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The Stars Dispose
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Set in Renaissance Florence, this fantasy retelling of the life of Catherine de' Medici is as beautiful and as richly magical as the works of the great artists who people its pages. When Catherine was born, she was the sole legitimate heir to a great fortune and great power. But her father had died before she was born, and her mother died only a few weeks afterward,
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Paperback, 416 pages
Published
December 1st 1999
by Tor Books
(first published 1997)
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While this book was filed in the fantasy section, it falls more under the historical setting than anything. But no matter what genre it's considered this is definitely one to read. From the servants' quarters to the ruling families of late-Renaissance-era Florence, Italy, this story follows the early life of Catherine de'Medici and her family during this tumultuous times. The story is told primarily through the eyes of a young boy, Tommaso, the son of the cook in the Ruggiero household, a family
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The Stars Dispose is a sumptuous feast of a novel set in 1500s Florence, told from the perspective of the artistic apprentice chef Tomasso. Tomasso's family has long ties of loyalty to both the Medici aristocracy and the astrologer and physician Ruggiero, who also moves in halls of the powerful, trying to influence events. Ruggiero often says, "the stars dispose, they do not compel," and this is true how magic and the otherworldly in this novel influence the edges of things but rarely exert
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The Stars Dispose is more than just an historical novel set in Florence in the early 16th century; it has at it's heart the magic of the strega, Italian witches. This, combined with alchemy, underpins the events detailed in the novel; the political machinations of the de Medici and their enemies, plague and the siege of the city. Michaela Roessner's research is impeccable, mixing fact with the lives of her characters and producing a novel that is, in my view compelling reading.
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A fantasy retelling of the life of Catherine de Medici, through the eyes of the servants (mostly chefs) who work for the great families of Florence. The descriptions of food are the most mouth-watering that I've encountered in literature in years. The fantasy/occult elements grow more prominent as the story goes on, which could be a problem for some readers. Also, there's not much closure, probably because the story continues in The Stars Compel.

Dec 21, 2007
Jennifer
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The Medici through the eyes of the families that take care of them, the kitchen staff and their cats...tangible and tactile story telling. A wonderful adventure for the senses and the mind.

This is the first book I've read from this author, and if this is anything to judge her work by, I'd definitely be looking for more.
First off, it's a foodie fantasy. I can't exactly say that food plays a big part in the plot (although the kitchen and the hearth definitely does), but food is important in that the characters whom we follow are culinary artists in their own right. I'm a big fan of fantasy novels where the writer takes the time to describe the food and the preparation thereof, ...more
First off, it's a foodie fantasy. I can't exactly say that food plays a big part in the plot (although the kitchen and the hearth definitely does), but food is important in that the characters whom we follow are culinary artists in their own right. I'm a big fan of fantasy novels where the writer takes the time to describe the food and the preparation thereof, ...more

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The Stars Dispose is a marvelously creative novel, beautifully written. It begins very much as a historical novel, set in Renaissance Florence, a rich tapestry of life among the artists, guilds and powerful -- all drawn as fully-conceived characters. Only gradually does Roessner introduce magical elements and hers is a particularly arcane approach to mystic realms, vastly different from the usual tropes of fantasy, just as this Florence is vastly different from the medievalist settings of "epic
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Renaissance Florence comes alive in this story of Tommaso de Befanini, apprentice sculptor and cook who is at the center of monumentous historical events, rubbing shoulders with the likes of young Catherine de Medici and Michelangelo. Tommaso is a pawn in a cosmic game his mother and Ruggiero are playing with sorcery and astrology against the forces of darkness. A cat and her litter of special kittens are integral to the magic and the plot, which I loved. However, I think a lot of readers will
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Apr 26, 2014
Colin
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A good book, worth reading. Something about it is uneven, although I can't put my finger on it—the pacing or the focus or some other nebulous thing like that. But it is written well, sometimes even beautifully, with plenty of sensual description.
This may have been the first fantasy I encountered with a queer (as in gay or bisexual) major character. I've always counted that in its favor not only because hey, it was about time, but because it was done well—sensibly, sympathetically, believably, in ...more
This may have been the first fantasy I encountered with a queer (as in gay or bisexual) major character. I've always counted that in its favor not only because hey, it was about time, but because it was done well—sensibly, sympathetically, believably, in ...more

Beautifully researched, the setting (historically, geographically, architecturally) is brought to life and peopled with characters both real and imagined. Rich with cultural details but imbued with supernatural elements, this is speculative fiction at its best. Really enjoyed the main character's journey from childhood to young adulthood and seeing the depth of detail in the life of artists and cooks, all set against the turmoil of 1400s Florence.
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Michaela-Marie Roessner-Hermann is an American science-fiction writer publishing under the name Michaela Roessner.
Born in San Francisco, Michaela Roessner was raised in (successively) California, New York, Pennsylvania, Thailand, and Oregon. Trained as a visual artist, she holds a BFA in Ceramics from the California College of Arts and Crafts and an MFA in Painting from Lone Mountain College, and ...more
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