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Count Zero (Sprawl #2)

really liked it 4.0  ·  Rating details ·  35,724 Ratings  ·  800 Reviews
A corporate mercenary wakes in a reconstructed body, a beautiful woman by his side. Then Hosaka Corporation reactivates him, for a mission more dangerous than the one he’s recovering from: to get a defecting chief of R&D — and the biochip he’s perfected—out intact. But this proves to be of supreme interest to certain other parties — some of whom aren’t remotely human…

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Audio CD
Published February 15th 2011 by Brilliance Audio (first published 1986)
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Liz I wish I could help you. I'm reading the trilogy for probably the seventh time now and I'm on "Count Zero," and I don't remember anyone named CJ. I…moreI wish I could help you. I'm reading the trilogy for probably the seventh time now and I'm on "Count Zero," and I don't remember anyone named CJ. I worship Gibson but this one book melts my brain with boredom every time. (less)
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Community Reviews

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Lyn
May 10, 2015 rated it liked it  ·  review of another edition
The coolest thing about reading Gibson is jacking in to his urbane and hip way of descriptive narration.

William Gibson, as prophet of cyber punk and also as the herald of his later Blue Ant works, returns to The Sprawl for a continuation of the setting he began in his masterwork, Neuromancer.

But like many of his books, this sequel is only that in regard to a return to the original setting, Count Zero works as a stand alone. The Sprawl, the megalopolis formed by the Eastern United States, from Bo
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Darwin8u
May 10, 2014 rated it liked it  ·  review of another edition
Shelves: 2014
“it involved the idea that people who were genuinely dangerous might not need to exhibit the fact at all, and that the ability to conceal a threat made them even more dangerous.”
― William Gibson, Count Zero

description

I haven't read Sprawl # 3 (Mona Lisa Overdrive), but after reading Neuromancer and now 'Count Zero', I think I will start referring to the Sprawl trilogy as the Sprawl Dialectic. 'Neuromancer' = Thesis. 'Count Zero' = Antithesis, so I guess I have to wait to see if 'Mona Lisa Overdrive' = Sy
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Clouds

Following the resounding success of my Locus Quest, I faced a dilemma: which reading list to follow it up with? Variety is the spice of life, so I’ve decided to diversify and pursue six different lists simultaneously. This book falls into my FINISHING THE SERIES! list.

I loves me a good series! But I'm terrible for starting a new series before finishing my last - so this reading list is all about trying to close out those series I've got on the go...

A quick look at the numbers...
Why is it that
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Chris
I would perhaps complain that the ending was a bit to deus ex machina for my taste, but then the entire book is wound around the theme of god being in the machine. From the vodou loa who seemingly possess various characters and steer the entire plot; to the mad European trillionare who has reached near immortality through preservation vats and virtual reality; to the insane former net cowboy who now believes he has found god in the random yet deeply moving works of art created by long abandoned ...more
Kat  Hooper
Sep 06, 2011 rated it it was amazing  ·  review of another edition
Shelves: audiobook
ORIGINALLY POSTED AT Fantasy Literature.

"They plot with men, my other selves, and men imagine they are gods."

Several years have passed since Molly and Case freed the AI who calls himself Neuromancer. Neuromancer’s been busy and now his plots have widened to involve several people whom we meet in Count Zero:

Turner is a recently reconstructed mercenary who’s been hired by the Hosaka Corporation to extract Christopher Mitchell and his daughter Angie from Mitchell’s job at Maas Biolabs. Mitchell is
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Tfitoby
May 21, 2011 rated it liked it  ·  review of another edition
Shelves: sci-fi
An interesting addition to the Sprawl trilogy started with Neuromancer, taking a look at similar themes from a different perspective. What makes us human? What effect is technology having on us as a species? What happens if technology develops beyond our understanding and of its own free will?

I wasn't blown away, in fact I found it quite difficult to read at times yet managed to read it what felt like no time at all. This sort of sums up the contradiction of my experience of this book. Bored yet
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Carmen
Sep 01, 2014 rated it it was amazing  ·  review of another edition
Recommends it for: Sci-fi fans
This is a "sequel" to Neuromancer. I use the term loosely.

There's really 3 stories here that all tie together at the end.

Marly, an art specialist, her world wracked by scandal, is a approached by an incredibly rich man and offered obscene amounts of money to track the origins of some art pieces he's interested in. But what has she really gotten herself into?

Turner is a badass mercenary who does his job ruthlessly and efficiently. Now he's been hired by a man named Mitchell. But when it all goes
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Graeme Rodaughan
There was a time in my life where cyberpunk was where it was at and this book really fitted the bill.
Nostalgebraist
Oct 30, 2014 rated it did not like it  ·  review of another edition
Shelves: sf, boring-futures
When I was maybe halfway through this book, I wrote this elsewhere:

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It’s funny reading “classic” William Gibson now because he basically imagined a version of the internet that was much less life-changing than the actual internet.

"There will be instant electronic full VR communication but there will be no communities or subcultures in it, people will still just be friends in real life and then talk on the (video) phone sometimes. Using the internet is sort of like playing a vi
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Ian "Marvin" Grayejoy
A Modish Synopsis, A Modest Assemblage, A Little Looksee

It's a whole long story, and it's open to interpretation. Each chapter begins with a pronoun, or two. And then it's off like a robber's dog. I decided you and I might hit the matrix for a little looksee. You followed, forgetting your fears, forgetting the nausea and constant vertigo. You were there, and you understood this was our space, our construct. It came on, a flickering, non-linear flood of fact and sensory data, a kind of narrative
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Erik
With each review I write, I become increasingly daunted by a sense of infinite possibility. I have an entire book, this Count Zero, to write about – what in the world should I focus on? The question in turn gives rise to an equally haunting sense of relativism. Is this book good? Sure. Is this book bad? Sure. With few exceptions, a good book is not infallibly so nor a bad book insurmountably so. Rather, the goodness or badness is a choice I, the reader, must make.

Yet when I make that choice – to
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Jason
Feb 09, 2013 rated it liked it  ·  review of another edition
Shelves: e-books, read-2013

3 Stars


Well, just like with Neurmonancer, William Gibson’s amazing command of the English language, coupled with his incredible writing style was not enough for me to love Count Zero. It is very well written, fast paced, filled with cool sci-fi action scenes and gadgetry, and not overly long in length.



The problem with this book is that I really never cared one bit about any of the characters in this book, or in book one for that matter. As a result, all the world building, science, and cool gadg
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Salman Mehedy Titas
Count Zero is the sequel to Neuromancer in the sense that Neuromancer was the sequel to Burning Chrome. It takes place seven years after the events of Neuromancer. The book was written two years after the publication of its prequel. If you're thinking that Gibson decided to take pity on his readers, you're wrong. Count Zero makes Neuromancer seem like an easy book to read.

Turner, a mercenary, who had been severely injured, had his body reconstructed. He is allowed him a period of time to rest, b
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Brad
Mar 28, 2008 rated it liked it  ·  review of another edition
Shelves: sci-fi, lost-reviews
This review was written in the late nineties (for my eyes only), and it was buried in amongst my things until recently when I uncovered the journal in which it was written. I have transcribed it verbatim from all those years ago (although square brackets may indicate some additional information for the sake of readability or some sort of commentary from now). This is one of my lost reviews.

"She's gone and the present is trivia." That line from Memento scrawled in my handwriting at the back of Co
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David Mcangus
With Count Zero, William Gibson employs the familiar device of fragmenting his narrative between multiple protagonists. On paper, this was a good idea. By utilising four characters and telling their stories separately, it had to the potential to go into greater detail with the world building and increase the complexity of the plot. The problem however, is that by incorporating four protagonists, his weakness in characterisation is made that more apparent. In Neuromancer, Molly was the linchpin. ...more
Rob
Executive Summary: A fast-paced thriller from the master of cyberpunk.

Full Review
I've had this book and Mona Lisa Overdrive sitting unread on my shelves for far too long. I kept finding other books to grab my attention.

I finally got around to reading this, and I wish I had sooner. I wanted something short and fun and this fit the bill nicely.

The book opens with Turner, a mercenary for hire, who specializes in aggressive corporate recruiting, of a sort. His job involves extracting high value em
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Olethros
-Otro libro del padre putativo del Cyberpunk pero cuidando más las formas desde lo narrativamente convencional.-

Género. Ciencia ficción.

Lo que nos cuenta. Turner es un mercenario especializado en operaciones de extracción que tras ser dañado en un atentado provoca dudas sobre su capacidad actual en sus nuevos potenciales empleadores. Marly es una galerista caída en desgracia por un escándalo de falsificación del que en realidad no era directamente responsable y que ahora parece ser del interés d
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Joseph
May 03, 2016 rated it it was amazing  ·  review of another edition
Not the blinding, genre-defining supernova of Neuromancer -- that pretty much only happens once per author or once per series -- but a stronger book in pretty much every way that matters, and proof positive (not needed now, certainly, but probably much more welcome back in the heady days of the late 1980s) that Gibson was not a one-hit wonder.

Events pick up about seven years after the close of Neuromancer, with an entirely new cast of characters (although there are a few Neuromancer cameos and/o
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Ben Babcock
William Gibson can write. I keep exploring this in different ways and different words as I read through Gibson’s oeuvre, but in the end it comes down to two appropriately alliterative words: William Gibson has voice and vision. He has a way with language that not every writer, even really good ones, ever manages to master. He knows how to use and manipulate words and phrases to create cultures. With this talent, he creates novels that conjure up pocket universes of our future.

Count Zero is much
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Nick Wellings
How can a book so lovingly crafted, so self-assured in its own 'cosmology' so full of verve and relentless hard-boiled action, so chock full of fantastic prose feel so...dated? Is it because Gibson's "Matrix" has been realised in film-form full of spangly graphics and gunfights and cod-philosophy? because his immersive cyberspace has become something like our reality? because the digital is integrated into our lives, become drug of choice for men, women and children by the millions? After all, t ...more
Ryan
Jun 05, 2010 rated it really liked it  ·  review of another edition
They say that teachers steadily develop during their first ten years. After that, some teachers continue to grow and others plateau. Sometimes I get the feeling that there's a similar arc of development for authors, one that means authors become less interesting as they get older.

I first noticed this back in my university days, when I read quite a bit of John Steinbeck. I really liked the earlier works that I read, but as I began to read his later works, I found that something was missing. Over
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Jenny (Reading Envy)
This is the middle book of the Sprawl Trilogy by Gibson (in between Neuromancer and Mona Lisa Overdrive), and my absolute favorite. The other two are largely action-based, and this one had a lot of that but also a lot of beautiful descriptions, somewhat mystically-oriented plotlines, and it really drew me in, probably because I'm no stranger to cyberspace myself. I really loved the ending, so much that I re-read it twice before moving on.

"Bobby had been trying to chart a way out of this landscap
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Liz
Mar 28, 2016 rated it it was ok  ·  review of another edition
Recommends it for: People who want Gibson's writing style without his imagination
Every time I re-read the Sprawl trilogy, I have difficulty getting through "Count Zero." That's putting it mildly. I'm re-reading it now, and it's like slamming a stappler into my forhead on repeat. This book is the reason it usually takes a couple months to get through the trilogy on re-reads. I always speed through "Neuromancer" and "Mona Lisa Overdrive" but "Count Zero," god, "Count Zero," it's like trying to run through mud while carrying a baby killer whale in each arm, and wearing cement s ...more
Adam Koebel
Not the cohesive piece of ground-breakery that Neuromancer was, obviously, but really cool anyway. I love how computer-ignorant Gibson's early stuff is. The idea of a cyberdeck with software on cassette tapes? Amazing.

Also, best new thing to say about a person once they're dead: "He was - he was a dude."
Matt
William Gibson's "Neuromancer," the first book in The Sprawl Trilogy, was loved by all for its original voice, and it really managed to reinvigorate science fiction in the era. The first novel to win the Hugo, Nebula, and Philip K. Dick awards, the second book had a lot to live up to, and in my humble opinion, it surpasses it.

Between the first two books of the trilogy, Gibson has managed to create not only an interesting future world, but an entire culture. Everything including language, religio
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Andreas
Mar 27, 2011 rated it it was amazing  ·  review of another edition
The Sprawl Trilogy consists of:

* Neuromancer
* Count Zero
* Mona Lisa Overdrive

Gibson invented the cyberpunk subgenre with this plot-wise loosely connected series of books and he revitalized SciFi in the process. His sparse, cool prose and his approach to characterization mark the writing of many of his successors, probably chief among those Neal Stephenson.

His descriptions of cyberculture have aged well, since he was wise enough not to be too specific about hardware and software. He himself at
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Oscar
’Conde Cero’ (Count Zero, 1986), es la segunda novela de la trilogía The Sprawl, que se inició en 1984 con la ya mítica ‘Neuromante’, y que finaliza con ‘Mona Lisa Acelerada’. ’Conde Cero’ contiene la gran mayoría de elementos del género cyberpunk, a saber: futuro distópico, grandes corporaciones con objetivos bastante discutibles, personajes como meros peones de la trama, ciudades controladas por bandas callejeras, cyberjerga, acceso a la Red mediante conexiones neurológicas, inteligencias arti ...more
Gray
Mar 23, 2017 rated it really liked it  ·  review of another edition
Shelves: 2017-reads
"Eyes open, he pulled the thing from his socket and held it, his palm slick with sweat. It was like waking from a nightmare. Not a screamer, where impacted fears took on simple, terrible shapes, but the sort of dream, infinitely more disturbing, where everything is utterly wrong ..." (p.30)

Count Zero is the second book in Gibson’s Sprawl trilogy. It is not a direct sequel to Neuromancer, but it does develop some of the themes and ideas Gibson used in his seminal first novel. It’s a more mature,
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Alexander McNabb
Nov 19, 2012 rated it really liked it  ·  review of another edition
The second of Gibson's Sprawl trilogy, this is very much a continuation of Neuromancer but is, in hindsight, overshadowed by its successor, Mona Lisa Overdrive.

But the book's still a rocking good read, seemingly splashed on the page with strokes of such verve at times it feels like it's careening out of control. It's a bit fractal - the novel as a whole feels like a leviathan spaceship-cum-junkyard, bits hanging off it everywhere, but the whole thing set in unstoppable forward motion.

I feel guil
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P
Aug 17, 2017 rated it it was ok  ·  review of another edition
It’s been seven years since the events of Neuromancer . Neuromancer and Wintermute have “become one” and subsequently splintered into multiple AIs. Some make deals with humans, some manipulate them, and some even create art a la Joseph Cornell. Meanwhile, the zaibatsu are at war. Since the dissolution of Tessier-Ashpool S.A., Josef Virek, around whom the plot turns, is now the wealthiest living individual, as rich as a zaibatsu, an anachronism in an age of megacorporate structures. In fact, he’ ...more
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The final dialogue exchange...(spoilers) 7 94 Jun 14, 2017 05:59PM  
A question about the resolution (Big spoiler included) 2 79 Jun 20, 2013 06:03AM  
Just aquired this book. 2 40 Sep 07, 2008 01:58PM  
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9226
Librarian Note: There is more than one author in the Goodreads database with this name. See this thread for more information.

William Ford Gibson is an American-Canadian writer who has been called the father of the cyberpunk subgenre of science fiction, having coined the term cyberspace in 1982 and popularized it in his first novel, Neuromancer(1984), which has sold more than 6.5 million copies wor
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More about William Gibson...

Other Books in the Series

Sprawl (3 books)
  • Neuromancer
  • Mona Lisa Overdrive (Sprawl, #3)

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“And, for an instant, she stared directly into those soft blue eyes and knew, with an instinctive mammalian certainty, that the exceedingly rich were no longer even remotely human.” 79 likes
“Are you - are you sad?"
- No.
"But your - your songs are sad."
- My songs are of time and distance. The sadness is in you. Watch my arms. There is only the dance. These things you treasure are shells.”
10 likes
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