Society of the Spectacle
Few works of political and cultural theory have been as enduringly provocative as Guy Debord's The Society of the Spectacle. From its publication amid the social upheavals of the 1960s up to the present, the volatile theses of this book have decisively transformed debates on the shape of modernity, capitalism and everyday life in the late twentieth century. Now finally ava...more
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Debord may even be more right than he knew. Even rebellion, not only that of the 1960s but also the present day, has been made into a commodity.
Review in English below.*
Δεν ξέρω κατά πόσο ευθύνεται η μετάφραση του Μπαμπασάκη για την δυσκολία που παρουσιάζει το κείμενο του Debord, αλλά πρόκειται για ένα πολύ απαιτητικό ανάγνωσμα που για να το κατανοήσει κανείς, χρειάζεται απόλυτη συγκέντρωση και αφοσίωση. Πίσω όμως από την εξεζητημένη γραφή, βρίσκεται ένα ευαγγέλιο που γράφτηκε το '67 και ενέπνευσε τον γαλλικό Μάη του '68. Ένα έργο που, όσο περνούν τα χρόνια, μοιάζει να γίνεται όλο και πιο επίκαιρο. Το ερώτημ ...more
What is the spectacle, then? Debord has a great way of summarizing it: the colonization of human life by commodities. It's ...more
In any expository writing, particularly when persuasion is the goal, the writing should be as clear as possible to reach the widest audience.
This essay is laid out in numbered statements. Some are only a sentence long, others may run a page or two, but all are written in a style that tells me the author is more concerned with his style than the content. Perhaps this is the thing to do in intellectual circles, where stylish profundity that requires effort to decode is val ...more
• It is a very direct translation from the original French text.
• The Situations had developed their own vocabulary to describe what were then new and unidentified sociological phenomena (we now have a different lexicon to describe this more widely acknowledged phenomena today.)
• Debord, in this book, practices what he preached with the Situationists in his use of detournment (the reuse of elements of well-known media to create a new work w ...more
Non c'è dialogo. Non c'è scelta. Gli individui sono testimoni passivi, ammirano le immagini, scelte dal potere, che sostituiscono la realtà. Il pubblico guarda, non agisce e non reagisce. Reale e virtuale si confondono, perdono identità. Si assiste così alla “rimozione di ogni verità vissuta sotto la presenza reale della falsità assicurata dall'organizzazione dell'apparenza”. È vero ciò che il potere mostra. Il resto è impostura. Il reale perde consistenza, è a ...more
The theater is built in front us and we are lead to believe that we actually participate in its adventure. As Johnny Rotten said at the last Sex Pistols concert in the late 70's "Have you ever felt the feeling that you have been had?" Wel ...more
20. ...the absolute denial of life, in the shape of a fallacious paradise, is no longer projected onto the heavens, but finds its place instead within material life itself. the spectacle is hence a technological version of the exiling of human powers in a "world beyond" - and the perfection of separation within human beings.
67. ...a use of the commodity arises that is sufficient unto itself; what this means for ...more
Most are well-aware of Noam Chomsky and Edward Herman and the Propaganda Model presented in Manufacturing Consent, of how the media is pure propaganda. But the idea of 'spectacle' being something part of our daily lives, not just in the media, of our consumer society as one of consuming spectacles virtually everywhere, is under-studie ...more
The spectacle is the moment when the commodity has attained the total occupation of social life. Not only is the relation to the commodity visible but it is all one sees: the world one sees is its world. Modern economic production extends its dictatorship extensively and intensively. In the least industrialized places, its reign is already attested by a few star commodities and by the imperialist domination imposed by regions which are ahead in the development of productivity. In the advanced ...more
Interesting for the historical context, but nothing more really. A redundant midway point between Marx and Baudrillard, in which the former's ideas are obfuscated for the purposes of pretension. Though I imagine translation is partly to blame for that. Its ...more
Disentuh sedikit tentang konsumerisma, kritik atas marx & marxisme, russian version of marxism dan paling banyak, critique of capitalism.
Untuk bacaan lanjut dari buku ini :
- Comments on the Society of the Spectacle (Guy Deobord juga, 20 tahun selepas buku ini)
- Dialectic of Enlighte ...more
This book describes the problem : defined as The Spectacle. But how many of us dare to challenge the hegemony of the image obsessed society we have created? Debord wrote this tract in the sixties before the consumer society really took off. It was a prophetic warning.
Ask yourself this : aren't we all guilty of creating this monster? And how are we going to stop it?
The truth is in this book. Read it and weep.
This book was originally a manifesto of sorts, ...more
Guau. Debord pinta un panorama desolador y no puedo evitar ver en parte a nuestro mundo reflejado en lo que dice. Antes de empezar aclaro que todo lo siguiente está sujeto a un "si mal no entendí" porque tranquilamente puedo haber malinterpretado lo que leí.
Entiendo por qué Debord describía a la sociedad del siglo XX ...more
Bu kadar önemli, kült mertebesinde bir kitaba review yazmak da neyin nesi, veyahut onu puanlamak, diyor olmama rağmen kendi kendime iki satır bir şey yazmak istedim yine de. ilk yetmiş, yüz sayfasını okumuş olmak bile o kadar çok açmıştı ki dimağımı, siyasi perspektifimi a'dan ...more
Let's take for an example, Madonna's song, "A Material Girl". It may raise images of a woman obsessed with fashion, beauty, design, art and possibly travel. The author would describe her as "consumed by the spectacle" and "precipitated by the concrete process of an autonomous economic system of production."
(Yes, you may need Google to r ...more
Debord argues that society is full of spectators drugged by the spectacle created within hegemonic practices. His aim is to awaken the sleeper throu ...more