After the tragic death of her parents, Twenty is sent to a finishing school - with a difference. Here the art of flower arranging and cookery are rejected in favour of the far more exciting art of giving and receiving sexual pleasure.
Nobody makes this nook of the arts {the flashy nasty} look better on paper than Von Gotha.
Art: *!*->*****<-*!* ≈The kineticism is outstanding to behold≈ -»As characters move, the scenes have a sort of "pace" that's in tune to how human bodies actually work which he delivers as taut as ballet without being quick in or out... he keeps ORNATE backgrounds with ample flourish of brilliantly detailed lusciousness that demand their own tribute of panels. He supplies, to instantly eager eyes, a truly mesmerizing and eye-opening thrill-ride!
Take the time to marvel over the "extras" in any given scene -used diligently without sparing any detail- who are always somehow engaged in an intimate form of play.
_―—-¨¯‾¯¨-—―_No massive-chest mess_―—-¨¯‾¯¨-—―_
Narrative: **** It totally works! I'm talking "genready" tropes here- except with their own zest! He gives a very youthfully virile type of energetic and engaging experience that aggressively focuses on exhibitionism, orgy, dominance, humiliation, pain, and extreme gratification generously saturated with steady crease-grease and loads of manfetti.
The story of a girl named Twenty around the year 2018 (2018 when she goes to that strange school). The book begins with Twenty visiting an old class friend, Mandy, and remembering the past. Twenty has left her husband, and she tells Mandy the story of why she has has left him. The story begins when she arrives at a new strange finishing school, a school where young women are prepared for the new sexual revolution.
Twenty is 18 but inexperienced. She is going to a new school in this post-aids world and finds that the school takes sexual education very seriously and requires participation. She first learns this strange nature of the school when she meets the headmistress and a fellow student in the head's office. Both are wearing rather revealing clothing (though the nature of the headmistress' clothing is less obvious). The required student uniform, it would appear, is a short-sleeve short white shirt that just barely falls to mid-breast, and a rather short split skirt (skirt split up both sides to waistband). Any movement, and all is revealed. Twenty puts on her new school uniform and joins in school activities.
Beyond learning about sex in school, Twenty joins her friend Mandy off-campus, while still wearing their uniforms. Oddly enough, they are wearing more clothing than some people they spot on the streets. Apparently, the elimination of aids has caused all to wear skimpy clothing and have sexual adventures with as many partners as possible.
The two girls go to many places off-campus, and have some fun. Twenty finds out that people are inclined to take liberties, and touch all who pass by. Eventually they head to a strip club. Twenty ends up on stage. While at this club, Twenty meets her future husband for the first time.
While her sexual education continues at the finishing school by day, by night Twenty goes out with Gilbert. Gilbert strongly encourages Twenty to explore the people around them. Eventually Gilbert hands her off to his friend Simon, who leads Twenty to a castle like building. Simon introduces his wife Rachel, who is found naked standing up with arms bond above her . . . And now some bondage scenes.
Twenty's story is interrupted and she is kidnapped.
The drawing is rather good, nothing appears to be censored. Much bondage, whipping, punishment, sexual activity, and dominance.
I disegni di Von Gotha sono sempre tra i migliori del genere erotico, ma le trame sono solo scuse per mostrare i desideri, gli impulsi e le passioni delle sue “donnine”, quindi le stelle vanno alla bellezza di queste ultime, perché della storia (che in questo caso ha comunque un minimo di senso) si potrebbe anche fare a meno.