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The Actor and the Target
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“Acting is a reflex, a mechanism for development and survival. . . . It isn’t ‘second nature,’ it is ‘first nature.’”—Declan Donnellan
This immensely popular and ever-practical book on acting takes a scalpel to the heart of actors’ persistent fears, helping them to release their talent on stage. It is straightforward and unpretentious, with a spirit of artistic ...more
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Paperback, 300 pages
Published
September 1st 2006
by Theatre Communications Group
(first published January 1st 2000)
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This is one of my favorite books about acting and is as valuable for the director as it is the actor. This is not a book for beginners. It's primarily a book about how to break through blockage in rehearsal and performance. It's very heady and assumes a thorough understanding of acting and the foundation work needed to prepare for rehearsals, but it is also incredibly smart and inspiring. This is a must-read for every professional actor, director and teacher of acting/directing.
Really great way to think about acting, but even better when considered as a directing book. The tools he outlines in the book are great to contextualize relationship, stakes, and the self-fulfilling prophecy of fear (the number one cause of a bad performance is fear that you'll give a bad performance). The few exercises he touches on are really useful for fixing some of the most common problems I see in all levels of performance, and help actors clarify for themselves why they are there, what t
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Truthfully, this book about getting out of one's head is counterintuitively over-written. So much of it, however, is brilliant that I'm giving it 5 stars all the same.
Great. Compatible with training at the SITI Company and the Esper Studio.
I hate reading books about acting because they get so academic and technical; as if there is one way to act, one way to be truthful with a text. The Actor and the Target forces you to get out of your head and recognize that everything you need to act has always been in front of you. It’s like a manual for coaching actors to just act goddamnit. For those it matters to, Nick O’Leary told me to read this book; like most things having to do with theatre, he was right.
I read this for a class and never, ever in a million years would have picked it up otherwise. I am not an actor, and I am not interested in pursuing acting at all besides maybe auditioning for a show before I leave college. If I had experience acting before and had plans to pursue acting in the future, I think this book would have been much more helpful and relatable, but for me it wasn't really either of those things.
This book was thrust upon me, so perhaps my negative thoughts spur from that- but I personally think, in spite of some good ideas, the book is too long and too convoluted. Sometimes it really is best to not overcomplicate, as that allows for ease and focus on the other. What it promotes is good, but at the same time, just a tad counter-intuitive for me.
I read this book for class. Never would have read it otherwise. The format of the book is confusing and not engaging. It would be a good book for an experienced actor looking to improve, but not for a beginner.
It's been said a lot already, but this is the best book you will ever read on acting.
Great guidance for the actors
Fabulous way to practice acting and define the ways to see through the characters yes, to see the targets and let them affect
Fabulous way to practice acting and define the ways to see through the characters yes, to see the targets and let them affect
Got some good points, but after about halfway through it becomes redundant. Worth reading, but could have probably been about 100 pages.
find your target. find it.
Seriously though, this book was extremely helpful when looking for a new acting method, especially when it comes to Shakespeare. Thanks!
Seriously though, this book was extremely helpful when looking for a new acting method, especially when it comes to Shakespeare. Thanks!
The best, most practical acting book thus far that I've read. Like writer's block, actors can also feel blocked during the rehearsal process and performance. But this book really helped put to rest a lot of my misconceptions of how to approach the acting process and helped to free me from the things that used to block me.
Note: I am a theatre student and a complete theatre nerd to the MAX. I love acting and the art of acting is completely and utterly fascinating to me. This is a MUST read for anyone interested in being an actor. It's my favorite text I've had to read for my theatre classes thus far. It's not so much a "how to act" book, like Meisner and Stanislavski, its more of a "how do a revitalize my work" and "what do I do if I feel blocked and unproductive" book, as feeling that way is inevitable at times.
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I found this essential reading during two rehearsal processes and thesis work on personal ownership of one's role and the practical application of that ownership both in rehearsal and performance. Donnellan's text is clear and crisp, addressing the problems that often plague a frightened actor and providing a simplification of one's thinking that allows for an outside, active experience while playing.
If you do not read any other books on acting . . . read this one, please. Skip all the Meisner and Adler stuff, read this one and it will put you in the game and help you find yourself and your voice without having to think too terribly hard about the "existential" of the more complex methods . . . not to say this book presents an easy path, but it is a doable, intuitive one.
Read it, actors. Read it--and discover
Read it, actors. Read it--and discover
Nov 07, 2007
Tia
rated it
really liked it
Recommends it for:
Theatre actors who tend to beat themselves up
This book was written to encourage actors to take the pressure off themselves and just be as open as possible on a stage. Everything you need to play a role already exists! There are impulses coming at you constantly! I read most of this just before playing Mary Warren in "The Crucible" and had perhaps the most relaxed and fulfilling theatre experience I've ever had. This book was not the sole reason for that, but it was a large part of it.
This is one of the better acting books I have read, and I have read most of them. Acting books are always hard as acting can not be learned from a book. Declan Donnellan has some great insight into common blocks actors have.
His information is not new. His comments about the target is what Meisner refers to as your partner. What is great is how Donnellan words things and breaks down common ideas and rewords ideas to show what the actor should be focused on.
His information is not new. His comments about the target is what Meisner refers to as your partner. What is great is how Donnellan words things and breaks down common ideas and rewords ideas to show what the actor should be focused on.
The book is a great resource and I recommend it to anyone who has interest in acting. The content is extremely valuable and it's worth reading over and over again. Donnellan does use some round about ways of describing things so it can be initially hard to understand. Other than that, the book is interesting and wonderfully put!
A very complicated acting method for the beginner actor. Donnellan's concept is very abstract and hold a very free thinking approach to development. I think he held some brilliant ideas and points, while some of his other points seemed iconoclastic.
Overall it is a resourceful tool, one I will definitely revisit.
Overall it is a resourceful tool, one I will definitely revisit.
It is amazing. His whole purpose is to cut-through generalization and get to the meat of specificity and that's exactly what he is able to do. He identifies common blocks and doubts and shines a simple, strong light on them to show what is really happening.
One of the best books on acting (and perhaps human behavior) I have ever read. It is actually useful and applicable to the craft of acting without attempting to reduce the inexplicable and ineffable reality of acting as an art. I consider this a must read.
I read this for my theatre Industry class. I did find it to be a bit dry at times and the references to Romeo and Juliet got quite tired.Not looking forward to making presentation on this though. BUT YAY FOR FINISHING MY GOODREADS YEAR READING GOAL!!!! AHHH GO ME!
It's a really good book for anyone interested in acting, no matter their level. I'd recommend it.
It's a bit fuzzy sometimes but in the end it all ties together, and I feel that it has taught me quite some things. Both about acting and creativity in general.
It's a bit fuzzy sometimes but in the end it all ties together, and I feel that it has taught me quite some things. Both about acting and creativity in general.
A wonderful and insightful read on the nature of acting, and how acting is interwoven into our everyday lives. This book isn't just for the actor, it's for any thinking individual.
Really interesting and useful!
Best book on acting I've read yet. Simple, and intuitive.
This is probably my favourite book on acting. As a director, I found the author's straighforward approach to be helpful in my own work.
I want to have this book tatooed on my body.This will become my Bible.
TLDR: buy*
*if you are an actor or director, for anyone else, its a borrow.
*if you are an actor or director, for anyone else, its a borrow.
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