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Modern Sudanese Poetry: An Anthology
Spanning more than six decades of Sudan’s post-independence history, this collection features work by some of Sudan’s most renowned modern poets, largely unknown in the United States. Adil Babikir’s extensive introduction provides a conceptual framework to help the English reader understand the cultural context. Translated from Arabic, the collection addresses a wide range of themes—identity, love, politics, Sufism, patriotism, war, and philosophy—capturing the evolution of Sudan’s modern history and cultural intersections.
Modern Sudanese Poetry features voices as diverse as the country’s ethnic, cultural, and natural composition. By bringing these voices together, Babikir provides a glimpse of Sudan’s poetry scene as well as the country’s modern history and post-independence trajectory.
Modern Sudanese Poetry features voices as diverse as the country’s ethnic, cultural, and natural composition. By bringing these voices together, Babikir provides a glimpse of Sudan’s poetry scene as well as the country’s modern history and post-independence trajectory.
186 pages, Paperback
First published September 1, 2019
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Displaying 1 - 26 of 26 reviews
dnf
March 26, 2025been missing sudan a lottt recently sooo what better way to miss it even more than reading a poetry book!!
update: picking this up again because my homeland is free. i’ve not stopped crying, alhamdulliah.
update: picking this up again because my homeland is free. i’ve not stopped crying, alhamdulliah.
May 14, 2020
This is my first time reading Sudanese poetry and I have to admit that I am impressed. The collection I read here is definitely unique. The love of country, life, religion, and identity as an individual and collectively shines through. Some poems resonated more than others as is usual for a collection of poems. I hope more Sudanese poetry is published in English as they are a treasure and it is shame that they do not receive more world wide recognition. Well worth a look.
December 31, 2024
very haunting but raw collection of poetry
from each mound, he makes himself a platform, to recite his elaborate woes.
a child who builds dream castles in sands,
then tears down his dreams.
like an aromatic wood,
burning itself to fragrance
dig no grave for me;
i shall lie in every inch of the earth.
i shall lie like water on the nile’s body;
like the sun over my homeland’s fields.
the likes of me never take a grave for an abode
June 1, 2019
I haven't read a great deal of poetry or know a great deal about Sudan, its history and culture but I was attracted by the cover of this book and I have been aiming to read more poetry so I thought I would give it a try.
What I was rewarded with was a rich vast collection of translated poems dipping in to love, identity, politics, sufism, patriotism, war and philosophy by some of Sudan's most renowned modern poets.
The books aim was to capture Sudan's modern history and diverse culture which it did perfectly through the many voices of these poets. Translated Sudanese poetry is not very readily available so these voices need to be heard and their words put out there to just "stop and make us think' which these well crafted messages did.
Educational, enchanting and thought provoking I slowly savoured these reading a few at time and reflecting upon the language. A welcome addition to a poetry collection.
My thanks go to Netgalley in providing this arc in return for a honest review.
What I was rewarded with was a rich vast collection of translated poems dipping in to love, identity, politics, sufism, patriotism, war and philosophy by some of Sudan's most renowned modern poets.
The books aim was to capture Sudan's modern history and diverse culture which it did perfectly through the many voices of these poets. Translated Sudanese poetry is not very readily available so these voices need to be heard and their words put out there to just "stop and make us think' which these well crafted messages did.
Educational, enchanting and thought provoking I slowly savoured these reading a few at time and reflecting upon the language. A welcome addition to a poetry collection.
My thanks go to Netgalley in providing this arc in return for a honest review.
February 25, 2024
3.75 but rounded up
I really liked a good number of the poems, but there was also a handful that I didn't connect with. Overall had a good time. I will admit that I can't help but wonder how the translations changes/effected them, what may be lost in translation. A lot of them were very accessible and easy to follow and their were some notes in the back to explain specific people, names or words which wasn't necessary for most of the poems but cam in handy for the few that needed them.
I really liked a good number of the poems, but there was also a handful that I didn't connect with. Overall had a good time. I will admit that I can't help but wonder how the translations changes/effected them, what may be lost in translation. A lot of them were very accessible and easy to follow and their were some notes in the back to explain specific people, names or words which wasn't necessary for most of the poems but cam in handy for the few that needed them.
November 7, 2023
"O my times in incarceration.
O my pain of longing and torment.
If I lose touch with you,
who, in this time of coercion, would I be?"
(Mahjoub Sharif, "The Homesick Sparrow")
O my pain of longing and torment.
If I lose touch with you,
who, in this time of coercion, would I be?"
(Mahjoub Sharif, "The Homesick Sparrow")
June 17, 2019
Thanks to Netgalley and the University of Nebraska Press for sending me an ARC in exchange for my honest review.
This was a really, really interesting book. I found the introduction particularly illuminating; like most people in the West, I would imagine, I know very very little about Sudan and its history and culture, so having the introduction to ground the poems in a rhetorical tradition was really helpful when it came to appreciating them.
There's a good mixture of subjects in this book, although the thing that struck me most was the sheer number of poems that were explicitly about Sudan and its history, the blood and tears that have been spilt in its name. There were so many poems that were essentially love songs to the land, even though the land has been so mistreated and the people have suffered so much for it. I think if you were to publish a compendium of poetry from France, for example, very few would be about the land itself. It was striking to me how the history of a place is indelibly inked on the people and the broader cultural consciousness. I would never even think about having to suffer for my own country's independence, and it was enlightening to read how it feels for those who do; how there's more than just pain there, but pride, too. I did find that a lot of poems, perhaps because they were translated by the same individual, sounded the same; it was hard to discern different authorship in many cases, with the exception of three or four very distinct voices (mostly women - this collection definitely has a gender bias, with very few female poets).
My only real bugbear with this book was that I feel the translation may have been a bit heavy-handed at times. I'm sure this is because there are concepts in Arabic which just don't translate well into English, but it made for some quite bizarre syntax and phrases; the phrase 'roaming dervish' was used in multiple poems, and it's just not something that I could parse. Much of that is my own cultural context, though, and I wouldn't say it's a bad thing; it's just something to consider for those who, like me, are coming at this poetry from a completely uneducated perspective. There are notes at the end of the book which help mitigate this.
A very interesting read, and I absolutely feel like I understand if not the history then the humanity of the poems in this collection. I haven't come out of it an expert in Sudan or Sudanese culture by any means, but it's given me a connection to the place I see in news reports that I think is absolutely vital for those who only ever see the name Sudan in connection to war and violence. The way a place is presented to us absolutely colours how we think of it, and this collection of poetry could not come at a more urgent time.
This was a really, really interesting book. I found the introduction particularly illuminating; like most people in the West, I would imagine, I know very very little about Sudan and its history and culture, so having the introduction to ground the poems in a rhetorical tradition was really helpful when it came to appreciating them.
There's a good mixture of subjects in this book, although the thing that struck me most was the sheer number of poems that were explicitly about Sudan and its history, the blood and tears that have been spilt in its name. There were so many poems that were essentially love songs to the land, even though the land has been so mistreated and the people have suffered so much for it. I think if you were to publish a compendium of poetry from France, for example, very few would be about the land itself. It was striking to me how the history of a place is indelibly inked on the people and the broader cultural consciousness. I would never even think about having to suffer for my own country's independence, and it was enlightening to read how it feels for those who do; how there's more than just pain there, but pride, too. I did find that a lot of poems, perhaps because they were translated by the same individual, sounded the same; it was hard to discern different authorship in many cases, with the exception of three or four very distinct voices (mostly women - this collection definitely has a gender bias, with very few female poets).
My only real bugbear with this book was that I feel the translation may have been a bit heavy-handed at times. I'm sure this is because there are concepts in Arabic which just don't translate well into English, but it made for some quite bizarre syntax and phrases; the phrase 'roaming dervish' was used in multiple poems, and it's just not something that I could parse. Much of that is my own cultural context, though, and I wouldn't say it's a bad thing; it's just something to consider for those who, like me, are coming at this poetry from a completely uneducated perspective. There are notes at the end of the book which help mitigate this.
A very interesting read, and I absolutely feel like I understand if not the history then the humanity of the poems in this collection. I haven't come out of it an expert in Sudan or Sudanese culture by any means, but it's given me a connection to the place I see in news reports that I think is absolutely vital for those who only ever see the name Sudan in connection to war and violence. The way a place is presented to us absolutely colours how we think of it, and this collection of poetry could not come at a more urgent time.
August 10, 2019
The work of a translator is exceptionally difficult. The translator has to convey the message of words written by another person without actually knowing that person, but they also need to make sure they flow correctly in the target language, so much so that the reader should never be able to tell that the text is not in the original language. Poetry is generally full of metaphors, meter, rhythm, and anecdotes that make translation all the more difficult. Adil Babikir has done an amazing job in the translation of these poems into English from Arabic, a task I can only imagine was intense and most probably agonizingly difficult at times!
Modern Sudanese Poetry is an anthology of Sudanese poems both curated and translated by Adil Babikir. The collection also contains a detailed preface about the anthology and the poets, why each one was chosen, and the reason why certain areas may be lacking (southern Sudanese poetry/spoken word for example, or poems that the editor was unable to secure publishing rights to). The collection spans 6 decades of Sudanese poetry (from the 1960’s until today), and includes both male and female poets (although I would like to have seen more women featured from the earlier period). I had personally not heard of any of these poets before and am grateful to Adil Babikir for the work they have done to bring us these wonderful works of art into the English language.
I read this collection slowly, savoring each poem, giving each poet time to linger in my head. There are many cultural references in the poems, a love for a homeland torn by war, but also hope, resistance and love. There is also so much beauty within this collection, poems that sing to you, twirl you around, and break your heart in two. I would love to read more content by each and every poet featured!
Thanks to Netgalley and the publisher for the advance copy of this collection. I encourage all poetry lovers to grab a copy and delve into the world of Sudanese poetry, you will not be disappointed.
#ReadAfrica2018 #ReadAfrica2019 challenge Book 16: Sudan
Modern Sudanese Poetry is an anthology of Sudanese poems both curated and translated by Adil Babikir. The collection also contains a detailed preface about the anthology and the poets, why each one was chosen, and the reason why certain areas may be lacking (southern Sudanese poetry/spoken word for example, or poems that the editor was unable to secure publishing rights to). The collection spans 6 decades of Sudanese poetry (from the 1960’s until today), and includes both male and female poets (although I would like to have seen more women featured from the earlier period). I had personally not heard of any of these poets before and am grateful to Adil Babikir for the work they have done to bring us these wonderful works of art into the English language.
I read this collection slowly, savoring each poem, giving each poet time to linger in my head. There are many cultural references in the poems, a love for a homeland torn by war, but also hope, resistance and love. There is also so much beauty within this collection, poems that sing to you, twirl you around, and break your heart in two. I would love to read more content by each and every poet featured!
Thanks to Netgalley and the publisher for the advance copy of this collection. I encourage all poetry lovers to grab a copy and delve into the world of Sudanese poetry, you will not be disappointed.
#ReadAfrica2018 #ReadAfrica2019 challenge Book 16: Sudan
October 8, 2020
Modern Sudanese poetry is a blend of poetry forms. At its core, it seems much like traditional Arabic poetry of the Mediterranian region, but it contains many different influences. The most substantial influence comes from African tradition. Islam and the Arab influence came later to Sudan than to North Africa, so there is much more of an African flavor to some of the poetry. Other influences may surprise some readers. Russian influence dates from the Cold War and continues still today with economic and political relations. Internal unrest and civil war also add another layer to the poetry.
Through the sixty or so years this anthology covers the reader will see variations of the above themes and combinations of themes. The Arabic style of poetry is well done, and one might have trouble recognizing that it came from outside Palestine or the Middle East. The collection includes biographies of the poets and also lists the translators. This collection is edited and translated by Adil Babikir. He has translated several works, including Mansi: A Rare Man in His Own Way by Tayeb Salih and two novels by Abdelaziz Baraka Sakin. A very well done collection of poetry covering several decades of a now divided nation who still remains underappreciated in the world of poetry.
Our passion for you, Aazza, is firm and stout.
Like mountains we stand, hard to sway.
Our bowstrings, alert and taut,
keep intruders away.
I never forsook my homeland: the land of ultimate beauty;
I always sought perfection, never rested for less.
My heart never throbbed for someone else;
as to the left I lean, take me in your right hand and embrace.
I can never forget Bilal’s orchard
our playgrounds under the shade
like flowers on hilltops
leaping to reach the stars
a palm-frond crescent braided on my forehead.
~ from "My Beloved Aazza" by Khalil Farah
Through the sixty or so years this anthology covers the reader will see variations of the above themes and combinations of themes. The Arabic style of poetry is well done, and one might have trouble recognizing that it came from outside Palestine or the Middle East. The collection includes biographies of the poets and also lists the translators. This collection is edited and translated by Adil Babikir. He has translated several works, including Mansi: A Rare Man in His Own Way by Tayeb Salih and two novels by Abdelaziz Baraka Sakin. A very well done collection of poetry covering several decades of a now divided nation who still remains underappreciated in the world of poetry.
Our passion for you, Aazza, is firm and stout.
Like mountains we stand, hard to sway.
Our bowstrings, alert and taut,
keep intruders away.
I never forsook my homeland: the land of ultimate beauty;
I always sought perfection, never rested for less.
My heart never throbbed for someone else;
as to the left I lean, take me in your right hand and embrace.
I can never forget Bilal’s orchard
our playgrounds under the shade
like flowers on hilltops
leaping to reach the stars
a palm-frond crescent braided on my forehead.
~ from "My Beloved Aazza" by Khalil Farah
May 15, 2019
I know nothing of Sudanese poetry, or indeed Sudanese history and culture but I do love poetry so this title intrigued me. Having read it twice (and no doubt will several more times), I cannot pretend I understand the complex politics and culture of this fascinating country but I am certainly more informed about their pains and emotions because many of them are universal.
A lot of the work goes past me as I don't understand the references, but that does not stop me understanding the feeling and the drive to capture your pain and your pleasures in words. A few examples will help I think:-
"Light enough to be swept away by a child's smile, yet no might can shake him out of place'"
A Poet Idris Jamma
"The night's silence lulls to sleep the heart-free poets, but their notebooks remain wakeful and alert, and their verse - trapped in their pens - oozing with revolt; and their inkpots revving with fury."
The Pre-Eruption Silence Aalim Abbas
"I am not scared of you because I am part of you, And you are part of me, Yet I cannot stop wondering how I will feel when we part?"
The Spider's Text Millennium Messages to Life Rugaia Warrag
The book is full of beautiful language, and a mosaic of lives and emotions and I will definitely be revisiting it and researching some of the history described in the excellent introduction.
Recommended if you are looking for something different to add to your poetry collection or if you want to try reading more in translation this year.
I was given a copy of the book by Netgalley in return for an honest review.
A lot of the work goes past me as I don't understand the references, but that does not stop me understanding the feeling and the drive to capture your pain and your pleasures in words. A few examples will help I think:-
"Light enough to be swept away by a child's smile, yet no might can shake him out of place'"
A Poet Idris Jamma
"The night's silence lulls to sleep the heart-free poets, but their notebooks remain wakeful and alert, and their verse - trapped in their pens - oozing with revolt; and their inkpots revving with fury."
The Pre-Eruption Silence Aalim Abbas
"I am not scared of you because I am part of you, And you are part of me, Yet I cannot stop wondering how I will feel when we part?"
The Spider's Text Millennium Messages to Life Rugaia Warrag
The book is full of beautiful language, and a mosaic of lives and emotions and I will definitely be revisiting it and researching some of the history described in the excellent introduction.
Recommended if you are looking for something different to add to your poetry collection or if you want to try reading more in translation this year.
I was given a copy of the book by Netgalley in return for an honest review.
May 30, 2019
inkpots revving with fury
Let me start with that! That was an excellent few words! That was from one of the poems – I cannot remember which one it was but I wrote it down so I could remember it but didn't think to write down the name of the poem or who wrote it. Silly me.
I haven't read, uh, any poetry that isn't from Europe or North America or Japan. I don't think I've even read Rumi – really! So this was my first time to dip my toes into African poetry, Afro-Arabic poetry, not-familiar poetry.
Yet it was somehow familiar. The fervor, the vibrancy, I know it from somewhere – it was the poems of early 1900's Finnish poets that it reminded me of. And it was beautiful. It was touching. It was patriotic. It was inspiring.
I definitely recommend this book to anyone who wants to get to know African/Afro-Arabic poetry.
I received a free eARC of this book in exchange for an honest review.
Let me start with that! That was an excellent few words! That was from one of the poems – I cannot remember which one it was but I wrote it down so I could remember it but didn't think to write down the name of the poem or who wrote it. Silly me.
I haven't read, uh, any poetry that isn't from Europe or North America or Japan. I don't think I've even read Rumi – really! So this was my first time to dip my toes into African poetry, Afro-Arabic poetry, not-familiar poetry.
Yet it was somehow familiar. The fervor, the vibrancy, I know it from somewhere – it was the poems of early 1900's Finnish poets that it reminded me of. And it was beautiful. It was touching. It was patriotic. It was inspiring.
I definitely recommend this book to anyone who wants to get to know African/Afro-Arabic poetry.
I received a free eARC of this book in exchange for an honest review.
July 13, 2019
Thank you so much Net Galley and University of Nebraska Press for this most interesting anthology! I did not know anything about Sudanese literature, let alone its poetry and am always eager to learn!
I loved the style of the various poems, their topics and themes (light and darkness, which is even a motif, identity, freedom, one’s homeland, family, legacies, ageing…).
My favourite is The Old Sea by Mustapha Sanad:
“Between us walls expand – as does an eternal night –
and a thousand doors stand.
Between us my senescence is laid bare,
and the masks of youth fade away.”
The beginning of this poem is extremely moving and well written.
It is a treasure of poetry, but also of political and historical allusions.
I highly recommend it!
#ModernSudanesePoetry #NetGalleyFrance
I loved the style of the various poems, their topics and themes (light and darkness, which is even a motif, identity, freedom, one’s homeland, family, legacies, ageing…).
My favourite is The Old Sea by Mustapha Sanad:
“Between us walls expand – as does an eternal night –
and a thousand doors stand.
Between us my senescence is laid bare,
and the masks of youth fade away.”
The beginning of this poem is extremely moving and well written.
It is a treasure of poetry, but also of political and historical allusions.
I highly recommend it!
#ModernSudanesePoetry #NetGalleyFrance
August 7, 2019
I think this is going to be a really important book; it is the best poetry anthology I’ve read in a long time. It is a collection of the writings of Sudanese poets over the last several decades, translated into English. It is amazing enough that these works survive, and even more beautiful to see the diversity in the writing. The styles of poetry are different, ranging from traditional Arabic poetry to more Russian/Soviet style to free form. The subject matter is also different, including religion, love poems, and the shocking ravages of war. I particularly liked Wedding Parade by el-Magzoub, A Poet by Jamma’,Departure at Night by Abu Zikra, Whispers by Elgizouli, and many more!
July 5, 2019
This is a much-needed book, as there is almost no other Sudanese poetry in English translation on the market. While the introduction is repetitive and the translations often awkward, the poems are nonetheless striking and urgent. I was especially struck by the sense of mortality and the horrors of the recent civil war in Sudan and the ways in which many of the poets navigated this trauma through a combination of direct address and metaphor using nature imagery. I recommend this to casual readers of poetry in addition to scholars and those interested in the land and its people.
March 12, 2020
While most of them did not blow me away there were a few great poems. I was especially moved by those of Nylawo Ayul which closed out the anthology. The intro was really helpful as well since it explained some of the themes in the poetry especially how many of these writers negotiate the identity of being both African and Arabic in their work.
Above all it is a great accomplishment to bring these Sudanese voices together and expose them to anglophone readers.
Above all it is a great accomplishment to bring these Sudanese voices together and expose them to anglophone readers.
August 20, 2019
This collection creates vivid images of Sudan for the reader. There are poems which touch on everyday things which lay in sharp contrast to those poems depicting the brutality of the Sudanese war.
I was blown away by this collection and think that everyone should experience it. Would be a great addition to any passionate poetry lover's library.
I was blown away by this collection and think that everyone should experience it. Would be a great addition to any passionate poetry lover's library.
May 29, 2024
A truly gorgeous introduction into Sudanese poetry. Some stunning favorites included
- Dig No Grave for Me by Mohammed el-Fayturi
- The Golden Scythe Song by Mahgoub Kbalo
- Songs of Solitude by Al-Saddig Al-Raddi
- The Spider’s Text: Millenium Messages to Life by Rugaia Warrag
- On the Bank of River Sobat by Nylawo Ayul
- Dig No Grave for Me by Mohammed el-Fayturi
- The Golden Scythe Song by Mahgoub Kbalo
- Songs of Solitude by Al-Saddig Al-Raddi
- The Spider’s Text: Millenium Messages to Life by Rugaia Warrag
- On the Bank of River Sobat by Nylawo Ayul
May 1, 2019
I chose this book as part of my World Reading Challenge. I am very uninformed about both poetry and Sudan, so I went into the book knowing nothing. I really feel like I learned something, and I am grateful,
(arc received from the publisher)
(arc received from the publisher)
August 31, 2019
Moder Sudanese Poetry was an interesting poetry collection that covers a lot of different themes, such as war, love, identity and sufism. I just wish they included more female poets in this collection to have a even greater variety.
December 30, 2022
One of, if not the most, beautiful poetry collections I’ve ever read. This is the first time I’ve read Sudenese literature and I’m in love. For a short period of time, I was transported all the way to East Africa, Sudan.
Read
August 4, 2023Not going to rate it, because I don't really like poetry and it wouldn't be a fair indication of the quality of the book.
Stand out:
The Spider's Text - Millennium Messages to Life
Stand out:
The Spider's Text - Millennium Messages to Life
February 26, 2024
3.75 stars
I enjoyed most of the poems, but I feel like for some of them, translation doesn't do them justice. Overall, I had a good time.
I enjoyed most of the poems, but I feel like for some of them, translation doesn't do them justice. Overall, I had a good time.
July 7, 2024
some of the poems were lost in translation (translation didn't do them justice) but you can tell the translator put in the effort. definitely enjoyed it.
September 6, 2024
so beautiful and solemn
April 21, 2019
Originally published on my blog: Nonstop Reader.
Modern Sudanese Poetry is an anthology of post-independence (1964-present) poetry from Sudanese poets. This book is in the African Poetry Book Series. Anticipated release date is 1st Sept 2019 from the Originally published on my blog: University of Nebraska press. It's 186 pages and will be available in paperback and ebook formats.
This volume is impressive in several ways. This is obviously poetry in translation, the translation work by editor Adil Babikir seemed seamless and quite a number of the poems moved me despite being translated to English (and despite being read through the lens of my experiences as a western white woman). The included poetry is appealingly wide ranging. There are both male and female poets represented here. The poetry encompasses both the Arab and African experiences (sometimes both at once). There is a lot of poignant counterpoint in the culture of the region and it is reflected in the poetry.
I also really liked the supporting materials. There is a very well written, accessible, scholarly forward by Matthew Shinoda which provides background information, some concise history and some interesting observations on the language and culture of the region. There is also an introduction, presumably by the editor, which gives a broad background with poetic and literary influences. The intro is accessible and also well documented, with a wealth of possibilities for further reading beyond the scope of the book.
The introductory materials represent roughly 20% of the page content. There are poems from (by my count) 31 poets, many of them have more than one poem included. I felt glimpses, reading them, of the common bonds which everyone shares across cultures and throughout time. We all experience love and loss and regret and confusion and anger.
There's an included notes section with some footnote info, a bibliography and reference section after the poetry, along with short contributor biographies.
I have done quick searches online and through the interlibrary catalogue at my university library. There is very little Sudanese poetry in translation available. None of these poets were familiar to me, and I found a number to follow up. This anthology was needed. Very well done (academic, true, but accessible and appealing to the layperson).
Five stars
Disclosure: I received an ARC at no cost from the author/publisher for review purposes.
Modern Sudanese Poetry is an anthology of post-independence (1964-present) poetry from Sudanese poets. This book is in the African Poetry Book Series. Anticipated release date is 1st Sept 2019 from the Originally published on my blog: University of Nebraska press. It's 186 pages and will be available in paperback and ebook formats.
This volume is impressive in several ways. This is obviously poetry in translation, the translation work by editor Adil Babikir seemed seamless and quite a number of the poems moved me despite being translated to English (and despite being read through the lens of my experiences as a western white woman). The included poetry is appealingly wide ranging. There are both male and female poets represented here. The poetry encompasses both the Arab and African experiences (sometimes both at once). There is a lot of poignant counterpoint in the culture of the region and it is reflected in the poetry.
I also really liked the supporting materials. There is a very well written, accessible, scholarly forward by Matthew Shinoda which provides background information, some concise history and some interesting observations on the language and culture of the region. There is also an introduction, presumably by the editor, which gives a broad background with poetic and literary influences. The intro is accessible and also well documented, with a wealth of possibilities for further reading beyond the scope of the book.
The introductory materials represent roughly 20% of the page content. There are poems from (by my count) 31 poets, many of them have more than one poem included. I felt glimpses, reading them, of the common bonds which everyone shares across cultures and throughout time. We all experience love and loss and regret and confusion and anger.
There's an included notes section with some footnote info, a bibliography and reference section after the poetry, along with short contributor biographies.
I have done quick searches online and through the interlibrary catalogue at my university library. There is very little Sudanese poetry in translation available. None of these poets were familiar to me, and I found a number to follow up. This anthology was needed. Very well done (academic, true, but accessible and appealing to the layperson).
Five stars
Disclosure: I received an ARC at no cost from the author/publisher for review purposes.
October 20, 2019
This book was an interesting read and had some fairly good poems. But, none of the poems were memorable.
Displaying 1 - 26 of 26 reviews