Cerilla, a Lady of the sacred land of Catena, is destined to wed the Summerking, who—after the consummation—will be sacrificed. But she and young Arlen, raised to die in triumphant ritual, fall in love at first sight and flee the ceremony of sacrifice, with the aid of Arlen’s beloved comrade, Lonn, who dies in his place.
Universal outcasts, Arlen and Cerilla might survive their flight across the land to the apparent safety of the distant mountains…but it becomes apparent that they are pursued by an evil spirit, the ghost of Lonn, whose nobility and generosity and loyalty in life have not survived his death. The ghost, desiring only to be reunited with Arlen, is possessed by the jealousy of Cerilla that Lonn felt at the moment of his own death.
Even in the safety of the mountains, which they reach after many dangers and hair-breadth escapes, even after the birth of their child, the malign call of the ghost of Lonn persists, summoning Arlen back to a deadly reunion and Cerilla back to a final combat with the immortals of whom she was once beloved.
Against the background of a fantastic mythological land, filled with magic and the powers of spirits, Nancy Springer tells a story of love, sacrifice, danger, and redemption.
Nancy Springer has passed the fifty-book milestone, having written that many novels for adults, young adults and children, in genres including mythic fantasy, contemporary fiction, magical realism, horror, and mystery -- although she did not realize she wrote mystery until she won the Edgar Allan Poe Award from the Mystery Writers of America two years in succession. DARK LIE, recently released from NAL, is her first venture into mass-market psychological suspense. Born in Montclair, New Jersey, Nancy Springer moved with her family to Gettysburg, of Civil War fame, when she was thirteen. She spent the next forty-six years in Pennsylvania, raising two children (Jonathan, now 38, and Nora, 34), writing, horseback riding, fishing, and birdwatching. In 2007 she surprised her friends and herself by moving with her second husband to an isolated area of the Florida panhandle, where the birdwatching is spectacular and where, when fishing, she occasionally catches an alligator.
Not my thing. In fact, reading this book made me realize that this thing is not my thing.
I’m having a little trouble putting into words what the thing is. The book reads like a fairy tale, where there is a lot of distance between the reader and the characters. They don’t seem real. Their behavior is dictated by fate (or by the goddess, or by ghosts). Three to four people fall in love with the main character on sight / shortly after meeting her, but I couldn’t describe her personality to you.
The main character and her love break all the rules of the goddess, like eating certain foods humans aren’t supposed to eat, but it’s fine. They don’t suffer any consequences, because the goddess has (pretty randomly, it is explicitly acknowledged), blessed and exempted them. They still undergo a lot of suffering (as do a lot of others), but that feels random too.
The whole world in this book is controlled by a spiritual system that is cruel and fucked up and also random, but at no point are the characters trying to change that. They are just like, cool, the cruel random fucked up goddess is on our side, good for us.
I think this book would have benefitted from more, more interesting dialogue. Perhaps we could have gotten to know the characters better that way.
This entire review has been hidden because of spoilers.
Absolutely amazing mythological fantasy. To tell the plot would be to tell too much, but it is a retelling of the myth of Creithylad (Cordelia), aka the story of the Summer King and the Winter King, a very ancient dramatic enactment of the cycle of the seasons. I will mention one highlight: a very creepy possession-by-a-ghost!
Cerilla is pledged to wed Arlen, who was raised on the Sacred Isle by a cult of priestesses. But it’s a doomed marriage because the royal groom will be brutally put to death the next day. The pair fall for each other and escape the island when Arlen’s friend, Lonn, uses magic to take his place. But Lonn’s ghost follows them and threatens the babe Cerilla has conceived. On her trail is also her dastardly father who would return them to the island of butchery. Cerilla must face her fears and determine what she truly wants in order to discover her fate. While the writing is lyrical and the world building is excellent, I felt the mood of the story too dismal for my tastes.
I really enjoyed this one, it’s a dreamy, unusual kind of fantasy with beautiful writing and a story that reads almost like a fable. The characters felt vivid, the central relationship was moving, and the mix of myth, love, and freedom gave it real depth.
This isn’t bad. Rae and Arlen are likable, and the parts of the story involving their escape from death and haunting is entertaining. I did not enjoy the underpinning of gods and goddesses and ritual sacrifice, however, but I rarely do.
I don't like that when you hover over three stars on Goodreads it says "liked it". I didn't like this book, but there was nothing glaringly wrong with it. I just didn't like parts of the narrative.
For some reason, the whole "Cerilla has to marry a man, consummate the marriage, and then watch him be ritually sacrificed" plot appealed to me. That part was fine - as expected, Cerilla and Arlen escape and make their way to a new life...but then things happen that make their new life less-than-happy, including the spirit of Arlen's childhood friend possessing their baby, which I just found creepy. Other things happen, Cerilla must face her evil father who forced her to marry Arlen in the first place, a few other subplots resolve, and the book ends.
I liked that the book was short and I didn't need to invest too much time into it.
For some reason, I became obsessed with this book. Looking back on it, I don't know why. There seems to have been a lot of needless suffering and misunderstanding...hm, maybe my adolescent self could relate.
I didn't finish this, but it's not really fair to call it a two star book. During my Arthurian phase, I would have liked it, although I think the possessed baby might have still freaked me out.