Mexican Gothic

“So I’ll be wed in the Church of the Holy Incestuous Mushroom?” she intoned. “I doubt that’s valid.”

“So I’ll be wed in the Church of the Holy Incestuous Mushroom?” she intoned. “I doubt that’s valid.”

“Treasure troves from their vault, carefully placed in crates, just like the dark earth Howard had packed, so that they might reassemble the world where they’d reigned as masters.”

“Noemí, like any good socialite, shopped at the Palacio de Hierro, painted her lips with Elizabeth Arden lipstick, owned a couple of very fine furs, spoke English with remarkable ease, courtesy of the nuns at the Monserrat—a private school, of course—and was expected to devote her time to the twin pursuits of leisure and husband hunting.”

“This house is sick with rot, stinks of decay, brims with every single evil and cruel sentiment. I have tried to hold on to my wits, to keep this foulness away but I cannot and I find myself losing track of time and thoughts. Please. Please. They are cruel and unkind and they will not let me go. I bar my door but still they come, they whisper at nights and I am so afraid of these restless dead, these ghosts, fleshless things.”

“Noemí, just because there are no ghosts it doesn’t mean you can’t be haunted. Nor that you shouldn’t fear the haunting.”

“A body. That’s what they all were to them. The bodies of miners in the cemetery, the bodies of women who gave birth to their children, and the bodies of those children who were simply the fresh skin of the snake. And there on the bed lay the body that mattered. The father.”