Explains the use of symbolism in opera, interprets scenes from Monteverdi, Mozart, Verdi, Wagner, Stravinsky, and Britten, and stresses the importance of staging an opera in accord with the composer's intended use of symbols
An old man tells of the enduring power of archetypes and symbols, then proceeds to bitch that most opera productions today intentionally obscure those enduring symbols. Contradictory argument, not a great read.