The female captive: a narrative of facts, which happened in Barbary, in the year 1756. ... Written by herself. Volume 1 of 2

by Mrs. Crisp

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.Western literary study flows out of eighteenth-century works by Alexander Pope, Daniel Defoe, Henry Fielding, Frances Burney, Denis Diderot, Johann Gottfried Herder, Johann Wolfgang von Goethe, and others. Experience the birth of the modern novel, or compare the development of language using dictionaries and grammar discourses. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition ++++British LibraryT106577Anonymous. By Mrs. Crisp. With a list of printed for C. Bathurst, 1769. 2v., map; 8

Genres: Nonfiction

168 pages, Paperback

First published May 27, 2010

Reviews

[Teri · Rating 5 out of 5]

A very quick read and is part one of two parts by Elizabeth Marsh Crisp written in 1756. In the two-volume set, Crisp recounts her time as a captive in Morocco. Marsh was sailing from Gibraltar to England where she had planned to reunite with her fiance. She was traveling with a male companion, a merchant name James Crisp who was merely escorting her on the trip.

In volume one, Marsh recounts the capture of the ship Ann that they were sailing on by Moroccon corsairs and her initial time in captivity. After the vessel and passengers were captured, they had to endure a tough trip on land to where they would be placed in captivity. In the hopes of some leniency by her captors, Marsh pretended to be the wife of her companion James Marsh.

This is a wonderful piece of primary resource as a first-person narrative by a female captive in early modern Mediterranean history.