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176 pages, Paperback
First published September 1, 2010
However fitting it may be for man seriously to turn his eyes to
contemplate God’s works, since he has been placed in this most
glorious theater to be a spectator of them, it is fitting that he
prick up his ears to the Word, the better to profit.
Institutes 1.6.2
To put this into recent pop-psychology language, each of us carries
our own baggage, our own personal and specific weight of damage and
sin, and this makes us not only ill-equipped to react well to the difficulties
and dangers we encounter on the broken stage, but it also means that
our acting may be compromised at any moment by the spiritual, moral,
cognitive, and aesthetic evils that tend to spring out of us. We are bad
actors, not only in the sense that sometimes we act or react badly, but also in the sense that rather consistently we mean to act badly.
If we had quiet and composed minds ready to learn, [then] the final outcome
[of even these situations] would show that God always has the best
reason for his plan: either to instruct his own people in patience, or to
correct their wicked affections and tame their lust or to subjugate them
to self-denial, or to arouse them from sluggishness. (1.17.1)
But Calvin’s emphasis on providence meant that daily
events give us some indication of God’s mind at work and play. “If God
does nothing random, there must always be something to learn,”