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Make Room! Make Room!

Harry Harrison

3.72 · Rating details · 5,858 ratings · 476 reviews

First published in 1966, Harrison's novel of an overpopulated urban jungle, a divided class system--operating within an atmosphere of riots, food shortages, and senseless acts of violence--and a desperate hunt for the truth by a cynical NYC detective tells a classic tale of a dark future.

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Mass Market Paperback, 288 pages

Published May 1st 1994 by Spectra (first published November 1st 1966)

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· 5,858 ratings · 476 reviews

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Apr 09, 2018 Leo . rated it really liked it · review of another edition

McDonald's springs to mind!👍🐯

Monsanto too!

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Aug 05, 2009 Stephen rated it it was amazing

Shelves: ebooks, audiobook, mystery, 1954-1969, world-in-the-shitter, science-fiction

Color me happy and more than a little surprised to be decorating this review with as many stars as I am because I went into this novel with pretty subdued expectations. I would say expectations on par with those I hold for the latest cinematic embarassment by Mr. Dickoless Cage. I know that's not very nice, but I will never, never forgive that talent-free ass bozo for effectively castrating Ghost Rider in front of the general public, despite being a self-described fanboy of the character. The g ...more

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May 03, 2018 Paul Bryant rated it liked it · review of another edition

Shelves: sf-novels-aaargh

Here is a 1966 novel about 1999 which is good, honest, miserable fun. The main guy who is a cop gets to be really happy for about two pages and after that it’s back to worrying about absolutely everything.

It’s New York City and the population has skyrocketed to 35 million. The whole damn country has kind of collapsed. There are no more private cars. Tobacco is a thing of the past. There are meateasies! This is because you can get your meat but you have to know where. But pretty much everything ...more

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Jan 11, 2015 Rebecca McNutt rated it really liked it · review of another edition

Shelves: dystopian, science-fiction, new-york, fiction, horror

Before we had dystopian novels being pushed out like crazy in the 2000's, Make Room, Make Room! came out in 1966 and brought up a bleak and disturbingly believable dystopian future world, one filled with extreme overpopulation, pollution and madness. It's still just as chilling today, in fact the 21st century has made it even more believable than it used to be, making for a frightening but very intriguing book.

If you're a fan of the 1970's film Soylent Green, well, Make Room, Make Room! was the ...more

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Aug 30, 2011 Apatt rated it really liked it

Shelves: pre-80s-sf

“So mankind gobbled in a century all the world’s resources that had taken millions of years to store up, and no one on the top gave a damn or listened to all the voices that were trying to warn them, they just let us overproduce and overconsume until now the oil is gone, the topsoil depleted and washed away, the trees chopped down, the animals extinct, the earth poisoned, and all we have to show for this is seven billion people fighting over the scraps that are left, living a miserable existence ...more

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Jul 05, 2012 Marvin rated it really liked it · review of another edition

Shelves: science-fiction

First thing, Forget about the movie Soylent Green which was based on Harry Harrison's novel about overpopulation, Make Room! Make Room!. There is no Charleston Heston screaming , "Soylent Green is people!" and nothing about cannibalism. What we have instead is a very effective and disquieting look at a future where overpopulation is rampant and food and water sources are depleting. While he centers his story around a New York detective and a "accidental" murder, Harrison is more interested in de ...more

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Nov 16, 2018 Manuel Antão rated it liked it · review of another edition

Shelves: 1980

If you're into stuff like this, you can read the full review.

Malthus: "Make Room! Make Room!" by Harry Harrison

(Original Review, 1980-08-19)

Pournelle's virulently infectious optimism is severely misplaced. Other people have already pointed out that his strategy involves the probable abandonment of Earth and the bulk of its population (what-the-hell, they're just gooks anyway); I'll just add that even RAH [2018 EDIT: Heinlein] saw this approx. 30 years ago (in FARMER IN THE SKY a character acknow ...more

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Oct 14, 2015 Debbie Zapata rated it really liked it · review of another edition

Shelves: saturdaymx

Of course I remember the movie Soylent Green. I saw it at the drive-in gazillions of years ago, and many times since. But let me tell you, as dramatic as the movie is, with Charlton Heston as main character Andy Rusch giving the infamous scream of (view spoiler) there is actually no soylent green in the book at all. There are red crackers, seaweed crackers, brown soylent (soy/lentil) steaks and eventually small soylent burgers supposedly with a smoky-bar Of course I remember the movie Soylent Green. I saw it at the drive-in gazillions of years ago, and many times since. But let me tell you, as dramatic as the movie is, with Charlton Heston as main character Andy Rusch giving the infamous scream of (view spoiler) there is actually no soylent green in the book at all. There are red crackers, seaweed crackers, brown soylent (soy/lentil) steaks and eventually small soylent burgers supposedly with a smoky-barbecue flavor. So there is no eating of (view spoiler) here. There is not much eating of anything, because there is simply not much food. Or water. Or electricity. Or personal space. And this makes the book feel much more terrifying, because it is easier to imagine our world becoming exactly like Harrison's New York City.

Written in 1966, the story takes place during the last six months of 1999. Okay, we do all know that the world survived the big leap from the year 1999 to the year 2000. But Harrison's dedication shows us what he was concerned about at the time he wrote this book. To Todd and Moria ~~ For your sakes, children, I hope this proves to be a work of fiction.

There are 35 million people in New York City. Andy Rusch is one of them. He is a detective on the police force, sharing living space with an old man named Solomon Kahn. Andy is assigned to investigate a homicide, and at first it seems to be cut and dried, another case to be dealt with as quickly as possible and forgotten. But due to a bit of paranoia and misinterpretation on the part of certain people in control of things behind the scenes, pressure is put on the police force to find the killer, not simply to mark the case closed without a proper investigation. In the process of his more thorough detective work, Andy gets to know the victim's girlfriend Shirl, who becomes very important in his own life. The reader spends time with the killer, we even see him commit the crime, but does Andy ever catch him?

But the police procedure is only a tiny part of the story. The main theme is the lack of everything that makes a city a decent place to live. Water and food rations are small and often cut. Electricity is iffy, there are no cars on the streets, but they do fill once-vacant lots where homeless people crowd into their abandoned bodies for shelter. Of course some people do manage to live in air-conditioned luxury, and even buy beef from the meatleggers. There are always people who can get you things for the right price and others who have that price. Overall the feel of the book is grimy, hot, sticky,
hopeless, and extremely crowded.

Solomon spends time in the second part of the book talking about why the country has turned out the way it has, and his words feel like something we could be hearing today. Or perhaps should be hearing today. As I said earlier, it is very easy to imagine our world becoming Andy's world. A few natural disasters, a little more climate change, one or two dozen more crooked politicians, lots and lots of more people and there we are.

I agree with Harrison's wish in his dedication. However, it does seem that we are well on the way to making this statement by Solomon a reality:
One time we had the whole world in our hands, but we ate it and burned it and it's gone now. ...more

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Sep 30, 2018 Bradley rated it really liked it

Shelves: 2018-shelf, sci-fi

Oddly enough, I kinda expected something hokey before I read this, but instead, I just got a dystopian nightmare of overpopulation.

This isn't unexpected or a bad thing. After all, I've seen Soylent Green and felt the huge impact of the scene where the old man Saul mouths the BIG SECRET through the plane of glass. I remember the riots, the pressure, the senseless violence, and the massive levels of injustice AND stupidity that brought us to this state.

And yet, after reading this novel, that sense ...more

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Apr 02, 2012 Manny rated it liked it

Shelves: science-fiction

Good morning class! Now, hands up everyone who knows what Soylent Green is made of. Ah, that's very good. I'm glad to see you read your assignment.

I'm sorry, we're not quite finished yet. What is the book's original title? No, of course it isn't a trick question. You should have read it a little more carefully...

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Feb 19, 2018 Becky rated it it was ok

Shelves: 2018, audiobook, disappointing, owned, politicalish, reviewed, science-fiction

Sigh... Where to begin? This is my second, and probably last Harry Harrison novel. I know that he's considered one of the best science fiction writers of his time, and I can't disagree... But it's not his time anymore, and in my opinion, his writing just doesn't stand the test of time. He shouldn't feel too offended though, this opinion applies to quite a few writers whose work shows its age, and not in a George Clooney "Gets Better With" kind of way.

The ideas and concepts I can appreciate. The Sigh... Where to begin? This is my second, and probably last Harry Harrison novel. I know that he's considered one of the best science fiction writers of his time, and I can't disagree... But it's not his time anymore, and in my opinion, his writing just doesn't stand the test of time. He shouldn't feel too offended though, this opinion applies to quite a few writers whose work shows its age, and not in a George Clooney "Gets Better With" kind of way.

The ideas and concepts I can appreciate. The overcrowding, the overpopulation, the over-consumption and the warnings to future us to not let it happen that way... This stuff I can appreciate. My favorite parts of the book were Sol's railing against the anti-birth control agenda, and Peter the homeless preacher's despair at it NOT being the end of the world when the clock strikes midnight on Jan 1, 2000. "A thousand more years of THIS??"

These bits were the most real and tangible and human parts of the book for me. The rest was just set dressing... Or outdated attitudes that irritated me more and more as the book went on.

Sexism and misogyny, racism, classism... I have a hard time ignoring these things just because the book is 50 years old and things were different then. My thinking is, if Harrison was so ahead of his time thinking about overpopulation and a woman's right to choose whether to have kids or not, then he should also... I dunno, not objectify and make it out that their only value lies between their legs. Woman after woman was described as greedy, hard, cold, and bitchy... And also, coincidentally, usually overweight and lazy, too. Except Shirl, who was exceptionally beautiful... And who sells herself because that's what beautiful girls do in a hard world. There is apparently no other work or options. Fuck for money and place and privilege, or barely subsist on rations and "love". Maybe if her ass got a job and didn't sit at home like a suburban housewife, they might've had an easier time of life, and she wouldn't have been so resentful of Andy being gone 20 hours a day DOING HIS JOB. Ugh.

I just expect a bit more from someone who seems to think, in both of the books I've read of Harrison's, that women are capable and equal to men, but in every action writes them the exact opposite way. It bugs me.

And let's not even start the rant on how Asians were depicted. FML. "Chink" this and "chink" that. SERIOUSLY. I can't get down with that shit.

I seriously never thought I'd ever say that my favorite parts of a book would be the PREACHY bits. Wow.

Anyway. So. Everyone sign up for the Voluntary Human Extinction Project... Or more realistically... Lobby your representatives for better birth control options - and NOT just for women - and safe abortion facilities, because, last I checked, it is still legal in the US, though some would rather unwanted babies be born to families that can't support them. Because that makes sense. Grrr...

Plan your families... We have the technology. Or we overpopulate and consume even more than we do now, and everyone in our children's or grandchildren's future suffers.

That is all. ...more

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Sep 28, 2012 Toby rated it really liked it · review of another edition

Shelves: black-as-night, sci-fi

A fine piece of science fiction that grabs you from the start with it's world building and high quality writing and entertains for over 200 pages.

Soylent Green might have been people but Make Room! Make Room! is a story about a detective investigating a murder in a future world with a drastic problem with over-population and a lack of natural resources. The detective aspect works as an interesting framing story that allows Harrison to explore the nuances of his world - food riots, vegan diets, w ...more

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Jul 04, 2013 Robert rated it it was ok · review of another edition

Shelves: sf

It's the future - 1999 in fact! Over 7 billion humans, 35 million of them in New York City where a cop, a gangster's moll and a street kid all collide on their no longer separate searches for food and water security. Shanties, tent cities, people living in ships and cars that can't move because there's no more oil. Sounds like Harrison only got the date wrong...

It's an odd book tackling the question of over-population back in the 1960s when it seems to have first been taken seriously (though not ...more

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May 30, 2012 Jason rated it it was ok

Make Room! Make Room! was the basis for the classic sci-fi flick Soylent Green. Of course, the scene that everyone remembers from the film - Charleston Heston yelling, "Soylent Green is people!" at the end - never appears in the book. Sorry, kids, no cannibalism in this rather slow read from the 1960s, but lots of commentary on the dangers of overpopulation.

It's actually a fairly depressing story about environmental collapse: the food is pretty much gone and it's hot all the time due to global w ...more

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Oct 14, 2013 Ali Berk Çetinbudaklar rated it really liked it · review of another edition

Shelves: dystopia-utopia, post-apocalyptic, science-fiction

Yıllar önce izlediğim Soylent Green'in, birebir uyarlandığı kitap olarak düşünüyordum, ama baya farklılık varmış; hele ki filmi özellikle vurucu yapan kısma acaba ne zaman geleceğim diye beklerken, kitabın bitişiyle öyle bir kısmın olmadığını anladım. Çoğu kişi belki de bu yüzden "uyarlandığı kitaptan daha iyi olan filmler" listesine ekleyecektir S.G.'yi.

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Nov 23, 2016 Stephen Robert Collins rated it it was amazing

This was made in to Solvent Green with very odd cast of Charlton Heston & Edward G Robinson who was famous for playing gangsters it was his last movie & he was very ill when it was made.
My late mother hated this as was about suicide clinks for old people. She said was in very bad taste.
The book & the movie are different Harry Harrison famous for his Stainless Steel rat books often did comical books or even black comedy but the move was not comical I found it bit of sour taste special ...more

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Nov 30, 2012 Nefariousbig rated it it was amazing · review of another edition

Shelves: reviewed

Inevitable? Dystrophic in Dystopia. Imagined or Insighted?

This 1973 synopsis sounds like a current headline: In 2022, with 40 million people in New York City alone, housing is dilapidated and overcrowded; homeless people fill the streets and food is scarce; and most of the population survives on rations produced by the Soylent Corporation, whereof the newest product is Soylent Green, a green wafer advertised to contain "high-energy plankton", more nutritious and palatable than its predecessors ...more

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Nov 11, 2017 Andy rated it liked it · review of another edition

Whoever turned this into the movie Soylent Green was brilliant.

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Apr 15, 2014 Jay rated it it was ok · review of another edition

I was first exposed to the work of American sci-fi author Harry Harrison in my early teens, when I read his "Stainless Steel Rat" series, followed by the "Deathworld" trilogy and the Bill, the Galactic Hero series. That last was a parody, scathingly funny and a brilliant send-up of space opera sci-fi. The others were classic science fiction, and though they differed in tone they shared tight writing, crisp dialog, memorable characters, and thrilling plot twists.

Since the classic 1973 film Soylen I was first exposed to the work of American sci-fi author Harry Harrison in my early teens, when I read his "Stainless Steel Rat" series, followed by the "Deathworld" trilogy and the Bill, the Galactic Hero series. That last was a parody, scathingly funny and a brilliant send-up of space opera sci-fi. The others were classic science fiction, and though they differed in tone they shared tight writing, crisp dialog, memorable characters, and thrilling plot twists.

Since the classic 1973 film Soylent Green shares those traits (as well as superb acting), I was only mildly surprised when I learned, some time back, that it was based on this HH book, Make Room! Make Room! But for some reason, I had never managed to read the book...until now, and I wish I hadn't.

[Warning: spoilers follow]

The book version of the story bears little resemblance to the film, except for being set in the same world. It's a fairly standard crime tale with a rocky romance thrown in, but gone is the overarching conspiracy (the word "soylent" is only mentioned once or twice, and never explained); the relationships between the major characters are very different, and less interesting; the dialog is flaccid; and the crime which in the movie has the appearance of a random attack actually is a random attack in the book. It's a chore to read because there's no crescendo, no climax, no resolution--just a few months in the life of dystopian future New York as seen through the eyes of a couple of its unremarkable citizens.

Perhaps the biggest disappointment of all, though, was getting 3/4 of the way through the book only to find that the reason HH wrote it was to frame a screed against the Catholic Church (and all other "bluenoses") for their opposition to birth control--the sole factor which, in this world, has led to a shockingly unsustainable population of 7 billion (!) by the year 1999, and all Earth's resources have been depleted. And he's not championing abortion, he's just talking about the birth control pill and family planning. Now granted, HH wrote the book in 1966 when the Pill was just becoming widely available, and certainly there was some cultural discomfiture as it was being adopted; but nothing in the moral arguments against it were sufficient to prompt the Malthusian doom-casting that falls jarringly into the later chapters like a stone into a bowl of oatmeal. And the family (thankfully missing from the film) that invades the main characters' apartment near the end are nothing short of feral caricatures that could have been written by a high schooler trying to impress his English teacher with his range of negative adjectives. They're clearly meant to be his archetypes of the kind of humans that will populate the world unless we start preventing births NOW!, but they're so cartoonish that they force the reader to suspend disbelief. (Since Harrison lived until 2012, I wonder if he was ever chagrined at the fall of birth rates to below replacement level in almost all developed countries in the last few decades.)

I still think Harry Harrison is a sci-fi genius, and this horrid work does nothing to dim my enjoyment and admiration of his other books; it's hard to grasp that The Stainless Steel Rat and Make Room! Make Room! were written by the same man. But now I have an even greater appreciation for screenplay writer Stanley R. Greenberg, who somehow took this bland story with forgettable and unlovable characters and spun it into one of the best told, best written sci-fi films ever.

Interestingly, Harry Harrison died almost 5 months to the day after the world population was estimated to reach 7 billion. ...more

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Apr 21, 2013 Nancy Oakes rated it really liked it · review of another edition

Shelves: sci-fi

Considering that this classic novel of sci-fi was written in the 1960s, it's still quite a grabber and definitely worth reading. You're welcome to stay here for the short version or click here for the longer one.

The setting for Make Room! Make Room! is New York City, 1999, well beyond teeming with a population of 35 million people. Food is a precious commodity and water is rationed,except for the rich who have speakeasy-like secret meat markets for their shopping pleasures and can enjoy long sho Considering that this classic novel of sci-fi was written in the 1960s, it's still quite a grabber and definitely worth reading. You're welcome to stay here for the short version or click here for the longer one.

The setting for Make Room! Make Room! is New York City, 1999, well beyond teeming with a population of 35 million people. Food is a precious commodity and water is rationed,except for the rich who have speakeasy-like secret meat markets for their shopping pleasures and can enjoy long showers in their guarded apartments.

One of the defenders of the people in this overpopulated New York City filled with desperate people is Andy Rusch who lives in a room next to Sol, an elderly man who fills Andy's head with his old stories & opinions. Andy is currently tasked with finding Billy Chung, the murderer of a wealthy criminal named Michael O'Brien, who most of the policemen are glad to see gone. Andy wonders why this guy's death is such a big deal. All he knows is that the word has come down from the politicians that he's to give the case top priority. Overworked, tired, with a little extra food ration for being a cop, he starts his investigation and meets Shirl Greene, girlfriend/mistress to the dead guy, who is about to be tossed out into the streets; Billy Chung manages to find a way to disappear, holing up with a former priest who is waiting for the turn of the millennium, for the new heaven and new earth. Each character represents a different segment of the population; the murder plot is the frame for the real point of this book, which examines the hell of "an overpopulated future," as well as how things got to this state.

While some reviewers say that the themes in this novel aren't relevant in today's world, I say a) read it again...you'll find plenty of issues that resonate today, and b) that it is an intriguing look at the looming issues of its time: overpopulation and the failure of the earth to sustain an out-of-control population was a real concern back then. Another prevalent criticism of this book was that it was nothing like the movie Soylent Green -- and failed to mention the secret behind the food. Really? Seriously? This book didn't even go down that path, so why on earth criticize it for something that Hollywood made up after the fact? Even Harrison, as his LA Times obituary notes, thought the film only occasionally "bore a faint resemblance to the book."

While Harrison's doom-and-gloom scenario of 35 million people in New York City never came to pass, the book shouldn't just be one you turn your nose up at. According to the author's obituary, Tom Doherty, founder of Tor Books, noted that Harrison saw science fiction as a medium that "caused people to think about our world and what it could become.” That's one major reason I read sci-fi, although I have to admit I'm partial to older novels like this one. I liked it, and while maybe it's not the best sf novel I've ever read, it's definitely one I won't forget. ...more

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Nov 04, 2013 Patrick rated it liked it · review of another edition

Harry Harrison is one of those great old names of Golden Age SF whose stuff I have vague memories of reading avidly as a child, but of which I remember very little about nowadays. In his case I know I loved his ‘Stainless Steel Rat’ books, but I can’t recall much about him as a writer, so it was partly for that reason that I picked this book up from the library. It had nothing to do with ‘Soylent Green’ because I didn’t realise this book was the source for that movie — though once that clicked, Harry Harrison is one of those great old names of Golden Age SF whose stuff I have vague memories of reading avidly as a child, but of which I remember very little about nowadays. In his case I know I loved his ‘Stainless Steel Rat’ books, but I can’t recall much about him as a writer, so it was partly for that reason that I picked this book up from the library. It had nothing to do with ‘Soylent Green’ because I didn’t realise this book was the source for that movie — though once that clicked, I had the weird experience of reading all the way through expecting that famous line which is never once delivered. (They made up the whole cannibalism thing for the film.)

The book is based in Manhattan in the year 1999. It’s a dystopia. New York has become an impossibly overcrowded city of some thirty million people. Food and water are scarce, and about to become scarcer. Personal space and privacy are at a premium. Alcohol and meat are almost impossible to find; most people survive on composite foods made of lentils, soy and seaweed. The book follows Andy, an ordinary hard-working cop, and his investigation into the murder of a local gangster — but it isn’t really a crime story, and nor is it a political thriller.

The death is an excuse for the author the delve into this world, to explore it in detail. And it is a world-builder’s book, I guess, a sort of Malthusian thought-experiment taken to some kind of conclusion. Whether it is logical or not, I don’t know; it starts from the proposition that the population boomed because the US government never endorsed or supported any kind of birth control program, and I really have no idea how plausible that may have seemed when this was written in the mid-sixties. But I don’t think you have to entirely believe this to enjoy the book — in my opinion, it works quite well as a simple tale of deep pessimism and urban despair (which are both things I very much enjoy in literature).

I do have a few reservations. The writing is good — often really quite enjoyable, in a pulpy sort of way — but in many respects it hasn’t aged well. In particular, the portrayal of Andy’s girlfriend Shirl is a disappointing mass of wet cliches about sheltered, house-bound women that probably seemed dated when they were first written. I think we’re supposed to feel sorry for her when she ends up living with him and his roommate Sol in their tiny apartment with the bicycle-powered fridge and TV, but all I could think was that the least she could do was stop moping about and pedal the damn bike once in a while.

There’s also an unflattering portrait of a ‘welfare queen’ family near the end of the book, complete with squalling, bratty kids, and what is so often described as an ‘entitled’ attitude towards the government welfare that rehouses them. I suspect the author had lost any interest he once had in the plot of the book by this point. But again, this is another unfortunate incidental detail in a book which is really about how hell is other people, in every conceivable sense. ...more

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Sep 29, 2009 Rachel rated it really liked it · review of another edition

This was a really wonderful book. I read it before I watched the movie (Soylent Green), but because a co-worker told me about the movie. It was really interesting to watch the movie just after finishing the book and compare the two. In many ways they were almost polar opposite, but then again, the essentials were very much the same.

New York (and the entire world) are overpopulated and there is very little food and pretty much no space. According to the book the only decent place left to live in ...more

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Sep 21, 2017 Marian rated it liked it · review of another edition

Shelves: favorites

Soylent Green provides a more exciting story with a nice conspiracy and twist at the end, while Make Room! Make Room! provides more thought provoking material while giving a more in depth look at life in an overpopulated world.

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Aug 03, 2010 Bill rated it really liked it · review of another edition

Recommends it for: Everyone

Shelves: science-fiction, clifi-ecofiction

I was initially disappointed with novel on which the awesome movie Soylent Green was loosely based. This is a favorite movie which I've watched at least once a year since I recorded it on VHS. Loosely based is an understatement. The only things the book and movie have in common are the issue of over-population, two mentions of the word 'Soylent", Sol, a minor character in the book and Shirl, a much different character in the book. Tab is probably closest to the book's Tab. The entire plot is dif ...more

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Jul 06, 2015 Thom rated it really liked it · review of another edition

Shelves: fiction

Author Harry Harrison wrote in 1984 about the technique of background-as-foreground - the story for the main characters is really a means to capture the readers attention and draw them to the greater truth of the setting. He uses this to great effect in Make Room! Make Room!

This novel shows what the world will be like "if we continue in our insane manner to pollute and overpopulate Spaceship Earth." The observed limitations of oil and aquifers play right alongside the conflict between farmers an ...more

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Sep 07, 2013 Olethros rated it liked it

-Distopía noir.-

Género. Ciencia-Ficción (por muy poco en realidad).

Lo que nos cuenta. En un caluroso lunes 9 de agosto de 1999 en Nueva York, ciudad de 35 millones de constreñidos habitantes, el policía Andrew “Andy” Rusch comienza el día sorteando la escasez de agua y otros suministros que afectan a la mayoría de los residentes de la Gran Manzana y después va a su trabajo, que hoy consiste en dar apoyo a la vigilancia y control de la manifestación de los Ancianos de América que sienten atropell ...more

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Sep 16, 2017 Matt Tandy rated it liked it

Part crime noire, part dystopian, Harry Harrison makes a dramatic departure from his regular work, abandoning the humour and adventure of Death World and The Stainless Steel Rat and attempting to enter the world of Huxley and Orwell. In many ways he succeeds, painting a bleak yet very human New York of his future. There are no clear cut heroes or villains, as everyone is trying their best to survive. The increasing desperation is felt, as is the true relationships between the three main characte ...more

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Oct 04, 2011 Rick rated it liked it · review of another edition

Shelves: utopia-dystopia, overpopulation

I have to say that yes, I was little disappointed. But not because of the absence of Soylent Green, but because the last third of the book didn't have any real focus or drive. The first two-thirds of the book were quite good. Here we have the set up for a dark, dystopean NYC with overpopulation creating shortages of everything - except people. But there really isn't a payoff. It's basically just a noir-detective story set in an overpopulated city. Late in the novel, Sol does deliver a powerful c ...more

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Aug 29, 2008 Jim rated it it was amazing

Shelves: scifi, apocalyptic, 1paper, 2fiction

This was the basis for the movie "Soylent Green" with Charlton Heston & Edward G. Robinson. Superb!

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Jul 20, 2017 Badseedgirl rated it it was amazing · review of another edition

Shelves: 2017-lite-n-fluffy, 2017-tbr, ha-pages-read-2017, read-in-2017

Wait a minute, you mean "Soylent Green" Isn't people!?!?

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Apocalypse Whenever: AVAILABLE: Make Room! Make Room!	1	16	Oct 09, 2013 02:30PM

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About Harry Harrison

Harry Harrison

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Librarian Note: There is more than one author in the Goodreads database with this name.

Harry Harrison (born Henry Maxwell Dempsey) was an American science fiction author best known for his character the The Stainless Steel Rat and the novel Make Room! Make Room! (1966), the basis for the film Soylent Green (1973). He was also (with Brian W. Aldiss) co-president of the Birmingham Science Fiction G ...more