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L'assassin
Un activiste de l'indépendance irlandaise, Michael Mc Dara, réfugié aux États-Unis, retourne au pays sous une fausse identité pour assassiner un homme politique... Soucieux d'éviter les pièges du roman psychologique, Liam O'Flaherty, lorsqu'il entend décrire le désarroi intérieur de Mc Dara, utilise des visions d'un lyrisme extraordinaire et d'une luxuriance capiteuse, inspirées par les légendes du monde des gaëls. Cieux, nuées, gouffres, grottes, déserts, océans, nains et géants servent ici son dessein. Et c'est ce qu'il y a de plus étrange dans ce roman, cette association de noirceur brutale digne des meilleurs polars, et de lyrisme flamboyant...(Hervé Jaouen) Liam o'Flaherty (1897-1984) est l'auteur d'une vingtaine de romans, dont Le Mouchard, porté à l'écran par John Ford.
254 pages, Mass Market Paperback
First published January 1, 1969
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About the author
Liam O'Flaherty
127 books77 followersPeople know Irish writer Liam O'Flaherty especially for his short stories, collected in
Two Lovely Beasts
(1948) and
The Pedlar's Revenge
(1976).
This significant novelist, a major figure in the literary renaissance, also wrote short stories. Left-wing politics involved him as was his brother Tom Maidhc O'Flaherty (also a writer), and their father, Maidhc Ó Flaithearta, for a time.
This significant novelist, a major figure in the literary renaissance, also wrote short stories. Left-wing politics involved him as was his brother Tom Maidhc O'Flaherty (also a writer), and their father, Maidhc Ó Flaithearta, for a time.
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Displaying 1 - 3 of 3 reviews
June 3, 2021
This was only alright. Although I am still keen to read the informer
May 22, 2024
[Cedric Chivers Ltd] (1969). HB/DJ. 286 Pages. Ex London Borough of Lewisham Library Service. Purchased from WeBuyBooks.
I’m rather attracted to the Portway imprint. Titles are quite hard to locate in Good+ Condition, though, given their typical destiny. The catalogue includes some great works. This isn’t one of them.
Clipped, spare prose - evident in narration and multi-character dialogue, hence inept.
In itself, the writing’s also poorly executed at times. An example of jarring repetition:
“…a gate in the centre of the curve. The gate led to the distant yellowish house. The railing of the gate was golden and black. It glittered in the sunlight. The gate was closed.”
O’Flaherty (1896-1984) was no Georges Simenon (1903-1989).
There are some bright elements in this novel, but it’s overlong - I’d say 200%+ so - and generally unimpressive. The characters and environments depicted are mostly grimy and grim.
I’m rather attracted to the Portway imprint. Titles are quite hard to locate in Good+ Condition, though, given their typical destiny. The catalogue includes some great works. This isn’t one of them.
Clipped, spare prose - evident in narration and multi-character dialogue, hence inept.
In itself, the writing’s also poorly executed at times. An example of jarring repetition:
“…a gate in the centre of the curve. The gate led to the distant yellowish house. The railing of the gate was golden and black. It glittered in the sunlight. The gate was closed.”
O’Flaherty (1896-1984) was no Georges Simenon (1903-1989).
There are some bright elements in this novel, but it’s overlong - I’d say 200%+ so - and generally unimpressive. The characters and environments depicted are mostly grimy and grim.
July 10, 2023
Dostoevsky in Dublin. An expressionist nightmare, frantic, hallucinating, maddening. A political assassination which stems from the dark depths of troubled minds. Gripping - if you are interested in what happens in the minds of characters, how the act is conceived, what are the consequences. Written by one who had fought in the Irish civil war, and knew what it was like first hand. A great, underrated, half-forgotten Irish writer. Really impressive.
Displaying 1 - 3 of 3 reviews