Those who have read Orpheus in the Bronx , Reginald Shepherd's previous collection of essays about the act of creating poetry, and those who take on the task, can immediately understand why it was a national finalist for a prestigious National Book Critics Circle Award. Shepherd was candid and disarming, practical and funny, able to mix thoughts about the Transformers with meditations on the realities of growing up poor. This is Reginald Shepherd's final opportunity to speak his mind about the craft he loved, the art of using words to express the soul and the wit of every person's experience. Edited by Shepherd's longtime partner and intellectual confidant, Robert Philen, A Martian Muse stands as a final monument to a master in the craft, but is also a readable, important work in its own right. "Reginald Shepherd died September 10, 2008, after a hard struggle with cancer. While he had completed the essays presented here and had selected them from his available essays to form a collection, he didn't have time to organize the presentation of the essays within the collection. "The task of editing this collection has been a daunting challenge as I struggle to live up to the level of intellectual engagement, clarity, and coherence that Reginald always expected. While daunting, it has also been a labor of love and a compulsion for me, based on the many years I spent with him as a partner, friend, lover, intellectual companion, and sharer of common passions." ---Robert Philen, from the Introduction Reginald Shepherd was the editor of The Iowa Anthology of New American Poetries and Lyric Postmodernisms: An Anthology of Contemporary Innovative Poetries and the author of five books of poetry. He was a finalist for the 2009 National Book Critics Circle Award and was the recipient of grants from the NEA, the Illinois Arts Council, the Saltonstall Foundation, the Florida Arts Council, and the Vogelstein Foundation, among many other awards and honors.
Reginald Shepherd was the editor of The Iowa Anthology of New American Poetries (University of Iowa Press, 2004) and of Lyric Postmodernisms (Counterpath Press, 2008). He is the author of: Fata Morgana (2007), winner of the Silver Medal of the 2007 Florida Book Awards, Otherhood (2003), a finalist for the 2004 Lenore Marshall Poetry Prize, Wrong (1999), Angel, Interrupted (1996), and Some Are Drowning (1994), winner of the 1993 Associated Writing Programs’ Award in Poetry (all University of Pittsburgh Press). Shepherd's work has appeared in four editions of The Best American Poetry and two Pushcart Prize anthologies, as well as in such journals as American Poetry Review, Conjunctions, The Kenyon Review, The Nation, The New York Times Book Review, Ploughshares, Poetry, and The Yale Review. It has also been widely anthologized. He is also the author of Orpheus in the Bronx: Essays on Identity, Politics, and the Freedom of Poetry (Poets on Poetry Series, University of Michigan Press). Shepherd has received grants from the National Endowment for the Arts, the Illinois Arts Council, the Florida Arts Council, and the Guggenheim Foundation, among other awards and honors.