I Never Loved a Man the Way I Loved You: Aretha Franklin, Respect, and the Making of a Soul Music Masterpiece presents the remarkable story of how The Queen of Soul created what Rolling Stone called “the greatest soul album ever made.”
The album she recorded that earned soul legend Aretha Franklin her first major hits after eleven previous efforts, I Never Loved A Man the Way I Loved You was a pop and soul music milestone. Apart from its status as a #1 hit record, the album also had a much wider cultural impact. By early 1967, when the album was released, the Civil Rights Movement was well underway; Aretha’s music gave it its theme song. And the #1 Billboard pop chart single “Respect”―written by Otis Redding―not only won two Grammys for best R&B recording and best R&B solo female vocal performance, it became a passionate call to arms for the burgeoning feminist movement.
Matt Dobkin has unearthed a wonderful story of the creation of an album that goes far beyond anything that’s been written about Aretha before. With scores of interviews―including ones with Atlantic Records’ famed producer Jerry Wexler, and the Muscle Shoals session musicians who recorded with Aretha― I Never Loved A Man the Way I Love You is the story of a great artistic achievement. It’s also the story of a star who is both more complex and determined than her modern image as a diva indicates.
A flawed but engaging birth narrative about one of soul music's most important and enduring LPs. Dobkin's anecdotal material--based on some great interviews with participants from the sessions--is winning, even if some of his critical interpretations seem a little simplistic or even off the mark.
if you are particularly moved by great art that is forged in the crucible of pain and sorrow, this book will be fascinating. It focuses on one of the great artists of my lifetime, creating a masterpiece in a maelstrom.
Lots of indepth info on the recording of Aretha's classic "I Never Loved A Man The Way I Love You." The book includes a nice intro by Nikki Giovanni. While an excellent read, especially for music lovers, by no means is this a full bio of Aretha's life.
Other authors have written about lives of various musicians and some have even focused exclusively on music, but Matt Dobkin goes one step further and focuses exclusively on one particular album. Mind you, its not just any old album but the album that caught the defining spirit of late 1960s, reflected civil rights movement and catapulted Aretha Franklin into stardom as enthroned Queen of Soul, female answer to brother Ray Charles. It is perhaps difficult to understand today how strict the racial barriers were up to that point and how important was that this particular release suddenly became hip, trendy and accepted by general audiences all over the world (encouraged by admiration of local rock stars, audiences in UK were already long enamored with soul music). This was not just any sugary pop Motown cookie cutter or whitewashed version refined for wide market but a full-blown battle call for attention and yes, R-E-S-P-E-C-T. It truly (and deservedly) shook up the pop world, bringing the whole avalanche of spectacularly gifted performers for whom Franklin opened the doors.
Dobkin writes with passion (how else can you write about this album?), fascination and knowledge, going so far to actually interview people involved in creation of this masterpiece. He carefully examines the social climate of the times, background of main characters, Franklin's past and influences, the difference between her Columbia and Atlantic music and how it came to be that previous recording company failed to do what Jerry Wexler and his bunch of Southern white musicians achieved so spontaneously. (It comes as a surprise to realize that this, quintessential soul album actually had studio full of Caucasian musicians - led by self-confident and determined singer who actually co-produced the whole thing.) Even years after the fact, everybody remembers the recordings vividly, as it changed their lives and became a benchmark against future soul music was always compared. "She certainly has been a beacon" poet Nikki Giovanni said " I mean, there are ships out there and she's been the lighthouse. And it's been good. Because some of us do crash. But it's nice to know where lighthouse is."
This is so far the best book focused on single album that I have ever came across. You can't help but run and play the Aretha Franklin music immediately.
Matt Dobkin is not just any Aretha fan, he's a totally devoted one. He knows the complete Franklin discography. He can probably recite it, chronologically, backwards and forwards. He's also a noted opera critic.
This book, in theory, is about the making of "I Never Loved a Man the Way that I Loved You", which Dobkin considers pivotal in Aretha's career. The recording story, though, seems merely a structure for some musings about Aretha. He tells something of her life (but not much that can't be found on the internet) something of her work with Dr. King, something of her way of producing her own material and something of her position in the development of popular music and the popular music industry.
While Dobkin is not convincing in describing how "I Never Loved..." is more noteworthy than "Respect" (other than being the first track down with Atlantic), he does tell an interesting story about how it and its album got recorded. This kernel of about 30 pages is perhaps the only thing new in the book.
This is definitely a niche book. If you love Franklin you probably have to read it... but you will probably know just about everything Dobkin tells you.
Aretha was a real badass, despite her self-defeating taste in men, and I would argue that "Respect" stands as the "ur-text" of the 60s--embodying both the civil rights and feminist movements without cant or blather. Danceably.