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96 pages, Paperback
First published April 1, 2010
"I never told anyone that every sliver of orange I ate
was preceded by words from high mass…"
and
"The dog’s black tongue was more terrifying than its teeth."
and
"Sorrow lodged like a splintered bullet next to the heart."
and
"Sand, where there is no water, can ablute,
washing grain by grain even the hardest stone of sin."
and
"The way a photograph cannot remember the living."
and
"Sanctificum."
A LETTER TO ROBERT PINSKYMy favorite poem is too long to quote, twelve sections on ten pages, called “Pilgrimage.” It talks of words and their meanings, faith and its lack, history and hope, fear and courage, love and rage. Well, I will quote just a little because it speaks to the sadness without being sad:
This is wood, enchanted wood.
Still the fire scorches and we say wood
still the pain burns from the club
and then we say wood
still the planks dovetail and we caress
the smooth and the rough
sensuous, delectable, and yet sorrowful
and then we say wood.
"Some may call me a pessimist, but I am not.In a short poem near the end called “Dew,” Abani writes
There is nothing gained from loss.
I drink tea in the shade and believe in poetry.
I am a zealot for optimism."
"My desire is struggling up the mountain.That is not the poem in its entirety, and it does not end there. But that phrase that appears again and again in Abani’s work is perplexing to me. I don’t know what he means, “there are no names for red.”
My fear is a shower of pebbles.
Your son is trying to be a good man, Mum.
Your son is going to be all right.
There are no names for red."
I am a zealot for optimism.
- from "Pilgrimage"
I read Abani's short bio in the wonderful "The Face" series (The Face: Cartography of the Void) last year, and was very intrigued to read more of his writing. This National Poetry Month is the perfect time for that.
Abani writes with such grace and understanding. He has a deep social consciousness and awareness (and was a political prisoner in Nigeria, imprisoned for his writings and criticisms of the government), and this permeates his poems. Sanctificum shares much about his Nigerian and Igbo heritage.
Highlights:
-Revenant
-Divination
-Elephants
-Processional
-Descent