and its capitalist trappings. What makes this cultural piece outstanding is the image of Japan as a youth battling off the Western “ogre” can later be reinterpreted in the era of Japanese occupation. During the occupation, Japanese anxieties ebbed as they recognized that this ogre had “a human face.” While the Americans exhibited differences from the Japanese, the Japanese felt that the Americans were not evil as originally thought. This made loss of the war more bearable.
Dower’s epilogue examines the how both parties diverted racial tension and, in some cases, assisted the post war relationship between the United States and Japan. Dower’s inclusion of this twist in the use of racism, pushes his examination further than many historians. Unfortunately, Dower does not examine this fascinating observation with the intensity he devotes to racisms contribution to war violence. Still, War without Mercy ties the many horrific instances of known racial violence during World War II together in a way which makes race seem like the single most determining factor for the war.

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Jan 24, 2013 Bruce rated it really liked it

I picked up this book expecting it to contain a chronology of events in the Pacific theater during World War II. It is not that. Rather it is a study of race as a defining factor in that conflict, a factor influencing expectations, strategy and tactics, propaganda, and the trajectory of events during the war and the occupation of Japan afterward. The work seems well researched and well written. Dower, the Henry Luce Professor of International Cooperation and Global Stability at MIT, published it I picked up this book expecting it to contain a chronology of events in the Pacific theater during World War II. It is not that. Rather it is a study of race as a defining factor in that conflict, a factor influencing expectations, strategy and tactics, propaganda, and the trajectory of events during the war and the occupation of Japan afterward. The work seems well researched and well written. Dower, the Henry Luce Professor of International Cooperation and Global Stability at MIT, published it in 1986. He focuses primarily on the relationship between the United States and Japan, although he does not ignore the other countries and cultures involved in the conflict, the points he makes being equally valid, with subtle nuances, to the relationships among all these combatants.

The war did not begin in a vacuum, there having been a long political history leading up to it, and that history included centuries of racial and cultural stereotypes influencing the attitudes and perception of both sides. Historical slights and conflicts as well as characterizations and expectations often limited the vision of each side in the war’s immediate prelude and in the planning of the war once the conflict began. Such stereotypes often functioned as conceptual blinders that led to profound miscalculations. These stereotypes also provided the grist for the mill of wartime propaganda as each side pushed the stereotypes to extremes in an effort to demonize The Other and motivate its own population for the massive war effort.

Citing countless examples, Dower explores the differences in the use of racial assumptions and stereotypes on the part of the belligerents. In the United States, images primarily emphasized physical and psychological characteristics (often vastly oversimplified and exaggerated) of the Japanese to characterize the enemy as small, monkey-like, and devious little yellow people who were mindless and fanatical vermin without individuality, acting as a robot-like and unquestioning mass for whom death was meaningless except as a source of glory in furtherance of the motherland and race. On the other hand, the Japanese tended less to demonize the United States and Americans (except to characterize them as demons) than to emphasize the superiority of the Yamato or Japanese race, its alleged purity over other nations and its consequent right and obligation to rule. Japan often took the very stereotypes used by the US and, instead of considering them derogatory, turned them 180º and glorified them, using, as an example, the accusation of absence of individuality to elevate and revere the collective community as a defining difference and advantage vis-à-vis the United States. There were, of course, many exceptions to such generalizations, but Dower makes a clear and convincing case of important differences. He also traces the evolution of these ideas as the war progressed and it became increasingly clear to all sides by the end of 1942 that the cause of Japan was lost and its defeat inevitable.

A common puzzle has been the sudden apparent change in Japanese attitudes at the war’s end and during occupation, a change from strong and fierce adversarial sentiments to the apparent docility and cooperativeness of the Japanese with the American occupying powers. Dowers explores this phenomenon thoughtfully and carefully, finding answers in the very ambiguities of Japan’s self-perceptions from the very beginning.

It is hard not to transpose Dower’s observations and conclusions to many conflicts today, to our seemingly universal need or at least tendency to demonize and caricature those with whom we are in conflict, whether those conflicts involve international disputes or domestic politics. One cannot avoid recalling Orwell’s prescient insights in 1984, particularly his portrayal of the frequent abrupt changes in international allegiances in order to maintain some sort of external enemy, seemingly at all costs.

I found this to be a fascinating book, thought-provoking and well written, with insights extending far beyond the historical situation specifically addressed.
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Apr 03, 2013 Stuart rated it it was amazing

Shelves: historical, japan, politics, favorites

A very unique and disturbing look at the uses of racist ideology by both the Western Powers and Japan to fuel their pursuit of military, political and cultural dominance in the early 20th century leading up through the brutal "war without mercy" known as the Pacific War. It's fascinating to see the perceptions that the Americans and British had of "Asiatics" starting in the colonialist period, and how these perceptions of the Japanese changed as their relative economic and political power grew. A very unique and disturbing look at the uses of racist ideology by both the Western Powers and Japan to fuel their pursuit of military, political and cultural dominance in the early 20th century leading up through the brutal "war without mercy" known as the Pacific War. It's fascinating to see the perceptions that the Americans and British had of "Asiatics" starting in the colonialist period, and how these perceptions of the Japanese changed as their relative economic and political power grew. Initially looking at all non-whites as physically and mentally inferior, barbaric, infantile, inscrutable, and inhuman, the West was forced to take Japan more seriously as it grew in power in Asia. And the Japanese, for their part, started to recreate a myth of their superiority among the Asian nations in their drive to create their own imperial empire, the "Greater East Asia Co-Prosperity Sphere", closely modeled after the colonial empires of the Western powers, particularly the British. In their view, they were a pure race descended directly from the divine Emperor Jinmu 2600 years previously, and had a duty to rule and dominate the other Asian races in a patriarchal hierarchy.

Driven by their desire to be recognized on equal footing with the other Western Powers, the Japan military and political apparatus also utilized the image of the Emperor as a father figure to unite the Japanese people into the "100 million" and realize their destiny to rule over all of Asia and eventually the world. Ostensibly their rule would be benign and uplifting, but the reality as their armies occupied more and more of Asia was one of unrestrained brutality and contempt for other Asian peoples. And as the tides of war turned against them, this cruelty was further exacerbated as it became clear that Japan was losing the war.

Meanwhile, the US was at first shocked by the Japanese military prowess in its defeat of Russia at the turn of the century and then its invasions of Manchukuo, Korea, its easy ousting of the British from Hong Kong and Singapore, the Dutch from Indonesia, the French from Indochina, the occupation of the Philippines, and then the surprise attack on Pearl Harbor. The Japanese went from "little yellow people" into unstoppable super-soldiers. But the resources needed to maintain the Japanese war machine could not be sustained, and the greater military strength of the US forces slowly but surely defeated the Japanese forces in battle after battle throughout the Pacific. However, even when the outcome was clear, the Japanese refused to surrender, and the American military decided to extent their bombing raids to targeting civilians in urban centers, killing hundreds of thousands in an effort to crush the Japanese spirit. Finally, the US dropped atomic bombs on Hiroshima and Nagasaki to devastating effect, and the Japanese military and the Emperor capitulated.

This book focuses very closely on the perceptions of race on both sides of the war, and it is quite shocking in its unearthing of the depths of racism that ran throughout both the US (and other Western powers) and the Japanese in their myth of racial purity and superiority. The research is in-depth and takes a unique perspective not seen in most books about the Pacific War. In fact, the book was written while author John Dower was in the process of researching his book about the post-war occupation and reconstruction of Japan by US authorities, Embracing Defeat: Japan in the Wake of World War II . That book is even more impressive in its scope, depth of research, and insight into the forces that transformed Japan from a blood-thirsty imperialistic aggressor into a peaceful, hard-working, anti-Communist ally of the US in the emerging Cold War struggle against Communist China and Russia. It is well worth reading for any serious student of Japan's role in the modern world. ...more

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Oct 01, 2010 AC rated it really liked it

Shelves: 20th-21st-century, japan, fascism

Much of this book I did not like. In fact, it is not really a book. It is two articles expanded and cribbed together (one on American racist perceptions of Japan; one on Japanese racist perceptions of the West) --to meet (I suspect) tenure requirements. Yet the two chapters on "The Pure Self" (ch. 8) and on Japanese War aims ("Global Policy with the Yamato Race as Nucleus" = ch. 10) are the clearest and most moving account of Japanese fascism I have found. They are brilliant. My suggestion: get ...more

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Dec 26, 2013 Jim rated it really liked it

When I was a boy our mail was delivered by a pleasant mailman named John (as far as I know his last name was "the Mailman") who was always smiling and whistling, and he was a Marine Corps Pacific War Vet. He gave me a huge plastic wall sheild with the Marine Corps Emblem on it, which I placed among all the car parts adverts on my wall. So the only person I knew who fought in that war was sunny as the day is long, and the idea that he had been part of the force which fought inch for inch on other ...more

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Sep 13, 2016 Erik Graff rated it really liked it

Recommends it for: Americans & Japanese

Recommended to Erik by: no one

Shelves: history

Father served as an army cryptanalyst attached to the navy for such things as ship-to-shore communications during landings in such places as Sicily and, later, the Philippines. Being in the bowels of the ship, usually in its sole airconditioned room, his only sightings of 'the enemy' were of planes, including kamikazes, or of prisoners. He hated it, but as he grew older his mind (he died some months ago, just short of his 95th year) turned more and more to those distant memories.

Dad's dad was ac Father served as an army cryptanalyst attached to the navy for such things as ship-to-shore communications during landings in such places as Sicily and, later, the Philippines. Being in the bowels of the ship, usually in its sole airconditioned room, his only sightings of 'the enemy' were of planes, including kamikazes, or of prisoners. He hated it, but as he grew older his mind (he died some months ago, just short of his 95th year) turned more and more to those distant memories.

Dad's dad was active in the Socialist Party of America, Dad himself having voted for Norman Thomas in '48. The family was Norwegian, both sides of it, and most of our relatives endured German occupation during the war. There was some residual dislike of Germans on their part, but when I was growing up our closest family friends included a number of Germans and Japanese. American Socialists, whatever their visceral feelings, are internationalists.

Still, I grew up indoctrinated by family, family friends (almost everyone's dad was a veteran) and the public schools to believe WWII to have been, unlike WWI, a 'just' and necessary war, a war against the evils of Nazism, Fascism and Japanese militarism. My perspective, given the Norwegian connection, was perhaps a little broader and emotionally deeper than the suburban norm, but it was still pretty one-sided. I was an American patriot, proud of our defense of democracy and individual liberties. Indeed, one of the first adult books I ever read was William Shirer's Rise and Fall of the Third Reich, an account hardly sympathetic to the Axis.

Years have passed, decades of study, and, while my concern for defending democracy and liberty has continued, I no longer see the U.S.A. as essentially allied with such values--indeed, I see it as all too often as an hypocritical opponent of them. Some of this I simply noticed by following the mainstream media as a child (The Dominican Republic, Cuba, Laos, Vietnam, Cambodia etc.), then explored by reading histories by Anglo-American historians from their Anglo-American perspectives. Most recently I've favored books written by non-English speaking historians or books by historians attempting to represent the views of other peoples.

This study of Japanese and American attitudes does a fair job in giving the racists on both sides a voice. Beginning with their respective histories, author Dower focuses on WWII and its immediate aftermath, with an epilogue about the recurrence of earlier prejudices during the Japanese economic boom (an American decline) in the late seventies and early eighties. In addition to being a meditation on nationalism in general this book also serves as reminder of the ubiquity of propagandistic misinformation and manipulation.

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Feb 19, 2014 Andre rated it really liked it

Shelves: history, you-should-read-this

In my eyes this is undeniably a very good book. But I must say right away that while it is a good introduction (and nothing more, I have to be honest there) into the topic of racism in the Pazific War during World War II, I would not recommend it for casual readers. The book is good in debunking the, apparently not so rare, notion that racism is equal to white supremacism, but the quotes it often has (which you can't blame the author for) were done by people who for all their efforts still seeme ...more

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Dec 26, 2010 Ilya rated it really liked it

Shelves: world-war-ii

During the 1941-1945 war between the United States and Japan, the Americans were unabashedly racist. American cartoons, newspaper and magazine stories depicted the Japanese (and the Japanese Americans) as apes, rats or lice. Admiral William Halsey was especially fond of comparing the Japanese with monkeys; when the Japanese were told about this, a zookeeper in Tokyo declared that he had reserved a cage for the admiral in the monkey house. Ordinary Americans, both soldiers and civilians, were ful During the 1941-1945 war between the United States and Japan, the Americans were unabashedly racist. American cartoons, newspaper and magazine stories depicted the Japanese (and the Japanese Americans) as apes, rats or lice. Admiral William Halsey was especially fond of comparing the Japanese with monkeys; when the Japanese were told about this, a zookeeper in Tokyo declared that he had reserved a cage for the admiral in the monkey house. Ordinary Americans, both soldiers and civilians, were full of hatred towards the Japs aka the Nips; no such hatred existed towards the Germans as a people (as opposed to the Nazis as a political movement): war with Germany did not have a racial angle to it because the Gemans were of the same race as the (white) Americans, and German Americans were an important part of the American society and the American military, from General Eisenhower down to Private Vonnegut. This of course influenced the conduct of the war; Americans collected Japanese skulls as souvenirs, boiling the flesh off, which would have been unthinkable in Germany or Italy; an American soldier sent President Roosevelt a present of a letter opener carved from a bone of a dead Japanese, which the President rejected. A typical American wartime cartoon showed Hitler stomping on Czech villages and an apelike Jap imitating him, stomping on an island in the Philippines. Of course, the Chinese, America's wartime allies, were just as yellow-skinned as the Japanese; if the latter were the Yellow Peril, why not the former? American academics opined on the causes of aggressiveness and cruelty in the Japanese national character; an anthropologist suggested that this was caused by the overly harsh toilet training of Japanese children. Obviously, this took place before the Shimajiro videos.

The Japanese were no less racist, but in a different way: they considered themselves to be a unique people in the whole world, the pure Yamato Race, destined to rule the other races, dirty and mixed. Some Japanese academics provided support for this theory, too. The two major Axis powers regarded each other as being racially inferior to themselves. Although Japanese propaganda proclaimed the liberation of South-East Asia from European colonialism, and Burma, the Philippines and Indonesia declared (puppet) independence under Japanese auspices, this was atypical. Typically, the Japanese behaved like the worst colonial masters, killing and torturing natives to take control over their labor and their countries' natural resources, and justifying it by their right as a superior race. In a typical magazine illustration, a dark-skinned half-naked Indonesian farmer shakes a much bigger fair-skinned hand with the Rising Sun flag on the sleeve; in the background, a Dutchwoman in national dress is running away. Japanese often compared themselves fighting the Allied Powers with folktale character Momotarō fighting demons. Katakana seems to have been written right-to-left in those years; cartoons showed トルベズール (Roosevelt) and ルチーャチ (Churchill) as demons with claws, horns, fangs, a horse's behind or a badger's tail.

After the war, relations between the two nations have been more or less amicable, but their racist prejudice towards each other did not disappear altogether. In 1950 John Foster Dulles suggested that the Japanese could export shirts, pajamas and perhaps cocktail napkins to the United States, not anticipating superior-quality Japanese cars, motorcycles and consumer electronics, which conquered the American market in the next half-century. There is a Honda factory in Ohio that produces Goldwing and VTX motorcycles; Honda is closing it in 2009; I was reading some motorcycle-related blog, and a commenter said that this decision was made because of poor quality of American workers. Can someone please remind me, who won the last war between the United States and Japan? ...more

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Feb 26, 2013 Alessandra rated it liked it

Historian John W. Dower’s War Without Mercy: Race and Power in the Pacific War (1986), is largely concerned with how race fueled the Pacific War machine. This comparative study argues that Japanese and American racisms fomented violence and atrocity in the Pacific. What remains difficult for Dower (and for all who attempt to make connections between ideas and actions), is his ability to draw distinct causal relationships between racism and war-related violence. This quibble, however, should not Historian John W. Dower’s War Without Mercy: Race and Power in the Pacific War (1986), is largely concerned with how race fueled the Pacific War machine. This comparative study argues that Japanese and American racisms fomented violence and atrocity in the Pacific. What remains difficult for Dower (and for all who attempt to make connections between ideas and actions), is his ability to draw distinct causal relationships between racism and war-related violence. This quibble, however, should not detract from the work’s contributions.

Historiographically, War Without Mercy decenters a field that focuses largely on race in the European theatre. While much work has been done on racism and the Holocaust, less is known about the role of race in the Pacific—let alone from both the American and Japanese encampments. Methodologically, the comparative framework highlights not only the malleability of popular metaphors and idioms, but also the fluidity of racism. By focusing on Japan and the U.S., Dower reminds us that racism can adopt many guises.

II wonder, however, if Dower could’ve spent more time charting the transnational comparisons in racist thought between Japan and the U.S. In particular, when reading about Japan’s emphasis on purification, I kept thinking of Richard Slotkin’s Regeneration Through Violence—which posits that violence has long been associated with renewing qualities throughout American history. Is there not an interesting connection to be made here? And perhaps at other moments? I suspect that part of his inability to thoroughly engage connections/disparities is due to the book’s structure. By handling each nation separately in the last two sections, some moments for comparison were likely lost.

According to Dower, racism accounts for the unique degree of violence and brutality that characterized the Pacific War. Exploring how racism operated in the U.S. and Japan, however, also answers another question Dower rightly posed: how was peace attained so quickly in the wake of such a brutal contest? The answer, Dower explains, lies in the malleability of the symbols and idioms that embodied the “other” during the war. “The abrupt transition from a merciless racist war to an amicable postwar relationship was” Dower claims, “facilitated by the fact that the same stereotypes that fed superpatriotism and outright race hatred were adaptable to cooperation" (302). For example, the apian image employed by the U.S. to dehumanize the Japanese people morphs, in the postwar period, into a docile pet. In another instance, the image of the Japanese as child-like others made room for the “maturation” of Japan in the postwar years.

The symbols and idioms Dower discusses, however, were by no means products of the war alone. Instead War Without Mercy elaborates on how, in both America and Japan, many common propagandistic tools were unearthed from previous contexts. For example, the Japanese notion of the stranger—or the demonic other—emerged from folk traditions in the countryside and was reinvented to underscore the polluting, demonic nature of the Allied powers. Likewise, American imagery had portrayed Filipinos as apes decades before the resurgence of apian imagery in Pacific War cartoons.

Dower does the important work of demonstrating how certain symbols and idioms were loaded with racist ideologies and representations, which in turn fueled the escalation of violence in the Pacific. His emphasis on symbols, phrases, idioms, and ideas points to the structural nature of racism. By using mass-produced material and political documents, Dower highlights that racism and racist acts are not simply products of individual action, but are also embedded into the operating apparatuses of many—perhaps all—nation-states. ...more

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Mar 24, 2013 David Bates rated it really liked it

John Dower’s 1986 work War Without Mercy delves into the devastating racial hatred which the Pacific War had devolved toward in its last and bloodiest year. “Probably in all our history, no foe has been so detested as were the Japanese” recalled historian Allan Nevins of his wartime service. Dower catalogues the fury with which both American and Japanese soldiers fought, exploring the racial ideologies that underlay their attitudes toward each other. While the Japanese belief in the purity of th John Dower’s 1986 work War Without Mercy delves into the devastating racial hatred which the Pacific War had devolved toward in its last and bloodiest year. “Probably in all our history, no foe has been so detested as were the Japanese” recalled historian Allan Nevins of his wartime service. Dower catalogues the fury with which both American and Japanese soldiers fought, exploring the racial ideologies that underlay their attitudes toward each other. While the Japanese belief in the purity of the Yamato bloodline underwrote colonialist domination, American caricatures of the Japanese as inherently deceptive, brutishly apish and unthinkingly fanatical drew on the nation’s own racial symbols. Indeed, many of the American attitudes toward the Japanese echoed earlier views regarding Native Americans, and Dower traces the American military presence in Asia to the occupation of the Philippines by men who had earlier fought against western tribes, such as the father of General MacArthur. The main thrust of War Without Mercy is not, however, the depths or details of the hatred unleashed during the war, but in the manner it evaporated into a harmonious occupation and alliance after the war. What had happened?

“In a world that continues to experience so much violence and racial hatred, such a dramatic transformation from bitter enmity to genuine cooperation is heartening . . . it is fortunate that people on all sides can put such a terrible conflict behind them, but dangerous to forget how easily war came about between Japan and the Western Allies, and how extraordinarily fierce and Manichaean it was.” The key, Dower suggests, to the shift to an “inequitable but harmonious relationship between victors and vanquished lies in appreciating the malleability of political language and imagery in general.” Once defeated, images of the Japanese in the American press shifted, portraying a nation of friendly mimics – inferior but welcoming of guidance. The more threatening traits attributed to them quickly resurfaced in depictions of treacherous and ruthless communists, suggesting a flexible but coherent American tradition of symbols around “otherness.” This approach to racism, based in Geertzian ideology, has some merit, but Dower’s study would have been more rounded had it taken Asian-Americans more fully into the picture. While he does note the many discriminatory anti-Asian laws still on the books at the start of the war (to the chagrin of Americans and the delight of Japanese propagandists), a consideration of the connection between international standing and domestic prejudice, and the structural aspects of discrimination, would have been profitable. While Dower’s expertise is in foreign affairs, observations on American racism abroad will inevitably find domestic significance.
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Aug 18, 2013 Chi Pham rated it it was amazing

Shelves: history, japan

This book should have won John Dower the Pulitzer Prize, instead of the other one ("Embracing Defeat"). "War without Mercy" touches upon one of the most important aspects of the Second World War, but one often forgotten in retrospect: the Second World War was also a Race war, the ultimate triumph of the Social Darwinism doctrine. The cultural history prevails in this book. Taking the comparative approach, John Dower discusses wartime images and ideologies about the Other on both side , describin ...more

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Nov 27, 2013 Alex rated it really liked it

There's not much to say about this one. It's about thirty years old which means by now, any information found in here has been superseded by more interesting analyses. Dower analyzes the issues of race and war through a series of lenses: war crimes and brutality against the "enemy" on both sides, propaganda pieces, academic racism, etc. However, I feel where Dower stands apart, and where this book truly shows how groundbreaking the research actually was for the time, are the chapters of American ...more

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Sep 27, 2011 Brad Wheeler rated it it was amazing

Shelves: history

I haven't read a lot of books on World War II. Like most Americans, my education on the war comes largely from History Channel documentaries and the occasional magazine or Wikipedia article. This book makes one thing really clear: all of those sources are embarrassingly incomplete. Just reading the back cover copy, you'd think this was just a book on racism, and in a sense it is, but it's really more broadly about prejudice, tunnel vision, and the inability to see beyond one's cultural upbringin ...more

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May 23, 2014 Justin Dell rated it liked it · review of another edition

Shelves: warfare

I’m not sure how I feel about War without Mercy. It comes across as somewhat banal, if only in the sense that it merely expatiates on a subject I already knew about. In other words, it does not present anything shocking or that I wasn’t expecting. Everyone knows the basic sketch that the Pacific War was racially charged; Dower just adds the colouring. Moreover, the paradigm of ‘Self’ and ‘Other’ throughout the book has, from a 2014 perspective, become humdrum. It is simply too overused now. I th ...more

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Jul 25, 2010 Amber rated it really liked it

Great book that I need to read for a World War II History class this fall, but even though it was very thick, I was fascinated by the information and skated through the 300+ pages easily. Dower's thesis is that the Pacific War was so brutal because of inherent racism on both sides (United States & Japan) and explores how this racism came about and how it manifested itself in cruelty and inhumane treatment of civilians and POWs. Cartoons and illustrations produced during the war are reference ...more

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Oct 04, 2012 Amanda McCrina rated it liked it

Shelves: wwii, japan, pto

A powerful case for the argument that racism played as big a role in the Pacific theater as it did in the European, but Dower devotes more of his resources to detailing American racism, leaving the Japanese sections more vaguely sketched out (we never get the perspective of the men on the ground as we do with the Americans). This may be because he's got to overcome the preconceptions of his primary readership (i.e., most Americans think of WWII as "the good war"), but it makes his argument seem ...more

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Sep 12, 2012 Joseph R. Howard rated it it was ok

Recommends it for: Not a damned soul

This book seemed to be hell-bent and determined to paint the United States, white America specifically, as racist warmongerers who were out to wipe non-whites in the Pacific off the face of the Earth. I had trouble staying focused on the material because it was so saturated with a racial setting. I'm not too surprised by Dower's sentiment, considering his wife is Japanese. But, this is the typical style of book that is being pushed in academia. Sigh.

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Feb 16, 2014 John rated it it was amazing

So much for the "greatest generation" - east and west.

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Dec 17, 2007 C rated it liked it

Shelves: japan, wwii

Very interesting, at times too academic, but really makes you ponder the role of racism in wartime.

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Dec 27, 2016 Austin Barselau rated it liked it

The Second World War is uniquely characterized by the sheer magnitude of conflict and casualties, making it the most widespread war in world history. It was a war of national rivalries, radical political upheavals, and brutal militaristic aggression. The war was also defined by racial and ethnic animosities, most prominently in the Western theater of warfare. Everyone knows Adolf Hitler’s maniacal quest to exterminate what he considered the inferior populations of Eastern Europe. Lesser known is The Second World War is uniquely characterized by the sheer magnitude of conflict and casualties, making it the most widespread war in world history. It was a war of national rivalries, radical political upheavals, and brutal militaristic aggression. The war was also defined by racial and ethnic animosities, most prominently in the Western theater of warfare. Everyone knows Adolf Hitler’s maniacal quest to exterminate what he considered the inferior populations of Eastern Europe. Lesser known is the pervasive racial antagonism in the Pacific war. American historian John Dower, author of the tour de force War without Mercy, argues that the conflict between Japan and the United States was fundamentally rooted in the mutual racial hatred of both warring nations. The scale of death and destruction, Dower argues, could be attributed to the simmering resentments which lurked beneath the surface. The Pacific War was plainly a war of racial subjugation and demonization, fueling some of the most destructive battlefield strategies in the modern history of warfare.

War without Mercy is a painstakingly researched, assiduously argued glimpse into the ways in which race motivated conflict. Dower argues that certain words, images, tropes, and idioms were repeatedly used by both sides to stereotype the “natural character” of the enemy. Such appraisals were not only culturally-bound or peculiar to the offending nation’s mores. Moreover, the war “exposed raw prejudices” and was fueled, Dower writes, “by racial pride, arrogance, and rage on many sides.” While the author provides evidence for a race war for both sides of the conflict, his portrayal of the Western perception of the Japanese is especially critical. Plain racial hatred, he argues, bubbles up from a vast reservoir of “racial and racist ways of thinking” which had only “sublimated and transformed” throughout the course of the war and in its aftermath. Dower strongly believes that these streaks of racial and ethnic enmity are deeply ingrained in our national psyches, revealed only when the circumstances call for lashing out against a foreign foe.

Appeals to race were often par for the course in propaganda efforts. Certain unflattering stereotypes were often considered proof of the enemy’s moral decrepitude, and were thus used in wartime cinematic propaganda and cartoons to typecast the enemy while generating support for the war. Written by Hollywood film director Frank Capra, Prelude to War depicted a Manichean struggle between “two worlds”: one free, the other slave; one civilized, the other barbarous; one free and democratic, the other oppressive. The depraved Japanese, who represented the latter world, were represented by scenes of debauchery and destruction, and were easily distinguishable from the gallantry and heroic action of the Allies. Other propaganda films, like Capra’s Know Your Enemy-Japan, elaborated on this same mode of contrast. Dower writes that this film amounted to “a potpourri of most of the English-speaking world’s most dominant clichés about the Japanese enemy, excluding the crudest, most vulgar, and most blatantly racist.” In the film, Japanese leaders lusted for military adventure and conquest; the population, portrayed as mindless tools of their leaders, were cogs in the raging war machine. The country was described as primitive and medieval, whereas the great Western powers were harnessing their great democratic and industrial revolutions to spread peace and prosperity on earth. In both wartime films, which used racial themes and imagery for maximal effect, the Japanese were characterized as a dark and primitive people prone to savagery, while the Western powers were upheld as beacons of freedom and enlightened thinking.

Japanese propagandists also made critical assessments of Western values. A booklet written by Colonel Tsuji Masanobu entitled Read This and the War is Won was considered the Japanese counterpart to Capra’s cinematographic illustrations. Western history and culture, it argued, were historically bound by an itch for world domination. This outlook, Dower writes, was underscored by what propagandists saw as the decadence, materialism, and acquisitiveness of modern Western mores. Like Westerners reading Japanese history in the attempt to discern a misguided and malicious national character, the Japanese read Western history to be “a chronicle of destructive values, exploitative practices, and brutal wars.” The incendiary bombing of Japanese cities, which resulted in tens of thousands of civilian casualties, was considered proof of brutish nature of the enemy. Like Americans, the Japanese formed images of the national psyche and character of the enemy through wartime propaganda films, and their suspicions were confirmed after actual events during the war.

Dower also finds further evidence of a race war in the different ways Allied critics treated the Japanese and the Germans. Western powers tended to treat German crimes as “Nazi” crimes rather than atrocities committed on behalf of a reprobate German culture or collective psychology, he argues. Whatever atrocities were committed could be cleaved off from the German populace and ascribed directly to the faults of Hitler. Thus, there was still space for the “good German,” who through no fault of his own, was merely following the malicious machinations of the German leadership. Meanwhile, all Japanese, being referred to without distinction as “Japs,” were considered permanently bound to the faults of their race and culture. Thus, there was no room for a “good Japanese.” One admiral even considered a “good Jap,” insofar as it was possible, to be one “who’s been dead six months.” The sheer animosity by Anglo-Americans of the Japanese, Dower writes, could only be explained by deep-seated racial animus. Many in the ranks of the military were convinced that as many possible Japanese needed to be killed for the war to be successful.

The Japanese also directed racial epithets towards the enemy, albeit to a lesser extent than the Anglo-Americans. Ideas about “Self and Other,” the author writes, contributed to Japanese perceptions about themselves and foreign aggressors. The English and Americas were frequently portrayed in Japanese propaganda to be demons and devils, their imperialist ambitions symbolic of their bestial nature. In newspapers, Americans were referred to as “misguided dogs,” and the British were lampooned as “dark-stupid-foolish,” with their navy characterized as a “once-bitten stray dog.” Americans, Dower writes, were stereotyped as being “mercenary, immoral, unscrupulous, vainglorious, arrogant, luxury-loving, soft, nauseating, superficial, decadent, intolerant, uncivilized, and barbarous.” These character traits lent themselves to the perception of American culture as being tainted and impure, unlike Japanese culture which prized itself on the eternal struggle to pure itself of sins. War became a way to achieve this historical purification, requiring the exhibition of the nation’s “unique racial power.” For the Japanese, conflict became a cleansing ritual, a process by which the “Yamato race” elevated themselves among the other races and cultures of the world. Thus, the country would create a “new world order,” where each nation and race was to “assume their proper place in the world.” Japan, vis-à-vis the West, was more concerned with exercising its racial purity, Dower writes, rather than operating under any cohesive rubric of “yellow supremacy.” Theirs, like the West, was motivated by race, but their hostility was expressed through different channels.

Ideas about Self and Other originated from earlier historical periods and popular culture, says Dower, affecting the understanding of race during the war. He notes the persistency and predictability of certain racial characterizations, stifled under times of peace and harmony, only to prevail when tensions flare up. Often, such animus, drawn from a deep reservoir of categories describing the Other, is repurposed to be used against the enemy of the moment. “In these various ways,” Dower writes, “the ‘patterns of a race war’ become like a palimpsest that continually reveals unexpected and hitherto obscured layers of experience.” Shopworn stereotypes and racial images are drawn to the surface and passed off as “empirical observation,” only to be discovered as “myth, prejudice, and wishful thinking.” Such racial and racist modes of thinking, Dower writes, contributed to American attitudes toward Soviet and Chinese Communists, Koreans during the early 1950s, and the Vietnamese during the 1960s and 1970s. In every case, Dower maintains, “code words and formulaic metaphors of race and power were evoked to distinguish between the good Self and heinous, alien Other.” Likewise, the Japanese, albeit in a much less systematic way, applied such discriminations between Self and Other to European and American foreigners, from mid-sixteenth century Portuguese and Spanish seafarers and clergy, who were called the “southern barbarians,” to the “barbarian sect” of Christian missionaries and “red haired” Dutch merchants who followed afterwards. Such stereotypes were naturally applied to the Allied Powers who battered the Japanese in the Pacific during the 1940s.

Overall, War without Mercy is a gripping history of the prowling racial animus that saturated both warring powers during the war. However, it has some significant limitations and distortions of history. First, Dower is too quick to defend Japanese aggression in the Pacific, writing that Japan was justified because its invasions of southern Asia “challenged not just the Western presence,” but the more amorphous bogeyman of “white supremacism on which centuries of European and American expansion had rested.” Whether in its invasion and occupation of Manchuria, and later the occupation of the Chinese hinterlands, including the brutal massacre of Nanjing; its extractive rule in the Dutch West Indies; or its eventual surprise assault on Pearl Harbor, Japanese action, following Dower’s reasoning, was not as reprehensible because it went about stripping the Pacific of white supremacism.
Second, Dower dwells only briefly on domestic events in the United States that impacted the scope of the race war. First, the author devotes merely a few lines to the landmark court case Ozawa v. United States, which excluded the “Japanese race” from the category of the “white” race. This case confirmed racial difference into law, branding Japanese persons as not white. This ruling undoubtedly contributed to racial tensions during the war, where race was used as a means of differentiating oneself between ally and adversary. Also, Dower devotes barely any space to the notorious Oriental exclusion laws, which restricted Asian immigration to the United States, and the incarceration and internment of 110,000 Japanese Americans during the height of the war. These restrictions were unfortunate extensions of the race war, to which Dower provides only a passing thought.

Dower should have elaborated on how such a grueling race war, typified by unsparing racial epithets, stereotypes, and imagery, could dissipate overnight after the Japanese surrender. After the war, the United States sought to rebuild Japan from the ground up, the acquiescent Japanese eager to work with their overlords. In fact, the Japanese quickly repurposed the core racial metaphors and images used against their former foe. For example, racial purity and purification took on whole new meanings. Gone was the struggle to cleanse the country of “decadent, bourgeoisie Western influences.” After the surrender, “the goal became instead to cleanse Japan of corrupt traditional, feudalistic, militaristic elements.” The malleability of such descriptions says more about the dichotomy between Self and Other, rather than the supposed faults of any peculiar nationality or culture. As Americans adapted characterizations about the national character of the Japanese to other Asian adversaries during the twentieth century, the Japanese likewise modified their racial animus in the years after the war. Dower would have been best to probe further how racial perceptions wax and wane over time.

War without Mercy is a compelling and convincing history that attentively interprets the racial tensions that motivated conflict in the Pacific. The war between Japan and the United States, the author argues, was racially-tinged, and replete with racial subjugation and demonization on both sides. Racial animosity, as Dower shows, can combust with the crack of gunfire. What’s more, it is infinitely malleable and eternally present, lingering beneath the surface until needed. The Pacific war is just one of many other examples of how race can be used to divide, rather than unify and uplift. ...more

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Jan 15, 2016 Sarah Crawford rated it really liked it

This is a remarkable book filled with information about the impact of race in World War II as far as it related to Japan. There is a wealth of information in this book, among which are the following items.

While the US condemned what the Nazi's were doing as far as their Aryan supremacy concept goes, at the same time the US was highly segregated, with blacks still subject to the Jim Crow laws. They were kept in separate military groups; white and black blood was kept separate, and the US put arou ...more

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Jan 14, 2018 Michael rated it it was amazing

Shelves: 1st-library-jack, history-us, 1st-library-zotero, warfare

When thinking of "The Greatest Generation," as the veterans of WWII have been cast of late in the popular media (largely due to Tom Brocaw's prize-winning book by this title), I too wax a bit nostalgic. I think of the watercolor portrait of my Uncle Art in his Naval uniform and remember the pictures my mother showed me as a child of him going off to war. Like the war babies described by Tuttle in his Daddy's Gone to War, she watched him leave and worried about him while he was in combat. When he When thinking of "The Greatest Generation," as the veterans of WWII have been cast of late in the popular media (largely due to Tom Brocaw's prize-winning book by this title), I too wax a bit nostalgic. I think of the watercolor portrait of my Uncle Art in his Naval uniform and remember the pictures my mother showed me as a child of him going off to war. Like the war babies described by Tuttle in his Daddy's Gone to War, she watched him leave and worried about him while he was in combat. When he came back, there were the tensions over being re-united with loved ones which Tuttle captures so well. In one episode which has entered family legend, he unceremoniously placed the plaster bust of General Douglas MacArthur in the fireplace of my grandparents' home. He was a navy man, my mother explained, and the navy hated MacArthur. Ironically, Art survived combat in the Pacific to die 30 years later of lung cancer. As the last of this generation passes, we are all reminded that these veterans did sacrifice a great deal to preserve American liberty. As we wage a war on terrorism today, we have something of a kinship with that generation in that America had indeed been attacked. Peal Harbor and the World Trade Center stand as markers in the public memory. Can history serve as a guide in this new war?

When thinking of the veterans of WWII I am also haunted by the image one of my staff members painted for me at the time of the 9-11 attack on the World Trade Center of a veteran of the Pacific Theater who had recently passed. He told me how much he admired this dear old man because he "hated everything that was not American, especially the Japanese." In fact, he had kept a huge Japanese flag in a chest in his bedroom for 50 years after the war. The flag, as I was told by this reverent admirer, was soaked in the blood of "Japs" he had killed fighting in the Pacific. The much loved veteran had even showed him the flag once, and explained how he had cut the "Japs'" throats and soaked the flag in their blood. The most amazing thing about the story to me then, as it is now, was that the person relating the story was of middle eastern descent. One wonders how soon it will be before he will fall victim to the same racial biases in our current war on terrorism as the Japanese felt in the wake of Pearl Harbor. But that was a long time ago, and we have come a long way since then ... or have we? Good old fashioned race hatred is as American as apple pie.

To the racist wars against Native Americans portrayed by Francis Jennings in The Invasion of America and Richard Drinnon in Facing Westward, John Dower has added the racial warfare of the American War in the Pacific against the Japanese. Unlike the dynamic of the white American conflict with the American native populations, Dower's conflict is fueled by racial hatreds on both sides. The Americans characterized their yellow enemies at times as animalistic and racially inferior, at times characterizing them as superman and at other times infantilizing them. The Japanese for their part drew upon traditions of xenophobia and hatred for outsiders to cast the Americans as devils and racial enemies of the Yamato Race. On both sides, the racial hatreds lead to intelligence failures and to atrocities in a "war without mercy." Less than four years after the attack on Pearl Harbor, the United States was dropping atomic bombs on Hiroshima and Nagasaki. Though the firebombing of Dresden was certainly atrocious, we reserved the atomic bomb for our race enemies.

Dower certainly does us a service by cataloging these mutual racially-inspired hatreds. Unfortunately, like David Stannard's American Holocaust, which drew upon Jennings and added further considerations of Christian moralism, this work tends to be repetitive and can be a rather depressing read (as Alvin Coox of San Diego State pointed out in his review for the AHR). In terms reminiscent both of both the German war against the Jews (see Robert Proctor's Racial Hygiene) and that on the Eastern Front against the Bolshevist Reds (on the Eastern Front see O. Bartov's Hitler's Army), the exterrninationist violence is more than merely a bland reminder of man's inhumanity to man. It is a testimony to the ways in which pre-existing racial prejudices were transformed in WWII into exterminationist rage in many quarters.

If history serves as any kind of guide to the challenges that lay ahead, we have a great deal to be concerned about as troops mobilize again headed for the Persian Gulf. Arab Americans will likely be the target of racial hatreds at home if major conflict occurs over Iraqi possession of NBC arms. A war waged under UN auspices holds out the possibility of avoiding a war without mercy ... ...more

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Feb 07, 2018 Dan Gorman rated it really liked it

Shelves: world-history, us-history

In terms of contents, the book is diffuse and prone to tangents, but it's an extraordinary read, with clear prose and a probing analysis of racial propaganda among the Americans and Japanese in WWII. Dower shows how racial hatred inspired exterminationist policies, but also poor military strategy at times. One appreciates the mutability of racial beliefs after reading this book. For decades, Americans regarded Japan with fascination. In WWII, that fascination gave way to disgust and fear. After ...more

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Mar 06, 2018 Amanda Johnson rated it it was amazing

Shelves: doctoral-program

This is an excellent piece that should be on every historians book shelf. Dower does a fantastic job showing real war consequences to racism. Ideals of racial supremacy from both the Allied powers and the Japanese leaders effected decisions made before, during, and after WWII. His use of both policy papers and popular culture in the United States and Japan allows for rock solid analysis that historians have been building from since. Dower especially draws on the concept that folk tales and drama ...more

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Oct 27, 2017 Robert rated it it was ok

Shelves: ww-2-pacific

Read this back when it first came out in the late '80s. I remember liking it quite a bit but now roughly 30 years later and reading more on this topic from more recent years, I now realize that it was not very well written.

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Nov 14, 2017 Luke rated it really liked it

Shelves: empire, history, geo-america-anglophone, geo-asia-east, geo-global, geo-japan, geo-pacific, temp-modern-late

Crucial for understanding the way race was constructed in both the United States and Japan during the Pacific War.

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Mar 02, 2018 Jessica Harn rated it it was amazing

Revolutionary take on the Pacific War between the U.S. and Japan

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Aug 01, 2009 David rated it really liked it

Shelves: read-history

The WWII era U.S. government propaganda films “Why We Fight” and “Know Your Enemy – Japan” are discussed and analyzed, starting on pages 15 and 18, respectively, of this book. Click on the film titles above to view them on YouTube. The “Why We Fight” link is to a YouTube playlist containing all seven films in the series.

As others here at Goodreads have pointed out, this very good book came out at a time (1986) when the passing mass hysteria of the day said the Japanese were about to eat our lunc The WWII era U.S. government propaganda films “Why We Fight” and “Know Your Enemy – Japan” are discussed and analyzed, starting on pages 15 and 18, respectively, of this book. Click on the film titles above to view them on YouTube. The “Why We Fight” link is to a YouTube playlist containing all seven films in the series.

As others here at Goodreads have pointed out, this very good book came out at a time (1986) when the passing mass hysteria of the day said the Japanese were about to eat our lunch. Now that we have moved on to other bogeymen (oh, wait, now they're called "bogeypeople"), some feel that this study of anti-enemy propaganda by both Japan and the U.S. is dated. For me, that's like saying War and Peace is dated because Napoleon is no longer a threat to world security.

At one point (pgs. 134-5), an anecdote is presented in which the 1944 Japanese enemy is given a mass psychological exam by those in the American head-shrink biz at the time. Unsurprisingly, they are found deficient, possessing the qualities normally associated with neurotics. One person reads aloud a clinical description of a neurotic, substituting the word “Japanese” for “neurotic”, and the listener pronounces the result “the most perfect description of the Japanese” he had ever heard.

I often felt the same way with this book. That is, it might be susceptible to a sort of book-length transformation into a cynical, National-Book-Critics-Circle-Award-Winning version of the popular childhood game of “Madlibs”.

For those who somehow missed it, “Madlibs” is a paper-based game in which children amused themselves because the poor dears lived in a sadly deprived age where the ultraviolent hand-held game had yet to be invented. The players supplied words to an assigned scribe according to the part of speech which the scribe suggested. The scribe inserted the words into an existing story, and the resulting non-sequiturs were the cause of much mirth. Excuse the arch tone: I actually remember wasting many happy youthful hours playing “Madlibs”.

Anyway, this book could be like a 398-page game of “Madlibs”, except that it wouldn't be a whole lot of fun. All you have to do, in many cases, is substitute the name of the two warring sides as appropriate and -- Viola! -- you probably have a fairly accurate representation of what the anti-enemy propaganda was, is, and will be.

For example, from page 11: “Purity and purification through battle, so conspicuous a part of the carefully cultivated mystique of the (name of enemy), were ideals frequently espoused in (name of place) and elsewhere in (name of different place), where ideologues of the political left and right launched campaigns against spiritual pollution, patriots burned with ardor at the prospects of holy war, and militarists extolled the purifying nature of life-and-death struggle.”

Try it yourself, choose three words! West, America, Europe! Muslims, Middle East, the Indian subcontinent! Chinese, Beijing, Asia! Soviet Union, the Warsaw Pact, the third world!

In any case, this book is a fine and serious look about how propaganda works and reads fairly easily considering the topic. The lovingly-reproduced crude racist cartoons (from both sides) are really fascinating. I admit I kept thinking that somehow “our” propaganda just wasn't as bad as theirs, just like our cause had certain excuses and mitigating factors for behaving so badly, unlike theirs. It just can't be helped – you have sympathy for your own people. But still, that doesn't mean you should work on keeping your B.S.-detector well calibrated, and this book could help you do it. There will, sadly, always seem to be an enemy around which we will be urged to hate.
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Feb 27, 2017 Cecily rated it it was amazing

I'm not going to review this book, merely comment. Japan was my geographic area when I was doing my MA in the 1970s, long before Mr Dower wrote this book or Embracing Defeat. Both this and Embracing Defeat are social history, while I studied political history, so they cover a different facet of Japanese history. What I found fascinating was that both sides ended up with similar stereotypes of their enemy even though they started from a different point of view. The book explains all too well how ...more

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