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哈里斯・沙玛剧作选

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本书收有哈里斯·沙玛最出色的四个剧本《本质上快乐》、《好人》、《光·影》、《胖女孩》。并收有周文龙的三篇剧评,及译者和哈里斯·沙玛的对谈。哈里斯的剧作中所关怀的对象,往往是隐藏在社会繁华表面之下的深层议题,以及受到主流意识形态压迫的边缘社群。这种具有现实主义特征的知识分子情怀,与20世纪初以来,尤其是60与70年代的新加坡华语戏剧,遥相呼应。

柯思仁先生在序中说:"我几乎没有错过哈里斯的剧作的演出,甚至是忠忠恳恳地期待他的每一部戏的面世。哈里斯的剧作,加上他的长期搭档陈崇敬的导演,让我这一个观众,第一次深刻体会到新加坡的剧场,叙述的是我的生命与成长,我的感受与关怀,那么亲切,又那么让人感到沮丧。是的,剧中的场景、事件、人物都明晰可辨,也都在戏剧性的创造中,让观众通过新的视角重新认识这些原本以为熟悉的对象。那是具有明确新加坡印记,但又让人震撼的戏剧。"

168 pages, Paperback

Published March 4, 2010

About the author

Haresh Sharma

18 books16 followers
Haresh is Resident Playwright of The Necessary Stage and co-Artistic Director of the annual M1 Singapore Fringe Festival. To date, he has written more than 100 plays. His play, Off Centre, was selected by the Ministry of Education as a Literature text for N and O Levels, and republished by The Necessary Stage in 2006. In 2008, Ethos Books published Interlogue: Studies in Singapore Literature, Vol. 6, written by Prof David Birch and edited by A/P Kirpal Singh, which presented an extensive investigation of Haresh's work over the past 20 years. A collection of Haresh’s plays have been translated into Mandarin and published by Global Publishing with the title '哈里斯·沙玛剧作选'.

Haresh was awarded Best Original Script for Fundamentally Happy, Good People and Gemuk Girls during the 2007, 2008 and 2009 Life! Theatre Awards respectively. In 2010, the abovementioned plays have also been published by The Necessary Stage in the collection entitled Trilogy. Most recently in 2011, 2 collections of short plays by Haresh entitled Shorts 1 and Shorts 2 have been published as well. Haresh was also the first non-American to be awarded the prestigious Goldberg Master Playwright by New York University's Tisch School of the Arts in 2011.

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