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In the Skin of a Lion
by
Bristling with intelligence and shimmering with romance, this novel tests the boundary between history and myth. Patrick Lewis arrives in Toronto in the 1920s and earns his living searching for a vanished millionaire and tunneling beneath Lake Ontario. In the course of his adventures, Patrick's life intersects with those of characters who reappear in Ondaatje's Booker Priz
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Paperback, 256 pages
Published
January 14th 1997
by Vintage
(first published 1987)
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Showing 1-30

Jun 06, 2017
Marita
rated it
really liked it
·
review of another edition
Recommended to Marita by:
RK-ïsme
4.5-stars
“Alice had once described a play to him in which several actresses shared the role of the heroine. After half an hour the powerful matriarch removed her large coat from which animal pelts dangled and she passed it, along with her strength, to one of the minor characters. In this way even a silent daughter could put on the cloak and be able to break through her chrysalis into language. Each person had their moment when they assumed the skins of wild animals, when they took responsibilit...more

Astounding. One of the best novels I've ever read. Ondaatje does things with language that should be almost illegal, giving us scenes that can be at the same time lush and heartbreakingly stark, weaving in and out of different timeframes and contexts with the fluidity and free association of memory. His depictions of the hard work these characters undertake in early 20th Century Canada (bridge building, logging, tunnel drilling under Lake Ontario in order to build a water purification plant) hav
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It’s never a good sign when the first thing you do after finishing a book is to go to its Wikipedia page and scrutinize the plot summary for some hint of what happened.
For some reason, I always choose to read a complex or very “literary” type of novel on what turn out to be my busiest weeks. When I started In the Skin of a Lion, I was neck-deep in my unit planning for my English instruction course. (I developed a unit for Grade 9s studying A Wizard of Earthsea.) Even my impressive ability to fin ...more
For some reason, I always choose to read a complex or very “literary” type of novel on what turn out to be my busiest weeks. When I started In the Skin of a Lion, I was neck-deep in my unit planning for my English instruction course. (I developed a unit for Grade 9s studying A Wizard of Earthsea.) Even my impressive ability to fin ...more

Ondaatje is incredibly familiar. He has the schizophrenic narrative of Faulkner and the fragmented working class romanticism of Raymond Carver. Its interesting how much I adore Ondaatje while he reminds me of one of my mortal enemies (I'm talking to you Faulkner!). His visual brand of prose-poetry reminds me more of a filmmaker than a writer. His nostalghic exploration of Canada, and specifically Toronto increased the book's appeal for me. I had a hard time getting into Ondaatje's world, to a po
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The writing, the manner by which the author has woven fact into a fictional tale and the book’s central message explain why I like this book as much as I do. We are given a story that is carefully planned and well executed. Every detail is there for a purpose. Even section titles have been carefully considered. The “finished product” is very good.
We are told at the start that every novel should begin with the line:
“Trust me, this will take time, but there is order here, very faint, very human. ...more
We are told at the start that every novel should begin with the line:
“Trust me, this will take time, but there is order here, very faint, very human. ...more

In the Skin of a Lion is a hazy, dreamlike novel, which transports its readers to the city of Toronto in the early 20th century. This is the time when countless immigrants came to the city - escaping misery, wars and poverty that was their daily life in the Old World. The glimmering lights of the New World shore brightly across the ocean, and they journeyed across it for weeks, seduced by their promises of a new and better life. These masses of immigrants - often poor and uneducated - built, for
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A book full of sights and more, signifying much, including, and in a big way, one of my favorite themes -- that of the 'little' people, the ones 'behind the scenes' of history, the ones we'll never know.
After reading this book, I feel like I've been to Ontario and in particular Toronto during the early-20th century. Toronto is a teeming, vibrant multicultural community, so much so that the main character from backwoods Ontario feels like the outsider. Though to be completely accurate, he probabl ...more
After reading this book, I feel like I've been to Ontario and in particular Toronto during the early-20th century. Toronto is a teeming, vibrant multicultural community, so much so that the main character from backwoods Ontario feels like the outsider. Though to be completely accurate, he probabl ...more

A full five star endorsement for a novel that has a mesmeric, hallucinatory quality. Images as powerful and poignant as a dream, narrative that slips and weaves and ducks between people, places and time, and an impressive sweep of invention that catches the breath. Ondaatje uncovers the story of those whose labour created Toronto landmarks in the early twentieth century, deftly knitting up truth and myth, revealing the lives of those who were forgotten in the official version of history.
Actuall ...more
Actuall ...more

Jan 06, 2008
Alison
rated it
it was amazing
·
review of another edition
Recommends it for:
lovers of intimate cityscapes and dreamy histories made vivid with breathaking style.
There is a scene, in the very beginning of this book, during which Patrick Lewis, primary voice among the the half-dozen or so protagonists, watches Scandinavian men skate home over a frozen river on a dark winter's night in Northern Ontario, carrying handfuls of burning cattails over their heads. Ondaatje, who is the rare poet capable of writing great fiction, describes the scene thusly:
"It was not just the pleasure of skating. They could have done that during the day. This was against the nig ...more
"It was not just the pleasure of skating. They could have done that during the day. This was against the nig ...more

I got through the first fifty or so pages solely because of the poetic language of this book. Otherwise I would have meandered my way, got lost somewhere, looked around for help, and finding none, tossed the book away.
I am not a big fan of so many characters, so many voices, and so much happening in a book. But with this one I remained patient. And lord I'm I not grateful. It seems that I have been richly rewarded.
This is book is set in Toronto in the '30s. And except for Patrick, the main prot ...more
I am not a big fan of so many characters, so many voices, and so much happening in a book. But with this one I remained patient. And lord I'm I not grateful. It seems that I have been richly rewarded.
This is book is set in Toronto in the '30s. And except for Patrick, the main prot ...more

An exalted language rendered simply. Ondaatje lays down on a wood grained table, an axe, fallen trees, a log jamb, explosives, the building of a bridge and a waterworks. The concrete tools of realism. As he speaks in his mesmerizing words his agile hands tent and curl, through the fingers arise images of a hallucinogenic prose. In short declarative sentences he calls forth the onset of a first LSD trip; the shock of boundaries melting away, the particles of the world slowed and oozing with meani ...more

Despite the poetic language, this was quite a quick read. I will re read it again though as the language is complex and there are things that still do not make totally sense in my head. This is will not be a chore as the language is beautiful and eminently evocative. I wish the plot and characters' motivation had not been so difficult to fathom at times, lost is some land of magical realism. Great book still.

In the middle of this novel, Ondaatje writes:
"The first sentence of every novel should be: "Trust me, this will take time but there is order here, very faint, very human.'"
And this seems to be Ondaatje's philosophy about his novels.
I read this book because we are headed to Toronto at the end of August, and this was described to me as the "quintessential Toronto novel." However, I found myself scanning pages and anxiously hoping that I would get to the end. Not signs of a good novel for me!
Some ...more
"The first sentence of every novel should be: "Trust me, this will take time but there is order here, very faint, very human.'"
And this seems to be Ondaatje's philosophy about his novels.
I read this book because we are headed to Toronto at the end of August, and this was described to me as the "quintessential Toronto novel." However, I found myself scanning pages and anxiously hoping that I would get to the end. Not signs of a good novel for me!
Some ...more

The best book I've read in 5 years.
But everyone I recommend it to hates it.
The prose is poetry, and the genetic connection to Ondaatje's earlier prose-poem works like "Coming through Slaughter" is obvious. But the power of this book resides in his characterization - you come to be absolutely devoted to the individuals - and I choose that word deliberately - that populate this novel. Though sparingly described, they seem more familiar than the characters so exhaustively cataloged in much pomo f ...more
But everyone I recommend it to hates it.
The prose is poetry, and the genetic connection to Ondaatje's earlier prose-poem works like "Coming through Slaughter" is obvious. But the power of this book resides in his characterization - you come to be absolutely devoted to the individuals - and I choose that word deliberately - that populate this novel. Though sparingly described, they seem more familiar than the characters so exhaustively cataloged in much pomo f ...more

Honestly, I utterly despised this book. I had no end of people telling me that this was one of the most divine, perfectly written books EVER. What I saw when I read it was literary masturbation. I'll concede Ondaatje has an elegant way of stringing together lots of beautiful words and phrases and moments, but I don't think that that alone can make a book. Others have said they think the characters in this are so real as to make you utterly devoted to them. I struggled to sympathise with a single
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Ondaatje. I understand why people like at least some of his work. I understand why his prose is appealing, though it's the sort of thing nobody can do without occasionally seeming laughable (not even Virginia Woolf). I sort of get the appeal.
But I'm really sick of IMPORTANT LITERARY FICTION in Canada and really, really sick of IMPORTANT LITERARY FICTION's dominance of the Canadian literary scene. This trend seems to really have kicked off with Ondaatje's GGA win for The English Patient. Before ...more
But I'm really sick of IMPORTANT LITERARY FICTION in Canada and really, really sick of IMPORTANT LITERARY FICTION's dominance of the Canadian literary scene. This trend seems to really have kicked off with Ondaatje's GGA win for The English Patient. Before ...more

In this book, Patrick Lewis describes the lives of the people who surround him in Toronto in the 1920s. Patrick begins to learn, from their stories, the history of the city itself.

This novel is the reason novels need to be written. Ondaatje is always a stunning writer, his prose brushing up against poetry in the very best of ways, but In the Skin of a Lion rivals The English Patient with its imagery. I re-read this novel about once a year, and every time the first cracking of the spine is an almost spiritual experience.
Ondaatje is a rare writer of historical fiction in that his background knowledge is clearly immense, but he doesn't feel the need to lay it all out in the ...more
Ondaatje is a rare writer of historical fiction in that his background knowledge is clearly immense, but he doesn't feel the need to lay it all out in the ...more

There were moments of beauty and visual acuity, but more often there were moments of muddlesome bemusement. Story arcs left hanging, dangling tantalizingly (a nun falling off a bridge to be caught in mid-air, but then what...?)--abandoned, but returned to eventually. Satisfying and unsatisfying at the same time. There is a quote in the book that seems to sum up my feelings of this book:
"Only the best art can order the chaotic tumble of events. Only the best can realign chaos to suggest both the...more

First things first: I do not think Michael Ondaatje gets enough credit. I know that he wrote "The English Patient," which became an epic romantic film with Ralph Fiennes. But not only is "The English Patient" a wonderful book, but ALL of his books are beautiful. "In the Skin of a Lion" may be my favorite.
I have a great love affair with Ondaatje's prose, which gently lilts and probes and carefully illuminates the most telling truths about his characters. There are very few other writers whose wor ...more
I have a great love affair with Ondaatje's prose, which gently lilts and probes and carefully illuminates the most telling truths about his characters. There are very few other writers whose wor ...more

This is my favourite of Ondaatje's novels, and I am quite the Ondaatje fan, so. This is pomo in ways that are by now familiar: interested in collage-style historical documentation, nonlinear, imagistic, in opposition to grand narratives, obsessed with artistic creation, etc. And I love that stuff, because it is awesome. But what really makes this work is Ondaatje's prose, which is lush and visceral and delicious - he invests all of his characters with a specific kind of depth resultant from the
...more

I'm currently rereading this small novel which I think is a masterpiece of restrained and beautiful writing. Ondaatje can infuse eroticism into the struggles of the working class--in the 1920s in this novel. He introduces the characters here that will reappear in The English Patient. It is about so many things: how immigrants cope with a new land, how they learn the language of that land (hilariously by listening to Fats Waller songs in addition to going to plays and memorizing the lines along w
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If you were to ask me what this book was about, I wouldn't be able to answer you. Literally, 90% of this book didn't make sense to me.
Fortunately, (or maybe unfortunately) I'm not obliged to write a review about it since I only read it for school. - I would have DNFed it ages ago if I could. :p
Kay, byeeeee.
2 stars!

This 'humble epic' about Canada's working class in the early twentieth century is a memento to their sacrifices and to the injustice of their condition, a book made so much better by its lack of political extremism and by its dry, solemn prose; and it is also a wonderful and heartbreaking love novel.

This was actually not bad, but I didn't really enjoy it so I can't give it more than 2 stars.

compelling, beautiful, breathtaking, poetic. Will fill your head with unforgettable images - a nun falling from a half built bridge caught by a daredevil construction worker, tunnels illuminated by torchlight under a lake, explosions and prison escapes, necklaces, cows stuck in rivers, a room filled with hanging mysterious puppets slowly twirling, a man painted like the sky, clothes and all, light and sound filling your senses. Sometimes I didn't believe the dialogue, but was carried along anywa
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Overall, my thoughts are mixed... while this is a superbly written book and I enjoyed it, I didn't love. And I found the large breaks in time in the story confusing and a bit frustrating. The story is beautifully written. And I really enjoyed the historical aspects of the building of Toronto. However, I was frustrated by the lack of character development; just as you would get into a character's story, the character would be dropped.
topics | posts | views | last activity | |
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Goodreads Librari...: Page count wrong | 1 | 13 | Sep 03, 2018 03:07AM | |
Goodreads Librari...: Page count & cover incorrect | 1 | 14 | Sep 02, 2018 01:00PM | |
Powerful sexual energy,with sweetness! Labor problems included. | 6 | 50 | Nov 28, 2012 05:12PM |
He was born to a Burgher family of Dutch-Tamil-Sinhalese-Portuguese origin. He moved to England with his mother in 1954. After relocating to Canada in 1962, Ondaatje became a Canadian citizen. Ondaatje studied for a time at Bishops College School and Bishop's University in Lennoxville, Quebec, but moved to Toronto and received his BA from the University of Toronto and his MA from Queen's Universit
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“Everyone has to scratch on walls somewhere or they go crazy”
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“The joyful will stoop with sorrow, and when you have gone to the earth I will let my hair grow long for your sake, I will wander through the wilderness in the skin of a lion”
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