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The Complete Peanuts #13-14
The Complete Peanuts Boxset, 1975-1978
A gift set of the thirteenth and fourteenth Complete Peanuts volumes, in a handsome and durable slipcase.
The Complete Peanuts 1975-1976: Good grief, Charlie Brown, we're halfway there! That’s right! With this volume, The Complete Peanuts reaches the halfway point of Charles M. Schulz’s astounding half-century run on the greatest comic strip of all time. These years are especially fecund in terms of new canine characters, as Snoopy is joined by his wandering brother Spike (from Needles), his beloved sister Belle (from Kansas City), and... did you know he had a nephew? In other beagle news, Snoopy breaks his foot and spends six weeks in a cast, deals with his friend Woodstock’s case of the “the vapors,” and gets involved in a heated love triangle with Linus over the girl “Truffles.” The Complete Peanuts 1975-1976 features several other long stories, including a rare “double track” sequence with two parallel narratives: Peppermint Patty and Snoopy travel to participate in the Powderpuff Derby, while Charlie Brown finally gets to meet his idol Joe Shlabotnik. And Peppermint Patty switches to a private school, but commits the mistake of allowing Snoopy to pick it for her; only after graduation does she realize something’s not quite right! Plus: A burglary at Peppermint Patty’s house is exacerbated by waterbed problems... Marcie acquires an unwanted suitor... Charlie Brown and Peppermint Patty become desk partners... The talking school building collapses... Lots of tennis jokes... and gags starring Schroeder, Lucy, Franklin, Rerun, Sally, and that vicious cat next door. It’s another two years of Peanuts at its finest! Featuring an introduction by comedian Robert Smigel (Triumph the Insult Comic Dog, Saturday Night Live).
The Complete Peanuts 1977-1978: As the 1970s wind down, the last two recurring Peanuts characters have fallen into place: Snoopy’s brother Spike and the youngest Van Pelt sibling, Rerun. But that doesn’t mean Schulz’s creativity has diminished; in fact, this volume features an amazing profusion of hilariously distinctive new one- (or two-) shot characters! For instance, in an epic five-week sequence, when Charlie Brown, found guilty by the EPA of biting the Kite-Eating tree, he goes on the lam and ends up coaching the “Goose Eggs,” a group of diminutive baseball players, Austin, Ruby, Leland, and ―did you know there was a second Black Peanuts character, aside from Franklin?―Milo. Also: a tennis-playing Snoopy ends up reluctantly teamed with the extreme Type “A” athlete Molly Volley... who then reappears later in the book, now facing off against her nemesis, “Crybaby” Boobie. (Honest!) Add in Sally’s new camp friend Eudora, the thuggish “caddymaster” who shoots down Peppermint Patty and Marcie’s new vocation, an entire hockey team, and a surprise repeat appearance by Linus’s sweetheart “Truffles” (creating a love triangle with Sally), all in addition to the usual cast of beloved characters (including the talking schoolhouse and the doghouse-jigsawing cat, who gets ahold of Linus’s blanket in this one), and you’ve got a veritable crowd of characters. Introduction by 30 Rock's Alec Baldwin.
It’s another four years of the greatest comic strip of all time, full of laughs and surprises. 1461 black-and-white comic strips
The Complete Peanuts 1975-1976: Good grief, Charlie Brown, we're halfway there! That’s right! With this volume, The Complete Peanuts reaches the halfway point of Charles M. Schulz’s astounding half-century run on the greatest comic strip of all time. These years are especially fecund in terms of new canine characters, as Snoopy is joined by his wandering brother Spike (from Needles), his beloved sister Belle (from Kansas City), and... did you know he had a nephew? In other beagle news, Snoopy breaks his foot and spends six weeks in a cast, deals with his friend Woodstock’s case of the “the vapors,” and gets involved in a heated love triangle with Linus over the girl “Truffles.” The Complete Peanuts 1975-1976 features several other long stories, including a rare “double track” sequence with two parallel narratives: Peppermint Patty and Snoopy travel to participate in the Powderpuff Derby, while Charlie Brown finally gets to meet his idol Joe Shlabotnik. And Peppermint Patty switches to a private school, but commits the mistake of allowing Snoopy to pick it for her; only after graduation does she realize something’s not quite right! Plus: A burglary at Peppermint Patty’s house is exacerbated by waterbed problems... Marcie acquires an unwanted suitor... Charlie Brown and Peppermint Patty become desk partners... The talking school building collapses... Lots of tennis jokes... and gags starring Schroeder, Lucy, Franklin, Rerun, Sally, and that vicious cat next door. It’s another two years of Peanuts at its finest! Featuring an introduction by comedian Robert Smigel (Triumph the Insult Comic Dog, Saturday Night Live).
The Complete Peanuts 1977-1978: As the 1970s wind down, the last two recurring Peanuts characters have fallen into place: Snoopy’s brother Spike and the youngest Van Pelt sibling, Rerun. But that doesn’t mean Schulz’s creativity has diminished; in fact, this volume features an amazing profusion of hilariously distinctive new one- (or two-) shot characters! For instance, in an epic five-week sequence, when Charlie Brown, found guilty by the EPA of biting the Kite-Eating tree, he goes on the lam and ends up coaching the “Goose Eggs,” a group of diminutive baseball players, Austin, Ruby, Leland, and ―did you know there was a second Black Peanuts character, aside from Franklin?―Milo. Also: a tennis-playing Snoopy ends up reluctantly teamed with the extreme Type “A” athlete Molly Volley... who then reappears later in the book, now facing off against her nemesis, “Crybaby” Boobie. (Honest!) Add in Sally’s new camp friend Eudora, the thuggish “caddymaster” who shoots down Peppermint Patty and Marcie’s new vocation, an entire hockey team, and a surprise repeat appearance by Linus’s sweetheart “Truffles” (creating a love triangle with Sally), all in addition to the usual cast of beloved characters (including the talking schoolhouse and the doghouse-jigsawing cat, who gets ahold of Linus’s blanket in this one), and you’ve got a veritable crowd of characters. Introduction by 30 Rock's Alec Baldwin.
It’s another four years of the greatest comic strip of all time, full of laughs and surprises. 1461 black-and-white comic strips
688 pages, Hardcover
First published September 8, 2010
About the author
Charles M. Schulz
3,016 books1,657 followersCharles Monroe Schulz was an American cartoonist, whose comic strip Peanuts proved one of the most popular and influential in the history of the medium, and is still widely reprinted on a daily basis.
Schulz's first regular cartoons, Li'l Folks, were published from 1947 to 1950 by the St. Paul Pioneer Press; he first used the name Charlie Brown for a character there, although he applied the name in four gags to three different boys and one buried in sand. The series also had a dog that looked much like Snoopy. In 1948, Schulz sold a cartoon to The Saturday Evening Post; the first of 17 single-panel cartoons by Schulz that would be published there. In 1948, Schulz tried to have Li'l Folks syndicated through the Newspaper Enterprise Association. Schulz would have been an independent contractor for the syndicate, unheard of in the 1940s, but the deal fell through. Li'l Folks was dropped from the Pioneer Press in January, 1950.
Later that year, Schulz approached the United Feature Syndicate with his best strips from Li'l Folks, and Peanuts made its first appearance on October 2, 1950. The strip became one of the most popular comic strips of all time. He also had a short-lived sports-oriented comic strip called It's Only a Game (1957–1959), but he abandoned it due to the demands of the successful Peanuts. From 1956 to 1965 he contributed a single-panel strip ("Young Pillars") featuring teenagers to Youth, a publication associated with the Church of God.
Peanuts ran for nearly 50 years, almost without interruption; during the life of the strip, Schulz took only one vacation, a five-week break in late 1997. At its peak, Peanuts appeared in more than 2,600 newspapers in 75 countries. Schulz stated that his routine every morning consisted of eating a jelly donut and sitting down to write the day's strip. After coming up with an idea (which he said could take anywhere from a few minutes to a few hours), he began drawing it, which took about an hour for dailies and three hours for Sunday strips. He stubbornly refused to hire an inker or letterer, saying that "it would be equivalent to a golfer hiring a man to make his putts for him." In November 1999 Schulz suffered a stroke, and later it was discovered that he had colon cancer that had metastasized. Because of the chemotherapy and the fact he could not read or see clearly, he announced his retirement on December 14, 1999.
Schulz often touched on religious themes in his work, including the classic television cartoon, A Charlie Brown Christmas (1965), which features the character Linus van Pelt quoting the King James Version of the Bible Luke 2:8-14 to explain "what Christmas is all about." In personal interviews Schulz mentioned that Linus represented his spiritual side. Schulz, reared in the Lutheran faith, had been active in the Church of God as a young adult and then later taught Sunday school at a United Methodist Church. In the 1960s, Robert L. Short interpreted certain themes and conversations in Peanuts as being consistent with parts of Christian theology, and used them as illustrations during his lectures about the gospel, as he explained in his bestselling paperback book, The Gospel According to Peanuts, the first of several books he wrote on religion and Peanuts, and other popular culture items. From the late 1980s, however, Schulz described himself in interviews as a "secular humanist": “I do not go to church anymore... I guess you might say I've come around to secular humanism, an obligation I believe all humans have to others and the world we live in.”
Schulz's first regular cartoons, Li'l Folks, were published from 1947 to 1950 by the St. Paul Pioneer Press; he first used the name Charlie Brown for a character there, although he applied the name in four gags to three different boys and one buried in sand. The series also had a dog that looked much like Snoopy. In 1948, Schulz sold a cartoon to The Saturday Evening Post; the first of 17 single-panel cartoons by Schulz that would be published there. In 1948, Schulz tried to have Li'l Folks syndicated through the Newspaper Enterprise Association. Schulz would have been an independent contractor for the syndicate, unheard of in the 1940s, but the deal fell through. Li'l Folks was dropped from the Pioneer Press in January, 1950.
Later that year, Schulz approached the United Feature Syndicate with his best strips from Li'l Folks, and Peanuts made its first appearance on October 2, 1950. The strip became one of the most popular comic strips of all time. He also had a short-lived sports-oriented comic strip called It's Only a Game (1957–1959), but he abandoned it due to the demands of the successful Peanuts. From 1956 to 1965 he contributed a single-panel strip ("Young Pillars") featuring teenagers to Youth, a publication associated with the Church of God.
Peanuts ran for nearly 50 years, almost without interruption; during the life of the strip, Schulz took only one vacation, a five-week break in late 1997. At its peak, Peanuts appeared in more than 2,600 newspapers in 75 countries. Schulz stated that his routine every morning consisted of eating a jelly donut and sitting down to write the day's strip. After coming up with an idea (which he said could take anywhere from a few minutes to a few hours), he began drawing it, which took about an hour for dailies and three hours for Sunday strips. He stubbornly refused to hire an inker or letterer, saying that "it would be equivalent to a golfer hiring a man to make his putts for him." In November 1999 Schulz suffered a stroke, and later it was discovered that he had colon cancer that had metastasized. Because of the chemotherapy and the fact he could not read or see clearly, he announced his retirement on December 14, 1999.
Schulz often touched on religious themes in his work, including the classic television cartoon, A Charlie Brown Christmas (1965), which features the character Linus van Pelt quoting the King James Version of the Bible Luke 2:8-14 to explain "what Christmas is all about." In personal interviews Schulz mentioned that Linus represented his spiritual side. Schulz, reared in the Lutheran faith, had been active in the Church of God as a young adult and then later taught Sunday school at a United Methodist Church. In the 1960s, Robert L. Short interpreted certain themes and conversations in Peanuts as being consistent with parts of Christian theology, and used them as illustrations during his lectures about the gospel, as he explained in his bestselling paperback book, The Gospel According to Peanuts, the first of several books he wrote on religion and Peanuts, and other popular culture items. From the late 1980s, however, Schulz described himself in interviews as a "secular humanist": “I do not go to church anymore... I guess you might say I've come around to secular humanism, an obligation I believe all humans have to others and the world we live in.”
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Displaying 1 - 2 of 2 reviews
April 12, 2011
In my opinion, the release of the Complete Peanuts is the release of one the greatest works of art that the last century has produced, hell, one of the greatest lifetime achievements that the last century has seen.
Fifty years of daily comic strips. Fifty years. All of them brilliant. There's just nothing comparable, nor will there ever be.
But, if you consider the Peanuts art like me or if you are just a fan of comic books, I have no doubts that owning at least one of the high-quality Boxed Sets in which they rae being released would do your book collection good. (and you'd enjoy reading them...)
As for which one you buy, well, I have no preferences. This one is especially close to me heart, because I was born in 1978 (yes I am really THAT old *rolls eyes*), but true Peanuts-philes will probably have intellectual arguments why one or another volume is better or more relevant. Me, like I said, I see the whole collection as a piece of art. It just wouldn't be the same if I didn't buy every single one of the books.
(OMG and they look so pretty on my shelf, too! *g*)
Fifty years of daily comic strips. Fifty years. All of them brilliant. There's just nothing comparable, nor will there ever be.
But, if you consider the Peanuts art like me or if you are just a fan of comic books, I have no doubts that owning at least one of the high-quality Boxed Sets in which they rae being released would do your book collection good. (and you'd enjoy reading them...)
As for which one you buy, well, I have no preferences. This one is especially close to me heart, because I was born in 1978 (yes I am really THAT old *rolls eyes*), but true Peanuts-philes will probably have intellectual arguments why one or another volume is better or more relevant. Me, like I said, I see the whole collection as a piece of art. It just wouldn't be the same if I didn't buy every single one of the books.
(OMG and they look so pretty on my shelf, too! *g*)
February 1, 2013
I really liked the introduction to the 1977-1978 volume, written by Alec Baldwin. Best intro in the series, so far.
Displaying 1 - 2 of 2 reviews