It seems when a lady's called "Calamity," chaos follows wherever she goes -- even to the mostly peaceful railroad town of Mulrooney, Kansas. Martha Jane Canary's always been free as the prairie wind, tied to no place or person, so she never expected to inherit a hardscrabble ranch that other folks have been working. She might have even ignored the legal summons to claim her property . . . if someone hadn't tried to kill her first.
Now, whether she wants the spread or not, Jane's going to fight for what's hers -- taking on bushwackers, crooked lawyers . . . and a woman with a cold and greedy heart, and a plan to steal Jane's land with bullets and brutality. But Calamity's got an ally -- a baby-faced Texas gun called the Ysabel Kid -- not to mention stony courage, a strong and sure whip hand . . . and a mule-stubborn willingness to lay down her life for what's right.
John Thomas Edson is an English writer of Westerns.
He was born in 1928.He was obsessed with Westerns from an early age and often "rewrote" cowboy movies that he had seen at the cinema. One thing that always intrigued him was the minutiae—how did the baddie's gun jam? What were the mechanics of cheating at cards? How did Westerners really dress and speak?
His writing was helped to develop by a schoolteacher who encouraged him. Now lives in Leicester, Leicestershire.[citation needed]
During his 20s and 30s, Edson served in His Majesty's Armed Forces for 12 years as a Dog Trainer. Cooped up in barracks for long periods, he devoured books by the great escapist writers (Edgar Rice Burroughs, Robert McCraig, Nelson C. Nye and Edgar Wallace). He also sat through hours of movies starring John Wayne, Randolph Scott, Errol Flynn and his all-time favourite, Audie Murphy.
His first appearance in print was "Hints On Self-Preservation when attacked by a War Dog" in the Osnabrück camp magazine Shufti in 1947. Acquiring a typewriter in the early 1950s and putting it to good use while posted to Hong Kong, by the time of his discharge he had written 10 Westerns, an early version of Bunduki and the first of the short detective-type stories starring Waco.
Upon leaving HM forces, JT won second prize (with Trail Boss) in the Western division of a Literary Competition run by Brown & Watson Ltd, which led to the publication of 46 novels with them, becoming a major earner for the company.
He had the need for supplementary income from time-to-time and also served as a postman, and the proprietor of a fish 'n' chip shop. Furthermore, he branched out as a writer and wrote five series of short stories (Dan Hollick, Dog Handler) for the Victor boys papers, and wrote the "box captions" for comic strips, which instilled discipline and the ability to convey maximum information with minimum words.
His writing career forged ahead when he joined Corgi Books in the late '60s, which gave JT exposure through a major publishing house, as well as the opportunity to branch out from the core Westerns into the Rockabye County, the science-fiction hero Bunduki and other series.
Although this is the american reprint of White Stallion, Red Mare I did enjoy re-reading this story. After her initial problems Calamity is joined by the Isabel Kid to make her way to Hoolick City. On the way they meet crooked Way Station employees and finally settle the hash of the two attempted killers who failed in Mulrooney. Calamity has been left a ranch by her wastrel father, who she never really knew. The ranch is wanted by two separate parties, Cash and Crie-Mae who have run the ranch and improved it since her father left and Estelle who wants it at any cost to run her timber business. After many trials and tribulations Calamity meets and fights estelle to the end. Estelle is killed by one of her employees, by accident. At the end Calamity sells the ranch to Cash and Cora-Mae, for the price her father paid, with the bulk of the money going to the relatives of those who were injured or killed helping her.