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The Theater of Night
“Ríos writes in a serenely clear manner.”— The New York Times Book Review “Ríos’ verse inhabits a country of his own making, sometimes political, often personal, with the familiarity and pungency of an Arizona chili.”— The Christian Science Monitor Following the success of his National Book Award nomination, Alberto Ríos’ new book is filled with magic, marvel, and emotional truth. Set along the elusive Mexican-American border, his poems trace the lives and loves of an elderly couple, Clemente and Ventura, through their childhood and courtship to marriage, maturity, old age, and death. From The Chair She Sits In I’ve heard this thing where, when someone dies,
People close up all the holes around the house—
The keyholes, the chimney, the windows,
Even the mouths of the animals, the dogs and the pigs.
It’s so the soul won’t be confused, or tempted.
It’s so when the soul comes out of the body it’s been in,
But which doesn’t work anymore,
It won’t simply go into another one
And try to make itself at home,
Pretending as if nothing happened . . . Ríos’ narratives are both surreal and hyper-real, creating the hard, sweet weave of two lives becoming one. The National Book Award judges noted that Ríos is a “poet of reverie,” and like the best of storytellers he charms his readers, making us care deeply for—even love—these people we read. Alberto Ríos is the poet laureate of Arizona and teaches at Arizona State University. He is the author of eight books of poetry, three collections of short stories, and a memoir. Ríos is the recipient of numerous awards, and his work is included in over 175 national and international literary anthologies. His work is regularly taught and translated and has been adapted to dance and both classical and popular music.
People close up all the holes around the house—
The keyholes, the chimney, the windows,
Even the mouths of the animals, the dogs and the pigs.
It’s so the soul won’t be confused, or tempted.
It’s so when the soul comes out of the body it’s been in,
But which doesn’t work anymore,
It won’t simply go into another one
And try to make itself at home,
Pretending as if nothing happened . . . Ríos’ narratives are both surreal and hyper-real, creating the hard, sweet weave of two lives becoming one. The National Book Award judges noted that Ríos is a “poet of reverie,” and like the best of storytellers he charms his readers, making us care deeply for—even love—these people we read. Alberto Ríos is the poet laureate of Arizona and teaches at Arizona State University. He is the author of eight books of poetry, three collections of short stories, and a memoir. Ríos is the recipient of numerous awards, and his work is included in over 175 national and international literary anthologies. His work is regularly taught and translated and has been adapted to dance and both classical and popular music.
- GenresPoetry
96 pages, Hardcover
First published January 1, 2006
1 person is currently reading
52 people want to read
About the author
Alberto Alvaro Ríos
28 books40 followersIn 1952, Alberto Alvaro Ríos was born on the American side of the city of Nogales, Arizona, on the Mexican border. He received a Bachelor of Arts from the University of Arizona in 1974 and a MFA in Creative Writing from the same institution in 1979.
He is the author of several collections of poetry, including Dangerous Shirt (Copper Canyon Press, 2009); The Theater of Night (2007); The Smallest Muscle in the Human Body (2002), which was nominated for the National Book Award; Teodora Luna's Two Kisses(1990); The Lime Orchard Woman (1988); Five Indiscretions (1985); and Whispering to Fool the Wind (1982), which won the 1981 Walt Whitman Award, selected by Donald Justice.
Other books by Ríos include Capirotada: A Nogales Memoir (University of New Mexico Press, 1999), The Curtain of Trees: Stories (1999), Pig Cookies and Other Stories (1995), and The Iguana Killer: Twelve Stories of the Heart (1984), which won the Western States Book Award.
Ríos's poetry has been set to music in a cantata by James DeMars called "Toto's Say," and on an EMI release, "Away from Home." He was also featured in the documentary Birthwrite: Growing Up Hispanic. His work has been included in more than ninety major national and international literary anthologies, including the Norton Anthology of Modern Poetry.
"Alberto Ríos is a poet of reverie and magical perception," wrote the judges of the 2002 National Book Awards, "and of the threshold between this world and the world just beyond."
He holds numerous awards, including six Pushcart Prizes in both poetry and fiction, the Arizona Governor's Arts Award and fellowships from the Guggenheim Foundation and the National Endowment for the Arts.
Since 1994 he has been Regents Professor of English at Arizona State University, where he has taught since 1982. He lives in Chandler, Arizona.
He is the author of several collections of poetry, including Dangerous Shirt (Copper Canyon Press, 2009); The Theater of Night (2007); The Smallest Muscle in the Human Body (2002), which was nominated for the National Book Award; Teodora Luna's Two Kisses(1990); The Lime Orchard Woman (1988); Five Indiscretions (1985); and Whispering to Fool the Wind (1982), which won the 1981 Walt Whitman Award, selected by Donald Justice.
Other books by Ríos include Capirotada: A Nogales Memoir (University of New Mexico Press, 1999), The Curtain of Trees: Stories (1999), Pig Cookies and Other Stories (1995), and The Iguana Killer: Twelve Stories of the Heart (1984), which won the Western States Book Award.
Ríos's poetry has been set to music in a cantata by James DeMars called "Toto's Say," and on an EMI release, "Away from Home." He was also featured in the documentary Birthwrite: Growing Up Hispanic. His work has been included in more than ninety major national and international literary anthologies, including the Norton Anthology of Modern Poetry.
"Alberto Ríos is a poet of reverie and magical perception," wrote the judges of the 2002 National Book Awards, "and of the threshold between this world and the world just beyond."
He holds numerous awards, including six Pushcart Prizes in both poetry and fiction, the Arizona Governor's Arts Award and fellowships from the Guggenheim Foundation and the National Endowment for the Arts.
Since 1994 he has been Regents Professor of English at Arizona State University, where he has taught since 1982. He lives in Chandler, Arizona.
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Displaying 1 - 5 of 5 reviews
June 16, 2022
I am very glad I read this collection of poems. The poet invites us into his world, his family, his animals. He looks at them intently and invites us to look intently. And then he lifts us to a new place, where we see something we had missed in our first glance. I like that. Beautiful.
October 10, 2022
warm, longing poems that effortlessly traverse multiple generations of a family's history. dreamlike and inviting. very much enjoyed!
November 8, 2007
"Daily Dog" - great! super! loved it!
others...make me feel old. don't like that.
enough about the book - it's just an excuse to write another note to Sarah:
this morning Henry came to me with his latest volume of "Henry's Poem Books" on the back he wrote "and to my best friend Sammy".
Damn! I love that kid!
others...make me feel old. don't like that.
enough about the book - it's just an excuse to write another note to Sarah:
this morning Henry came to me with his latest volume of "Henry's Poem Books" on the back he wrote "and to my best friend Sammy".
Damn! I love that kid!
February 3, 2017
fantasy and reality of an old love story make this book worth reading
December 31, 2008
Intimate expressions of a relationship between husband and wife as told through their grandson's eyes in a seamless flow of poetry...all their secrets and mannerisms revealed.
Displaying 1 - 5 of 5 reviews