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562 pages, Kindle Edition
First published July 20, 2020
Wake up one day, face down in a well, with no memory of your past. Leave your home for a new, temporary abode and fight some bullies there. Then leave that place for the next abode and fight bullies there. Then, again, leave that place for the next place and guess what?! You guessed it! Fight even more bullies there!
With this, I have described two-thirds of this book. The bullies all have different motivations and vary in scope and scale such that it becomes racial discrimination in the later parts of the story, but the theme remains the same.
All of the friends our hero manages to make, and other side characters in this book are either entirely unimportant or relatively unimportant. They are simply there to fill the pages. For most of them, you could swap their faces and slap one's name on the other, and you still wouldn't spot a difference. And it is for this reason that the supposedly tragic loss at the end seemed cheap to me. I simply couldn't bring myself to care for it.
Then there is Anya Aruwen. The Prodigal Elven Warrior. The First and Only Female to graduate The Third Directorate. After all that hype, she should have made more of an appearance. There should have been breakneck action sequences that showcased how badass she was. She's supposed to be a Ranger! And not just any ranger but one of the best! She's so good that she goes hunting for zahhacks---monsters of this world that are highly dangerous even to other elven warriors--- through the mountains by herself! She even goes on a hunt to the borders of her kingdom after our hero has enrolled at the Directorate.
In fact, she had been the first woman to ever graduate from the Third Directorate, period, and at the top of her class, no less. After finishing her courses at the academy, like other highly skilled graduates, she had become a ranger. However, Anya worked alone. She apparently enjoyed the solitude while she scouted the rugged terrain of the Dagger Mountains, killing zahhacks and wraiths as the need arose.
The magic system of the world is vague and ambiguous at best. Maybe that was a deliberate choice made by the author since humans cannot harness their magic. But every other species on the face of this world can, which places humans squarely at the bottom of the food chain. This is where more time focused on Anya and her elven heritage could have helped. Nothing much. Like I said, just a single action sequence that shows her pulling out all the stops during one of her hunts could have shed some light on the deeper and more intricate workings of magic. But it doesn't. Because, again, we don't get to see any of that.*Sigh*
Oh sure, there are a few pages told from the perspectives of a couple of elven assholes but they are children compared to Anya. And even then we don't see much. I sincerely hope that the disordered jumble of information that is thrown in our faces is not the extent of this world's magical system and that the author expands upon them in the sequel.
Those that do not wish to look too deeply into the author's custom vocabulary(the apparent gibberish that you neither understand nor know how to pronounce) for this book should probably skip the next paragraph. You've been fairly warned.
Alright, time for an impromptu lecture.
AHEM! AHEM!
The author likes to throw around certain words that clearly have roots in Indian literature and spirituality. Words such as,
-Nadis(bastardised plural form) or Nadi(singular), which means 'blood vessels' in my own mother tongue, Tamil.
-Muladhara(or Muladharam), which could be taken as 'source' or 'root' in the literal sense. But in this case, I believe the author was going for the anatomical definition which would be, 'the root of the spinal column', in other words, 'the tailbone'. Or at least the chakra that is situated there. Those that perform Yoga should be familiar with this concept.
-Jivatma, which roughly translates to 'soul'. And a few other words that I can't recall.
Again, as I said, all of this comes from my mother tongue, Tamil. I'm not sure which language the author draws inspiration from. Almost all of the many Indian languages can trace their origin back to one of two ancient languages. Sanskrit and Tamil. Urdu serves as a good example for an exception since it heavily derives from Arabic and Persian. Alright, that's it for the tangent.
But do you see the problem here? It should have been the author who told you all of this, not the part about linguistic origins but about the author's own unique twist in incorporating these actual concepts into his fantastical realm. It should have been the author that explained their importance and respective roles in conducting magic in depth, from an in-world standpoint. Not me.
As a fan of Hard Magical Systems, with Brandon Sanderson's works being fine examples, this bothers me.
Then why do I not hate this book that seems like a chore to slog through? Let me tell you.
Once our hero has overcome or is in the process of overcoming the bullies of his current place in life, he is growing stronger. And fighting. Constantly. I believe that the cultivation aspect of this story was one thing that was done right. And the author has a certain flair for writing action sequences such that it takes a long time for you to even realize that it has become repetitive.
So no, I don't hate this book. I'm merely disappointed.
But I still hope. There is an interesting premise for a sequel here. It would probably disappoint me again. I think I'll still pick it up.
I must be insane.
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