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Retief #16
Retief and the Rascals
Terran diplomat and interplanetary troubleshooter Jame Retief must stop the belligerent, five-eyed Groaci from invading the beleaguered planet of Bloor, which is already plagued by violence between rival gangs.
256 pages, Paperback
First published April 1, 1993
2 people are currently reading
112 people want to read
About the author
Keith Laumer
498 books225 followersJohn Keith Laumer was an American science fiction author. Prior to becoming a full-time writer, he was an officer in the U.S. Air Force and a U.S. diplomat. His brother March Laumer was also a writer, known for his adult reinterpretations of the Land of Oz (also mentioned in Keith's The Other Side of Time).
Keith Laumer (aka J.K Laumer, J. Keith Laumer) is best known for his Bolo stories and his satirical Retief series. The former chronicles the evolution of juggernaut-sized tanks that eventually become self-aware through the constant improvement resulting from centuries of intermittent warfare against various alien races. The latter deals with the adventures of a cynical spacefaring diplomat who constantly has to overcome the red-tape-infused failures of people with names like Ambassador Grossblunder. The Retief stories were greatly influenced by Laumer's earlier career in the United States Foreign Service. In an interview with Paul Walker of Luna Monthly, Laumer states "I had no shortage of iniquitous memories of the Foreign Service."
Four of his shorter works received Hugo or Nebula Award nominations (one of them, "In the Queue", received nominations for both) and his novel A Plague of Demons was nominated for the Nebula Award for Best Novel in 1966.
During the peak years of 1959–1971, Laumer was a prolific science fiction writer, with his novels tending to follow one of two patterns: fast-paced, straight adventures in time and space, with an emphasis on lone-wolf, latent superman protagonists, self-sacrifice and transcendence or, broad comedies, sometimes of the over-the-top variety.
In 1971, Laumer suffered a stroke while working on the novel The Ultimax Man. As a result, he was unable to write for a few years. As he explained in an interview with Charles Platt published in The Dream Makers (1987), he refused to accept the doctors' diagnosis. He came up with an alternative explanation and developed an alternative (and very painful) treatment program. Although he was unable to write in the early 1970s, he had a number of books which were in the pipeline at the time of the stroke published during that time.
In the mid-1970s, Laumer partially recovered from the stroke and resumed writing. However, the quality of his work suffered and his career declined (Piers Anthony, How Precious Was That While, 2002). In later years Laumer also reused scenarios and characters from his earlier works to create "new" books, which some critics felt was to their detriment:
Alas, Retief to the Rescue doesn't seem so much like a new Retief novel, but a kind of Cuisnart mélange of past books.
-- Somtow Sucharitkul (Washington Post, Mar 27, 1983. p. BW11)
His Bolo creations were popular enough that other authors have written standalone science-fiction novels about them.
Laumer was also a model airplane enthusiast, and published two dozen designs between 1956 and 1962 in the U.S. magazines Air Trails, Model Airplane News and Flying Models, as well as the British magazine Aero Modeler. He published one book on the subject, How to Design and Build Flying Models in 1960. His later designs were mostly gas-powered free flight planes, and had a whimsical charm with names to match, like the "Twin Lizzie" and the "Lulla-Bi". His designs are still being revisited, reinvented and built today.
Keith Laumer (aka J.K Laumer, J. Keith Laumer) is best known for his Bolo stories and his satirical Retief series. The former chronicles the evolution of juggernaut-sized tanks that eventually become self-aware through the constant improvement resulting from centuries of intermittent warfare against various alien races. The latter deals with the adventures of a cynical spacefaring diplomat who constantly has to overcome the red-tape-infused failures of people with names like Ambassador Grossblunder. The Retief stories were greatly influenced by Laumer's earlier career in the United States Foreign Service. In an interview with Paul Walker of Luna Monthly, Laumer states "I had no shortage of iniquitous memories of the Foreign Service."
Four of his shorter works received Hugo or Nebula Award nominations (one of them, "In the Queue", received nominations for both) and his novel A Plague of Demons was nominated for the Nebula Award for Best Novel in 1966.
During the peak years of 1959–1971, Laumer was a prolific science fiction writer, with his novels tending to follow one of two patterns: fast-paced, straight adventures in time and space, with an emphasis on lone-wolf, latent superman protagonists, self-sacrifice and transcendence or, broad comedies, sometimes of the over-the-top variety.
In 1971, Laumer suffered a stroke while working on the novel The Ultimax Man. As a result, he was unable to write for a few years. As he explained in an interview with Charles Platt published in The Dream Makers (1987), he refused to accept the doctors' diagnosis. He came up with an alternative explanation and developed an alternative (and very painful) treatment program. Although he was unable to write in the early 1970s, he had a number of books which were in the pipeline at the time of the stroke published during that time.
In the mid-1970s, Laumer partially recovered from the stroke and resumed writing. However, the quality of his work suffered and his career declined (Piers Anthony, How Precious Was That While, 2002). In later years Laumer also reused scenarios and characters from his earlier works to create "new" books, which some critics felt was to their detriment:
Alas, Retief to the Rescue doesn't seem so much like a new Retief novel, but a kind of Cuisnart mélange of past books.
-- Somtow Sucharitkul (Washington Post, Mar 27, 1983. p. BW11)
His Bolo creations were popular enough that other authors have written standalone science-fiction novels about them.
Laumer was also a model airplane enthusiast, and published two dozen designs between 1956 and 1962 in the U.S. magazines Air Trails, Model Airplane News and Flying Models, as well as the British magazine Aero Modeler. He published one book on the subject, How to Design and Build Flying Models in 1960. His later designs were mostly gas-powered free flight planes, and had a whimsical charm with names to match, like the "Twin Lizzie" and the "Lulla-Bi". His designs are still being revisited, reinvented and built today.
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Displaying 1 - 4 of 4 reviews
August 25, 2009
Retief is possibly Science Fiction's most humorous, and also invariably triumphant, recurring character; embodying the intelligence and machismo of James Bond (Retief's portrayal on the cover art of some of the books is rather remininiscent of James Coburn as Derek Flint from the Our Man Flint movies) and the wit and behind-the scenes manipulation of P.G. Wodehouse's Jeeves.
Pick up any Retief novel or short-story collection and you're in for a rollicking "Good Read"! So uncork a bottle of Bacchus Black or Bacchus Red and toast the skewering of any number of Groacci foes (rhymes with whacky) accompanied by a repast of toasted Gribble Grubbs and sliced Hoob Melons for dessert.
Pick up any Retief novel or short-story collection and you're in for a rollicking "Good Read"! So uncork a bottle of Bacchus Black or Bacchus Red and toast the skewering of any number of Groacci foes (rhymes with whacky) accompanied by a repast of toasted Gribble Grubbs and sliced Hoob Melons for dessert.
November 21, 2013
Keith Laumer's writing suffered tremendously after his stroke. This is one of the later Retief novels and fails to capture the wit of the previous stories. Many already-overused jokes have been needlessly overstretched and the plot is barely coherent. At least the ending was satisfactorily Retief-like.
April 6, 2020
As mentioned before, author Keith Laumer suffered a debilitating stroke in 1970, and this formerly prolific author lost less his ability to write than his ability to form coherent stories.
And this story is in fact completely incoherent from beginning to end, like somebody took random writings of Retief and stitched them together to create something worse than a Frankenstein monster. The whole thing made no sense at all.
And this story is in fact completely incoherent from beginning to end, like somebody took random writings of Retief and stitched them together to create something worse than a Frankenstein monster. The whole thing made no sense at all.
November 27, 2015
I just jumped into what's clearly a much larger series at a mid point, so it suffered from that. If I were 12, this series would've been right in my wheelhouse. Just the right kind of space western.
Displaying 1 - 4 of 4 reviews