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The Goblin Emperor

(The Goblin Emperor #1)

Katherine Addison (Goodreads Author)

4.01 · Rating details · 31,708 ratings · 4,480 reviews

Even on the throne, you're only as good as your wits—or your heart.

Maia, the youngest, half-goblin son of the Emperor, has lived his entire life in exile, distant from the Imperial Court and the deadly intrigue that suffuses it.

But when his father and three sons in line for the throne are killed in an “accident”, he has no choice but to take his place as the only surviving ...more

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Paperback, 480 pages

Published March 21st 2019 by Solaris (first published April 1st 2014)

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The Goblin Emperor

Katherine Addison (Goodreads Author)

Release date: Feb 02, 2019

Return to the world of THE GOBLIN EMPEROR with this **signed copy** and get ready for THE WITNESS FOR THE DEAD, the new standalone sequel, out 6/22!

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Feb 21, 2014 Crowinator rated it it was amazing · review of another edition

Shelves: 2018-reads, adult, 2016-reads, arcs, 2015-reads, characters-i-love, favorites-of-all-time, genre-fantasy, steampunk-clockwork, e-arcs

We thoroughly enjoyed this book, but we have been unable to stop thinking in the majestic plural for many hours after reading many passages of dialogue written as such. We fear that our adoption of this narrative strategy will result in some confusion amongst our peers and are attempting to restrict it to our thoughts and not our spoken words. We could not avoid writing a brief and enthusiastic recommendation for this most absorbing high fantasy novel; however, we will bide our time until this s ...more

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Mar 29, 2014 Hanne rated it it was amazing · review of another edition

Shelves: fantasy

If you ask me, no-one is going to rain on this parade – simply because there is no rain on the books here.
No matter how much I often enjoy a dark and epic fantasy book, having one that is completely different in tone is refreshing. It’s a fantasy novel told from the perspective of one humble and utterly likeable young man – somewhat back to the fantasy novel style of the ’80s. Throughout the book, I honestly couldn’t shake the feeling that in another life Maia might have been raised in Aunt Pol If you ask me, no-one is going to rain on this parade – simply because there is no rain on the books here.
No matter how much I often enjoy a dark and epic fantasy book, having one that is completely different in tone is refreshing. It’s a fantasy novel told from the perspective of one humble and utterly likeable young man – somewhat back to the fantasy novel style of the ’80s. Throughout the book, I honestly couldn’t shake the feeling that in another life Maia might have been raised in Aunt Pol’s kitchen at Faldor’s farm.

Maia, fourth son of the Elflands’ emperor and born from his fourth and purely political marriage with a goblin princess, was raised in seclusion far away from court. In a country dominated by pure elves, his existence had always been considered somewhat of an abomination, and he only set foot in court at one occasion: his mother's funeral. Fourth sons are never expected to raise the throne, but accidents do happen and Maia is forced to the capital city.

This is sort of a political fantasy book, chronicling the struggles of an unprepared boy to take the throne and stand up for himself. Anyone who demands fast action in their fantasy novels should probably walk away, but if you like character-based books this would suit you. There is a lot of court intrigue, but above anything else it has heart, a sense of friendship, responsibility and a lot of humour.

“He thrives on brambles. The thornier a problem is, the happier he seems to be in the solving of it.” Her smile made her lovely. “Our thanks is worth little, to be sure, but nevertheless, we thank you, Serenity. For landing him in the brambles.”

The language in the book - with the royal ‘we’ - works really well: it fits its premise and the court environment without getting heavy or difficult to read. I also loved the little quirks that were added, including the subtle notions of elf ears that might betray some emotions by twitching or flattening, leading to Maia's internal instructions to appear self-confident: "Back straight, chin and ears up."

Behind the hopeful tone of the book are a lot of current world themes: No-one lets him forget how he is ‘the goblin emperor’ and not a white, pure-blood elf. I personally cannot stand the way media (and people) keep referring to others: Obama, the first black president, or how some CEOs will always be referred to as ‘the female CEO of company X', or even how Belgian’s Elio Di Rupo is referred to as the first (openly) gay prime minister. The fact people feel the continued need to point this out means that we still regard it as 'not normal'. So I keep wondering whether this is anything to celebrate, or whether it is just really depressing.

Another theme is gender equality and the right for everyone to get proper education no matter what race or background they have. In the Elflands, high society women are for babies, point. Maia is giving women a chance to pursue the things they want to pursue. When one of his step sisters asks why he helped her to study the stars, he answers “We were not considered worth educating, either.”
I won’t lie: that one small sentence got to me. It really did. ...more

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Apr 01, 2014 Tadiana ✩Night Owl☽ rated it it was amazing · review of another edition

Shelves: need-to-reread, steampunk, fantasy, coming-of-age

The Goblin Emperor is an unusual fantasy, but I really enjoyed it. Maia is the rejected and unloved 18 year old half-goblin son of the fourth wife of the emperor of the elves (I know his name sounds like a girl's name, and this description is starting to get complicated already, but stick with me here). Maia has been living in exile and isolation for years, but unexpectedly becomes the emperor when his father and three older half-brothers die in an accident(view spoiler) The Goblin Emperor is an unusual fantasy, but I really enjoyed it. Maia is the rejected and unloved 18 year old half-goblin son of the fourth wife of the emperor of the elves (I know his name sounds like a girl's name, and this description is starting to get complicated already, but stick with me here). Maia has been living in exile and isolation for years, but unexpectedly becomes the emperor when his father and three older half-brothers die in an accident(view spoiler). Suddenly Maia has to learn everything from the methods and processes of ruling to dancing and social skills. Maia is dealing with a truly severe case of self-doubt, but he's determined to do his best, and also to try to do what's right. Which is going to cause some ripples in an elven kingdom that already isn't at all certain that a goblin half-breed is the right emperor for them.

I had a few minor beefs: The names were terribly confusing--at least until I discovered the glossary in the back of the book when I was halfway through, after which point I read the rest of the book with one finger stuck in the glossary. The pacing of the story is ... maybe not quite slow, but deliberate. For better or worse, there's not a lot of action or romance: this is more of a tale of political intrigue and coming of age. Interestingly enough, there's also very little magic actually happening in this fantasy. What there is, is a lot of introspection on Maia's part as he tries to figure out how to be a good king and whether he even has it in himself to be one. It was fascinating to watch him learn how to relate to the characters around him, and to see his growth as a person and as a ruler.

But as soon as I finished it I had the urge to immediately start reading it again from the beginning, which is one of the two things that will generally get a book a 5 star rating from me even when it has weaknesses. (The other is when I immediately start looking up other books the author has written and considering which one to buy.) The worldbuilding is unusually strong and well thought out. Maia is a sympathetic and intelligent (if sometimes awkward) protagonist. If Addison writes a sequel, I'm there.

ETA: Katherine Addison has announced (in 2018) that she’ll be writing another book set in this world. Cheers! ...more

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May 16, 2014 Lois Bujold rated it really liked it · review of another edition

Recommends it for: readers who like court intrigue fantasy

Recommended to Lois by: accumulated internet reviews; plus, cool cover

Well, that was riveting.

The exiled half-blood son of an emperor's discarded fourth wife suddenly and unexpectedly inherits the throne after a terrible airship accident, and must scramble to find his feet in a Byzantine several-thousand-year-old elvish court. I adore the fact that this isn't a war story at all, for a wonderful, wonderful change, though it does have a nice murder mystery going on in the background at times.

It reminded me a lot of The King of Attolia, a favorite, with a bit of Gorm ...more

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Jan 04, 2017 Melindam rated it it was amazing · review of another edition

Shelves: uno-colour-cover, fantasy, fantasy-by-female-authors, favourites, uno-2021

ETA on re-read: still one of my favourite books!!!

description

Original Review

This is one of those rare books, which I wanted to start re-reading right away after I finished.

The novel is a combination of political intrigue, coming of age and whodunnit with a positive outlook/outcome, where the majority of characters stays alive instead of dying cruel, overdramatic or unnecessary deaths.

Titanic wars & armageddon do not feature in the book either, so if you prefer dark, grim, action- and war-packed fantas ...more

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Feb 05, 2020 Melissa ♥ Dog/Wolf Lover ♥ Martin rated it it was amazing · review of another edition

Shelves: library-book, audio, fantasy-all, favorites, own, paperback-own

I fell in love with this book from the start!! I absolutely love the narration as I listened to the audio through my library. But, I’m getting the Audible and paperback for my own!

THIS IS NOT A FIGHTING, ACTION, BLAH BLAH BLAH, BOOK! This is just a coming of age goblin book and it’s NOT damn boring. If you’re looking for all of the other stuff, you won’t find it here.

Mel 🖤🐶🐺🐾 ...more

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Apr 01, 2014 Sherwood Smith added it · review of another edition

Shelves: fantasy

It is said that Samuel Richardson, after being hectored by readers and critics following the runaway success of his novel Clarissa (a success, one gathers from reading period chatter, due in large part to his witty villain Lovelace before his inevitable and lugubrious end), promised he would write about a good man.

So he gave the world Sir Charles Grandison, who was so firmly aware enough of his perfection that he converses lengthily to all and sundry between the busyness of kidnappings, abductio ...more

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Dec 05, 2014 Nicky rated it it was amazing · review of another edition

Shelves: fantasy, favourites

When I finished The Goblin Emperor, I was sad there wasn’t more of it. Is there higher praise?

The things other people have critiqued do make sense: the fact that is very much character-driven rather than plot driven; the plethora of names and titles to get used to; the language stuff which may superficially appear just gimmicky and faux-archaic; the fact that Maia is often reacting rather than being proactive. Me, though, I loved it, for all of those things and more. For example, the thee/thou s When I finished The Goblin Emperor, I was sad there wasn’t more of it. Is there higher praise?

The things other people have critiqued do make sense: the fact that is very much character-driven rather than plot driven; the plethora of names and titles to get used to; the language stuff which may superficially appear just gimmicky and faux-archaic; the fact that Maia is often reacting rather than being proactive. Me, though, I loved it, for all of those things and more. For example, the thee/thou stuff was annoying me until someone pointed out to look closer: normally people who use thee/thou don’t get that it’s an informal form of address (presumably at least partly because of the ubiquity of the Lord’s Prayer, which uses that address for God) and so for someone who is familiar with Old and Middle English and French like me, it becomes very annoying to have people addressing their king as if he were their equal or inferior. Here, however, the pronouns are all intentional. If a character uses the first person plural, most often they are actually being formal; if they then drop into using ‘I’, then they are speaking as a private person, among friends. It’s worth watching what Addison does with pronouns, because when they change, you know something’s up. In a way, the conflict between I/we is a central part of Maia’s character and his relationships.

When it comes to the invented language, it’s a little more difficult. You end up with various forms of address depending on marital status and rank, and there are suffixes which alter names according to number and gender. This is something we’re just not used to dealing with in English these days, and it can make it very difficult to keep track of a character as they switch spheres and are referred to in different ways. There is actually a helpful section in the back, which is probably easier to refer to if you’re reading it in dead tree, which explains all of these things if it’s something you’re interested in. For me, I liked puzzling it out, and context often helped.

(From this point in the review, there are some minor spoilers!)

But all that could be there and interesting and it wouldn’t have made me care about the book like the central character did. People are right to talk about the massive contrast with “grimdark” fantasy; Maia is pretty unambiguously good, and though he may sometimes feel angry, or vengeful, he tries to be fair and not to use his newfound rank to punish those who have done him wrong. He has plenty of opportunity, he has the right, but he holds himself back. He cares about his social inferiors and servants, and though he was never trained to be emperor, never expected to be emperor, he gives himself to the role without reserve. I loved him and the characters around him, loved the moments when he pushed the boundary by apologising to them or showing concern, and the moments in return where they took a more personal interest in him. I wanted to see more of his closest guards, especially Cala, but the public/private formal/informal boundaries prevent that; we just get glimpses. I loved the moment where Cala buttons up Maia’s sleeve for him to hide the marks of abuse, the way Beshelar reacts.

I enjoyed that Addison evaded some things that would’ve spoilt my enjoyment. For example, Maia gets a crush on an opera singer, and yet there’s no seduction, no abuse of his power over her or vice versa. When she offers to have a ‘closer relationship’ with him, in a personal sense you want Maia to say yes, because it may make him happy — but because of the situation, you want Maia to remain the person he is, reluctant to abuse his role, and it’s a relief when he does. Addison shows Maia struggling with the role, but never betraying it or himself. I love that, I love that we’re not expected to forgive him a betrayal of his self because shiny happy love or something.

In terms of female characters, it’s interesting, because it’s set in a proto-medieval type world (though the religion implied at is somewhat Buddhist, with meditation taking a key role for Maia) and women are marginalised, but they’re not happy with it, and nor are all the men around them. There are educated women, women who pursue their skills and interests, women who are not afraid to defend their rights, their children, and in Maia’s fiancée’s case, her husband! Even one of Maia’s guards is, in the end, a woman. While I think the proto-medieval-Europe thing can be overdone, and there are shades of it here, Addison goes further than others in showing that world changing. For example, Guy Gavriel Kay’s A Song for Arbonne is ostensibly set in the world where women are given freedoms, educated, political, etc, and yet not one of them chooses to take an unambiguously unfeminine role — we don’t see female warriors, there remains a definite line between the roles of the sexes. Addison blurs that, shows it in the process of blurring, which I enjoyed very much.

When I say that I’m sad there isn’t more of this, it’s not because the story is incomplete. Of course, Maia’s life goes on afterwards, but I don’t want more because I need to know what happens next, or because there’s anything unsatisfying about it. I want more because I love the world, love engaging with Addison’s characters and figuring out her world, and I think there’s plenty more there for her to play with if she chooses. This is a book I’m sure I’m going to reread — I could almost just start it again right now, which is very rare for me. There are few fiction books I engage with on this level of looking for language, history, figuring out customs and conventions. It’s not on the same level as Tolkien, who spent a lifetime refining his world, but there is a complexity here which I really love.

Discuss this review on my blog! ...more

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Jan 01, 2020 Charlotte rated it really liked it · review of another edition

Shelves: heavy-breathing-elves, women-and-nb-of-speculative-fiction

This review has been hidden because it contains spoilers. To view it, click here. "'We consider it cruel,' Maia said. 'And we do not think that cruelty is ever just.'"

Spoilers follow, and a mention of abuse.

So What's It About? (from Goodreads)

"The youngest, half-goblin son of the Emperor has lived his entire life in exile, distant from the Imperial Court and the deadly intrigue that suffuses it. But when his father and three sons in line for the throne are killed in an "accident," he has no choice but to take his place as the only surviving rightful heir.
Entirely unschooled i ...more

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Mar 27, 2017 Mayim de Vries rated it it was amazing · review of another edition

We, Mayim de Vries, first of this name, have a confession to make. For a long time we have needlessly hesitated before reading the Goblin Emperor feeding on our superstitions. Mainly, do to the fact that when we hear “goblin” we see either this:

description

or this:

While the phrase “goblin king” brings only this picture in our imperial mind:

description

We apologise. We behaved ungraciously and based on ill premises, which we should not have inflicted on this fine book. We should have not disparaged its quality based o ...more

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Jan 29, 2021 Rebecca Roanhorse rated it it was amazing · review of another edition

4.5 stars. Sometimes a book may not be perfect but it's exactly what you need at the moment, and this book was so delightful and charming that it was exactly what I needed in a 2021 that's competing to hold 2020's beer. Low on action and magic, long on very human palace intrigue, a linguist's nerdy dream (I am not a linguist so it was more my chagrin, but I get the appeal) and just sort of enchanting overall.

As I mentioned above, I did struggle with the names and titles and often could not keep ...more

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May 25, 2014 Mimi rated it it was amazing · review of another edition

Shelves: 2017, fantasy-of-manners, favorites, coming-of-age, 2016

Not quite 5 stars, but I'm rounding up for the deftness of the writing.

This isn't fantasy in the traditional sense. It's fantasy in the Guy Gavriel Kay sense, or what I come to think of as "very little magic" high fantasy, and I find myself preferring this kind of fantasy over the elaborate magic-system-based fantasies because there's more focus on the characters, their individual stories, and the histories and current events of these made-up worlds, rather than a detailed or complex magical sys ...more

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Jan 13, 2014 First Second Books added it · review of another edition

Shelves: gina

You know how sometimes (frequently) when you read lost heir stories, the lost heir is a peasant who can’t read and doesn’t even know who the current king is, much less understands how a constitutional monarchy works? And then two weeks later, he’s been crowned king! And the only problem is a mustache-twirling usurper (or else, war! – but that’s always pretty easy to deal with) who can easily be handled by just killing him or throwing him in a dungeon.

This is not that book.

In The Goblin Emperor, ...more

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Aug 11, 2013 Mogsy (MMOGC) rated it really liked it · review of another edition

Shelves: fantasy, review-copy

4 of 5 stars at The BiblioSanctum http://bibliosanctum.blogspot.com/201...

On a trip to China a few years ago, I got to visit the Forbidden City in Beijing. Surrounded by such a display of magnificent splendor and so much opulence, I wouldn't be surprised if the whole tour group was thinking the same thing: how wonderful it must have been to be emperor, to be the son of heaven and have your word be law, all the luxury in the world at your fingertips and an army servants to cater to your every whi 4 of 5 stars at The BiblioSanctum http://bibliosanctum.blogspot.com/201...

On a trip to China a few years ago, I got to visit the Forbidden City in Beijing. Surrounded by such a display of magnificent splendor and so much opulence, I wouldn't be surprised if the whole tour group was thinking the same thing: how wonderful it must have been to be emperor, to be the son of heaven and have your word be law, all the luxury in the world at your fingertips and an army servants to cater to your every whim.

What would it be like to live a modest life, then to be suddenly elevated to such a position? The premise of The Goblin Emperor explores this very idea, following the life of the youngest, half-goblin son the the Elven emperor, a youth named Maia who has lived his entire life as a cast-off, far away from the business and affairs of the Imperial Court. But when his father and three older brothers all perish in an airship accident, being the next in line in the royal succession, Maia is plucked from exile to take his rightful place on the throne.

But for our protagonist, palace life and being emperor is not about the glamorous parties or eating fancy food and wearing fancy clothes. The Imperial Court is a whole new world for Maia, and his inexperience with running an empire is proving to be the least of his worries. Having been mostly forgotten in his exile, he arrives at the palace to find himself with no friends, no allies, and not even a clue as to how an emperor is supposed to act. Everyone seems to want something, and distinguishing obsequious flattery from genuine kindness is nigh impossible. Add to that, the airship crash than claimed the lives of his father and brothers turns out to have been no accident, and whoever assassinated the last emperor might be coming after Maia next.

Suddenly, being emperor does not sound like such a cushy idea anymore. The Goblin Emperor explores the role of a supreme ruler, but rather than focus on the glitz, Katherine Addison decides instead to paint a picture of uncertainty, frustration, and abject loneliness. Though he is surrounded by people at all times, Maia has no one to turn to and knows not who to trust.

And yet, the story also puts forward hope. Viewed as a character study, the book offers a unique perspective as well as a fascinatingly immersive experience. Maia is someone you can root for, and despite his moments of sadness and self-doubt, he possesses amazing strength at his core. A survivor of a horrible childhood who goes from being ignored to being the most important person in the empire, everything that happens affects and changes Maia, but his actions and feelings are always and ever guided by the goodness in his heart. There's something to be said about a character who can forgive past cruelties and betrayal, and instead look to the future with optimism and a mind to mend fences and build bridges. As the story progresses, the nature of Maia's relationships with others as well as his own reflections of himself begin to evolve, and that's when the depth of his character really shines through. Who needs glitz?

Clearly, so much care and thought went into the writing of this book. If I could make one suggestion to the prospective reader, flip to the end of The Goblin Emperor to familiarize yourself with the naming conventions as well as pronunciation of words in the Elflands before tackling this book. Someone gave me the same advice and it was a huge help. Otherwise, a lot of the similar sounding names and complicated forms of addresses might prove confusing. It still took me some time to get used to the language and style, but at least knowing some information beforehand made it much less overwhelming.

Powerful and touching, The Goblin Emperor is a strong entry into the high fantasy genre. I loved the world building, including Addison's inventive approach to elves and goblins as well as the intrigues of the Imperial Court. It's a setting rife with plots, politics, and power-plays, though most of this is handled at a much more subtle, muted pace. As such, this won't be a book for everyone, but readers who enjoy a more in-depth look into character portrayal and the setting will find plenty to love here. Highly recommended for fantasy fans looking for an introspective read and those who enjoy layers of complexity in their characters. ...more

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Apr 09, 2015 Bradley rated it it was amazing · review of another edition

Shelves: fantasy, worldbuilding-sf, mystery, steampunk

That goblin was just the sweetest child emperor I've ever known. He was always courteous and polite, even when he was abducted. He was so centered and contained even during that that time he almost took the knife of that assassin. Do you remember his name? Yeah. That windbag elf. Well, I don't care what any of his peers say about this dear child. He's looking forward to the future, I tell you! He even says goodbye to the cleaning staff of his late mother, bless his soul.

This novel, in case you h That goblin was just the sweetest child emperor I've ever known. He was always courteous and polite, even when he was abducted. He was so centered and contained even during that that time he almost took the knife of that assassin. Do you remember his name? Yeah. That windbag elf. Well, I don't care what any of his peers say about this dear child. He's looking forward to the future, I tell you! He even says goodbye to the cleaning staff of his late mother, bless his soul.

This novel, in case you haven't guessed, is a delightful take on normal people raising an Emperor. It is NOT, however, a tale of war, oppression, or magic. There's plenty of intrigue, but mainly it's a coming of age with a very healthy dose of fish out of water syndrome. On a personal note, it was charming and well paced and very, very political. It had elements of stab you in the back, of course, but the focus was mainly on trying to do a good job in a situation where no one seems to trust you. Believe me, I was very charmed.

This delightful novel was part of this year's Hugo nominations, and in spite of the controversy, I'm reading each novel deeply and seriously because I respect and cherish the Hugos. Anyone nominated will carry prestige because we, the readers, want it to be so. The moment we start devaluing the award in our own minds is the moment we lose a little light in our life.

As for being a contender, this novel definitely is. If I read this outside of the controversy or the nomination, I would still be gibbering and drooling about it, because, after all, it turns our archetypal conventions over to cook more evenly.

The writing is clear, the story is suspenseful, and the mystery around his father's death and his own assassination attempt keeps everything moving nicely. Most importantly, I felt real sympathy for our dear Emperor. If you think that the story is short on wonder or depth, think again. Everything is vividly imagined and deeply drawn, down to the airships or the clockwork bridge or the guard who sang our young Emperor to sleep.

This novel is a breath of fresh air with a huge heart, and that's saying a lot for a novel about a goblin.

Brad K Horner's blog ...more

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Nov 03, 2014 Geoff rated it it was ok · review of another edition

Shelves: library, fantasy, locus-winner

Despite the generally great ratings & reviews of this book, and its recent Nebula nomination, this book did not bring ‘it’ in many categories.

The good: Maia, the new emperor, is a great character. Despite his lack of confidence, he performs admirably in his new job with the help of his secretary, Csevet.

The not-so-good: The world. I’ve seen in some places this book be called a ‘fantasy of manners’. I suppose there are readers who would be interested in this kind of thing but it’s definitely not ...more

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Apr 04, 2014 Gavin rated it really liked it · review of another edition

Shelves: fantasy

This was an enjoyable read. The story was engaging despite not being all that exciting. This was a character driven fantasy that mainly focused on court intrigue.

Maia, who is half goblin, has spent his entire life living in an isolated country estate. First being looked after by his mother and then his banished cousin after his mother died. As the outcast fourth son he was largely ignored and forgotten by the court and his cruel neglectful father. An accident on an airship changes all this as t ...more

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Apr 01, 2014 Wanda rated it really liked it · review of another edition

Shelves: speculative-fiction, female-authors, read-in-2014

This is a charming tale of an unprepared young man, launched into a world that would be daunting even if he had been trained for it. Exiled by his father, abused by his guardian, disregarded and despised by everyone but his mother, Maia must find his way in a court that is complicated, unforgiving, and hostile.

I appreciated some of the real world concerns that found their way into this work of fantasy: the issue of skin colour, the status of women, the ways that people treat one another as “less This is a charming tale of an unprepared young man, launched into a world that would be daunting even if he had been trained for it. Exiled by his father, abused by his guardian, disregarded and despised by everyone but his mother, Maia must find his way in a court that is complicated, unforgiving, and hostile.

I appreciated some of the real world concerns that found their way into this work of fantasy: the issue of skin colour, the status of women, the ways that people treat one another as “lesser than.” I also enjoyed the steampunk details included in the book.

Although there is violence—it begins with the airship explosion that kills the Emperor and the three sons ahead of Maia for the throne after all—this is not a novel about war, battle or force. This is a tale about kindness conquering all and about how much it matters who the man or woman at the top of the hierarchy is. Years ago, I was involved in a large organization as a volunteer when said organization hired a man of dubious reputation as CEO. Rumour had it that he had quit the last executive position before sexual harassment charges could catch up with him. Soon, all the women in our organization were on high alert and knew to never be alone with this creep. Eventually even the men on staff figured things out and finally Mr. Creepy CEO was turfed, but the organization continues to suffer from the years he spent at the helm. One of my male friends told me that he had always considered that it really didn’t matter who was at the top of the heap, that he just ignored that detail and did his job—until this situation, when he realized that company culture really does emanate downwards from the person in charge.

Having said all of that, Maia demonstrates that the Golden Rule is an excellent way to run one’s life or one’s kingdom—do unto others as you would have them do unto you. He doesn’t win every encounter by practicing this philosophy, but by unflinchingly attempting to be fair, to really listen to people and to care, he shows the qualities of a real leader.

Two criticisms, both to do with names: one, Maia to me sounds like a female name and it bugged me attached to a male character. Two, there were too many very complicated names. If the names had dissimilar or if there had been fewer characters, I might have had a hope of keeping them straight. As it was, when one turned out to be important, I had to backtrack a bit and figure out exactly who they were. Otherwise, I just treated them as background wallpaper and didn’t try to distinguish one from another—and this despite the fact that I am usually good with names and that fictional names actually matter a great deal to me.

Despite the naming issues, I enjoyed this book very much and in fact stayed up much too late one evening to finish it. I am still trying to catch up on sleep, but The Goblin Emperor was worth it.
...more

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Feb 18, 2015 Rob rated it really liked it · review of another edition

Shelves: read-2015, sword-and-laser, stand-alone, fantasy, author-female

Executive Summary: The second half of this book is far superior to the first half making for a rather enjoyable read for me in the end. It won't be for everyone though.

Full Review
I must say I'm surprised to be giving this such a high rating. And not a 3.5 rounded up, but a solid 4. At the start of the book this was more like the 2.5 area.

The writing is fine. The world building, though sparse was decent. And I liked Maia from the start. With the reading funk I was in, this seemed like a good Executive Summary: The second half of this book is far superior to the first half making for a rather enjoyable read for me in the end. It won't be for everyone though.

Full Review
I must say I'm surprised to be giving this such a high rating. And not a 3.5 rounded up, but a solid 4. At the start of the book this was more like the 2.5 area.

The writing is fine. The world building, though sparse was decent. And I liked Maia from the start. With the reading funk I was in, this seemed like a good option to get me out of it. But despite all that I was bored. I barely touched it for a week. I'd read maybe one chapter a night. I skipped a few nights without reading it all. There just didn't seem to be much plot. Maia kept meeting a bunch of people whose names I still can't keep straight.

Then somewhere around the midway point, the plot finally seemed to kick in and I was hooked. I read the first 200 pages in 12 days. I read the rest of the book in 2. I was hoping to put a good dent in this book this weekend because it's due back to the library soon. I wasn't expecting to finish it.

If it hadn't been a group pick, I might have quit on it. I haven't quit on a book in years though, and I didn't hate it, I just wasn't really into it either.

I'm really glad I stuck with it. It was a lot of fun. I just wish the first half of it hadn't been so slow. I think that may turn a lot of people off who might end up liking it in the end as I did. There are just too many books out there to stick it out.

I'm not sure if this deserves the Nebula it's been nominated for, but I can see why it was nominated. But I expect a lot of people will question it however. The sense of danger prevalent in most fantasy novels is never really there. The conflicts may be a bit too light/easy for some. For me though, it was just what I needed.

And I'm glad that it's a stand alone. That is so rare these days. I'd read more books about Maia, but I think sort of coming of age/learning how to rule story is sufficient as it is. ...more

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Apr 20, 2020 Kelly rated it it was ok · review of another edition

Shelves: fantasy-and-scifi, fiction, identity-crisis, its-the-quiet-ones, owned, grand-opera, woundedsoulsandfragileflowers

This thing had a stick up its butt for the first 100 pages, removed it for about a hundred, and then poured a bag of saccharine all over itself and solemnly marched about to the tune of the Emperor’s New Clothes for the rest. After a hugely deceptive start with a charming intro of a language guide- yeah you heard me, super Strange & Norrell mischievous footnote vibes- it suddenly got Very Impressed with its own world building and took itself extremely seriously for way way too long. And while I This thing had a stick up its butt for the first 100 pages, removed it for about a hundred, and then poured a bag of saccharine all over itself and solemnly marched about to the tune of the Emperor’s New Clothes for the rest. After a hugely deceptive start with a charming intro of a language guide- yeah you heard me, super Strange & Norrell mischievous footnote vibes- it suddenly got Very Impressed with its own world building and took itself extremely seriously for way way too long. And while I am as much of a linguistics nerd as I think anyone outside the field can probably stand to be, family names and a culture using the royal we does not a compelling narrative make. I excuse a lot from exposition sections in the same way I do tv pilots, but man this was tedious. Maia’s status as poor orphaned Oliver Twist did little to touch me because it was resolved too soon and never really made to feel real. The Elfin court is not mysterious and labyrinth as I was hoping, but full of boring meetings and an endless subplot about a bridge that won’t end. This author is a classic Won’t Kill My Darlings, but given that 21st century twist where she also won’t morally compromise main characters either. You are eeeevvvillllllll or good or delusional/crazy- those are your options here. After an actually successful joke by Maia woke me up almost exactly on pg 100 he kept it up with the relatable humanity for another hundred pages or so and then got swallowed up by world building again. The last part of this draaaaaggggggeeedddddd. Not least because all suspense was taken out of everything at all times. Good People Win Because Small Acts of Kindness Karma Be Nice Kids and No Worries Maia is Perfect. I just.... fine, but also I’m bored? One of my danger signs of a failing novel is if I’d rather leave the room and follow minor characters around than stay with the MC. Oh man so many in this book! Cala, #1. Kiru the lady mage who was made a big deal of and then disappeared. That Marquess dude and his BFF the snooty but nice House of Lords stand-ins- I’d watch that sitcom. So kudos for the secondary character ideas! But no one is there long enough for me to focus on- instead I keep winding up with Maia who keeps failing upwards or being blessed with magical statesmanlike instincts after a life of abused isolation and god knows he’ll pull it out of his ass every time and I’m so booorreeeddd. Guys, I majored in European history, I devour bowls of popcorn in front of all the courtly intrigue filled biographies there are, I have been an epic fantasy fan for two decades. This should so be my jam on so many levels and it is not. What is with the high ratings on this one? I held out on it for years to see if the star average would go down and it didn’t and so I ordered it and I don’t get it. What are you guys seeing that I’m missing? ...more

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Dec 17, 2016 Alissa rated it it was amazing · review of another edition

Shelves: read-ebooks

5 heartfelt stars. This novel is one of those rare gems that are probably even more valuable over time and it’s all wrapped up in a neat, standalone package.

The beginning is very powerful: at I first struggled a bit to fall into step because everything is not laid out cut and dried before the reader and there are lots of nuances to catch and names to remember, but soon I was utterly and helplessly drawn into Maia's reality.
It’s a testament to the author’s skill that she achieved such delicate b ...more

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Jan 02, 2014 Sherwood Smith added it · review of another edition

Shelves: fantasy

I read this novel in draft a year ago. I just checked to see when it would be published--April. So I will have more to say when I get the actual book.

But it is on my buy-at-once list: since it's not out there is little to say that isn't spoilery. but put it this way. I was struggling with some devastating family news, and this novel is about the only thing I read during the month of January 13 that took me out of grief, and absorbed me completely. I loved it.

More in a few months.

REREAD

It is said ...more

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Dec 24, 2014 Angelica rated it did not like it · review of another edition

41. THE GOBLIN EMPEROR, BY KATHERINE ADDISON

Recommended to me by Leonardo, on Goodreads, and some "best fantasy books” lists. As I understand it, he hasn’t actually read it, but plans to. Honestly, I wouldn’t bother.

Synopsis: A half goblin, half elf boy, son of the elven emperor, is astonished to discover that, since his father and all his brothers have died in an accident, he’s the heir to the throne. He goes to the palace where he meets lots of people and watches some things happening.

Overall 41. THE GOBLIN EMPEROR, BY KATHERINE ADDISON

Recommended to me by Leonardo, on Goodreads, and some "best fantasy books” lists. As I understand it, he hasn’t actually read it, but plans to. Honestly, I wouldn’t bother.

Synopsis: A half goblin, half elf boy, son of the elven emperor, is astonished to discover that, since his father and all his brothers have died in an accident, he’s the heir to the throne. He goes to the palace where he meets lots of people and watches some things happening.

Overall enjoyment: I tried very hard, but just couldn’t like it. Every time I try to come up with a redeeming quality, I almost immediately shoot it down. It was just boring and badly written.

Plot: There isn’t one. It’s a bunch of stuff that happens, one after the other, and almost unconnected. And even those small plots are boring, ridiculously incongruent, obvious, and badly made.

Characters: Again, bleh. The only character with some depth is Maia himself; all the others are two- or one-dimensional profoundly stupid beings. You can tell right away who is good and who is bad depending on if they are warmly welcoming to him or if they look at him with pure hatred. His enemies are so stupid it’s a wonder they manage to get anything done; you can see right through every one of their plots, and I believe my grandmother could have come up with better plans for assassinating the emperor. And she has Alzheimer’s. The good characters are good just because they are. And despite being marginally better written, Maia is also a very badly developed character. He’s very inconsistent, being a political genius and infinitely wise in one chapter and naive boy who probably still believes in Santa and would sign contracts against the presents he would bring. He’s so pusillanimous; nothing in the story happens because of him, he only watches while things happen.

World/setting: I was hoping this could be a redeeming quality, but, sadly, it’s not. It’s simply a badly constructed world. She did put some work into it, but all in the wrong places. You have no idea how the society works, she completely ignores the day to day life of people, but she gives excruciatingly detailed descriptions of formalities and rituals among the nobles. And they’re not even useful formalities, they are not metaphors of how the society works, or significant to the plot, characters or ideas; they’re just whimsical empty gestures designed to give the impression of a culture. She invents terms and titles and just dumps them on the reader’s lap without any explanation. Plus, her choices of what to describe really leave something to be desired; she keeps building up expectations, saying how wonderful, amazing, extraordinary and impressive things are and then, when the character finally sees this thing, they will assure the reader that it really is and not describe it at all (in the meantime, the reader will know every meal and every piece of clothing in the area around in detail). This world was supposed to have steampunk elements, and indeed there is mention of a few steam-powered engines and such, but it has absolutely nothing to do with the story and could have been removed without loss (the book probably would have been better, because it would be shorter). It feels like she only included them as an afterthought, so her book would be considered steampunk.

Writing style: I don’t it. Very obscure, almost like she’s purposefully trying to make her text more difficult to read. The pronouns seem like an unnecessary affectation (much like almost everything in this book). She will travel wildly in time and space in the same chapter (sometimes even the same paragraph), without any warning.

Representation: There was an attempt, with the goblins being dark skinned and suffering some prejudice from it and a few homosexual relationships, it’s very badly worked (or not at all). Just like with the steampunk, it feels like she only included them so that it would be there.

Political correctness: This book is a goddamn train wreck. All the characters are stereotypes. She’s very bad on her treatment of women: there are very few, and those are very stupid or absolutely motherly. But then, the male characters are very badly written too, so that’s probably not sexism.

Up next: The Glass Castle, by Jeannette Walls
JL 740 ...more

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Mar 15, 2014 Nathan rated it really liked it · review of another edition

Shelves: read-2014, rated-4-star, author-female, high-fantasy

Fantasy Review Barn

I finished The Goblin Emperor and found myself smiling. Not just from the joy of reading a really good book, but because for the first time in a long time I read a fantasy novel with a hopeful tone. Obviously the current trend of the genre is quite the opposite of hopeful, and those that break out of the dark tone tend to end with everything wrapped up in a package and happily ever after. But to end just on a hopeful tone? Well, that just causes smiles.

The blurb really tells y Fantasy Review Barn

I finished The Goblin Emperor and found myself smiling. Not just from the joy of reading a really good book, but because for the first time in a long time I read a fantasy novel with a hopeful tone. Obviously the current trend of the genre is quite the opposite of hopeful, and those that break out of the dark tone tend to end with everything wrapped up in a package and happily ever after. But to end just on a hopeful tone? Well, that just causes smiles.

The blurb really tells you what you need to know. This tale opens with Maia being woken by his guardian to be given news of an airship crash that was carrying not only the emperor, but everyone ahead of Maia in the line of succession. Suddenly the half goblin, hated by his father and unknown to the court, must leave his exile to take the reign as Emperor. No longer subject to his guardians apathy and abuse, but all alone in the complex elven court, this is the story of a man over his head but doing what he can.

I find myself struck by the realism of this book; specifically when it comes to character personalities and their interactions with each other. Maia is an outsider, an other, as unknown to the court as it is to him. Immediately he finds himself surrounded by false friends and those who feel they can hold power over him. In lesser hands the major players of the court would have come down to the good guys and the bad guys; many books promising political intrigue seem to fall into this trap. But Addison actually took the time to craft her characters; each has their own unique motivations. While those who are truly against Maia are hard to find common ground with, almost everyone else has motives that are believable and even sympathetic, even when the characters are putting a false face forward for Maia.

As a main character Maia does not disappoint, a good thing because this is his story and his story alone. Though told in the third person the perspective never leaves his side. The hopeful tone I mentioned works because he is so likable. I felt his loneliness and isolation, understood his follies and false steps in court, and felt the joy for him as he discovered who in the court he could really count on, even hope to call a friend. He may be out of his depth but he is not naïve, and it led to interesting interactions.

This is a book with long names and some strict speaking conventions that are unofficially enforced in court. As such I had a bit of a false start as I lost track of a couple of characters and had to back track and restart early in. But Addison was consistent in her use of the language, and most names had a shorted form, so it was not long before I was in the flow of the book and forgot I had any issues with it to begin with. It was a well-paced story, smart and interesting when a bit slower but with a bit more action than early reviews suggested sprinkled in. As an unlikely man on the throne and holder of some more liberal ideas he makes some real enemies, and they are not afraid to attempt some extreme measures. And while his dealings with the necessities of court makes up the main plot of the book, the question of his father’s death needs to be answered as well.

My quibbles were minor; I really enjoyed almost every aspect of this book. I had a bit of an eye roll moment when a letter dealing with the investigation came in; handwritten and of much importance it was page after page of ‘this is what has been happening off the screen.’ And as big of a deal as his Goblin heritage seemed to be at first I was a bit surprised at how quickly certain parties were ok with it. Perhaps this is purely expectations; I expected this to be a bit more of a racial prejudice parallel that never really materialized. Or perhaps Addison was too successful, her subtlety messing with my expectations one more time.

Almost every review I have read of this book thus far have pointed out that this book can be seen as the antithesis of the GRIMDARK trend. I can’t help but agree. With its slower but meaningful pace and hopeful tone I hope it gains a following that proves that this type of story has its place out there as well.

4 Stars

Review Copy received through NetGalley. ...more

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Feb 04, 2015 Mona rated it liked it · review of another edition

Flawed but Likeable Coming-of-Age Fantasy Tale

I have mixed feelings about this novel.

I could have done with less of the unpronounceable and unspellable names and places (Edrahasivar, Varenechibel, the Untheileneise, etc.); elaborate rituals, and endless descriptions of dress and costume , as in the following passage:

"Maia suffered himself to be adorned. Rings for his fingers, silver set with jade and moonstones, bracelets like manacles, silver set with dull cabochon emeralds; a series of rings f ...more

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Feb 25, 2015 Jenny (Reading Envy) rated it really liked it · review of another edition

Shelves: read2015, sci-fi-fantasy, sword-and-laser, nebula-winners-or-nominees

I probably would not have read this book if it hadn't been selected for the Sword and Laser book club for March 2015, and in the same month get announced as one of the Nebula nominees.

It's not my normal fare, in other words. It was described to me as a steampunk-fantasy court drama novel, but I would characterize it more as a coming of age, fish out of water, court drama novel. The steampunk is far in the background and as much as I don't geek out about those kinds of details, I think more of t ...more

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Mar 20, 2014 Wealhtheow rated it really liked it · review of another edition

Shelves: fantasy, queer-characters

Maia is the overlooked and unwanted half-goblin son of the Emperor of the Elves. Then his father and older brothers die in a dirigible explosion. In the space of a single day, Maia is catapulted from a shabby genteel life in the backwater to head of an Imperial Court he has only ever visited once before. Maia tries to be a good emperor, but his upbringing didn't prepare him for any part of his new life.

I really, really liked this, both the world that Addison has created and Maia himself. I only ...more

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Feb 13, 2014 Althea Ann rated it it was amazing · review of another edition

A perfect court intrigue.

Maia never expected to become much of anyone. Although he’s technically a prince, after his mother died his father the emperor relegated him to exile at a remote manor, under the care of an abusive guardian. He never really expected to escape his position of disfavor, due to his mixed racial heritage. However, when a terrible airship accident not only kills his father, but also wipes out all the other people ahead of him in line for the succession, in one fell blow, Maia A perfect court intrigue.

Maia never expected to become much of anyone. Although he’s technically a prince, after his mother died his father the emperor relegated him to exile at a remote manor, under the care of an abusive guardian. He never really expected to escape his position of disfavor, due to his mixed racial heritage. However, when a terrible airship accident not only kills his father, but also wipes out all the other people ahead of him in line for the succession, in one fell blow, Maia is unexpectedly recalled to court to take up the crown.

Although unprepared for this responsibility, he’s determined to make a go of it, and give it his best shot. However, the swirl of sophisticated society is overwhelming to him, let alone the nuances of ruling an empire. And although Maia would like to make friends, enemies are already waiting for him.

I requested this book without reading up on anything about it. At 16% of the way through, I said, ‘no way this is a debut author – the writing is too sharply honed,’ and I looked it up. It’s Sarah Monette! I LOVE Sarah Monette! (And I believe I actually read about this book coming out under a pseudonym on her blog, several years ago, but forgot about it!)

No matter what name she uses, this is a truly excellent work. The characters are finely drawn, and treated with sensitivity. There’s a constant, well-paced tension as Maia navigates this new and alien world, forms alliances, discovers plots, and tries to investigate his father’s death. The concerns of different factions of the aristocracy, the working classes, women, and different cultures are all dealt with for a complex, convincing setting. The positioning of elves and goblins at the brink of an Industrial Revolution(?) is unusual but convincingly done, without any sacrifice of ‘magic’ and the rich panoply of a faerie court. Even the language and the social hierarchy felt fresh and new.

I know it’s only February, but I wouldn’t be at all surprised if this is the best book I’ll read this year.

I received an advance copy of this book from NetGalley. Thanks to NetGalley and Tor/Forge.
...more

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Apr 27, 2014 Kara Babcock rated it really liked it · review of another edition

Shelves: 2015-read, fantasy, from-library, hugo-nominee

Nearly two years ago, I read a book by Sarah Monette called Mélusine, and I hated it. I considered it a train wreck of a novel. I wasn’t looking to read anything more by Monette in a long time. Now she’s back under the pen name of Katherine Addison (apparently for career reasons, which is a little silly, but I can also understand why). And not only am I giving The Goblin Emperor four stars, but I consider it every bit worth the Hugo nomination it has received, and I will not be disappointed if i ...more

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Nov 11, 2018 Doug rated it it was amazing · review of another edition

A book whose quality totally caught me off-guard, and one of the best books I've read all year.

I was dragging my feet when it came to reading this book because the title made it seem to me like it was going to be much zanier than it was. In fact, this book is one of the few fantasy books I've read that treats its reader like they are intelligent. Sure, the Malazan series takes its reader to be intelligent too, but it's in a very different way: the Malazan books leave a lot implicit and subtextua A book whose quality totally caught me off-guard, and one of the best books I've read all year.

I was dragging my feet when it came to reading this book because the title made it seem to me like it was going to be much zanier than it was. In fact, this book is one of the few fantasy books I've read that treats its reader like they are intelligent. Sure, the Malazan series takes its reader to be intelligent too, but it's in a very different way: the Malazan books leave a lot implicit and subtextual; not everything is on the page. This book, on the other hand, lets each event and episode be pretty much easily understood, but hits you over the head with names, people, etc., so much that you feel completely immersed. This book pulls no punches when it comes to giving you a world, even if it (very often) comes at the expense of your memory.

This book is not at all action-y. In a sense, it is all politics. It's about a young adult who becomes emperor unexpectedly: nobody really knows who he is, and he has no idea what he's doing. He's well-meaning but entirely in over his head.

But this is not a book about political intrigue, even though it sometimes comes across that way. It's a book about coping: coping with your life, with who you are, and who you have to be. It's a book about loss and commemoration, and about redemption. It's the fantasy genre at its very best. And it doesn't try to shoehorn in any action or military scenes/plots. This book focuses squarely on emotional development dressed up as political intrigue.

It's also a deeply heartfelt book with a warmth that I would not have anticipated from a story about a goblin becoming emperor.

It's one of my favourite fantasy books, and perhaps the best book I read all year, but it's not perfect. The main character is a little too "good," too much of an angel, too "sensitive," especially against the backdrop of a culture that isn't at all that way, and I find that a cheap way of selling the character to the reader. It also struck me as a bit one-dimensional. This character feels lots of things in response to his circumstances, but his anger and hatred never really boil over, and he's always too "good" even when it comes to moderating that anger.

But this book is fantastic and really worth the read. ...more

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About Katherine Addison

Katherine Addison

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A pseudonym of Sarah Monette. Both Sarah and Katherine are on Twitter as @pennyvixen. Katherine reviews nonfiction. Sarah reviews fiction. Fair warning: I read very little fiction these days.

Sarah/Katherine was born and raised in Oak Ridge, Tennessee, one of the three secret cities of the Manhattan Project.

She got her B.A. from Case Western Reserve University, her M.A. and Ph.D. from the Universi ...more

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“ 'In our inmost and secret heart, which you ask us to bare to you, we wish to banish them as we were banished, to a cold and lonely house, in the charge of a man who hated us. And we wish them trapped there as we were trapped.'

'You consider that unjust, Serenity?'

'We consider it cruel,' Maia said. 'And we do not think that cruelty is ever just.' ” — 84 likes

“He remembered the moment when his thoughts had inverted themselves—that shift from not being able to please everyone to not trying—and the way that change had enabled him to see past the maneuverings and histrionics of the representatives to the deeper structures of the problem; it was the same with the Corazhas.” — 21 likes

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