What do you think?
Rate this book
Girl with a Pearl Earring
History and fiction merge seamlessly in Tracy Chevalier's luminous novel about artistic vision and sensual awakening. Through the eyes of sixteen-year-old Griet, the world of 1660s Holland comes dazzlingly alive in this richly imagined portrait of the young woman who inspired one of Vermeer's most celebrated paintings.
233 pages, Paperback
First published January 1, 1999
About the author
Tracy Chevalier
74 books11.8k followersBorn:
19 October 1962 in Washington, DC. Youngest of 3 children. Father was a photographer for The Washington Post.
Childhood:
Nerdy. Spent a lot of time lying on my bed reading. Favorite authors back then: Laura Ingalls Wilder, Madeleine L’Engle, Zilpha Keatley Snyder, Joan Aiken, Susan Cooper, Lloyd Alexander. Book I would have taken to a desert island: Anne of Green Gables by L.M. Montgomery.
Education:
BA in English, Oberlin College, Ohio, 1984. No one was surprised that I went there; I was made for such a progressive, liberal place.
MA in creative writing, University of East Anglia, Norwich, England, 1994. There’s a lot of debate about whether or not you can be taught to write. Why doesn’t anyone ask that of professional singers, painters, dancers? That year forced me to write all the time and take it seriously.
Geography:
Moved to London after graduating from Oberlin in 1984. I had studied for a semester in London and thought it was a great place, so came over for fun, expecting to go back to the US after 6 months to get serious. I’m still in London, and still not entirely serious. Even have dual citizenship – though I keep the American accent intact.
Family:
1 English husband + 1 English son.
Career:
Before writing, was a reference book editor, working on encyclopedias about writers. (Yup, still nerdy.) Learned how to research and how to make sentences better. Eventually I wanted to fix my own sentences rather than others’, so I quit and did the MA.
Writing:
Talked a lot about becoming a writer as a kid, but actual pen to paper contact was minimal. Started writing short stories in my 20s, then began first novel, The Virgin Blue, during the MA year. With Girl With a Pearl Earring (written in 1998), I became a full-time writer.
19 October 1962 in Washington, DC. Youngest of 3 children. Father was a photographer for The Washington Post.
Childhood:
Nerdy. Spent a lot of time lying on my bed reading. Favorite authors back then: Laura Ingalls Wilder, Madeleine L’Engle, Zilpha Keatley Snyder, Joan Aiken, Susan Cooper, Lloyd Alexander. Book I would have taken to a desert island: Anne of Green Gables by L.M. Montgomery.
Education:
BA in English, Oberlin College, Ohio, 1984. No one was surprised that I went there; I was made for such a progressive, liberal place.
MA in creative writing, University of East Anglia, Norwich, England, 1994. There’s a lot of debate about whether or not you can be taught to write. Why doesn’t anyone ask that of professional singers, painters, dancers? That year forced me to write all the time and take it seriously.
Geography:
Moved to London after graduating from Oberlin in 1984. I had studied for a semester in London and thought it was a great place, so came over for fun, expecting to go back to the US after 6 months to get serious. I’m still in London, and still not entirely serious. Even have dual citizenship – though I keep the American accent intact.
Family:
1 English husband + 1 English son.
Career:
Before writing, was a reference book editor, working on encyclopedias about writers. (Yup, still nerdy.) Learned how to research and how to make sentences better. Eventually I wanted to fix my own sentences rather than others’, so I quit and did the MA.
Writing:
Talked a lot about becoming a writer as a kid, but actual pen to paper contact was minimal. Started writing short stories in my 20s, then began first novel, The Virgin Blue, during the MA year. With Girl With a Pearl Earring (written in 1998), I became a full-time writer.
Ratings & Reviews
Friends & Following
Create a free account to discover what your friends think of this book!
Community Reviews
Displaying 1 - 30 of 14,290 reviews
March 30, 2020
“I heard voices outside our front door - a woman's, bright as polished brass, and a man's, low and dark like the wood of the table I was working on. They were the kind of voices we heard rarely in our house. I could hear rich carpets in their voices, books and pearls and fur.”
The Girl With the Pearl Earring
When the Vermeers came to visit Griet’s home she had no idea they were there for her. Her parents had decided, given their near destitution, to find Griet a position as a maid with a wealthy family. Her older brother had already been placed in a Delft tile factory. It was now her turn to earn the food that made it’s way into her belly. She was, after all, seventeen.
Johannes Vermeer was a master painter, recognized even in his own time as one of the best, but he was a slow painter. He would only paint when he was inspired to paint. An empty purse or a rumbling stomach were never enough inspiration to make him paint faster. He averaged only two to three paintings a year. As someone who has always admired his paintings I do wish he had been more prolific with his brush, but the fact that there are so few paintings by Vermeer make them all the more precious.
Griet is thrown into this chaotic household. The house is brimming with children, too many children even by the standards of the day. Catharina, Vermeer’s wife, liked being pregnant and though the added burden of a new mouth to feed each year places extra financial stress on her husband and her mother Maria Thins she is oblivious to the consequences. Their fortunes wane and fall based more on the property incomes of her mother than on the commissioned paintings of Vermeer. Each year the purse strings get pulled a bit tighter.
There is one patron, a man who has bought several Vermeer paintings, who they all have to curry favor with...Van Ruijven. His wealth infuses him with an air of entitlement. He is used to getting what he wants and when he sees the wide eyed beauty who has just joined Vermeer’s household he decides he wants her.
Vermeer has found from the very beginning that Griet is different. She sees the world as a painter sees the world. He finds reasons to have her help him by grinding paints and assisting with the objects that populate his paintings. It is only natural that a young girl would start to have feelings and dreams regarding a man such as Vermeer. He is not only talented, but he is also attractive with those gray eyes that see so much more than anyone else.
”I did not like to think of him in that way, with his wife and children. I preferred to think of him alone in his studio. Or not alone, but with only me.”
She becomes very adept at lying so she can spend more time in the studio.
The soldier in The Procuress reminds me of Van Ruijven. One of the most interesting things about this painting is the precariously perched pitcher. It makes me so nervous that I want to reach into the painting and move it to somewhere safer.
Van Ruijven, like odious men always seem to be, is adept at finding young women alone. He is not wanting to gossip with her or exchange thoughts about the weather or to woo her or to cajole her into parting with her charms. His hands with fingers like hooks push against her clothes weighing the curve and shape of her. She has to fend him off without offending him.
Griet has another man in her life, not one that she would choose, but one that is infatuated with her. Pieter, the butcher’s son, wants to make her his wife. Being the wife of a butcher is a dream for many women because she and her family will always be well fed. A butcher is miles away from dream landscape of being the wife of a master painter.
Tracy Chevalier has deftly conceived the possibility of The Girl with the Pearl Earring being a maid in the Vermeer household. With each new revelation the tensions between Griet and Catharina tighten like lute strings pressing into tender flesh. Maria Thins, a realist, runs interference between all parties as best she can, but Catharina beset by jealousy and churlishness has difficulty seeing the bigger picture. I’ve read where other reviewers were disappointed in this book. They felt that very little happened, but they must be the same people who think baseball is boring.
I was on the edge of my seat while reading this book as if I were watching a ten pitch at bat in the bottom of the ninth with two outs. The deception of the pitcher trying to outmatch the quick hands of the batter. The shifting of the outfield depending on the ball the pitcher intends to throw next. The subtle communications between the catcher and the pitcher. Add a base runner at first and now the situation feels like Griet trying to maneuver her way through a world of lust, deviousness, and deceit. Does she run or does she wait for something to happen?
There are lots of moments that need no dialogue as Griet experiences impossible longings…“I could not think of anything but his fingers on my neck, his thumb on my lips.” There are things we can’t say because they can not be unsaid.
Scarlett Johansson played Griet in the 2003 movie of The Girl With the Pearl Earring.
The painting that Vermeer paints of Griet is a compromise to Van Ruijven who wanted much, much more. With her direct gaze at her audience and the slight parting of her lips this is an acceptable form of pornography, slightly scandalous, fodder for gossips, but not anything that could bring unwanted attention from the authorities. It gives Griet a shiver to think of her captured innocence resting under the lecherous eyes of Van Ruijven, but better a painting than losing that which she wishes to give her future husband.
I bought a canvas copy of The Girl With the Pearl Earring last year. The print is gallery wrapped which gives the painting animation as if it can jump away from the wall and walk into this life. She is hung over the staircase with enough light from the window over the door to show off the skill of Vermeer to illuminate. When people walk in the door they are struck as millions over centuries have been struck. People who don’t know a Vermeer from a Dali have to take a moment to access and appreciate her lustrous beauty. From where I sit to read I can see her and occasionally she catches my eye, a flirtation that makes me feel years younger.
”I looked at the painting one last time, but by studying it so hard I felt something slip away. It was like looking at a star in the night sky--if I looked at one directly I could barely see it, but if I looked from the corner of my eye it became much brighter.”
If you wish to see more of my most recent book and movie reviews, visit http://www.jeffreykeeten.com
I also have a Facebook blogger page at:https://www.facebook.com/JeffreyKeeten
The Girl With the Pearl Earring
When the Vermeers came to visit Griet’s home she had no idea they were there for her. Her parents had decided, given their near destitution, to find Griet a position as a maid with a wealthy family. Her older brother had already been placed in a Delft tile factory. It was now her turn to earn the food that made it’s way into her belly. She was, after all, seventeen.
Johannes Vermeer was a master painter, recognized even in his own time as one of the best, but he was a slow painter. He would only paint when he was inspired to paint. An empty purse or a rumbling stomach were never enough inspiration to make him paint faster. He averaged only two to three paintings a year. As someone who has always admired his paintings I do wish he had been more prolific with his brush, but the fact that there are so few paintings by Vermeer make them all the more precious.
Griet is thrown into this chaotic household. The house is brimming with children, too many children even by the standards of the day. Catharina, Vermeer’s wife, liked being pregnant and though the added burden of a new mouth to feed each year places extra financial stress on her husband and her mother Maria Thins she is oblivious to the consequences. Their fortunes wane and fall based more on the property incomes of her mother than on the commissioned paintings of Vermeer. Each year the purse strings get pulled a bit tighter.
There is one patron, a man who has bought several Vermeer paintings, who they all have to curry favor with...Van Ruijven. His wealth infuses him with an air of entitlement. He is used to getting what he wants and when he sees the wide eyed beauty who has just joined Vermeer’s household he decides he wants her.
Vermeer has found from the very beginning that Griet is different. She sees the world as a painter sees the world. He finds reasons to have her help him by grinding paints and assisting with the objects that populate his paintings. It is only natural that a young girl would start to have feelings and dreams regarding a man such as Vermeer. He is not only talented, but he is also attractive with those gray eyes that see so much more than anyone else.
”I did not like to think of him in that way, with his wife and children. I preferred to think of him alone in his studio. Or not alone, but with only me.”
She becomes very adept at lying so she can spend more time in the studio.
The soldier in The Procuress reminds me of Van Ruijven. One of the most interesting things about this painting is the precariously perched pitcher. It makes me so nervous that I want to reach into the painting and move it to somewhere safer.
Van Ruijven, like odious men always seem to be, is adept at finding young women alone. He is not wanting to gossip with her or exchange thoughts about the weather or to woo her or to cajole her into parting with her charms. His hands with fingers like hooks push against her clothes weighing the curve and shape of her. She has to fend him off without offending him.
Griet has another man in her life, not one that she would choose, but one that is infatuated with her. Pieter, the butcher’s son, wants to make her his wife. Being the wife of a butcher is a dream for many women because she and her family will always be well fed. A butcher is miles away from dream landscape of being the wife of a master painter.
Tracy Chevalier has deftly conceived the possibility of The Girl with the Pearl Earring being a maid in the Vermeer household. With each new revelation the tensions between Griet and Catharina tighten like lute strings pressing into tender flesh. Maria Thins, a realist, runs interference between all parties as best she can, but Catharina beset by jealousy and churlishness has difficulty seeing the bigger picture. I’ve read where other reviewers were disappointed in this book. They felt that very little happened, but they must be the same people who think baseball is boring.
I was on the edge of my seat while reading this book as if I were watching a ten pitch at bat in the bottom of the ninth with two outs. The deception of the pitcher trying to outmatch the quick hands of the batter. The shifting of the outfield depending on the ball the pitcher intends to throw next. The subtle communications between the catcher and the pitcher. Add a base runner at first and now the situation feels like Griet trying to maneuver her way through a world of lust, deviousness, and deceit. Does she run or does she wait for something to happen?
There are lots of moments that need no dialogue as Griet experiences impossible longings…“I could not think of anything but his fingers on my neck, his thumb on my lips.” There are things we can’t say because they can not be unsaid.
Scarlett Johansson played Griet in the 2003 movie of The Girl With the Pearl Earring.
The painting that Vermeer paints of Griet is a compromise to Van Ruijven who wanted much, much more. With her direct gaze at her audience and the slight parting of her lips this is an acceptable form of pornography, slightly scandalous, fodder for gossips, but not anything that could bring unwanted attention from the authorities. It gives Griet a shiver to think of her captured innocence resting under the lecherous eyes of Van Ruijven, but better a painting than losing that which she wishes to give her future husband.
I bought a canvas copy of The Girl With the Pearl Earring last year. The print is gallery wrapped which gives the painting animation as if it can jump away from the wall and walk into this life. She is hung over the staircase with enough light from the window over the door to show off the skill of Vermeer to illuminate. When people walk in the door they are struck as millions over centuries have been struck. People who don’t know a Vermeer from a Dali have to take a moment to access and appreciate her lustrous beauty. From where I sit to read I can see her and occasionally she catches my eye, a flirtation that makes me feel years younger.
”I looked at the painting one last time, but by studying it so hard I felt something slip away. It was like looking at a star in the night sky--if I looked at one directly I could barely see it, but if I looked from the corner of my eye it became much brighter.”
If you wish to see more of my most recent book and movie reviews, visit http://www.jeffreykeeten.com
I also have a Facebook blogger page at:https://www.facebook.com/JeffreyKeeten
July 23, 2007
Another one of my wife's recommendations (I read a lot of books that way), I picked it up from the bookshelf the night we came back from seeing the film with Scarlett Johansonn and Colin Firth. I loved the movie--it was just so incredibly sumptuous--and was curious to know the story in the novel, which I knew from experience, and from my wife's continuous comments, would be different, more detailed. I was right.
Chevalier has won a place in my heart and bookshelf. Her novels are well-crafted, simple to follow, and addictive; Girl was no exception. The story of the maid Griet in 1600's Delft, Holland, was amazing in its simple prose and endless emotion. Completely fictional (no one knows who exactly were the models for any of Vermeer's paintings), it nonetheless possesses a veracity that makes you believe Chevalier found the long-lost journal of this unknown woman and wrote her novel based on it. The details of seventeen century Holland are rich; you feel you are walking the canal-lined streets of Delft, smelling the pungent scents of the Meat Market, holding your breath as Vermeer paints next to you. Griet is a wonderful protagonist, taking you into her world, yet retaining a few secrets for herself, especially where Vermeer is concerned.
Girl is one of those novels that truly invites you, and almost kidnaps you, to become part of the story, to walk next to the characters, to share in their lives, to feel as they feel. Watch the movie, by all means (the photography is absolutely incredible), but then read the novel and get the whole story. You will not be disappointed.
Chevalier has won a place in my heart and bookshelf. Her novels are well-crafted, simple to follow, and addictive; Girl was no exception. The story of the maid Griet in 1600's Delft, Holland, was amazing in its simple prose and endless emotion. Completely fictional (no one knows who exactly were the models for any of Vermeer's paintings), it nonetheless possesses a veracity that makes you believe Chevalier found the long-lost journal of this unknown woman and wrote her novel based on it. The details of seventeen century Holland are rich; you feel you are walking the canal-lined streets of Delft, smelling the pungent scents of the Meat Market, holding your breath as Vermeer paints next to you. Griet is a wonderful protagonist, taking you into her world, yet retaining a few secrets for herself, especially where Vermeer is concerned.
Girl is one of those novels that truly invites you, and almost kidnaps you, to become part of the story, to walk next to the characters, to share in their lives, to feel as they feel. Watch the movie, by all means (the photography is absolutely incredible), but then read the novel and get the whole story. You will not be disappointed.
August 4, 2007
I know almost nothing about art, but even I can tell that Girl With a Pearl Earring by Johannes Vermeer is a brilliant painting; 'captivating' is probably the best word to describe it. One presumes that Chevalier agrees with me, and this is what lead her to write a novel about the painting, its subject and its creator. So, is the novel as captivating as the piece that inspired it?
The short answer would be 'no'.
Now for the longer answer...
Chevalier is probably one of the best-known historical novelists of the last ten years, with this book always in the foreground when she is discussed. As far as historical information goes, I think she does okay with it. I had a pretty clear picture of the Netherlands in the seventeenth century by the time I was done with the book (whether or not its accurate or not is another matter), but I felt at times that there wasn't that detail that critics proclaimed about on the cover.
The characters, I feel, are never truly developed. Vermeer himself remains a mystery throughout, even to the protagonist and narrator, Griet, who appears to have some connection with him. Griet meanwhile, is what I would describe as a stock teenage girl character. She is similar to many characters I've read before, and yet she does not really advance on that.
The narrative style is one that I would have adored at 14, but by now find to be pedestrian. This is first person narrative at its simplest (and blandest) and I don't feel that we gain anything from it - the novel may just as well have been in third person and would not have suffered for it. It may even have benefited from it.
The structure is interesting. Split into parts that represent years, rather than having chapter breaks makes it difficult to find a stopping place at times, and it is this more than anything else that makes a page turner of the novel. Meanwhile, the entire thing seems to be building to the inevitable moment when Vermeer will paint Griet. The scenes are handled with less intensity than I had hoped for from the build up, and once the painting is finished, Chevalier seems to want nothing but for the novel to be over too, and closes it down rather too quickly.
Perhaps the fact that little is known about Vermeer's life would imply that a fictional version of it would be easy to tell. Sadly, the gaps in knowledge seem to be too big to fill.
At the end of the novel, I had discovered how this work came about, the girl staring out from it, but still had almost no real idea of the man behind it. It is, in my opinion, a failure in this respect.
However, it is a good read if you're looking for something historical but not too heavy. Or if you like art there are some interesting discussions about colour in there. I can see why many people enjoy this novel, but I cannot fathom why some hold it in such high acclaim. I feel it will be some time before I read anything else by Tracy Chevalier.
The short answer would be 'no'.
Now for the longer answer...
Chevalier is probably one of the best-known historical novelists of the last ten years, with this book always in the foreground when she is discussed. As far as historical information goes, I think she does okay with it. I had a pretty clear picture of the Netherlands in the seventeenth century by the time I was done with the book (whether or not its accurate or not is another matter), but I felt at times that there wasn't that detail that critics proclaimed about on the cover.
The characters, I feel, are never truly developed. Vermeer himself remains a mystery throughout, even to the protagonist and narrator, Griet, who appears to have some connection with him. Griet meanwhile, is what I would describe as a stock teenage girl character. She is similar to many characters I've read before, and yet she does not really advance on that.
The narrative style is one that I would have adored at 14, but by now find to be pedestrian. This is first person narrative at its simplest (and blandest) and I don't feel that we gain anything from it - the novel may just as well have been in third person and would not have suffered for it. It may even have benefited from it.
The structure is interesting. Split into parts that represent years, rather than having chapter breaks makes it difficult to find a stopping place at times, and it is this more than anything else that makes a page turner of the novel. Meanwhile, the entire thing seems to be building to the inevitable moment when Vermeer will paint Griet. The scenes are handled with less intensity than I had hoped for from the build up, and once the painting is finished, Chevalier seems to want nothing but for the novel to be over too, and closes it down rather too quickly.
Perhaps the fact that little is known about Vermeer's life would imply that a fictional version of it would be easy to tell. Sadly, the gaps in knowledge seem to be too big to fill.
At the end of the novel, I had discovered how this work came about, the girl staring out from it, but still had almost no real idea of the man behind it. It is, in my opinion, a failure in this respect.
However, it is a good read if you're looking for something historical but not too heavy. Or if you like art there are some interesting discussions about colour in there. I can see why many people enjoy this novel, but I cannot fathom why some hold it in such high acclaim. I feel it will be some time before I read anything else by Tracy Chevalier.
July 2, 2017
I approached this novel trepidatiously. How could I ever suspend my disbelief with this work? How could I ever believe such a ridiculous tale about Vermeer and one of his most revered paintings? I must admit that I opened this novel expecting to utterly detest the lies it weaves. By page two I realised that I was an idiot who should never be listened to.
Griet is hired as a maid to the Vermeer family in Delft. This novel supposes that Griet the maid was the sitter for Vermeer's great work Girl with a Pearl Earring. However that is not the story, or at least it is only a small part of it. The novel mainly concerns the inner workings of the Vermeer household and Griet's attempts to keep everything in control. It is a fantastic character study and I do admire Chevalier's bravery in using the first-person narrative. Whilst I will admit that at times Griet's dialogue is somewhat stilted and some lines are just downright odd ('His smile made me grip my broom tightly' was one line that made me chuckle due to its utter ridiculousness), she is never an annoying or tiring character.
I really enjoyed the subtlety and delicacy of the novel. The plot flows along nicely which causes you to really fly through the narrative. It is not a criticism that I often voice but I would have almost liked for this novel to be longer. I feel I will truly miss Griet. I must say that I am somewhat smitten with this novel. It genuinely surprised me. It's really great.
Griet is hired as a maid to the Vermeer family in Delft. This novel supposes that Griet the maid was the sitter for Vermeer's great work Girl with a Pearl Earring. However that is not the story, or at least it is only a small part of it. The novel mainly concerns the inner workings of the Vermeer household and Griet's attempts to keep everything in control. It is a fantastic character study and I do admire Chevalier's bravery in using the first-person narrative. Whilst I will admit that at times Griet's dialogue is somewhat stilted and some lines are just downright odd ('His smile made me grip my broom tightly' was one line that made me chuckle due to its utter ridiculousness), she is never an annoying or tiring character.
I really enjoyed the subtlety and delicacy of the novel. The plot flows along nicely which causes you to really fly through the narrative. It is not a criticism that I often voice but I would have almost liked for this novel to be longer. I feel I will truly miss Griet. I must say that I am somewhat smitten with this novel. It genuinely surprised me. It's really great.
December 1, 2020
"Girl with a Pearl Earring" by Tracy Chevalier was an interesting historical fiction concept!
It was extremely cleverly how the author created Griet as the protagonist, maid and model for the famous painting 'Girl with a Pearl Earring'. No one knows who the models were for any of Vermeer's paintings. So, I applaud this author's imaginative use of creating a story around the Master Painter's exquisite painting.
Forced by her parents to become a maid to the Vermeer household, Griet is saddened to learn of the assignment. Hearing the news that she will reside with them and only be allowed to return home to her own family on Sunday's is heart wrenching for her. Regardless of her feelings, she diligently begins preforming her assigned duties of boiling, scrubbing, wringing, hanging and ironing the unmanageable heaps of laundry from this large and growing family. While the enormous pots of water are set on the fire to boil to begin the tedious laundering process, Griet often gets an early start on other assigned duties so no time is wasted during her long and exhausting days.
However, Griet's most important duty as a maid in this household is the privilege of cleaning Vermeer's upstairs studio. To enter the artist's studio is considered an honor bestowed on few as the painter does not even allow his wife, Catharina, the freedom to enter. In cleaning the studio Griet is instructed that it is to remain exactly as the artist left it the previous day. If an item is touched to dust under it, it must be returned exactly as it was found. Failure to follow the rules set by the painter concerning his studio will cause her to be dismissed and sent away.
Because Griet is allowed to enter Vermeer's studio, Catharina shows an immediate and obvious dislike for her. Her dislike transitions to jealousy and mistrust when the maid is asked by the painter to assist him in his studio attic for the process of grinding stones to create the colors for paints he plans to use. There seems to be an unspoken language, understanding and respect that develop between the painter and his maid concerning how they see light, color and the use of balance necessary for a finished painting.
Griet is the planned model for a promised painting to one of Vermeer's older patrons who openly lusts after the young and innocent maid. As the painter nears the completion of the painting, he insists Griet wear Catharina's pearl earrings to add needed reflection of light to the painting. Although she agrees the painting needs the reflective light, Griet is hesitant to comply fearing the backlash from Catharina for wearing her earring. Griet finally relents but boldly insists Vermeer place the earring on her lobe. He does so with a sensual tenderness, touching her lobe, inserting the wire and pushing it through. Griet speaks of what takes place next:
"He did not remove his hand. His fingers brushed against my neck and along my jaw. He traced the side of my face up to my cheek, then blotted the tears that spilled from my eyes with his thumb. He ran his thumb over my lower lip. I licked it and tasted salt.”
When Vermeer places the earring on Griet's lobe, she can only think of his fingers on her afterwards. It is clear she is infatuated by the quiet mystique of this painter. Perhaps he was also taken by her, discovering her ability to see the array of colors and light he sees in all things. Perhaps it was a longing of what could happen with the unleashing of forbidden desire. Vermeer chooses to move back to his easel and palette to finish the painting.
A historical fiction novel, built around a famous painting, brought to life by the rich colorful written words from this author's palette. It is beautifully simple, where the unspoken, eye-holding looks that pass between Griet and Vermeer are suspended in air and left to the imagination of the reader. There is so much between the lines in this book one does not discover until many days after finishing. As I write this review, I continue to flip through the chapters and discover more and more that I missed on my initial reading.
This is a masterpiece I will continue to savor forever!
It was extremely cleverly how the author created Griet as the protagonist, maid and model for the famous painting 'Girl with a Pearl Earring'. No one knows who the models were for any of Vermeer's paintings. So, I applaud this author's imaginative use of creating a story around the Master Painter's exquisite painting.
Forced by her parents to become a maid to the Vermeer household, Griet is saddened to learn of the assignment. Hearing the news that she will reside with them and only be allowed to return home to her own family on Sunday's is heart wrenching for her. Regardless of her feelings, she diligently begins preforming her assigned duties of boiling, scrubbing, wringing, hanging and ironing the unmanageable heaps of laundry from this large and growing family. While the enormous pots of water are set on the fire to boil to begin the tedious laundering process, Griet often gets an early start on other assigned duties so no time is wasted during her long and exhausting days.
However, Griet's most important duty as a maid in this household is the privilege of cleaning Vermeer's upstairs studio. To enter the artist's studio is considered an honor bestowed on few as the painter does not even allow his wife, Catharina, the freedom to enter. In cleaning the studio Griet is instructed that it is to remain exactly as the artist left it the previous day. If an item is touched to dust under it, it must be returned exactly as it was found. Failure to follow the rules set by the painter concerning his studio will cause her to be dismissed and sent away.
Because Griet is allowed to enter Vermeer's studio, Catharina shows an immediate and obvious dislike for her. Her dislike transitions to jealousy and mistrust when the maid is asked by the painter to assist him in his studio attic for the process of grinding stones to create the colors for paints he plans to use. There seems to be an unspoken language, understanding and respect that develop between the painter and his maid concerning how they see light, color and the use of balance necessary for a finished painting.
Griet is the planned model for a promised painting to one of Vermeer's older patrons who openly lusts after the young and innocent maid. As the painter nears the completion of the painting, he insists Griet wear Catharina's pearl earrings to add needed reflection of light to the painting. Although she agrees the painting needs the reflective light, Griet is hesitant to comply fearing the backlash from Catharina for wearing her earring. Griet finally relents but boldly insists Vermeer place the earring on her lobe. He does so with a sensual tenderness, touching her lobe, inserting the wire and pushing it through. Griet speaks of what takes place next:
"He did not remove his hand. His fingers brushed against my neck and along my jaw. He traced the side of my face up to my cheek, then blotted the tears that spilled from my eyes with his thumb. He ran his thumb over my lower lip. I licked it and tasted salt.”
When Vermeer places the earring on Griet's lobe, she can only think of his fingers on her afterwards. It is clear she is infatuated by the quiet mystique of this painter. Perhaps he was also taken by her, discovering her ability to see the array of colors and light he sees in all things. Perhaps it was a longing of what could happen with the unleashing of forbidden desire. Vermeer chooses to move back to his easel and palette to finish the painting.
A historical fiction novel, built around a famous painting, brought to life by the rich colorful written words from this author's palette. It is beautifully simple, where the unspoken, eye-holding looks that pass between Griet and Vermeer are suspended in air and left to the imagination of the reader. There is so much between the lines in this book one does not discover until many days after finishing. As I write this review, I continue to flip through the chapters and discover more and more that I missed on my initial reading.
This is a masterpiece I will continue to savor forever!
March 15, 2026
Vermeer's famous painting, The Girl with a Pearl Earring, allows Tracy Chevalier to imagine a special relationship between the painter and Griet, a young, pretty servant devoted to the family's service. Unfortunately, proximity could lead one to think that the young servant served as a model for the painter, arousing Vermeer's wife's jealousy and causing a scandal in Delft in the 17th century.
Well, it captured the painter's universe and the Dutch society of his time; I agree with this story despite everything. The one nicknamed the "Sphinx of Delft," as his biography long remained obscure, and who painted only thirty-four pictures, some of which have become among the most famous in the history of painting, deserved better than this romance. However, Griet is not Tess d'Urberville, and Tracy Chevalier is not Thomas Hardy.
Well, it captured the painter's universe and the Dutch society of his time; I agree with this story despite everything. The one nicknamed the "Sphinx of Delft," as his biography long remained obscure, and who painted only thirty-four pictures, some of which have become among the most famous in the history of painting, deserved better than this romance. However, Griet is not Tess d'Urberville, and Tracy Chevalier is not Thomas Hardy.
August 29, 2013
So the parts when Vermeer was actually being a painter were interesting. Seeing as I slogged through this on account of a recommendation that arose from an art-class lecture on Vermeer, I was hoping that the art stuff would at least deliver.
But it's not a good sign when a book's most compelling moments revolve around two people grinding pigments. And, no: "Grinding pigments" is not a euphemism for artist-bangin'. It is, quite literally, referring to the detailed descriptions of how paint was made in the days before those fancy metal tubes replaced pig bladders as the paint-storing vessels of choice.
This was the most predictable book I've read in a while, and that includes the two graphic-novel series that are simply retelling stories I know well in a new medium. I knew exactly where the plot was going within the book's first dozen pages. Every subsequent thread was introduced with the subtlety of a sledgehammer and the writerly finesse of a 14-year-old's first attempt at fanfiction.
It was also pretty obvious what stereotype everyone was going to play from his or her very first appearance. There really isn't a multi-dimensional character in this book. I understand that the first-person voice is a limited perspective by its nature, and I would write it off as just that if the peripheral characters were the only flat archetypes, but even the narrator doesn't carry any convincing weight. Griet is the protagonist because she's the main character. And because all of the characters with whom she has scuffles are inexplicably bitchy. Not giving characters any real motivations, not making them behave and interact believably, and generally preferring to tell rather than show all contributed to making this whole book feel sloppy, underdeveloped and rushed. If "Girl with a Pearl Earring" was maybe 200 more pages of really hammering out the story and its players, maybe then it'd be a more satisfying read. At least it's mercifully quick and mostly painless at its current length.
I say "mostly painless" because there are some groan-worthy lines showcased here: While more pages would have maybe benefited the plot, there is nothing -- save for a control-freak editor -- that could have improved the prose itself. I could not get past the clunky writing. It didn't take me long to get violently annoyed by the author's fondness for hitting the reader over the head with the most obvious attempts at subtle foreshadowing by way of forcing too much weight on these flimsy, laughably ominous one-sentence paragraphs. There were numerous other technical things that kept grating on me about the writing and its myriad shortcomings. Among them: Griet saying things like "I always regretted that decision" to indicate that she's looking back on a time that is very clearly written as the present; not one character shows any development throughout the novel; sixteen-year-old Griet, the daughter of a tile painter, somehow knows more about painting and composition than Vermeer, a professional artist who actually managed to garner some fame during his living years.
Even when the book pissed me off (which was often), I will admit that I never found Griet herself to be irritating (maybe because I kept fantasizing about Scarlett Johansson to save my brain from oozing through my ears?) -- but I was irked at how it felt like Chevalier was Mary Sue-ing her way through the character. The way that every man whom Griet encountered in the whole! damn! book! fawned over and flirted with her, the way she was presented as being uneducated but naturally clever just because she sometimes spoke her mind and separated her chopped veggies by color, the way Griet's family was painted as these simple, sheltered little Protestants who knew nothing of the world around them.... there was far too much black-or-white for me to take anything about the book seriously.
I don't care enough to write about this book any more. So. Every other gripe I have notwithstanding, here are three of the book's most glaring failures:
-- Vermeer, for being the central male character, remains an enigma. It's not that he's shrouded in an air of charming mystery but rather that his personality is nothing more than a bunch of suppositions that Griet "just knows" about him.
-- Griet does not ever refer to Vermeer as anything other than "he" or "him". Not. Once. It made her sound like a starstruck teenybopper and it undermined any sense of genuine affection between the painter and his maid.
-- The similes. Oh, dear sweet Baby Jesus, the similes. I now know that I have a limited tolerance for the number of trite comparisons of faces and voices to household objects that I encounter in one novel, all thanks to the time I spent reading this book.
But it's not a good sign when a book's most compelling moments revolve around two people grinding pigments. And, no: "Grinding pigments" is not a euphemism for artist-bangin'. It is, quite literally, referring to the detailed descriptions of how paint was made in the days before those fancy metal tubes replaced pig bladders as the paint-storing vessels of choice.
This was the most predictable book I've read in a while, and that includes the two graphic-novel series that are simply retelling stories I know well in a new medium. I knew exactly where the plot was going within the book's first dozen pages. Every subsequent thread was introduced with the subtlety of a sledgehammer and the writerly finesse of a 14-year-old's first attempt at fanfiction.
It was also pretty obvious what stereotype everyone was going to play from his or her very first appearance. There really isn't a multi-dimensional character in this book. I understand that the first-person voice is a limited perspective by its nature, and I would write it off as just that if the peripheral characters were the only flat archetypes, but even the narrator doesn't carry any convincing weight. Griet is the protagonist because she's the main character. And because all of the characters with whom she has scuffles are inexplicably bitchy. Not giving characters any real motivations, not making them behave and interact believably, and generally preferring to tell rather than show all contributed to making this whole book feel sloppy, underdeveloped and rushed. If "Girl with a Pearl Earring" was maybe 200 more pages of really hammering out the story and its players, maybe then it'd be a more satisfying read. At least it's mercifully quick and mostly painless at its current length.
I say "mostly painless" because there are some groan-worthy lines showcased here: While more pages would have maybe benefited the plot, there is nothing -- save for a control-freak editor -- that could have improved the prose itself. I could not get past the clunky writing. It didn't take me long to get violently annoyed by the author's fondness for hitting the reader over the head with the most obvious attempts at subtle foreshadowing by way of forcing too much weight on these flimsy, laughably ominous one-sentence paragraphs. There were numerous other technical things that kept grating on me about the writing and its myriad shortcomings. Among them: Griet saying things like "I always regretted that decision" to indicate that she's looking back on a time that is very clearly written as the present; not one character shows any development throughout the novel; sixteen-year-old Griet, the daughter of a tile painter, somehow knows more about painting and composition than Vermeer, a professional artist who actually managed to garner some fame during his living years.
Even when the book pissed me off (which was often), I will admit that I never found Griet herself to be irritating (maybe because I kept fantasizing about Scarlett Johansson to save my brain from oozing through my ears?) -- but I was irked at how it felt like Chevalier was Mary Sue-ing her way through the character. The way that every man whom Griet encountered in the whole! damn! book! fawned over and flirted with her, the way she was presented as being uneducated but naturally clever just because she sometimes spoke her mind and separated her chopped veggies by color, the way Griet's family was painted as these simple, sheltered little Protestants who knew nothing of the world around them.... there was far too much black-or-white for me to take anything about the book seriously.
I don't care enough to write about this book any more. So. Every other gripe I have notwithstanding, here are three of the book's most glaring failures:
-- Vermeer, for being the central male character, remains an enigma. It's not that he's shrouded in an air of charming mystery but rather that his personality is nothing more than a bunch of suppositions that Griet "just knows" about him.
-- Griet does not ever refer to Vermeer as anything other than "he" or "him". Not. Once. It made her sound like a starstruck teenybopper and it undermined any sense of genuine affection between the painter and his maid.
-- The similes. Oh, dear sweet Baby Jesus, the similes. I now know that I have a limited tolerance for the number of trite comparisons of faces and voices to household objects that I encounter in one novel, all thanks to the time I spent reading this book.
December 25, 2022
Blog | Facebook | Twitter | Instagram | Pinterest
I have read this book so many times. And even after re-reading this book so many times, it is and will always remain one of my favourite books, a story that is evergreen and has such an emotional story worth retelling.
Tracy Chevalier has been inspired by the artwork of Johannes Vermeer, and his most famous painting, the Girl with a Pearl Earring, that she decided to write a story of what she believes might have happened behind that painting. For me, when looking at paintings, this is one of the things that cross my mind – what is the actual story behind it, what was the relationship between the painter and the people on the painting, what were they all thinking and what did their lives look like… In this book, we are able to enter this world, where we see a story of what might have happened here, and this story is a wonderful experience.
This is a story about Griet’s life. Griet lives in a house with her poor family, a blind dad who worked all his life to gather a bit of money for them, and a mother that always fought for the family. With their money running low, Griet has to go and work as a maid in the house of Vermeer, who is a famous painter. Even though quite young, Griet quickly knows her tasks, to iron, to cook, to grab groceries from the market, and the most important bit – to stay out of everyone’s way and do her job.
In the house, things are not easy. Griet is not treated with respect, her family is worried about her, the plague kills her sister and the butcher’s boy wants to marry her. Griet doesn’t feel anything for this boy, but having meat on the table every day for her and her family is too big of an advantage to be just thrown away. I personally never liked the butcher boy, because he knew very well what his advantage was, and he kept reminding Griet how she depends on him to feed her family.
‘’Her words surprised me, but when I looked in her eyes and saw there the hunger for meat that a butcher’s son could provide, I understood why she had set aside her pride.’’
But Griet has a secret crush on Mr. Vermeer, and a great admiration for his work. And Mr. Vermeer notices Griet’s curiosity and gives her tasks around the studio, which in the end, results in him painting her. Griet gets to be involved in his world, learning what he does, and working for him in secret, while his wife is bearing another child of his. Even though Griet secretly feels like she is betraying the wife, she can’t help but feel joj when Vermeer pays attention to her.
‘’ The clothes soaking in the kitchen went cold, the water grey. Tanneke clattered in the kitchen, the girls shouted outside, and we behind closed door sat and looked at each other. And he painted.’’
Now, in the 21st century, it is normal for ladies to pose, and be painted, but in that time, it was a disgrace for a maid to be painted. Men didn’t have the respect towards women as they do now (some of them). And when Griet finds herself being painted, she knows the consequences, but as a maid, she has no voice to object. She knows this quite well.
In the end, the story is very powerful and heartwarming. While we read about how Griet sees and thinks, we will start to love her, watch her grow, and learn so much. I am forever grateful I have found this book.
I have read the 20th Anniversary Edition of this amazing book, which was kindly sent to me by the publishers, The Borough Press, and Love Reading UK, in exchange for my honest review.
Blog | Facebook | Twitter | Instagram | Pinterest
I have read this book so many times. And even after re-reading this book so many times, it is and will always remain one of my favourite books, a story that is evergreen and has such an emotional story worth retelling.
Tracy Chevalier has been inspired by the artwork of Johannes Vermeer, and his most famous painting, the Girl with a Pearl Earring, that she decided to write a story of what she believes might have happened behind that painting. For me, when looking at paintings, this is one of the things that cross my mind – what is the actual story behind it, what was the relationship between the painter and the people on the painting, what were they all thinking and what did their lives look like… In this book, we are able to enter this world, where we see a story of what might have happened here, and this story is a wonderful experience.
This is a story about Griet’s life. Griet lives in a house with her poor family, a blind dad who worked all his life to gather a bit of money for them, and a mother that always fought for the family. With their money running low, Griet has to go and work as a maid in the house of Vermeer, who is a famous painter. Even though quite young, Griet quickly knows her tasks, to iron, to cook, to grab groceries from the market, and the most important bit – to stay out of everyone’s way and do her job.
In the house, things are not easy. Griet is not treated with respect, her family is worried about her, the plague kills her sister and the butcher’s boy wants to marry her. Griet doesn’t feel anything for this boy, but having meat on the table every day for her and her family is too big of an advantage to be just thrown away. I personally never liked the butcher boy, because he knew very well what his advantage was, and he kept reminding Griet how she depends on him to feed her family.
‘’Her words surprised me, but when I looked in her eyes and saw there the hunger for meat that a butcher’s son could provide, I understood why she had set aside her pride.’’
But Griet has a secret crush on Mr. Vermeer, and a great admiration for his work. And Mr. Vermeer notices Griet’s curiosity and gives her tasks around the studio, which in the end, results in him painting her. Griet gets to be involved in his world, learning what he does, and working for him in secret, while his wife is bearing another child of his. Even though Griet secretly feels like she is betraying the wife, she can’t help but feel joj when Vermeer pays attention to her.
‘’ The clothes soaking in the kitchen went cold, the water grey. Tanneke clattered in the kitchen, the girls shouted outside, and we behind closed door sat and looked at each other. And he painted.’’
Now, in the 21st century, it is normal for ladies to pose, and be painted, but in that time, it was a disgrace for a maid to be painted. Men didn’t have the respect towards women as they do now (some of them). And when Griet finds herself being painted, she knows the consequences, but as a maid, she has no voice to object. She knows this quite well.
In the end, the story is very powerful and heartwarming. While we read about how Griet sees and thinks, we will start to love her, watch her grow, and learn so much. I am forever grateful I have found this book.
I have read the 20th Anniversary Edition of this amazing book, which was kindly sent to me by the publishers, The Borough Press, and Love Reading UK, in exchange for my honest review.
Blog | Facebook | Twitter | Instagram | Pinterest
March 3, 2020
A reread. 4.5 Stars!
Griet had not been told that she is to become the painter Vermeer’s maid, her mother only revealing the job to her after the Vermeer’s had already been, inspected Griet, and left. Griet has no say in the matter. Her father was a tile painter before a tragic accident, in which a kiln explosion claimed his eyes and trade. The family who were already struggling, treading water, now find themselves slowly slipping beneath the surface.
Her father explains to Griet that she is to be a maid for the famous painter Vermeer. Cleaning his studio will be one of her main tasks. It is 1664, in the city of Delft, Holland. Griet has been brought up a protestant but the Vermeer’s are catholic and Griet wonders how life will change and what differences she will find in a Catholic household.
The first time she sees the painting that Vermeer is currently working on, she is struck with awe. She has never seen anything like it in her life before. On the Sunday that she has free and returns to spend with her family she describes the painting for her father.
These Sunday visits are soon taken from Griet as the area in which her family live is quarantined with word spreading that the plague has surfaced in the vicinity.
She finds out from Pieter, the son of the butcher where she purchases the meat, that her parents are well but that her sister Agnes has taken ill. Pieter is a cheerful gregarious chap and falls for Griet. He does not hide his feelings and makes his intentions known to Griet. Griet tells him that she is only seventeen and has no feelings for him, however this does not dissuade Pieter.
Griet’s parents decide, with Pieter being the son of a butcher, that he is a good match for Griet and invite him for dinner. Griet feels that she is helping the family by playing her role in securing their future, and a marriage could lead them out of penury. However, she is doing this out of family duty and harbours no feelings for Pieter other than friendship.
One day Pieter tells Griet that Vermeer had a child with one of the maids in his painting. Alarmingly she asks him what happened to the maid. He answers her with, “What happens to girls like that?”.
Before the quarantine is lifted Griet receives the terrible news that her sister has passed. Griet is grief-stricken.
At first Griet barely sees Vermeer. He is nearly always locked away in his studio studiously painting.
One morning the baker’s daughter is ill and Vermeer asks Griet to stand in for her in a painting he is working on. From this day on, Griet and Vermeer grow closer. Vermeer starts showing Griet how a painting is created from scratch. Griet, is utterly entranced. She has never seen a painting being painted, never met a master painter before. Her feelings start to grow stronger for Vermeer with each passing day. Griet shows an unusual talent for colour and arrangement and Vermeer is quietly surprised and happy.
Vermeer then teaches her how to mix paints but as she grows closer to Vermeer, she becomes aware that all this can be taken away from her in an instant. Vermeer’s wife knows nothing of this work Griet is doing for him.
Griet becomes used to this new way of life and it is not until Maertge, the eldest daughter, tells her that she is going to be moved from the attic, where she mixes the paints, back to the cellar, that she realises what she will be missing.
“I slowed my pace. Years of hauling water, wringing out clothes, scrubbing floors, emptying chamberpots, with no chance of beauty or colour or light in my life, stretched before me like a landscape of flat land, where a long way off the sea is visible but can never be reached. If I could not work with the colours, if I could not be near him, I did not know how I could continue to work in that house”.
While Griet has been working at the Vermeer’s household she has picked up an unwarranted admirer. A powerful, and rich admirer. He is Vermeer’s patron van Ruijven and he has his eyes set on Griet.
Although Vermeer is a famous painter, the household is in debt. Vermeer’s extreme slowness in painting leaves him with only a few paintings to sell each year. So, when his patron van Ruijven requests that he paint Griet, Vermeer has little choice but to comply.
Griet is trapped, she does not want to sit for the painting, but Pieter sums up her situation in a sentence,
“But you have little power of what happens to you”.
The painting of Griet has an almost pornographic taboo feel to it. It feels as if lines have been crossed and that boundaries have been broken.
There is no illusion that Griet thinks she is in love with Vermeer. Griet is seventeen and naïve, apart from Pieter she has never been courted by a man and is blithely unaware of her beauty. When Vermeer sees Griet with her hair down, freed from the cap that has always remained on her head. He realises that he may be falling in love himself. There is always a sexual tension, almost like a charge of electricity, between the two. But will this tension result in action? And if the two do engage in a clandestine affair whare does that leave Griet? What hope is there for her? She is placed in an impossible situation with no positive outcome in sight.
This novel makes the reader think about the relationship between master and servant. How Griet, only seventeen and very naïve, is caught up in the grey area that exists between the two roles. She sways back and forth like a ship in a storm, one minute reminded of her humble life while working on the household tasks, then a completely different world, mixing colours and helping Vermeer with his painting. Griet’s place in the Vermeer household is never secure, she seems to be always teetering of the verge of being thrown out with Vermeer himself the only tether keeping her safe.
How is Griet going to get herself out of this situation, and is she more than just the naïve country maid that everybody thinks she is?
This was a reread for me and it has lost nothing in the years since I read it. Not much is known about Vermeer during these years, so Chevalier had a great deal of license to play around with, and she has done a wonderful job, creating a believable and enjoyable novel. 4.5 Stars.
Griet had not been told that she is to become the painter Vermeer’s maid, her mother only revealing the job to her after the Vermeer’s had already been, inspected Griet, and left. Griet has no say in the matter. Her father was a tile painter before a tragic accident, in which a kiln explosion claimed his eyes and trade. The family who were already struggling, treading water, now find themselves slowly slipping beneath the surface.
Her father explains to Griet that she is to be a maid for the famous painter Vermeer. Cleaning his studio will be one of her main tasks. It is 1664, in the city of Delft, Holland. Griet has been brought up a protestant but the Vermeer’s are catholic and Griet wonders how life will change and what differences she will find in a Catholic household.
The first time she sees the painting that Vermeer is currently working on, she is struck with awe. She has never seen anything like it in her life before. On the Sunday that she has free and returns to spend with her family she describes the painting for her father.
These Sunday visits are soon taken from Griet as the area in which her family live is quarantined with word spreading that the plague has surfaced in the vicinity.
She finds out from Pieter, the son of the butcher where she purchases the meat, that her parents are well but that her sister Agnes has taken ill. Pieter is a cheerful gregarious chap and falls for Griet. He does not hide his feelings and makes his intentions known to Griet. Griet tells him that she is only seventeen and has no feelings for him, however this does not dissuade Pieter.
Griet’s parents decide, with Pieter being the son of a butcher, that he is a good match for Griet and invite him for dinner. Griet feels that she is helping the family by playing her role in securing their future, and a marriage could lead them out of penury. However, she is doing this out of family duty and harbours no feelings for Pieter other than friendship.
One day Pieter tells Griet that Vermeer had a child with one of the maids in his painting. Alarmingly she asks him what happened to the maid. He answers her with, “What happens to girls like that?”.
Before the quarantine is lifted Griet receives the terrible news that her sister has passed. Griet is grief-stricken.
At first Griet barely sees Vermeer. He is nearly always locked away in his studio studiously painting.
One morning the baker’s daughter is ill and Vermeer asks Griet to stand in for her in a painting he is working on. From this day on, Griet and Vermeer grow closer. Vermeer starts showing Griet how a painting is created from scratch. Griet, is utterly entranced. She has never seen a painting being painted, never met a master painter before. Her feelings start to grow stronger for Vermeer with each passing day. Griet shows an unusual talent for colour and arrangement and Vermeer is quietly surprised and happy.
Vermeer then teaches her how to mix paints but as she grows closer to Vermeer, she becomes aware that all this can be taken away from her in an instant. Vermeer’s wife knows nothing of this work Griet is doing for him.
Griet becomes used to this new way of life and it is not until Maertge, the eldest daughter, tells her that she is going to be moved from the attic, where she mixes the paints, back to the cellar, that she realises what she will be missing.
“I slowed my pace. Years of hauling water, wringing out clothes, scrubbing floors, emptying chamberpots, with no chance of beauty or colour or light in my life, stretched before me like a landscape of flat land, where a long way off the sea is visible but can never be reached. If I could not work with the colours, if I could not be near him, I did not know how I could continue to work in that house”.
While Griet has been working at the Vermeer’s household she has picked up an unwarranted admirer. A powerful, and rich admirer. He is Vermeer’s patron van Ruijven and he has his eyes set on Griet.
Although Vermeer is a famous painter, the household is in debt. Vermeer’s extreme slowness in painting leaves him with only a few paintings to sell each year. So, when his patron van Ruijven requests that he paint Griet, Vermeer has little choice but to comply.
Griet is trapped, she does not want to sit for the painting, but Pieter sums up her situation in a sentence,
“But you have little power of what happens to you”.
The painting of Griet has an almost pornographic taboo feel to it. It feels as if lines have been crossed and that boundaries have been broken.
There is no illusion that Griet thinks she is in love with Vermeer. Griet is seventeen and naïve, apart from Pieter she has never been courted by a man and is blithely unaware of her beauty. When Vermeer sees Griet with her hair down, freed from the cap that has always remained on her head. He realises that he may be falling in love himself. There is always a sexual tension, almost like a charge of electricity, between the two. But will this tension result in action? And if the two do engage in a clandestine affair whare does that leave Griet? What hope is there for her? She is placed in an impossible situation with no positive outcome in sight.
This novel makes the reader think about the relationship between master and servant. How Griet, only seventeen and very naïve, is caught up in the grey area that exists between the two roles. She sways back and forth like a ship in a storm, one minute reminded of her humble life while working on the household tasks, then a completely different world, mixing colours and helping Vermeer with his painting. Griet’s place in the Vermeer household is never secure, she seems to be always teetering of the verge of being thrown out with Vermeer himself the only tether keeping her safe.
How is Griet going to get herself out of this situation, and is she more than just the naïve country maid that everybody thinks she is?
This was a reread for me and it has lost nothing in the years since I read it. Not much is known about Vermeer during these years, so Chevalier had a great deal of license to play around with, and she has done a wonderful job, creating a believable and enjoyable novel. 4.5 Stars.
February 26, 2026
Holland im 17. Jahrhundert. Als Griets Vater bei einem Arbeitsunfall sein Augenlicht verliert, kann er seiner Arbeit nicht weiter nachgehen und Griet wird als Dienstmädchen in den Haushalt des Malers Johannes Vermeer gegeben. Dessen Ehefrau ist erneut schwanger und kann Griets Hilfe gut gebrauchen. Die Arbeit ist hart und Griet hat es nicht leicht, aber sie ist auch fasziniert vom Maler Vermeer und dessen Werken. Nur sie darf sein Atelier reinigen. Mit der Zeit wird auch der Maler auf Griet aufmerksam...
❤️ Die Geschichte ist zwar fiktiv, aber ich hatte beim Lesen das Gefühl, dass es genau so hätte sein können. Sehr bildhaft beschrieben, sehr glaubhaft. Auch die Zeit des 17. Jahrhunderts wird gut beschrieben; es fühlte sich beim Lesen an wie eine kleine Zeitreise.
❤️ Die Geschichte ist zwar fiktiv, aber ich hatte beim Lesen das Gefühl, dass es genau so hätte sein können. Sehr bildhaft beschrieben, sehr glaubhaft. Auch die Zeit des 17. Jahrhunderts wird gut beschrieben; es fühlte sich beim Lesen an wie eine kleine Zeitreise.
November 17, 2022
Why I chose to read this book:
1. a GR friend's review encouraged me to add this book to my WTR list;
2. since I recently read a different HF with a Dutch setting, this book went right up to the top of my list; and,
3. September 2022 is "Historical Fiction Month" for me.
Praise (only one!):
Another story based on a piece of artwork (think A Piece of the World by Christina Baker Kline)! Author Tracy Chevalier's research effectively took me back in time to the Dutch Golden Age of the 1600s. I felt like I was living along the streets and canals of Delft, Holland, seeing the tile makers working at their kilns, and meeting famed artist, Johannes Vermeer as well as other notable Dutchmen. The view of the art world, including famous paintings, visualizing colors in various objects, and learning about the intriguing methods for making paint were all vividly described.
BIG NIGGLE:
Why do authors insist on using the trope of making the wife such a b*tch in order for the reader to rally behind the "innocent" poor girl?
In this story, fictional MC, Griet, because of her attention to detail, is hired to assist Vermeer by cleaning his studio, among other household chores. It may surprise many readers, but I had more empathy for Vermeer's wife, Catharina, than I did for that young upstart! First of all, Griet comes across as pretty "high-falutin'" for an uneducated maid, not only in her speech, but she even makes suggestions to Vermeer on how he should paint a scene! But because of all the weird "secrecy", I could clearly imagine what was going through Catharina's mind when she saw that painting! Besides the rage at seeing her earring in this girl's ear, the idea of "Just what the h*ll was going on between my husband and her?" would be first and foremost in her thoughts. Griet was constantly imagining that Vermeer had the hots for her, so I had to laugh when she thinks that Catharina distrusts her "for no particular reason"! Ha! Call it women's intuition, because ALL the women didn't like her (yet ALL the men are infatuated with her.) And what was up with her being so afraid to show her hair? I expected something heartbreaking, but nope! She just has long, luxurious hair. Whoopee!
Overall, Griet's actions and reactions to various characters and situations were not only unlikable, but so over-the-top unbelievable!
And as for Vermeer's character - he is such an enigma! Although I saw glimpses of his artistic vision, I would have liked his character to be more fleshed out.
Overall Thoughts:
Chevalier chose an interesting premise by creating a story about this so-called "Dutch Mona Lisa". Her graphic descriptions of 17th century Delft, Holland were so lifelike. I only wish her "stock" characters were true to life as well.
I was really hoping to love this story!
Two ⭐⭐ = okay read = I'll be donating this to my library's book sale!
Recommendation?
Read this book if you like:
- light historical fiction;
- artistic creations using color and light; and/or,
- young things chasing after your man!
1. a GR friend's review encouraged me to add this book to my WTR list;
2. since I recently read a different HF with a Dutch setting, this book went right up to the top of my list; and,
3. September 2022 is "Historical Fiction Month" for me.
Praise (only one!):
Another story based on a piece of artwork (think A Piece of the World by Christina Baker Kline)! Author Tracy Chevalier's research effectively took me back in time to the Dutch Golden Age of the 1600s. I felt like I was living along the streets and canals of Delft, Holland, seeing the tile makers working at their kilns, and meeting famed artist, Johannes Vermeer as well as other notable Dutchmen. The view of the art world, including famous paintings, visualizing colors in various objects, and learning about the intriguing methods for making paint were all vividly described.
BIG NIGGLE:
Why do authors insist on using the trope of making the wife such a b*tch in order for the reader to rally behind the "innocent" poor girl?
In this story, fictional MC, Griet, because of her attention to detail, is hired to assist Vermeer by cleaning his studio, among other household chores. It may surprise many readers, but I had more empathy for Vermeer's wife, Catharina, than I did for that young upstart! First of all, Griet comes across as pretty "high-falutin'" for an uneducated maid, not only in her speech, but she even makes suggestions to Vermeer on how he should paint a scene! But because of all the weird "secrecy", I could clearly imagine what was going through Catharina's mind when she saw that painting! Besides the rage at seeing her earring in this girl's ear, the idea of "Just what the h*ll was going on between my husband and her?" would be first and foremost in her thoughts. Griet was constantly imagining that Vermeer had the hots for her, so I had to laugh when she thinks that Catharina distrusts her "for no particular reason"! Ha! Call it women's intuition, because ALL the women didn't like her (yet ALL the men are infatuated with her.) And what was up with her being so afraid to show her hair? I expected something heartbreaking, but nope! She just has long, luxurious hair. Whoopee!
Overall, Griet's actions and reactions to various characters and situations were not only unlikable, but so over-the-top unbelievable!
And as for Vermeer's character - he is such an enigma! Although I saw glimpses of his artistic vision, I would have liked his character to be more fleshed out.
Overall Thoughts:
Chevalier chose an interesting premise by creating a story about this so-called "Dutch Mona Lisa". Her graphic descriptions of 17th century Delft, Holland were so lifelike. I only wish her "stock" characters were true to life as well.
I was really hoping to love this story!
Two ⭐⭐ = okay read = I'll be donating this to my library's book sale!
Recommendation?
Read this book if you like:
- light historical fiction;
- artistic creations using color and light; and/or,
- young things chasing after your man!
December 9, 2014
I CAN'T SHOUT "MEH!" LOUD ENOUGH!!!
The popular fame obtained by this book and its subsequent movie version starring Scarlett Johansson...
*two hours later*
(Sorry, I was daydreaming)...had me expecting a tumultuous romance, a grab-ya and hold-ya reading experience. But this...I don't know what this was, but it wasn't exciting in the least.
Girl With a Pearl Earring is about a maid, who becomes a model, who gets her picture painted and attracts the notice of a few men. The painter is famous, so that's interesting. His patron is rich, of course, and expects to get what he wants, so there's your villain...kind of.
Really, our protagonist's main enemy is jealousy. But that enemy's effectiveness is quashed by another force: money. And that leaves us with a less dramatically, emotionally affecting book.
I read through to the end, expecting something bigger to happen the whole way, but even though it never did, I did still manage to get through it all, so there's something to be said for that.
In the end, however, this book has to say about as much as does a picture of a beautiful woman. Not much.
In related news...
My overly sensitive and irrational wife would like me to take down my Johansson picture collage homage from the ceiling over our bed. But as I've explained, ScarJo needs the support of her #1 fan!
The popular fame obtained by this book and its subsequent movie version starring Scarlett Johansson...
*two hours later*
(Sorry, I was daydreaming)...had me expecting a tumultuous romance, a grab-ya and hold-ya reading experience. But this...I don't know what this was, but it wasn't exciting in the least.
Girl With a Pearl Earring is about a maid, who becomes a model, who gets her picture painted and attracts the notice of a few men. The painter is famous, so that's interesting. His patron is rich, of course, and expects to get what he wants, so there's your villain...kind of.
Really, our protagonist's main enemy is jealousy. But that enemy's effectiveness is quashed by another force: money. And that leaves us with a less dramatically, emotionally affecting book.
I read through to the end, expecting something bigger to happen the whole way, but even though it never did, I did still manage to get through it all, so there's something to be said for that.
In the end, however, this book has to say about as much as does a picture of a beautiful woman. Not much.
In related news...
My overly sensitive and irrational wife would like me to take down my Johansson picture collage homage from the ceiling over our bed. But as I've explained, ScarJo needs the support of her #1 fan!
January 8, 2014
Girl with a Pearl Earring
Tracy Chevalier
Plume, 2001
The “Girl with a Pearl Earring” is a painting done by Dutch painter Johannes Vermeer, around 1665. Not much is known about Vermeer which gives Chevalier creative license to develop what I believe is an interesting story. The painting is currently on exhibition in New York, at the Frick Collection. The exhibition is scheduled to be there until January 19, 2014.
The story told in first person by Griet the protagonist starts in Delft (South Holland), in 1664, when she was sixteen (16). Griet is the daughter of a tile painter who has recently lost his sight. Griet parents hired her out as a maid to the Vermeer family. Griet was expected to help out her family by bringing home the fruits of her labor. In the first few pages of the book there is considerable change in this family. The father has lost his sight, her brother Frans (thirteen (13)) has left home to start an apprenticeship, now Griet is leaving home to work. Her younger sister Agnes is upset because she will be without both siblings. Griet is concerned because her family is Protestant and while the Vermeer’s are Catholic.
When the Vermeers visits Griet’s house to determine her suitability for the job as maid they each looked at her differently. Catharina, Vermeer’s wife was concerned about Griet’s physical ability to perform the job while Vermeer noted how she had laid out the vegetable she was cutting up for a stew separating them by color, in a circular pattern.
The Vermeers have five (5) children with one on the way. Vermeer’s mother-in-law, Maria Thins, also lives in the house. There are a couple of other servants who assisted in running the household, which gave room for more conflicts in the story. Griet’s main job is doing the laundry and cleaning Vermeer’s studio, but, she also helps with the kitchen and taking care of the children. Griet was challenged by many conflicts primarily with Catharina, Cornelia (one of the children), and Tanneke (a long term servant). She also has to fight off Vermeer’s patron, van Ruijven. He is married but has a reputation for chasing young maids.
Griet later took on more responsibility which included purchasing food for the family. She noted that the Vermeer family use Pieter for their butcher. She was to shop for the family daily and purchase the meat for the day. Pieter had a son who showed interest in Griet, which was at first not returned.
Griet showed interest in Vermeer’s painting and asked him questions which he seemed to encourage. He later showed her how he made his colors for his paintings. Griet later became the subject of a portrait which he was commissioned by van Ruijven to paint.
I think the author struggled at times to write as a sixteen (16) year old would think. However, I enjoyed the book.
Tracy Chevalier
Plume, 2001
The “Girl with a Pearl Earring” is a painting done by Dutch painter Johannes Vermeer, around 1665. Not much is known about Vermeer which gives Chevalier creative license to develop what I believe is an interesting story. The painting is currently on exhibition in New York, at the Frick Collection. The exhibition is scheduled to be there until January 19, 2014.
The story told in first person by Griet the protagonist starts in Delft (South Holland), in 1664, when she was sixteen (16). Griet is the daughter of a tile painter who has recently lost his sight. Griet parents hired her out as a maid to the Vermeer family. Griet was expected to help out her family by bringing home the fruits of her labor. In the first few pages of the book there is considerable change in this family. The father has lost his sight, her brother Frans (thirteen (13)) has left home to start an apprenticeship, now Griet is leaving home to work. Her younger sister Agnes is upset because she will be without both siblings. Griet is concerned because her family is Protestant and while the Vermeer’s are Catholic.
When the Vermeers visits Griet’s house to determine her suitability for the job as maid they each looked at her differently. Catharina, Vermeer’s wife was concerned about Griet’s physical ability to perform the job while Vermeer noted how she had laid out the vegetable she was cutting up for a stew separating them by color, in a circular pattern.
The Vermeers have five (5) children with one on the way. Vermeer’s mother-in-law, Maria Thins, also lives in the house. There are a couple of other servants who assisted in running the household, which gave room for more conflicts in the story. Griet’s main job is doing the laundry and cleaning Vermeer’s studio, but, she also helps with the kitchen and taking care of the children. Griet was challenged by many conflicts primarily with Catharina, Cornelia (one of the children), and Tanneke (a long term servant). She also has to fight off Vermeer’s patron, van Ruijven. He is married but has a reputation for chasing young maids.
Griet later took on more responsibility which included purchasing food for the family. She noted that the Vermeer family use Pieter for their butcher. She was to shop for the family daily and purchase the meat for the day. Pieter had a son who showed interest in Griet, which was at first not returned.
Griet showed interest in Vermeer’s painting and asked him questions which he seemed to encourage. He later showed her how he made his colors for his paintings. Griet later became the subject of a portrait which he was commissioned by van Ruijven to paint.
I think the author struggled at times to write as a sixteen (16) year old would think. However, I enjoyed the book.
May 14, 2021
این کتابو دوست داشتم نه بخاطریوهان ورمر یا گرییت، بلکه بخاطر اینکه اطلاعات جالبی از قرن هفدهم هلند فهمیدم. اینکه مرئم زندگیشون چطور بوده، چطور فکر میکردن و صد البته بخاطر اینکه کم و بیش اطلاعاتی در مورد نقاشی و تابلوهای یوهان ورمر میداد.
****
واسم جالب بود که خیلی من این نقاشی رو دیده بودم ولی هیچ کنجکاوی بابتش نکرده بودم، بعد خوندن این کتاب در مورد این نقاشی کلی سرچ کردم و چیزای خیلی جالبی فهمیدم. یه فیلمم هست با این اسم اونم دانلود کردم هنوز ندیدمش ولی :دی
ولی سوال مهم اینه: عشق اونا دو طرفه بود یا یک طرفه؟
****
واسم جالب بود که خیلی من این نقاشی رو دیده بودم ولی هیچ کنجکاوی بابتش نکرده بودم، بعد خوندن این کتاب در مورد این نقاشی کلی سرچ کردم و چیزای خیلی جالبی فهمیدم. یه فیلمم هست با این اسم اونم دانلود کردم هنوز ندیدمش ولی :دی
ولی سوال مهم اینه: عشق اونا دو طرفه بود یا یک طرفه؟
September 16, 2018
Beautifully written and read aloud, this is an imagining of the possible life of the girl depicted in Vermeer's lovely painting.
March 31, 2026
وجدت في هذه الرواية ما يشبه الوقوف أمام لوحة فنية حقيقية: أنت لا تشاهدينها فحسب، بل تدخلين إليها وتتنفسين هواءها. تدور الأحداث حول غريت، الفتاة الستة عشرية التي تصبح خادمة في بيت الرسام يوهانس فيرمير في مدينة دلفت الهولندية في القرن السابع عشر. ومن خلال عينيها البسيطتين والحادتين في آن واحد، نرى عالما يتكون من أصوات خفيضة ونظرة واحدة تكفي لتغيير مصير.
ما أعجبني أكثر من أي شيء هو تلك الطريقة الهادئة التي تبنى بها العلاقات بين الشخصيات. لا تصرخ الرواية ولا تبالغ، بل تترك لك الفرصة أن تشعري بالتوتر الدقيق الذي ينمو كالألوان التي تخلط في الاستوديو. كنت أشعر مع غريت بكل تفصيلة صغيرة: رائحة الزيت والتراب، برودة الأرضية تحت القدمين، وذلك الضوء الذي يتسلل من النافذة كأنه سر لا يفصح عن نفسه إلا لمن يستحقه.
الرواية لم تعطني قصة فحسب، بل أعطتني شعوراً عميقاً بالجمال الذي يولد من اليومي البسيط، وبالثمن الذي تدفعه النفوس الهادئة مقابل لحظة واحدة من الإبداع. خرجت منها وقد امتلأ قلبي بامتنان لأن الكاتبة استطاعت أن تحيي لوحة شهيرة وتجعلها تنبض بالحياة من جديد، دون أن تفسد سحرها.
مزايا الرواية:
1- الوصف الحسي الرائع الذي يجعلك تشعرين بأجواء القرن السابع عشر، من الألوان والأضواء إلى الروائح والأصوات اليومية.
2- بناء التوتر النفسي بهدوء ودقة، دون الحاجة إلى أحداث درامية كبيرة.
3- إحياء لوحة فيرمير الشهيرة بطريقة تخيلية مؤثرة، مع إعطاء عمق إنساني للفتاة التي كانت مجرد وجه غامض.
4- أسلوب سلس وهادئ يناسب تماما طبيعة القصة ويجعل القراءة تجربة تأملية ممتعة.
عيوب الرواية:
1- نهاية سريعة شعرت وكأنها لم تمنح مساحة كافية لتطور بعض الصراعات.
ما أعجبني أكثر من أي شيء هو تلك الطريقة الهادئة التي تبنى بها العلاقات بين الشخصيات. لا تصرخ الرواية ولا تبالغ، بل تترك لك الفرصة أن تشعري بالتوتر الدقيق الذي ينمو كالألوان التي تخلط في الاستوديو. كنت أشعر مع غريت بكل تفصيلة صغيرة: رائحة الزيت والتراب، برودة الأرضية تحت القدمين، وذلك الضوء الذي يتسلل من النافذة كأنه سر لا يفصح عن نفسه إلا لمن يستحقه.
الرواية لم تعطني قصة فحسب، بل أعطتني شعوراً عميقاً بالجمال الذي يولد من اليومي البسيط، وبالثمن الذي تدفعه النفوس الهادئة مقابل لحظة واحدة من الإبداع. خرجت منها وقد امتلأ قلبي بامتنان لأن الكاتبة استطاعت أن تحيي لوحة شهيرة وتجعلها تنبض بالحياة من جديد، دون أن تفسد سحرها.
مزايا الرواية:
1- الوصف الحسي الرائع الذي يجعلك تشعرين بأجواء القرن السابع عشر، من الألوان والأضواء إلى الروائح والأصوات اليومية.
2- بناء التوتر النفسي بهدوء ودقة، دون الحاجة إلى أحداث درامية كبيرة.
3- إحياء لوحة فيرمير الشهيرة بطريقة تخيلية مؤثرة، مع إعطاء عمق إنساني للفتاة التي كانت مجرد وجه غامض.
4- أسلوب سلس وهادئ يناسب تماما طبيعة القصة ويجعل القراءة تجربة تأملية ممتعة.
عيوب الرواية:
1- نهاية سريعة شعرت وكأنها لم تمنح مساحة كافية لتطور بعض الصراعات.
July 6, 2016
توی این داستان چیزی که خیلی موج میزد، «زندگی» بود.... یه ویژگی برجسته که این کتاب داشت این بود که به طرز ساده ای، روون بود... یعنی انگار نشستی روبروی راوی... اون داره برات ماجراهای زندگیش رو تعریف میکنه.... و به قدری صمیمی و پشت هم و ساده روایت میکنه که تو وقتی به خودت میای میبینی غرق در حرفهاش شدی و توی یه زمان خیلی کوتاه کل کتاب رو تموم کردی......... خیلی خودمونی از فقر ، خانواده، سختیها، دوریها، مرگ، عشق، و.... حرف میزد........ باید بگم دلم برای راوی میسوخت... یه غم خاصی بود تو زندگیش و نرسیدنهاش که تا آخر داستان باعث میشد قوی ترین حسی که تو من به وجود میاره اندوه باشه....
سبک نوشتن نویسنده هم دوست داشتنی بود... یه جاهایی بعضی جملاتش رو بارها و بارها میخوندم... یه دفعه حرفهای غریبی رو توی دهان راوی میگذاشت که خیلی با فکر و دل آدم بازی میکرد......
جمعا دوست داشتم کتاب رو... و اندوهش هنوز همراهمه..........
حکایت نرسیدن ها....
سبک نوشتن نویسنده هم دوست داشتنی بود... یه جاهایی بعضی جملاتش رو بارها و بارها میخوندم... یه دفعه حرفهای غریبی رو توی دهان راوی میگذاشت که خیلی با فکر و دل آدم بازی میکرد......
جمعا دوست داشتم کتاب رو... و اندوهش هنوز همراهمه..........
حکایت نرسیدن ها....
February 23, 2016
This was a pleasant diversion. This novel about a pretty maid who appeared in one of Vermeer's paintings is easy to slip into, didn't ask much of me, and kept me entertained for a few days.
Is it great literature? No. Was it turned into a decent movie? Yes. Would I recommend the book? Depends. The plot skips along well enough, and I enjoyed how the author invented stories for some of Vermeer's famous paintings. My copy was a deluxe edition that included pictures of his artwork, which I appreciated. However, the writing is competent but forgettable, and I didn't find any exceptional quotes to share.
If you like light historical fiction or stories about artists, you may enjoy this. Or you could just watch the movie.
Is it great literature? No. Was it turned into a decent movie? Yes. Would I recommend the book? Depends. The plot skips along well enough, and I enjoyed how the author invented stories for some of Vermeer's famous paintings. My copy was a deluxe edition that included pictures of his artwork, which I appreciated. However, the writing is competent but forgettable, and I didn't find any exceptional quotes to share.
If you like light historical fiction or stories about artists, you may enjoy this. Or you could just watch the movie.
April 27, 2018
An evocative look at life in Delft, Holland in the 1600’s. A quietly gripping tale of what might have been.
The story is a fictionalised account of the circumstances surrounding the painting of Vermeer’s masterpiece ‘Girl with a pearl earring’.
Griet, the central character, is a strong, honourable, modest and likeable character and the events that overtake her, because of the sensibilities of the age, are tense and exciting. The writing is smooth, exact and fluent.
I would often flick to the cover to look at the painting, adding extra life to this great novel.
The story is a fictionalised account of the circumstances surrounding the painting of Vermeer’s masterpiece ‘Girl with a pearl earring’.
Griet, the central character, is a strong, honourable, modest and likeable character and the events that overtake her, because of the sensibilities of the age, are tense and exciting. The writing is smooth, exact and fluent.
I would often flick to the cover to look at the painting, adding extra life to this great novel.
March 11, 2016
Have you ever seen the painting Girl with a Pearl Earring by Johannes Vermeer? No? Then, have a look at it:
Isn't it beautiful?
I hadn't seen it until a few months ago, in a class I was taking at the university called “film appreciation”. My professor wanted to show us the movie that goes by the name of this painting because he wanted to illustrate some concepts present in the movie and many other things. Well, at the end of the movie, in the credits (yes, I read the credits; besides, the music was amazing), it said “based on the novel by Tracy Chevalier”, so I told my self “why, it was based upon a book, therefore I should read it”, and that's why I decided to read it.
Girl with a Pearl Earring was an interesting book to read. First of all because it features a famous painter, Johannes Vermeer; secondly, because the story is narrated from their maid's point of view; and finally, because we get to see how society was back in the seventeenth century.
The story follows Griet, a young girl who gets a job as a maid in Vermeer's house. Since she first came to the house, she is hated by her mistress, Tanneke (the other maid) and Cornelia (one of the uncountable children Catharina had), but she gained something far more precious. She gained Vermeer's interest.
Our heroine –Griet— is one of those characters who develop in the course of the story. She starts from being completely innocent and shy, and grows from there. At the end, she's still innocent, but she has changed. She has a particular obsession in hiding her hair with a cap, because her not showing her hair makes her be herself. Without her cap, she is “one of those women”, and she is not like that.
Vermeer is great. I loved him and his dedication. I also loved his relationship with Griet. It's not a romance, mind you, but it was obvious he cared for her, and the same applied the other way round. His personality was very intriguing too: He was always so calm and isolated from the world, even when there were many people in the same room as him. It always felt as if he was alone, and I don't know, that made him stand out.
The writing is beautiful. Simply brilliant. You could feel as if you were present in 1600's Holland. The details were enough to please you, but they were not overwhelmingly enough to tire you. It was perfect.
I'm glad I gave this book a try, because it surely deserved my reading it. A good fast read that will remain with me. I hope someday, when I'm older, I cross paths with this book again, because I would want to re-read it eventually.
I hadn't seen it until a few months ago, in a class I was taking at the university called “film appreciation”. My professor wanted to show us the movie that goes by the name of this painting because he wanted to illustrate some concepts present in the movie and many other things. Well, at the end of the movie, in the credits (yes, I read the credits; besides, the music was amazing), it said “based on the novel by Tracy Chevalier”, so I told my self “why, it was based upon a book, therefore I should read it”, and that's why I decided to read it.
Girl with a Pearl Earring was an interesting book to read. First of all because it features a famous painter, Johannes Vermeer; secondly, because the story is narrated from their maid's point of view; and finally, because we get to see how society was back in the seventeenth century.
The story follows Griet, a young girl who gets a job as a maid in Vermeer's house. Since she first came to the house, she is hated by her mistress, Tanneke (the other maid) and Cornelia (one of the uncountable children Catharina had), but she gained something far more precious. She gained Vermeer's interest.
Our heroine –Griet— is one of those characters who develop in the course of the story. She starts from being completely innocent and shy, and grows from there. At the end, she's still innocent, but she has changed. She has a particular obsession in hiding her hair with a cap, because her not showing her hair makes her be herself. Without her cap, she is “one of those women”, and she is not like that.
Vermeer is great. I loved him and his dedication. I also loved his relationship with Griet. It's not a romance, mind you, but it was obvious he cared for her, and the same applied the other way round. His personality was very intriguing too: He was always so calm and isolated from the world, even when there were many people in the same room as him. It always felt as if he was alone, and I don't know, that made him stand out.
The writing is beautiful. Simply brilliant. You could feel as if you were present in 1600's Holland. The details were enough to please you, but they were not overwhelmingly enough to tire you. It was perfect.
I'm glad I gave this book a try, because it surely deserved my reading it. A good fast read that will remain with me. I hope someday, when I'm older, I cross paths with this book again, because I would want to re-read it eventually.
June 14, 2017
The novel is the fictional story behind one of the most known paintings of Johannes Vermeer and it includes glimpses into the painter's life. I did not know of the existence of the painter before i read this novel, maybe because so few of his paintings are known. However, after I finished the book I started to search for Vermeer's work in museums and I admit they are special, he has a special gift for the light.
June 18, 2023
این کتاب دقیقاً همون چیزی بود که نمیخواستم باشه
داستانی که «برای» یک نقاشی نوشته شده
نه نقاشیای که یک تصویر از داستانه
دختری با گوشواره مروارید نقاشیای اثر نقاش معروف ورمیره که در قرن ۱۷ کشیده شده. این کتاب جوری نوشته شده که انگار به هر زوری هست میخواد داستانی برای اینکه دختر مرموز این نقاشی چطور به زندگی ورمیر وارد شده بنویسه
کاراکتر اصلی، گریت، از نظر من بسیار سرده. این باعث میشه که کل داستان که همراه با گریت پیش میره خشک و بیاحساس باشه. حتی وقتی اتفاقات مهم یا تلخی میافته، انگار خواننده بیشتر از گریت تحت تاثیر قرار میگیره
ورمیر که «مثلا» دومین شخصیت مهمه، عملاً دو سوم داستان رو نیست! صحبت خاصی نداره چون خب کار خاصی نمیکنه. از شخصیت نچسب گریت بدتر، شخصیت تکبعدی ورمیره. اون فقط یک نقاشه و انگار با محیط اطرافش ارتباط دیگهای نداره
داستان اصلی پر از سوراخ و قسمتهای رها شدست. تنها قسمت جالبش برای من تاریخی بودن فضای داستان بود. این باعث شد که در مورد فضای اجتماعی و مذهبی اون زمان کمی مطالعه کنم و یاد بگیرم. اما در نهایت اون ستارهی دوم کتاب برای تمام صحبتهای جذابیه که به خاطر این کتاب در بوککلاب داشتیم
کانال تلگرام ریویوها و دانلود کتابها
Maede's Books
۱۴۰۲/۳/۲۶
داستانی که «برای» یک نقاشی نوشته شده
نه نقاشیای که یک تصویر از داستانه
دختری با گوشواره مروارید نقاشیای اثر نقاش معروف ورمیره که در قرن ۱۷ کشیده شده. این کتاب جوری نوشته شده که انگار به هر زوری هست میخواد داستانی برای اینکه دختر مرموز این نقاشی چطور به زندگی ورمیر وارد شده بنویسه
کاراکتر اصلی، گریت، از نظر من بسیار سرده. این باعث میشه که کل داستان که همراه با گریت پیش میره خشک و بیاحساس باشه. حتی وقتی اتفاقات مهم یا تلخی میافته، انگار خواننده بیشتر از گریت تحت تاثیر قرار میگیره
ورمیر که «مثلا» دومین شخصیت مهمه، عملاً دو سوم داستان رو نیست! صحبت خاصی نداره چون خب کار خاصی نمیکنه. از شخصیت نچسب گریت بدتر، شخصیت تکبعدی ورمیره. اون فقط یک نقاشه و انگار با محیط اطرافش ارتباط دیگهای نداره
داستان اصلی پر از سوراخ و قسمتهای رها شدست. تنها قسمت جالبش برای من تاریخی بودن فضای داستان بود. این باعث شد که در مورد فضای اجتماعی و مذهبی اون زمان کمی مطالعه کنم و یاد بگیرم. اما در نهایت اون ستارهی دوم کتاب برای تمام صحبتهای جذابیه که به خاطر این کتاب در بوککلاب داشتیم
کانال تلگرام ریویوها و دانلود کتابها
Maede's Books
۱۴۰۲/۳/۲۶
April 14, 2023
I loved Griet. It is easy to find her weak compared to today, but you must put yourself in her shoes. Tracy Chevalier does a phenomenal job of trying to make this happen for her reader.
I wanted to fight for Griet and protect her from her 16-year-old naivete through the age of 18 through the majority of the story. She faces problems on all sides, especially in terms of male persuasion. But Griet is not without allies, even if their hands are tied in many ways. I am sure that Griet's story is not so dissimilar from many young girls of this time period, and I can completely understand her to need to take the only control she felt she had when all felt lost in the control of her own person,
It wasn't until after reading this that I realized how much creative liberty Chevalier took from this painting and the created story behind it. Girl with a Pearl Earring is based on a painting of the same name painted by Dutch painter Johannes Vermeer, sometime around 1665. Chevalier decided to give a story to this girl where one was lacking, and it was well done. It is hard to know who this girl really was, but Chevalier did a fair amount of research into the time and location. Interestingly, she decided to go with Griet rather than a woman of higher standing. I wonder what a story would be if this were about a lady of a house instead.
Overall, this was very well written, and the story wove its way into my mind.
4.5 stars rounded up to 5.
I wanted to fight for Griet and protect her from her 16-year-old naivete through the age of 18 through the majority of the story. She faces problems on all sides, especially in terms of male persuasion. But Griet is not without allies, even if their hands are tied in many ways. I am sure that Griet's story is not so dissimilar from many young girls of this time period, and I can completely understand her to need to take the only control she felt she had when all felt lost in the control of her own person,
It wasn't until after reading this that I realized how much creative liberty Chevalier took from this painting and the created story behind it. Girl with a Pearl Earring is based on a painting of the same name painted by Dutch painter Johannes Vermeer, sometime around 1665. Chevalier decided to give a story to this girl where one was lacking, and it was well done. It is hard to know who this girl really was, but Chevalier did a fair amount of research into the time and location. Interestingly, she decided to go with Griet rather than a woman of higher standing. I wonder what a story would be if this were about a lady of a house instead.
Overall, this was very well written, and the story wove its way into my mind.
4.5 stars rounded up to 5.
October 21, 2024
I’ve never understood the fascination with this painting (nor the Mona Lisa). I wanted to understand and hoped this book would help, but it didn’t. It’s a story that probably couldn’t be verified other than some basic facts (like whether Vermeer had employed a girl with this name, but even that feels unlikely, unless the content of his will could be confirmed).
Easy read but nothing uplifting, inspiring, illuminating, or otherwise noteworthy.
Easy read but nothing uplifting, inspiring, illuminating, or otherwise noteworthy.
November 3, 2017
An utter joy to read. Really engaging, historically interesting, with strong characterisation and beautiful writing. I will definitely be picking up more by her!
February 15, 2024
I avoided this book because I had seen most of the movie and heard it was a good adaptation but then I discovered another Chevalier book and decided to backtrack... I'm glad I did.
What a wonderful book-- captures the essence of a young girl's first infatuation and the disappointment of reality. It also captured the time period artfully-- and I loved the character of Griet and how she grew in the short time the book covered.
I was slightly disappointed in the ending-- I think it would have been more powerful to leave the reader with the choice of which path Griet's life would take her.
Another plus-- this was a quick read, despite the languid descriptions, it was only a few hundred pages-- perfect for turning off the TV early!
(Reviewed 2/24/09)
What a wonderful book-- captures the essence of a young girl's first infatuation and the disappointment of reality. It also captured the time period artfully-- and I loved the character of Griet and how she grew in the short time the book covered.
I was slightly disappointed in the ending-- I think it would have been more powerful to leave the reader with the choice of which path Griet's life would take her.
Another plus-- this was a quick read, despite the languid descriptions, it was only a few hundred pages-- perfect for turning off the TV early!
(Reviewed 2/24/09)
October 20, 2020
My birthday gift from a friend, rare happened because very tricky to buy a book for someone else, but I know why she did. GIRL WITH PEARL EARRING is a beautiful story, engaging, well-drawn characters, art and historically interesting.
The story is about one painting, a young girl who forces to works as a maid in Johannes Vermeer's house (1632-1675), a Dutch painter. I think this book is more than a love story, the only reason I give 4.5 is the end of it, but it is not disappointing after all. My friend knew that I would enjoy it a lot. Highly recommended.
The story is about one painting, a young girl who forces to works as a maid in Johannes Vermeer's house (1632-1675), a Dutch painter. I think this book is more than a love story, the only reason I give 4.5 is the end of it, but it is not disappointing after all. My friend knew that I would enjoy it a lot. Highly recommended.
January 18, 2014
I wrote a paper on artistic expression using Girl with a Pearl Earring as a source, since it is a painting, a movie, and a book. It provided me fascinating fodder, a really good read, and a good grade on my paper. This is a wonderful study in repression and tiny details. There are some beautiful passages. I absolutely love the study done of the character of Vermeer. At one point, a character tells Griet (the imagined Girl with a Pearl Earring) to be careful, since Vermeer does not see her, but rather the painting that she will make. The artist sees the world only as paintings, not as people. This is shown as incredibly selfish. He loves only those things that fit into his sense of light and shape and color and tone. He has no interest in that which does not add to his work.
And it is for one reason only I will say that the movie was better than the book: that we are able to see his imaginings in front of him, rather than have them described. The movie was an endless series of portraits in motion, and a huge motif and focus on Vermeer's eyes. Colin Firth is known for his ability to play the quiet loner (see: Mr. Darcy) and it's brilliantly done here. Well cast, director. Well shot. It's one of my favorite movies. I do warn that it is incredibly quiet and intimate, and not a lot happens. Many people may be bored by it. But I think if you read this book in the first place you're the kind of person to like the movie.
And it is for one reason only I will say that the movie was better than the book: that we are able to see his imaginings in front of him, rather than have them described. The movie was an endless series of portraits in motion, and a huge motif and focus on Vermeer's eyes. Colin Firth is known for his ability to play the quiet loner (see: Mr. Darcy) and it's brilliantly done here. Well cast, director. Well shot. It's one of my favorite movies. I do warn that it is incredibly quiet and intimate, and not a lot happens. Many people may be bored by it. But I think if you read this book in the first place you're the kind of person to like the movie.
September 4, 2024
Возможно, я ошибаюсь, но роман показался мне ненастоящим, фальшивым, он не исторический совершенно, это фантазии современника в исторических декорациях. Для служанки Гретта слишком уж независима, и поведение остальных героев больше похоже на современных. Духа эпохи и духа страны, города не чувствуется совершенно. (Читала, что в фильме, наоборот, повышенное внимание уделялось достоверности костюмов и декораций). Историческому фону мало добавляют детали - мясник кладет мясо в пакет. Бумага тогда была очень дорога, возможно, дороже мяса, из чего по версии автора делались пакеты?
В романе автор акцентирует на действиях, куда пошла героиня, что она делала, особенно, всего того, что касалось процесса уборки мастерской великого художника. Даже если тщательно измерять расстояние от края стола или другой точки, очень высок риск отклониться хотя бы на миллиметр, для художника, выписывающего малейшие детали, это было нежелательно. Также и с чумой. На карантин закрывается район, но не город. Мне кажется, в эпоху Вермеера убирались не так тщательно, как это делается сейчас, скорее перьевыми метелками для смахивания пыли. С чумой было покончено тогда, когда были введены современные гигиенические стандарты. Вермеер также выглядит искусственным, ненастоящим.
Возможно, Шевалье оказалась прозорливой и не ошиблась с версией, кто же изображён на знаменитом портрете, но сам роман мне показался заурядным.
В романе автор акцентирует на действиях, куда пошла героиня, что она делала, особенно, всего того, что касалось процесса уборки мастерской великого художника. Даже если тщательно измерять расстояние от края стола или другой точки, очень высок риск отклониться хотя бы на миллиметр, для художника, выписывающего малейшие детали, это было нежелательно. Также и с чумой. На карантин закрывается район, но не город. Мне кажется, в эпоху Вермеера убирались не так тщательно, как это делается сейчас, скорее перьевыми метелками для смахивания пыли. С чумой было покончено тогда, когда были введены современные гигиенические стандарты. Вермеер также выглядит искусственным, ненастоящим.
Возможно, Шевалье оказалась прозорливой и не ошиблась с версией, кто же изображён на знаменитом портрете, но сам роман мне показался заурядным.
December 25, 2024
This was a very light historical fiction and I honestly seemed to enjoy it very well.
This is the story about Griet, a teenage girl who is hired as a maid to work at Johannes Vermeer’s house; attending to all his necessities and his family’s.
That’s basically it. Through the days, she develops even more complex relationships with not only her boss but with his entire family. And not only that but her life changes in unexpected ways.
You could say this is the story of a portrait.
—————
I, for some reason, felt like this was somehow cozy. It was a very light and super fast historical read that you could literally read in a day (I know I read it in 2 days, be quiet).
I enjoyed the main character enough, I feel like she was very decent and she knew hot to establish her own boundaries. She was strong and surely knew how to cope with everyone’s shit and actually deal with it unlike other protagonists.
Some may call it unnatural, but I feel like it wasn’t, not entirely. It’s set on a whole different country and a whole different century (the 16th one to be more specific).
The other characters were alright. Though I did feel a bit uncomfortable with a few interactions or thoughts regarding Vermeer.
I guess you could say there’s romance but it was just there. Wasn’t too huge or really interesting, but I kinda expected for it to be that way because of how the book is written, and I don’t mean that in a bad way. You can just tell sometimes how things are gonna be.
This is the story about Griet, a teenage girl who is hired as a maid to work at Johannes Vermeer’s house; attending to all his necessities and his family’s.
That’s basically it. Through the days, she develops even more complex relationships with not only her boss but with his entire family. And not only that but her life changes in unexpected ways.
You could say this is the story of a portrait.
—————
I, for some reason, felt like this was somehow cozy. It was a very light and super fast historical read that you could literally read in a day (I know I read it in 2 days, be quiet).
I enjoyed the main character enough, I feel like she was very decent and she knew hot to establish her own boundaries. She was strong and surely knew how to cope with everyone’s shit and actually deal with it unlike other protagonists.
Some may call it unnatural, but I feel like it wasn’t, not entirely. It’s set on a whole different country and a whole different century (the 16th one to be more specific).
The other characters were alright. Though I did feel a bit uncomfortable with a few interactions or thoughts regarding Vermeer.
I guess you could say there’s romance but it was just there. Wasn’t too huge or really interesting, but I kinda expected for it to be that way because of how the book is written, and I don’t mean that in a bad way. You can just tell sometimes how things are gonna be.
Displaying 1 - 30 of 14,290 reviews