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导演思维
《导演思维》是一本剖析电影导演“思维”（idea）的入门书。探索导演思维，以精进执导手法，使称职的导演成为更好的导演，使优秀的导演成为伟大的导演。伟大的导演 改变世界观优秀的导演 展现复杂性称职的导演 胜任讲故事***◎ 理论结合个案，提炼导演们的主要特点的同时，不简化其呈现方法。◎ 视角独特，从文本阐释、摄影机运用和表演三方面入手，探究导演发挥作用的机制。◎ 一本实用工具书、导演电影手册，既有商业片领域的史蒂文·斯皮尔伯格、比利·怀尔德，又有艺术片领域的库布里克、特吕弗、波兰斯基等，以及三位个性鲜明的女性导演。所述范例是理解诸位大师的绝佳片单。
Paperback
Published January 1, 2019
About the author
Ken Dancyger
17 books12 followersKen Dancyger is the author or co-author of seven books on screenwriting, directing, film editing and production. They are The Technique of Film and Video Editing (5th edition), Focal Press, 2010; The Director's Idea, Focal Press, 2006; Alternative Scriptwriting (4th edition), Focal Press, 2006 (with Jeff Rush); Writing the Short Film (3rd edition), Focal Press, 2005 (with Pat Cooper); Global Scriptwriting, Focal Press, 2001; The World of Film and Video Production, Harcourt Brace, 1999; Broadcast Writing, Focal Press, 1991. Each is a theory/practice book rather than a how-to book. There have been fourteen translations of his books, including Chinese, Portuguese, Italian, Spanish, Korean and Arabic. Two of his books, Alternative Scriptwriting and The Technique of Film and Video Editing are considered definitive in their respective areas and are core texts at top film programs worldwide.
Ken conducts screenwriting and post-production workshops internationally for the past eighteen years, including South Africa, The Netherlands, Germany, Switzerland, Portugal, Belgium, the United Kingdom, Columbia, Singapore, Australia and Canada. He is active as a script consultant in the United States and throughout Europe and Asia.
Ken is past Chair of Undergraduate Film and Television, TISCH School of the Arts, New York University, where he is a Full Professor.
Current writing projects include a book about Genre Scriptwriting, a book entitled The Greatest: Hollywood in 1939, a personal memoir, The War That Never Ended and Murder Not Permitted, his first novel.
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EDUCATION:
B. Comm., M.A., Toronto; M.S., Boston
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Ken conducts screenwriting and post-production workshops internationally for the past eighteen years, including South Africa, The Netherlands, Germany, Switzerland, Portugal, Belgium, the United Kingdom, Columbia, Singapore, Australia and Canada. He is active as a script consultant in the United States and throughout Europe and Asia.
Ken is past Chair of Undergraduate Film and Television, TISCH School of the Arts, New York University, where he is a Full Professor.
Current writing projects include a book about Genre Scriptwriting, a book entitled The Greatest: Hollywood in 1939, a personal memoir, The War That Never Ended and Murder Not Permitted, his first novel.
______________________________________________________
EDUCATION:
B. Comm., M.A., Toronto; M.S., Boston
_____________________________________________________
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