TROYANAS,LAS

by Euripides

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Genres: Plays, Classics

Paperback

First published January 1, 185

About the author

Euripides (Greek: Ευριπίδης) (ca. 480 BC–406 BC) was a tragedian of classical Athens. Along with Aeschylus and Sophocles, he is one of the three ancient Greek tragedians for whom any plays have survived in full. Some ancient scholars attributed ninety-five plays to him, but the Suda says it was ninety-two at most. Of these, eighteen or nineteen have survived more or less complete (Rhesus is suspect). There are many fragments (some substantial) of most of his other plays. More of his plays have survived intact than those of Aeschylus and Sophocles together, partly because his popularity grew as theirs declined—he became, in the Hellenistic Age, a cornerstone of ancient literary education, along with Homer, Demosthenes, and Menander.
Euripides is identified with theatrical innovations that have profoundly influenced drama down to modern times, especially in the representation of traditional, mythical heroes as ordinary people in extraordinary circumstances. This new approach led him to pioneer developments that later writers adapted to comedy, some of which are characteristic of romance. He also became "the most tragic of poets", focusing on the inner lives and motives of his characters in a way previously unknown. He was "the creator of ... that cage which is the theatre of William Shakespeare's Othello, Jean Racine's Phèdre, of Henrik Ibsen and August Strindberg," in which "imprisoned men and women destroy each other by the intensity of their loves and hates". But he was also the literary ancestor of comic dramatists as diverse as Menander and George Bernard Shaw.
His contemporaries associated him with Socrates as a leader of a decadent intellectualism. Both were frequently lampooned by comic poets such as Aristophanes. Socrates was eventually put on trial and executed as a corrupting influence. Ancient biographies hold that Euripides chose a voluntary exile in old age, dying in Macedonia, but recent scholarship casts doubt on these sources.

Reviews

[Illiterate]

Plautus takes this play from Menander, so it’s less a farce, more a romcom.

[Enzo 87]

Comedia que esta fragmentada a pesar de tener un final, no tiene la típica estructura con coros.
Esta falta de pedazos de la obra hace perderse un poco pero terminas enterandote de todo

[Alexia]

2'5
No está mal, me lo he leído en un día

[Santiago González (puntoartica)]

Muy típica del estilo de la comedia nueva con un enredo muy clásico con un final feliz muy típico. Una pena que esté tan fragmentada, los diálogos absurdos son bastante entretenidos.

[Natalia_Reads]

Me lo pasé genial viendo la representación teatral de esta obra hace algunos años y, hace poco, volví a releer el libreto después de mucho tiempo y lo sigo encontrando tan divertido como en años atrás.

[Víctor Heranz]

De la amistad pasé al amor. 4/5