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سینه فیلیا و تاریخ

3.71  ·  Rating details ·  34 ratings  ·  2 reviews
Explores the history of cinephilia and its ramifications for contemporary film criticism.
Published (first published November 24th 2005)
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Dec 20, 2017 rated it liked it
دو فصل اول کتاب (تا صفحه‌ی صد) از این می‌گوید که فیلم‌بین‌های حرفه‌ای، گاها عاشق صحنه‌هایی می‌شوند که از نظر زیبایی‌شناسی یا روایت، اصلا نقطه‌ی کلیدی‌ای در فیلم نیستند و کارگردان ناآگاهانه این صحنه‌ها را به‌وجود آورده؛ صحنه‌های اضافی. در نتیجه سینه‌فیل‌ها ارزیابی غیرآکادمیکی (به معنای تئوری‌های رایج سینما) از فیلم‌ها دارند، که به ادعای نویسنده، به این ارزش‌گذاری باید ارج نهاده شود.
ایده‌ی این‌طور نگریستن به فیلم خیلی جذاب است، خاصه این‌که من فکر می‌کنم دقیقا همین «فضاسازی» و «فتیش به عناصری در دن
Nathan Roberts
I have such mixed feelings about this entire book. On one hand, I appreciate Keathley's broad impetus: to rescue cinema studies scholars from their own hypocrisy, to suggest that the faux-cinephobic "rigorous skepticism" of High Theory ought to be replaced with an academically-minded subjectivity. This is potentially freeing, and potentially helpful.

On the other hand, Keathley's obsession with "cinephiliac moments" seems to not only stem from a severely limited definition of cinephilia, but to t
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