Zen and the Ways

by Trevor Leggett

Expression of Zen inspiration in everyday activities such as writing or serving tea, and in knightly arts such as fencing, came to be highly regarded in the Japanese tradition. In the end some of them were practised as spiritual training as themselves; they were the n called ‘Ways’. This book, first published in 1978, includes translations of some rare texts on Zen and the Ways. One is a sixteenth-century Zen text complied from Kamakura temple records of the previous three centuries; others are translated from the ‘secret scrolls’ of fencing, archery, Judo and so on.

Genres: Philosophy, Martial Arts, Buddhism, Nonfiction

270 pages, Hardcover

First published March 12, 1978

Reviews

[Bernie Gourley · Rating 5 out of 5]

This book is the most densely populated with interesting insights that I've read in some time. It's not new, being first published in 1978, but it takes a variety of approaches to give the reader a better understanding of Zen and the application of Zen mind to martial arts and other activities that found benefit in stillness and clarity. By "the Ways," Leggett is referring to those arts and activities benefiting from Zen, which include: tea ceremony, flower arranging, painting, poetry writing, and all manner of martial arts. (The latter are dealt with most extensively, but not exclusively.)

The book is arranged in six parts, the first half of which focus mostly upon Zen Buddhism and, particularly, the Kamakura school that found a huge following among warriors and other artists. Those first three chapters take a big to small approach, examining Zen from ever finer levels of detail, starting with an introduction to Zen Buddhism broadly, moving on to the Kamakura developments, and then finally focusing on one particular practice -- that of Koans (stories that present riddles which the student can only "solve" in a non-intellectual fashion.)

The second half of the book investigates the ways Zen has been applied to various arts. This is where one sees the varied approaches used to explore the confluence of Zen and artistry. Part Four consists of a series of essays explaining concepts such as ri (universal truth) and ji (formal technique,) ki (vital energy,) and isshin (single-heartedness) / zanshin (lingering awareness.) Part Five consists of historic martial arts scrolls and excerpts, including Yagyu Munenori's Art of War and Chozan Shisai's "Tengu's Guide to the Martial Arts." The final part consists of stories that illustrate crucial ideas in a readable and memorable fashion.

I was extremely pleased to stumble across a copy of this book in a second-hand bookshop. I'd long ago heard a fascinating story about murders in Edo era Japan of high-level martial artists, all killed in the same manner. They never found the killer, but they figured out how the murders were done easily enough. The killer exploited his knowledge of that school's techniques to lay a fake that exploited their own technique to create an opening. It's a cautionary tale that drilling muscle memory is not the end-all be-all of martial arts, and that it can create its own problems. At any rate, I'd never been able to find the source... until now. There is a detailed discussion of it in this book.

For readers interested in how state of mind influences artistic performance, I'd highly recommend this book.

[Ti1301 · Rating 4 out of 5]

This book is an excellent starter for those looking to learn about Zen. A mentor of mine recommended this book as he read it during his studies of Zen. There were many concepts that this covered and I was very impressed by the content as well as the delivery of the matter.