The Fayum, a flourishing metropolitan community in ancient Egypt, consisted of Greeks, Egyptians, Syrians, Libyans, and others. Like many of their contemporaries throughout the Nile Valley, these people embalmed their dead and then painted commemorative portraits of them, usually on wood or linen, to be placed over the mummies. Looking into the well-preserved, startlingly lifelike faces collected in this beautiful volume, one can trace the earliest roots of portraiture as it began in these Greco-Roman Fayum, or mummy, portraits, and continued through the Renaissance to the present. Despite their ancient history, the stylized portraits appear strikingly modern and painterly, with echoes of Modigliani and Matisse. Having experimented with them herself, Euphrosyne Doxiadis describes in detail the painting techniques and materials. Also included are fascinating notes on the clothing, jewelry, and hairstyles of the period.
The portraits are magnificent and the subjects could easily be our contemporaries with their tasteful clothes, jewelry and soulful gazes. Many actually remind me of people I know in Egypt and the Middle East. Technically they are fascinating too being painted on wood or linen with encaustic, tempera or other media and how the artists used various techniques to enhance the portraits. Perhaps the only complaint I have is the that the extensive acknowledgements section includes one or two Egyptians only.
A stray mention of the Fayum mummy portraits in Pagan Holiday last month led to a quick google search, a delighted gasp, and an immediate request for this book from the library. The book is filled with gorgeous color images of the portraits, many of them actual size. The commentary is written by a painter, who brings her own artistic perspective to the experience. This was a really fantastic introduction into the subject.
Achtergronden en technieken van de beroemde Fajum-mummieportretten uit Egypte uit de eerste eeuwen van onze jaartelling Deze portretten zijn echter nog veel te weinig gekend. Ze zijn schitterend en ongelofelijk fris en modern, wat bijzonder is voor deze schilderijen op mummies. Dit boek is zeer boeiend omdat het naast de cultuurhistorische en sociaal/religieuze achtergrond ook veel vertelt over de techniek en de artistieke kwaliteiten. (geschreven door een Griekse kunstenares).