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Drawn to Life: 20 Golden Years of Disney Master Classes: Volume 1: The Walt Stanchfield Lectures
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Discover the lessons that helped bring about a new golden age of Disney animation!Published for the first time ever, Drawn to Life is a two volume collection of the legendary lectures from long-time Disney animator Walt Stanchfield. For over twenty years, Walt helped breathe life into the new golden age of animation with these teachings at the Walt Disney Animation Studios
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Start your review of Drawn to Life: 20 Golden Years of Disney Master Classes: Volume 1: The Walt Stanchfield Lectures
I’ve look at a lot of art books before and have never felt I’ve really learnt something like I have from these two volumes. So often publications contain plenty of pretty pictures, but little substance in terms of tutorial material and these are the complete opposite. Much of the drawings are extremely loose sketches rather than honed final pieces, but don’t dismiss them in a quick glance! Look closely and you will gain an awful lot from studying a master’s suggestions. It is very useful seeing
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This is the artist's way for animators and would be an invaluable resource for anyone on that path but there is such a wealth of wisdom within the pages of Drawn To Life, it's easy to get a lot out of Walt's observations and practices of being a good artist and committing yourself fully to that process that being an animator is not a prerequisite for enjoying his book. Walt's earnest enthusiasm and whole- hearted practicing the artist way is refreshing and motivating and I'm am excited to read ...more
Probably the best guide to drawing philosophy I've ever read.
I call this book "Chicken Soup for the Artists Soul" because it isn't merely instructional, but one that offers a lot of abstract and soulful insight on the art of drawing itself. The book is aimed at animators and covers the 12 basic principles of animation, but any artist who works in storytelling would benefit.
This book completely changed my mindset as an artist, and was the first stepping stone to me approaching art more academically and thoughtfully. It introduced to me the concept of ...more
This book completely changed my mindset as an artist, and was the first stepping stone to me approaching art more academically and thoughtfully. It introduced to me the concept of ...more
This book is simply amazing.
It's full of lecture notes from 20 years of the amazing Walt Stanchfield, who worked for Disney on many of their films, and even taught animators such as Glen Keane.
His use of humour in his notes is refreshing from an art book, and his rough drawings are amazing. He explains things in ways you've never considered before.. but they make so much sense!
This isn't a 'how to draw book', it won't explain how to draw specific characters or whatever, instead it explains how ...more
It's full of lecture notes from 20 years of the amazing Walt Stanchfield, who worked for Disney on many of their films, and even taught animators such as Glen Keane.
His use of humour in his notes is refreshing from an art book, and his rough drawings are amazing. He explains things in ways you've never considered before.. but they make so much sense!
This isn't a 'how to draw book', it won't explain how to draw specific characters or whatever, instead it explains how ...more
I can add this to my collection of good animation books that I own.
You don't learn this stuff in school.
I wish people talked about these sorts of things more instead of just how to use software for animation and barely touching on the basic 12 principles of animation, let alone go into depth about drawing for animation.
What's interesting is how much good artists and especially animators draw from life references. Walt Disney downplayed it, but really they basically shot every scene in live ...more
You don't learn this stuff in school.
I wish people talked about these sorts of things more instead of just how to use software for animation and barely touching on the basic 12 principles of animation, let alone go into depth about drawing for animation.
What's interesting is how much good artists and especially animators draw from life references. Walt Disney downplayed it, but really they basically shot every scene in live ...more
Walt Stanchfield possessed a wealth of knowledge regarding animation, gesture and drawing. This book has shifted my perspective on how to sketch and draw gestures. I found "Drawn to Life" immensely helpful and, beyond that, I also felt like it allowed me to get to know Walt as a person. Walt seems like someone who was endlessly curious, eager to learn and who enjoyed every moment of life. I feel inspired after reading this book and if anyone has an interest in animation or drawing, particularly
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ロレックスコピーなどのスーパーコピー品を扱っております。
世界のブランド腕時計スーパーコピーが大特価！
ロレックス時計コピー,スーパーコピー時計
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Just wow, I'm so happy that these notes were kept, collected and put into a sexy book format. Highly recommended (a must have) for Animators and illustrators
I really learned a lot from this book. I will keep it around and continue to skim through it whenever I need a reminder about drawing techniques and an inspirational boost.
Very little amount of books out there cover the “behind the scenes” of drawing to make your characters look alive. This is THE book for it.
This is a great book. Effective writing skills. Just love it
This is a book by artists, for artists. So why did I, a non-artist, love it? Because we are all doodlers at heart. Everybody scribbled until they grew up and stopped. Only age takes the artist out of the child. To read and see the tricks of early cell animation explained by a master, to a class of would-be masters, is a rare treat. You'll learn about motion, line, humor, expression, and life. And if you aren't dying to pick up a pencil halfway through, there's something wrong with you. I file
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Many of the lectures are scribbled on notebook paper, revealing some of the real magic behind Disney magic. These lectures are from the early days when Ollie Johnston and Walt Stanchfield were exploring motion and theater, and essentially inventing modern animation. This one is a gem, with many basic tips that are vital for all graphic storytellers. The huge ILLUSION OF LIFE is another must-have in the studio, of course. This one is less of a coffee book, and more into nuts and bolts. Delicious
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A wealth of information for artists especially in animation. Each chapter teaches or reiterates some valuable tidbit on adding more clarity and "life" into your drawings, how to be a better storyteller, and even how you should be thinking as an artist. I was only reading a chapter or two a day to soak in the information and apply it to my work. The smallest gestures, the angles that are formed by limbs, the way a line is put down on paper etc. all change the way a drawing can be perceived.
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There's really so much to learn from this book, even for people who don't find themselves walking the animator's path.
From philosophy, mindsets and attitudes to technical details and specific suggestions to tackle problems, you'll find this extremely detailed set of handouts to be both wonderful insight into the minds of the best storytellers in the film industry as well as a great instruction manual for aspiring artists such as myself.
From philosophy, mindsets and attitudes to technical details and specific suggestions to tackle problems, you'll find this extremely detailed set of handouts to be both wonderful insight into the minds of the best storytellers in the film industry as well as a great instruction manual for aspiring artists such as myself.
If you look through my book reviews you'll see I don't give away 5 star book reviews often. When I do there needs to be a darn good reason for it. I have to learn something profound or see things in a different way than I did before I opened it. If you are an illustrator or an animator, this two volume set needs to be not on your shelf, but on your drawing table... falling apart from use. You're welcome.
This is NOT a book intended to teach one how to draw in the classic Disney style, but rather a series of short reflections on aspects of the art that an intermediate draftsperson may consider. As such, it shouldn't be read in one sitting, but instead read in bits, probably before practice sessions, to focus on these aspects.
I am NOT an animator by any stretch but this is more than an animation book. Rather, this is a treatise on life, creativity and the nature of the artist. I am still unpacking the ideas contained within. a must read.
One of the best animation and drawing related books I've ever read. Presented in such a clear and simple way that you feel like an idiot for not thinking of the concepts before.
Nov 19, 2014
Ahmadjamshid
is currently reading it
i want to read books and make my monograph
Classic.
Another amazing look at Walt Stanchfield's outlook on life and drawing!
Very thorough, helpful tips for getting those figure-drawing techniques down. I'm definitely going to order Walt's second volume.
Great stuff. Now, on to vol. 2
A wealth of knowledge, a bit hard to swallow all at once. Truly empowering and fascinating.
This is a wonderful book for people who love drawing. This is a untraditional book for art lovers, it's neither academic in traditional manner, nor is it a book about realistic drawing.
This is not a book to sit and read straight through. It is a primer that MUST be put into practice, little by little, over a length of time. When done in that way, the lessons inside are priceless.
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“You must create. The injunction of life is to create or perish. Good physical and mental conditioning are necessary to do this.”
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“So our real goal in studying a model is to draw not bones and muscle and insignificant details but rather squash and stretch and weight distribution, plus — just to keep life interesting — composition, shape and form, perspective, line and silhouette, tension, plans, and negative and positive shapes, to mention a few.”
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