This is a comprehensive and exhaustive collection of Dowland's compositions for the Lute, with critical commentaries, lists of sources and biographical notes, as thoroughly compiled and edited by Diana Poulton and Basil Lam.
The music is presented in both keyboard notation and Lute tablature.
The late Diana Poulton (1903–95) was the first Professor of Lute at the Royal College of Music, and in her lifetime was the recognized authority on Dowland.
Together with the biography John Dowland, this book represents the culmination of her life’s work. According to an article by Donna Curry (Diana Poulton: An Appreciation of Her Life): “[R]esearch was not an easy proposition before microfilm, photocopies, and reference books citing locations of MSS and first editions. Existence and location of music had to be found in library catalogs when obtainable. Copying had to be by hand in pencil. If music abroad were needed, it meant traveling there, ordering expensive photographs, or finding a local friend who would copy it. Diana’s hand copied music, books, documents, etc., filled stacks of notebooks.”
Basil Lam was a noted Early Music scholar who died in 1984, and was here responsible for the transcription into staff notation.
Contents
This book comprises all lute works by Dowland that were known at the time of its publication*. They are classified as follows:
Fantasies (7) Pavans (11) Galliards (28) Almaines (8) Jigs (5) Song arrangements (1) Settings of Ballad Tunes (10) Pieces of uncertain ascription (17) Other versions (16)
plus
Calendar of dates in the life of John Dowland Biographical Notes List of Sources Editorial Notes Index of Titles
Some pieces are presented in multiple versions. The numbering system used is now standard for these works. The published versions are the result of a great deal of cross-checking of sources, since misprints were very common.
Format
The pieces are presented in staff notation (bass and treble clefs), with French lute tablature below.
For guitarists, it’s easy to read the pieces for 6-course lute straight from the tablature. I also had no trouble copying the various voices from the staff notation into different layers of a single 8vb treble clef in Finale, and transposing the result down a minor third to produce guitar notation (3rd string to F#, of course).
Pieces for more than six courses present a problem, obviously. One solution is to make duets of them, in the manner of Presti/Lagoya or the Abreu Brothers.
Presentation
The book is printed on very good quality paper, and is approximately 9" x 12". It weighs nearly 3½ lb.
P.S. 2023: The portrait on the cover is Dama con liuto by Bartolomeo Veneto, 1520. You can see a colour version in his English Wikipedia entry (although not the Italian entry).
Summary
This is the definitive edition of Dowland’s lute music. Accept no other!
*The Fantasia P.71 has been attributed, possibly incorrectly, to Rosseter.
Update 2023: Erratum
A discussion on the Delcamp Classical Guitar forum has pointed out a typo in the staff notation for the Preludium P. 98: In bar 19, the last four notes should be B-G-A-F#, not B-A-G-F#. The tablature is correct.
Appendix: Detailed Contents List
OK, here is a complete contents list. Pieces asterisked appear (at a glance — no guarantees!) to be playable on a 7-course lute; those with a dagger 8-course; double dagger 9-course; all others 6-course.
(I have abridged some of the titles that are rather verbose.)
Fantasies
01) A Fantasie* & 1a) A Fantasie* 02) Forlorn Hope Fancy* 03) Farewell* 04) Farwell (An In Nomine)* 05) A Fancy* 06) A Fancy* 07) A Fancy*
Pavans
08) Piper’s Pavan 09) Semper Dowland Semper Dolens* 10) Solus Cum Sola 11) Mrs Brigide Fleetwood’s Pavan 12) Dr. Case’s Pavan* 13) Resolution* 14) Mr John Langton’s Pavan* & 14a) Sir John Langton’s Pavan* 15) Lachrimæ Pavan 16) A Pavan 17) Lady Russell’s Pavan* 18) A Pavan*
Galliards
19) Captain Digorie Piper’s Galliard 20) Dowland’s Galliard 21) John Dowland’s Galliard 22) Dowland’s First Galliard (6 or 7, as required) 23) The Frog Galliard & 23a) The Frog Galliard* 24) Galliard 25) Melancholie Galliard 26) Sir John Souch’s Galliard 27) A Galliard 28) A Galliard (on a Galliard of Daniel Bacheler)* 29) Giles Hobie’s Galliard 30) A Galliard* 31) A Galliard (on Walsingham) 32) Mrs. Vaux’s Galliard 33) Mr. Langton’s Galliard* 34) Mignarda 35) A Galliard 36) Mr. Knight’s Galliard* 37) My Lord Chamberlaine’s Galliard* 38) Lord d’Lisle's Galliard* 39) Round Battle Galliard 40) The King of Denmark’s Galliard* 41) Queen Elizabeth’s Galliard 42) Can She Excuse? & 42a) The Earl of Essex’s Galliard 43) Lady Rich’s Galliard* & 43a) Lady Rich’s Galliard 44) The Earl of Derby’s Galliard* & 44a) The Earl of Derby’s Galliard* 45) Lady Clifton’s Spirit* 46) Galliard to Lachrimæ†
Almaines
47) Sir John Smith’s Almaine* & 47a) Smythe’s Almaine* 48) Lady Laiton’s Almaine & 48a) Lady Laiton’s Almaine* 49) An Almaine 50) Mistris Whittes Thinge 51) A Piece Without Title* 52) Mrs Nichols’s Almaine 53) Mrs Clifton’s Almaine* 54) My Lady Hunsdon’s Puffe*
61) Orlando Sleepeth 62) Fortune My Foe† 63) Complaint 64) Go from My Window 65) Lord Strang’s March 66) My Lord Willoughby’s Welcome Home & 66a) My Lord Willoughby’s Welcome Home 67) Walsingham* 68) Aloe 69) Loth to Depart* 70) Bonny Sweet Robin
Pieces of Uncertain Ascription
71) A Fantasia* 72) A Fancy* 73) A Fancy* 74) A Fancy* 75) A Dream (Lady Leighton’s Paven) 76) A Galliard* 77) Mrs. Norrish’s Delight* 78) A Piece Without Title 79) What If A Day 80) A Coye Joye 81) Tarleton’s Jig 82) A Galliard 83) Dowland’s Galliard* 84) Hasellwood’s Galliard 85) Galliarda Dulandi 39 86) Pavana Dulandi† 87) Galliarda Dulandi 8*
Other Versions
88) Piper’s Galliard* 89) Can She Excuse?* 90) The Frog Galliard* 91) Suzanna Galliard 92) Galliard Fr. Cutting*
From the Schele MS
93) Del Excellentissimo Musico Jano Dulando‡ 94) Pavana Johan Douland‡ 95) La Mia Barbara†
From the Margaret Board Lute Book
96) An Almand* 97) The Queen’s Galliard‡ 98) Preludium* 99) Mr. Dowland’s Midnight* 100) Coranto‡