“It was a truth universally acknowledged that any young lady without a dragon was doomed to social failure.”
I have provided an honest review of this book - "Scales and Sensibility" by author Stephanie Burgis - below for purposes of the Self-Published Fantasy Blog-Off (SPFBO) Number 8 competition, in which this book is one of ten finalists. Before We Go Blog (where I am one of the judges) is assigned the book, along with the other 9 judging blogs, to help determine which one of 10 books will emerge as the SPFBO 8 Champion.
So-called 'cozy', more wholesome, lighter-fare fantasy is definitely in vogue right now in 2023. Looking back now, to 2021, when "Scales and Sensibility" was published in 2021, I believe we can say in hindsight that books like this were part of the vanguard for this cozy fantasy movement, and that's a BIG deal. While many Indie authors were writing about dark mages, scarred heroes with lots of baggage, and horrific creatures, some were penning books like "Sense and Sensibility", and gaining a lot of popularity, that would only increase in time.
That said, Regency Romance romance novels which are set during the British Regency of the early 19th century) have long been a very popular sub-genre, and Regency Romance SFF adds another dimension to a beloved subgenre, and creates a fascinating subgenre of its own.
Some of the features that are hallmarks of Regency Romance novels include highlighting the differences in social classes, accentuating what - and more importantly WHO - is respectable, versus who isn't. Especially for women.
As indicated by the excerpt posted above, Burgis adds the SFF twist in her novel, of DRAGONS, which so many fans of the fantasy genre adore, and many other wonderful facets.
In over-the-top, tongue-in-cheek fashion, with a huge nod, of course to "Sense and Sensibility" (the seminal 19th century Regency novel by iconic writer Jane Austen) Burgis tells the story of Elinor Tregarth. The pragmatic Elnior has been marred by the horrible death of her parents. For a young gentlewoman, this means that she is whisked off to live with relatives, shorn from her sisters, who suffer the same fate, hoping to solidify tarnished fortunes (being orphans), and still successfully marry.
Since one is considered downtrodden as an orphan, one can hardly expect good treatment, only hope for it. Those hopes are dashed by the relatives who take Elinor in. They are cruel to her, and her cousin Penelope is cosseted, flighty, tempermental, and, moreover has wrongfully appropriated a cute pet dragon, splendidly named Sir Jessamyn Carnavoran Artos.
The layabout Penelope shirks any duty of care to Sir Jessamyn, much to the kind-hearted Elinor's distress. Tired of the treatment she's receiving under the roof of her relatives, and of Penelope's neglect of Sir Jessamyn, Elinor flees with the dragon.
Though she is far kinder to Sir Jessamyn than her irresponsible cousin, Elinor thinks dragons are little more than - as high society has dictated - fashion accessories and status symbols.
But Elnior has woefully underestimated both the importance, and challenges, of taking care of a dragon. Adventure, deception, danger, and wonder abound, as Elinor finds love, finds new meaning to life, and comes to understand that when you seek to take a magical creature for a pet, one has to remember, they can be more than one might have bargained for.
Every good book for me starts with good characterization. Since this is a Regency Romance-fantasy, one perhaps shouldn't expect extremely complex characters, but that doesn't mean the characters in this book aren't well drawn. They are appropriately Regency Romance stereotypes, but Burgis does a great job with making them entertaining.
The somewhat self-depreciating, eccentric and in some ways bumbling, yet overall practical, loveable, kind, just and spunky main character of Elinor is your typical down-on-your-luck Regency heroine. She's one whom we can be pretty certain will have her fortunes reversed by the end of the book. Standing out amongst Elinor's positive traits is her sense of fairness, and her overall integrity. She is definitely a goody-two-shoes, but that's not an issue in a book like this.
The surrounding players are also caricatures of the Regency period, but very amusing, and also well-drawn. Benedict, the Hathergills, Mr. Aubery, Penelope, all would fit into most Regency Romances without a hitch. Just change the names, and they become part of that tapestry, without much altering their plot arch.
The villains aren't necessarily outright evil, instead they're more petty, conniving, and scornful. The goodies are syrupy good. I'm fine with all that, and rather enjoyed it, because this book doesn't take itself too seriously.
Well-worn Regency tropes, and the idiosyncrasies of the Regency Era - which essentially provides the worldbuilding - including portrayal of the social calendar, marriages of convenience, the sometimes absurdity of Regency-era courtship, mystery and farcical aspects, were all great hallmarks of Regency Romance that showed up in "Scales and Sensibility", and worked really well for me. I do LOVE how Burgis used dragons, and how their magic seems to work, in the novel. Most of us have seen tiny, fashionable dogs carried in purses that so many people find so winsome as pets...for me the dragons in this book were kind of like that, except these are true to what we all envision and have read of dragons, creatures of considerable power. In this case, Jessamyn is deceptively powerful (but still really cute). He's no Drogon, Jabberwock, or Ancalagon the Black, but he shouldn't be underrated.
While I have read many a Regency with more compelling themes added in, this novel delivers on the whimsy, comedy of errors, classic miscommunications, and antics one would hope to see in Regency fare, with a dash of the mystery (of the light-hearted variety) that I really enjoy in my Regencies (though I tend to like the darker, more sinister thriller elements thrown in there). All with the (desired) predictable outcome.
I am a self-professed romance lover, and the romance in "Scales and Sensibility" was charming. It was a fairly quick turnaround, from first sight to first heart flutter, then to first swooning in love, but the pairing of the caring, loyal, and kind Benedict and the sensitive, warm and wonderful Elinor won me over.
I have to praise Burgis' prose as being smooth, clear, crisp, and fluid. The book is VERY well-written, readable, and I breezed through it without a hitch or complaint about the writing style, or any awkwardness at all to the narrative.
Every book must be judged on its own merits, and for me, everything that "Scales and Sensibility" promises, it delivers. It's heartwarming, light, funny, endearing, well-paced, well-written, and full of sweetness and fanciful things, and DRAGONS.
It would be a diverting Regency Romance if it wasn't fantasy, I strongly believe that. Can't help but ask myself, however, would it be an intriguing fantasy novel if it didn't have historical romantic comedy as part of the book? Ultimately, perhaps it's not quite fair to try to make that delineation, but this analysis is all for judging purposes, because this is, after all, the Self-Published Fantasy Blog Off finals round.
Yet ultimately, for me, this is a very good fantasy BOOK, irrespective of what type of book it is, and a deserving SPFBO 8 Finalist.
Highly recommended for those who like their Regency Romance very cozy, tried and true, but spiced up to low heat with adorable dragons, mischief, and quick fall in love (non-risque) romance.
P.L.'s individual SPFBO Score: 7.5 out of possible 10.
Overall cumulative score from Before We Go Blog: 7.0 out of possible 10.